Portal:Music

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The Music Portal

Music is the expressive arrangement of sound, often characterised as encompassing aspects of form, harmony, melody, and rhythm. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of composition, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice.

Music often plays a key role in social events and religious ceremony. The techniques of making music are often transmitted from as part of a cultural tradition. Music is played in public and private contexts, highlighted at events such as festivals and concerts for various different types of ensembles. Music is used in the production of other media, such as in soundtracks to films, TV shows, operas, and video games.

Listening to music is a common means of entertainment. The culture surrounding music extends into areas of #academic study, journalism, philosophy, psychology, and therapy. The music industry includes songwriters, performers, sound engineers, producers, tour organizers, distributors of instruments, accessories, and publishers of sheet music and recordings. Technology facilitating the recording and reproduction of music has historically included sheet music, microphones, phonographs, and tape machines, with playback of digital musics being a common use for MP3 players, CD players, and smartphones. (Full article...)

General images - load new batch

The following are images from various music-related articles on Wikipedia.

Image 1Notation indicating differing pitch, dynamics, articulation, and instrumentation (from Elements of music)
Image 2A young man browsing through a record store in Bonn, West Germany, June 1988 (from Album era)
Image 3The Rolling Stones in 1967 (from Album era)
Image 4A young couple listening to music on an iPod Mini, 2006 (from Album era)
Image 5Circular definition of "musicality" (from Elements of music)
Image 6Kanye West (2007) emerged during the decade as an important hip-hop producer and album artist. (from Album era)
Image 7As LPs fell out of favor to CDs, hip hop producers repurposed them as sampling sources, contributing to the development of record collecting. (from Album era)
Image 8The Bull Headed Lyre of Ur, found in the Royal Cemetery at Ur, is the best known of the ancient Lyres of Ur (from History of music)
Image 9An LP record on a phonograph (from Album era)
Image 10The portable Discman CD player, which was released in 1984 and precipitated the displacement of LPs (from Album era)
Image 11The Beatles (1964) have been credited by music historians for heralding the album era. (from Album era)
Image 12Frances Densmore recording Blackfoot chief Mountain Chief on a cylinder phonograph in 1916 (from Music industry)
Image 13A smartphone displaying playlists on Spotify, 2010. The streaming service became a dominant and redefining platform for music consumption through the decade. (from Album era)
Image 14Stevie Wonder, among the era's innovative artists (from Album era)
Image 15Frank Sinatra (c. 1955), an early pop album artist (from Album era)
Image 16A radio broadcasting system from 1906 (from Music industry)
Image 17Musicians working in a recording studio (from Music industry)
Image 18The Japanese boy band Arashi, who had the world's best-selling album (5x20 All the Best!!) in 2019 (from Album era)
Image 19An example of mechanically printed sheet music (from Music industry)
Image 20A live musical performance at Cologne Pride, 2013 (from Music industry)
Image 21Pink Floyd (1973) performing The Dark Side of the Moon, a leading commercial success of the LP era (from Album era)
Image 22A musician in a recording studio (from Music industry)
Image 23US vinyl sales in units, 1995–2020; while album sales overall declined, those in the vinyl format rose toward the end of the 2010s. (from Album era)
Image 24Two musicians of the Eastern Han Dynasty (25–220 CE), Shanghai Museum (from History of music)
Image 25c. 379 CE Bas relief of Sassanid women playing the chang in Taq-e Bostan, Iran (from History of music)
Image 26Drawing of the tablet with the Hymn to Nikkal (c. 1400 BCE), the oldest of the Hurrian songs (from History of music)
Image 27Alleluia nativitas by Perotin from the Codex Guelf.1099 (from History of music)
Image 28Guillaume Du Fay (left), with Gilles Binchois (right) in a c. 1440 Illuminated manuscript copy of Martin le Franc's Le champion des dames (from History of music)
Image 29The logo for Apple Inc.'s online iTunes store, which sells digital files of songs and musical pieces–along with a range of other content, such as digital files of TV shows and movies (from Music industry)
Image 30Terracotta statue of a Parthian lute player (from History of music)
Image 31An audience watching a concert (from Music industry)
Image 32Taylor Swift, a longtime adherent to album-era rollouts, surprise-released her albums instead in 2020. (from Album era)
Image 33An HMV record shop in Wakefield, England closing its operation in 2013 (from Album era)
Image 34The monumental Bianzhong of Marquis Yi of Zeng, c. 5th century BCE, from Hubei (from History of music)
Image 35A studio engineer working with an audio mixer in a recording studio (from Music industry)
Image 36Platinum records by Elvis Presley, Prince, Madonna, Lynyrd Skynyrd, and Bruce Springsteen, at Julien's Auctions (from Album era)
Image 37Beyoncé (2016) popularized the surprise-album strategy of the 2010s. (from Album era)
Image 38A Rhodes College student listening to the 1969 Yes LP on campus, c. 1970 (from Album era)
Image 39Sheet music for part of the Missa Papae Marcelli by Giovanni Pierluigi da Palestrina (from History of music)

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Featured articles - load new batch

Featured articles are displayed here, which represent some of the best content on English Wikipedia.

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1987 (What the Fuck Is Going On?) is the debut studio album by British electronic band The Justified Ancients of Mu Mu (the JAMs), later known as the KLF. 1987 was produced using extensive unauthorised samples that plagiarised a wide range of musical works, continuing a theme begun in the JAMs' debut single "All You Need Is Love". These samples provided a deliberately provocative backdrop for beatbox rhythms and cryptic, political raps.

Shortly after independent release in June 1987, the JAMs were ordered by the Mechanical-Copyright Protection Society to destroy all unsold copies of the album, following a complaint from ABBA. In response, the JAMs disposed of many copies of 1987 in unorthodox, publicised ways. They also released a version of the album titled 1987 (The JAMs 45 Edits), stripped of all unauthorised samples to leave periods of protracted silence and so little audible content that it was formally classed as a 12-inch single. (Full article...)
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Lions is the sixth studio album by American rock band The Black Crowes. It was released in 2001 as their first album on V2 Records following their departure from Columbia, and is their only studio album to feature guitarist Audley Freed. Lions was recorded in New York City in January and February of that year, and was produced by Don Was. Bass guitar duties were shared by Rich Robinson and Was, as Greg Rzab had left the band and was not replaced until the tour that followed the release of the album.

The album debuted on the Billboard 200 at its peak position of 20, selling more than 53,000 copies in its first week. Lions received mixed reviews; although the overall sound of the album generally garnered praise, a frequent complaint was the lack of "memorable" songs. The critics who rated Lions lowest considered it a poor imitation of the band's influences, such as Led Zeppelin. (Full article...)
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"Mothers of the Disappeared" is a song by Irish rock band U2. It is the eleventh and final track on their 1987 album The Joshua Tree. The song was inspired by lead singer Bono's experiences in Nicaragua and El Salvador in July 1986, following U2's participation in the Conspiracy of Hope tour of benefit concerts for Amnesty International. He learned of the Madres de Plaza de Mayo, a group of women whose children had "forcibly disappeared" at the hands of the Argentine and Chilean dictatorships. While in Central America, he met members of COMADRES, a similar organization whose children had been abducted by the government in El Salvador. Bono sympathized with the Madres and COMADRES and wanted to pay tribute to their cause.

The song was written on a Spanish guitar, and the melody lifted from a piece Bono composed in Ethiopia in 1985 to help teach children basic forms of hygiene. The lyrics contain an implicit criticism of the Reagan Administration, which backed two South American regimes that seized power during coups d'état and which provided financial support for the military regime in El Salvador. Thematically it has been interpreted as an examination of failures and contradictions in US foreign policy. The drum beat provided by Larry Mullen Jr. was processed through an effects unit that gave it a drone-like quality, which bassist Adam Clayton described as "evocative of that sinister death squad darkness". (Full article...)
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"Water Under the Bridge" is a song by English singer Adele from her third studio album 25 (2015). Adele wrote the song with its producer, Greg Kurstin. Columbia Records released the track as the album's fourth single on 14 November 2016. A mid-tempo pop, soul and soft rock song, "Water Under the Bridge" incorporates influences of 1980s music, R&B, and a gospel choir over guitars and snare drums. Inspired by her relationship with charity founder Simon Konecki, who Adele dated for seven years and married in 2018, the song speaks of forgiveness and details the crucial point in a courtship of determining whether one's partner is willing to put in the work to make it succeed.

Music critics praised Adele's vocal performance, though some thought it was too loud and criticised some of the production choices. It reached number one in Israel and the top 10 in Poland, Belgium, and Iceland and gained Platinum or higher certifications in Canada, Mexico, and the United Kingdom. Adele performed it for her NBC special Adele Live in New York City and on The Tonight Show Starring Jimmy Fallon and included it on the set list of her concert tour Adele Live 2016 and her residency Weekends with Adele. In 2021, a mashup of it and Megan Thee Stallion's performance of "Body" at the American Music Awards of 2020 became a trend on TikTok. (Full article...)
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"Habits (Stay High)" is a song recorded by Swedish singer Tove Lo from her debut extended play (EP), Truth Serum, and her debut studio album, Queen of the Clouds (2014). It was written by Lo with Ludvig Söderberg and Jakob Jerlström, while it was produced by the latter two under the production name the Struts. Initially, the singer self-released the song under the title "Habits" on 15 March 2013 as her second independently released single. After Lo was signed to Universal Music, the track was re-released on 6 December 2013 under the title of "Habits (Stay High)" as both the second single from Truth Serum and the lead single from Queen of the Clouds. Musically, it is a pop and electropop song which features a minimal and upbeat electronic instrumentation. Its lyrics delve into the singer's attempts to forget her previous boyfriend through substance abuse, drinking and other hedonistic practices. Consequently, some critics and Lo herself noted a contrast between the song's production and its lyrical content.

"Habits (Stay High)" was well received by most critics, who commended its lyrics and production. The track became a sleeper hit; it entered the music charts in 2014, one year after its original release. The recording peaked at number three on the Billboard Hot 100 in the United States and became the highest-charting song by a Swedish artist on that chart since "The Sign" by Ace of Base peaked at number one in 1994. It was certified 8× platinum by the Recording Industry Association of America (RIAA) and has sold over 2.6 million copies in the country. Additionally, the track topped the charts in Poland and Romania, and peaked within the top ten in Austria, Canada, France and Switzerland, among others. (Full article...)
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Cover of the orchestral score, c. 1911

The Symphony No. 4 in G major by Gustav Mahler was composed from 1899 to 1900, though it incorporates a song originally written in 1892. That song, "Das himmlische Leben" ("The Heavenly Life"), presents a child's vision of heaven and is sung by a soprano in the symphony's Finale. Both smaller in orchestration and shorter in length than Mahler's earlier symphonies, the Fourth Symphony was initially planned to be in six movements, alternating between three instrumental and three vocal movements. The symphony's final form—begun in July 1899 at Bad Aussee and completed in August 1900 at Maiernigg—retains only one vocal movement (the Finale) and is in four movements: Bedächtig, nicht eilen (sonata form); In gemächlicher Bewegung, ohne Hast (scherzo and trio); Ruhevoll, poco adagio (double theme and variations); and Sehr behaglich (strophic variations).

The premiere was performed in Munich on 25 November 1901 by the composer and the Kaim Orchestra, but it was met with negative audience and critical reception over the work's confusing intentions and perceived inferiority to the more well-received Second Symphony. The premiere was followed by a German tour, a 1901 Berlin premiere, and a 1902 Vienna premiere, which were met with near-unanimous condemnation of the symphony. Mahler conducted further performances of the symphony, sometimes to warm receptions, and the work received its American and British premieres in 1904 and 1905. The symphony's first edition was published in 1902, but Mahler made several more revisions up until 1911. After Mahler's death, the symphony continued to receive performances under conductors such as Willem Mengelberg and Bruno Walter, and its first recording is a 1930 Japanese rendition conducted by Hidemaro Konoye that is also the first electrical recording of any Mahler symphony. The musicologist Donald Mitchell believes the Fourth and its accessibility were largely responsible for the post-war rise in Mahler's popularity. (Full article...)
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Dream Days at the Hotel Existence is the sixth studio album by Australian rock band Powderfinger, released by Universal Music on 2 June 2007 in Australia, 19 November 2007 in the United Kingdom, and 11 November 2008 in the United States on the Dew Process label. It was released in Australia with a limited edition bonus DVD, titled Powderfinger's First XI, featuring eleven music videos spanning the band's career, from the first single, "Tail" to "Bless My Soul", the band's latest single before the release of the album. A collector's edition, including a CD and DVD, was released on 18 April 2008.

Powderfinger reunited in late 2006, after a three-year hiatus, to write songs for Dream Days at the Hotel Existence, which was recorded in Los Angeles, California, in early 2007 by producer Rob Schnapf. The first single from the album, "Lost and Running" was released on 12 May 2007, and reached number five on the ARIA singles chart. Three further singles were released; "I Don't Remember", "Nobody Sees", and "Who Really Cares (Featuring the Sound of Insanity)", though they failed to equal "Lost and Running"'s chart performance. (Full article...)
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Zappa performing at Ekeberghallen in Oslo, Norway, in 1977

Frank Vincent Zappa (/ˈzæpə/ ZAP-ə; December 21, 1940 – December 4, 1993) was an American musician, composer, and bandleader. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works; he also produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. His work is characterized by nonconformity, improvisation sound experimentation, musical virtuosity and satire of American culture. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.

As a mostly self-taught composer and performer, Zappa had diverse musical influences that led him to create music that was sometimes difficult to categorize. While in his teens, he acquired a taste for 20th-century classical modernism, African-American rhythm and blues, and doo-wop music. He began writing classical music in high school, while simultaneously playing drums in rhythm and blues bands, later switching to electric guitar. His debut studio album with the Mothers of Invention, Freak Out! (1966), combined satirical but seemingly conventional rock and roll songs with extended sound collages. He continued this eclectic and experimental approach throughout his career. (Full article...)
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Monroe in 1953

Marilyn Monroe (/ˈmærəlɪn mənˈroʊ/; born Norma Jeane Mortenson; June 1, 1926 – August 4, 1962) was an American actress and model. Known for playing comic "blonde bombshell" characters, she became one of the most popular sex symbols of the 1950s and early 1960s, as well as an emblem of the era's sexual revolution. She was a top-billed actress for a decade, and her films grossed $200 million (equivalent to $2 billion in 2023) by the time of her death in 1962. Long after her death, Monroe remains a pop culture icon. In 1999, the American Film Institute ranked her as the sixth-greatest female screen legend from the Golden Age of Hollywood.

Born and raised in Los Angeles, Monroe spent most of her childhood in a total of 12 foster homes and an orphanage before marrying James Dougherty at age sixteen. She was working in a factory during World War II when she met a photographer from the First Motion Picture Unit and began a successful pin-up modeling career, which led to short-lived film contracts with 20th Century Fox and Columbia Pictures. After a series of minor film roles, she signed a new contract with Fox in late 1950. Over the next two years, she became a popular actress with roles in several comedies, including As Young as You Feel and Monkey Business, and in the dramas Clash by Night and Don't Bother to Knock. Monroe faced a scandal when it was revealed that she had posed for nude photographs prior to becoming a star, but the story did not damage her career and instead resulted in increased interest in her films. (Full article...)
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"Delicate" is a song by the American singer-songwriter Taylor Swift from her sixth studio album, Reputation (2017). She wrote the song with the producers Max Martin and Shellback. Inspired by events surrounding Swift's celebrity and personal life, the lyrics depict a narrator's vulnerability when she ponders if her reputation would affect the blossoming romance. "Delicate" is an electropop and synth-pop ballad that features vocals manipulated with a vocoder. Its production incorporates dense synthesizers and beats that evoke tropical house and dancehall.

The song's music video, directed by Joseph Kahn and filmed in Los Angeles, premiered on March 11, 2018, at the iHeartRadio Music Awards. In the video, after becoming invisible upon receiving a mysterious note, Swift dances barefoot through public places, and ultimately becomes visible again after dancing in a pouring rain. Critics interpreted the video as Swift's autobiographical reference to her personal life, as she had retreated herself from the press while promoting Reputation. A day following the video's release, Big Machine and Republic Records released "Delicate" as Reputation's fourth pop-radio single. (Full article...)
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Good Girl Gone Bad is the third studio album by Barbadian singer Rihanna. It was released on May 31, 2007, by Def Jam Recordings and SRP Records. Rihanna worked with various producers on the album, including Tricky Stewart, The-Dream, Neo da Matrix, Timbaland, Carl Sturken, Evan Rogers and Stargate. Inspired by Brandy's fourth studio album Afrodisiac (2004), Good Girl Gone Bad is a pop, dance-pop and R&B record with 1980s music influences. Described as a turning point in Rihanna's career, it represents a departure from the Caribbean sound of her previous releases, Music of the Sun (2005) and A Girl like Me (2006). Apart from the sound, she also endorsed a new image for the release going from an innocent young woman to an edgier, more mature look.

Critics gave generally positive reviews of the album, praising its composition and Rihanna's new musical direction, though some criticized the album's lyrics and inconsistency. The album received seven Grammy Award nominations and one win in the Best Rap/Sung Collaboration category for "Umbrella" at the 2008 ceremony. The album debuted at number two on the US Billboard 200 chart and sold 162,000 copies in its first week. Certified six-times platinum by the Recording Industry Association of America (RIAA), it sold more than 2.8 million copies in the United States. The album reached number one in Canada, Switzerland and the United Kingdom. As of June 2017, the album has sold over nine million copies worldwide. (Full article...)
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TR-808 front panel

The Roland TR-808 Rhythm Composer, commonly known as the 808, is a drum machine manufactured by Roland Corporation between 1980 and 1983. It was one of the first drum machines to allow users to program rhythms instead of using preset patterns. Unlike its nearest competitor at the time, the more expensive Linn LM-1, the 808 generates sounds using analog synthesis rather than by playing samples.

The 808 was a commercial failure, as electronic music had yet to become mainstream and many producers wanted more realistic drum sounds. After building approximately 12,000 units, Roland discontinued the 808 after its semiconductors became impossible to restock. It was succeeded by the TR-909 in 1983. (Full article...)
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Mother's Milk is the fourth studio album by American rock band Red Hot Chili Peppers, released on August 16, 1989 by EMI Records. After the death of founding guitarist Hillel Slovak and the subsequent departure of drummer Jack Irons, vocalist Anthony Kiedis and bassist Flea regrouped with the addition of guitarist John Frusciante and drummer Chad Smith. Frusciante's influence altered the band's sound by placing more emphasis on melody than rhythm, which had dominated the band's previous material. Returning producer Michael Beinhorn favored heavy metal guitar riffs as well as overdubbing. Frusciante perceived Beinhorn's taste as excessive, and as a result, the two constantly fought over the album's guitar sound.

Mother's Milk was a greater commercial success than the band's first three albums, peaking at number 52 on the US Billboard 200. It received widespread airplay for the three singles which included the cover of Stevie Wonder's "Higher Ground", "Knock Me Down" and "Taste the Pain", and it became their first gold record in early 1990. Although it was not met with the same positive critical reception that its predecessor The Uplift Mofo Party Plan (1987) had garnered, Mother's Milk was the first step for the band in achieving international success and, according to Amy Hanson of AllMusic, "turned the tide and transformed the band from underground funk-rocking rappers to mainstream bad boys with seemingly very little effort." (Full article...)
$Image 14 Sonatas and Interludes is a cycle of twenty pieces for prepared piano by American avant-garde composer John Cage (1912–1992). It was composed in 1946–48, shortly after Cage's introduction to Indian philosophy and the teachings of art historian Ananda K. Coomaraswamy, both of which became major influences on the composer's later work. Significantly more complex than his other works for prepared piano, Sonatas and Interludes is generally recognized as one of Cage's finest achievements. The cycle consists of sixteen sonatas (thirteen of which are cast in binary form, the remaining three in ternary form) and four more freely structured interludes. The aim of the pieces is to express the eight permanent emotions of the rasa Indian tradition. In Sonatas and Interludes, Cage elevated his technique of rhythmic proportions to a new level of complexity. In each sonata a short sequence of natural numbers and fractions defines the structure of the work and that of its parts, informing structures as localized as individual melodic lines. (Full article...)$

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Sonatas and Interludes is a cycle of twenty pieces for prepared piano by American avant-garde composer John Cage (1912–1992). It was composed in 1946–48, shortly after Cage's introduction to Indian philosophy and the teachings of art historian Ananda K. Coomaraswamy, both of which became major influences on the composer's later work. Significantly more complex than his other works for prepared piano, Sonatas and Interludes is generally recognized as one of Cage's finest achievements.

The cycle consists of sixteen sonatas (thirteen of which are cast in binary form, the remaining three in ternary form) and four more freely structured interludes. The aim of the pieces is to express the eight permanent emotions of the rasa Indian tradition. In Sonatas and Interludes, Cage elevated his technique of rhythmic proportions to a new level of complexity. In each sonata a short sequence of natural numbers and fractions defines the structure of the work and that of its parts, informing structures as localized as individual melodic lines. (Full article...)
Image 15

Ferrier in 1951

Kathleen Mary Ferrier (22 April 1912 – 8 October 1953) was an English contralto singer who achieved an international reputation as a stage, concert and recording artist, with a repertoire extending from folksong and popular ballads to the classical works of Bach, Brahms, Mahler and Elgar. Her death from cancer, at the height of her fame, was a shock to the musical world and particularly to the general public, which was kept in ignorance of the nature of her illness until after her death.

The daughter of a Lancashire village schoolmaster, Ferrier showed early talent as a pianist, and won numerous amateur piano competitions while working as a telephonist with the General Post Office. She did not take up singing seriously until 1937, when after winning a prestigious singing competition at the Carlisle Festival she began to receive offers of professional engagements as a vocalist. Thereafter she took singing lessons, first with J. E. Hutchinson and later with Roy Henderson. After the outbreak of the Second World War Ferrier was recruited by the Council for the Encouragement of Music and the Arts (CEMA), and in the following years sang at concerts and recitals throughout the UK. In 1942 her career was boosted when she met the conductor Malcolm Sargent, who recommended her to the influential Ibbs and Tillett concert management agency. She became a regular performer at leading London and provincial venues, and made numerous BBC radio broadcasts. (Full article...)

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Image 1
Carl Nielsen
Photograph: Georg Lindstrøm; restoration: Adam Cuerden
Carl Nielsen (1865–1931) was a Danish musician, conductor and violinist, widely recognized as his country's most prominent composer. Initially playing in a military band before attending the Royal Danish Academy of Music in Copenhagen, he premiered his Op. 1, Suite for Strings, in 1888, at the age of 23. His early music was inspired by composers such as Brahms and Grieg, but he soon developed his own style. By the time of his death, he had produced 419 known works; some of these, such as his opera Maskarade (1906), have become integral to Denmark's national heritage.
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Henrik Freischlader
Photograph: Stefan Krause
Henrik Freischlader (b. 1982) is a German blues guitarist and singer. He began his career in 1998, and established his own label, Cable Car Records, in 2009.
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Image 3
Johann Strauss II
Photograph credit: Fritz Luckhardt; restored by Adam Cuerden
Johann Strauss II (25 October 1825 – 3 June 1899) was an Austrian composer of light music, particularly dance music and operettas. Part of the Strauss dynasty, his father demanded that none of his sons pursue music as a career, despite their display of musical talent. It was only after his father had abandoned the family for a mistress that the younger Strauss was able to develop his skills as a composer, with the encouragement of his mother. He eventually attained greater fame than his father, and became one of the most popular waltz composers of the era, conducting extensive tours of Austria, Poland and Germany with his orchestra.
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Nicholas Lanier
Painting credit: Anthony van Dyck
Nicholas Lanier (baptised 10 September 1588 – buried 24 February 1666) was an English composer and musician; the first to hold the title of Master of the King's Music, in the service of Charles I and Charles II. He was one of the first composers to introduce monody and recitative to England.

After this oil-on-canvas portrait was painted by the Flemish painter Anthony van Dyck in Antwerp, Lanier convinced the king to bring van Dyck to England, where he became the leading court painter. The portrait displays an attitude of studied carelessness, often termed sprezzatura, defined as "a certain nonchalance, so as to conceal all art and make whatever one does or says appear to be without effort and almost without any thought about it". The painting now hangs in the Kunsthistorisches Museum in Vienna.
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Samuel Coleridge-Taylor
Photograph credit: unknown; restored by Adam Cuerden
Samuel Coleridge-Taylor (15 August 1875 – 1 September 1912) was an English composer and conductor. His greatest success was his cantata Hiawatha's Wedding Feast. This set the epic poem The Song of Hiawatha by Henry Wadsworth Longfellow to music, and was widely performed by choral groups in England and the United States. Composers were not well paid; the work sold hundreds of thousands of copies, but he had sold the music outright for the sum of 15 guineas, so did not benefit directly. He learned to retain his rights and earned royalties for other compositions after achieving wide renown, but always struggled financially. This photograph of Coleridge-Taylor was taken around 1905.
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Vexi Salmi
Photo: Teemu Rajala
Vexi Salmi is a popular Finnish lyricist who has become popular through the successes of the platinum-selling music artists for whom he writes. During his prolific career, he has written the lyrics for over 4,000 songs, more than 2,400 of which have been recorded by prominent artists such as Irwin Goodman, Jari Sillanpää, and Katri Helena. A music writer's award, the Vexi Salmi Award, is named after him.
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Aida
Drawing credit: Philippe Chaperon; restored by Adam Cuerden
Aida is a grand opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its premiere there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today, the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, Aida has been sung more than 1,100 times since 1886.

This picture is the set design for Act 1, Scene 2, of the opera's 1871 premiere, depicting the portico of the Temple of Vulcan, designed by Philippe Chaperon. The drawing is in the collection of the Bibliothèque nationale de France.
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Billy Strayhorn
Photograph credit: William P. Gottlieb; restored by Adam Cuerden
Billy Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, best remembered for his long-time collaboration with bandleader and composer Duke Ellington that lasted nearly three decades. Though classical music was Strayhorn's first love, his ambition to become a classical composer went unrealized because of the harsh reality of a black man trying to make his way in the world of classical music, which at that time was almost completely white. He was introduced to the music of pianists like Art Tatum and Teddy Wilson at age 19, and the artistic influence of these musicians guided him into the realm of jazz, where he remained for the rest of his life. This photograph of Strayhorn was taken by William P. Gottlieb in the 1940s.
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Mike Dirnt
Photograph: Sven-Sebastian Sajak
Mike Dirnt (b. 1972) is an American musician, songwriter and composer. He is best known as the co-founder, bassist, backing and occasional lead vocalist of American punk rock band Green Day. He has played in several other bands, including The Frustrators.
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L'éclair
Illustration: Paul Gavarni; restoration: Adam Cuerden
L'éclair is an opéra comique in three acts by Fromental Halévy to a libretto by Jules-Henri Vernoy de Saint-Georges. Premiered by the Paris Opéra-Comique at the Salle de la Bourse on 16 December 1835, the opera was well received. It follows the amours of the Englishman George and the American Lyonel for two sisters, the bachelorette Henriette and the widow Mme. Darbel.
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Image 11
Aida
Photograph: Avinoam Michaeli
Aida is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini.

This picture shows the set for a performance of Aida by the Israeli Opera in 2011.
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Image 12
Nelly Martyl
Photograph credit: Jean Reutlinger; restored by Adam Cuerden
Nelly Martyl (1884–1953) was a French opera singer. She sang in the premieres of several operas, including Leborne's La Catalane (1907), Erlanger's La Sorcière (1912), and Massenet's Amadis (1922). Martyl joined the Red Cross as a nurse during the First World War, and served at the Battle of Verdun in 1916, where she was known as la fée de Verdun (the Fairy of Verdun), and at the Second Battle of the Aisne in 1917. She continued as a nurse after the war to help with the 1918 epidemic of Spanish flu. She was awarded the Croix de Guerre with the carte du combattant (signifying service under particular hazard) in 1920.
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Simon Neil
Photograph: Achim Raschka
Simon Neil (b. 1979) is a Scottish vocalist, guitarist, and songwriter. Born in Irvine, he established the band Biffy Clyro in 1995 with James and Ben Johnston. He has also played with JP Reid of Sucioperro in Marmaduke Duke, using the pseudonym "The Atmosphere", and started a solo career.
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Hera Hjartardóttir
Photo: Kyle Cassidy
Hera is an Icelandic singer-songwriter who emigrated to New Zealand as a teenager. She is known for her facial art, which is "inspired by moko and also by Celtic warrior paint" and intended to represent both her Icelandic and New Zealand heritage. In 2002 she was named Best Female Singer at the Icelandic Music Awards.
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Frédéric Chopin
Photo credit: Louis-Auguste Bisson
The only known photograph of Frédéric Chopin, often incorrectly described as a daguerreotype. It is believed to have been taken in 1849 during the degenerative stages of his tuberculosis, shortly before his death. Chopin, a Polish pianist and composer of the Romantic era, is widely regarded as one of the most famous, influential, admired and prolific composers for the piano. He moved to Paris at the age of twenty, adopting the French variant of his name, "Frédéric-François", by which he is now known.
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