Toshiro Mifune
Toshirō Mifune (三船 敏郎, Mifune Toshirō?) (Seitō, April 1, 1920-Mitaka, Tokyo, December 24, 1997) was a Japanese actor, one of the most prominent in his country. With a career of 152 films, he achieved international fame for his performances in Hiroshi Inagaki's films, in which he played the legendary samurai Miyamoto Musashi, and in several of the best-known works by Akira Kurosawa such as Rashōmon (1950) and The Seven Samurai (1954).
In addition, he made foreign films, standing out mainly for his participation in Mexico with the film Ánimas Trujano (1961), which was the second Mexican film to be nominated for the Oscars and the Globo Awards. Gold in 1962.
Biography and career
Childhood and beginnings
Toshirō Mifune was born to Japanese Methodist parents in Tsingtao (Mandarin Chinese transliteration also spelled "Qingdao"), in Seitō. Due to his birth in China, his parents also gave him a Mandarin Chinese name (Sanchuan Minlang), in addition to his Japanese birth name (Toshirō Mifune). His father, Tokuzo Mifune, a businessman who had emigrated to China, introduced him to photography. After finishing school, he attended High School at Port Arthur High School and was admitted to the Imperial Japanese Army, and served in the military during World War II. While in the Army, he was noted for his knowledge of photography, and was assigned to aerial reconnaissance work.
After the war, Mifune worked for Tōhō Films as a camera assistant. Unbeknownst to him, a friend sent a photograph of himself to a casting call for film actors in which he was selected. Despite not having undertaken the candidacy, he agreed to become an actor. His apprenticeship took place at an informal drama school founded by the company in the wake of an actors' strike. In 1947, he participated in a test for new actors but was not admitted. However, director Kajiro Yamamoto noticed him and recommended him to director Senkichi Taniguchi, who hired him for what would be his debut as an actor: the comedy Shin Baka Jidai (1947).
It was Kurosawa
In 1948, Mifune met Akira Kurosawa, with whom he established a solid friendship of mutual collaboration that gave him a launch pad to success. Mifune was the Japanese filmmaker's favorite actor: throughout his long career, he has starred in 16 of his films, most of which have become classics of Japanese cinema. His performances, with a strong acting presence, embodied stiff, tough, and crude-mannered characters such as roaming samurai and ronin, whom he often tinged with delicate, mischievous touches of humor.
His role in The Seven Samurai (1954), considered one of the most influential films in classic cinema, gave him international recognition. Another influential film of this stage was Rashomon (1950), where he played a mugger involved in a murder.
"Mifune possessed a kind of talent that he had not previously found in the world of Japanese cinema. It consisted, above all, of the speed with which it expressed itself; it was surprising. The average Japanese actor would have needed ten feet of film to show an impression, a feeling; Mifune only needed three. The speed of his movements was such that in one action he expressed what he took to ordinary actors three movements to express. He projected everything forward in a direct and highly determined way, possessed the sharpest sense of timing I've never seen a Japanese actor before. And besides his speed, he possessed a surprisingly fine sensitivity."Akira Kurosawa on Toshiro Mifune (2012) [1]
In the early 1960s, Mifune and Kurosawa were hit by economic, financial, and personal crises and drifted apart, avoiding each other for three decades. The well-known demands of the director in his constant search for perfection regarding the shooting generated a great deal of stress for Mifune, which was reflected in anecdotes in which the actor criticized Kurosawa's behavior. Their last film together was Akahige (Barbarossa, 1965). Despite everything, Kurosawa considered Mifune all his life the greatest actor he had ever worked with. Hisao Kurosawa, the director's son, repeatedly stated that his estrangement was not due to disputes between them.
"His relationship was not that of a director with an actor, but that of two twin souls. They were like a car and his engine. "Hisao Kurosawa (2015) [2]
Interpretive Westernization
In 1963, Mifune founded his own production company, Mifune Geijutsu Gakuin Productions (三船芸术学), with which he promoted Japanese cinema, heavily influenced by Kurosawa.
He was the best-known Japanese actor in the world, twice awarded the Volpi Cup for best actor at the Venice Film Festival, in 1961 for Yojimbo and in 1965 for Barbarossa. He took part in several films and productions for American television.
In the 1968 film Hell in the Pacific, Mifune became best known playing a Japanese castaway who harasses a castaway American (Lee Marvin) on a remote island during the War Front. Pacific during the Second World War.
Another of his memorable appearances was in the 1980 miniseries Shogun: Lord of the Samurai, alongside Richard Chamberlain and Yôko Shimada; the portrayal of him as Shogun Toranaga-San was very solid. His prolific filmography includes more than 160 titles, including films and different productions for television. Mifune retired in 1992, for health reasons, and confined herself to his home.
Souls Trujano
Mexican film director Ismael Rodríguez, who had already been known for directing films such as Nosotros los pobres in 1948 and Tizoc: Amor indio in 1957, was the in charge of directing the film Ánimas Trujano (1961), based on the play Mayordomía by Rogelio Barriga Rivas. At the time the film was made, Pedro Infante, who He was considered to play the main role in the film, he had already passed away, so Ismael decided to call and invite Toshirō Mifune to play the main character despite his Japanese origin. He made his arrival in Mexico at the end of April 1961 and stood out for arriving in the country wearing the traditional Japanese clothing for special events, a montsuki haori hakama. According to what was published by the Mexican newspaper "El Universal", on May 15, 1961, Ismael managed to convince Mifune to star in the film, as he wanted an international actor to guarantee the sale of l filmed in other countries, stating the following:
"My purpose of having hired a foreign actor to incarnate the character of "Animas Trujano" is to open the international market to benefit our phyllical industry. »
The director also thought that in Mexico and Japan the film would be called "Ánimas Trujano" and in other countries "El hombre importante". Recordings began on May 8, 1961 in Oaxaca. Mifune had to learn from I remember all his dialogues in Spanish, since he was not a speaker of the language; his facial expressions helped a lot to complement the character, but since his Spanish pronunciation was not good enough for filming, the director decided to have his voice dubbed by actor Narciso Busquets so that a better job would be done. In the film, Mifune played "Ánimas Trujano", an alcoholic and ambitious indigenous man of Oaxacan origin, who sets out to do everything possible to become a butler for his people. The film was a success and became the second film Mexican to be nominated for the Oscars in 1962. In addition, it was also nominated for "best foreign film" at the Golden Globe Awards of that same year, for the photography work carried out by the photographer Gabriel Figueroa and won the main prize of the San Francisco Festival.
For his participation in the film, he received ten thousand dollars, a small amount of money that he was accustomed to and for which he rejected job offers in the United States, where they gave him the freedom to choose the amount of money he chose. Mifune stated in his own words why he chose to act in Mexico as follows:
“It is simple and simple because, first of all, Mr. Ismael Rodríguez convinced me, secondly, because I wanted to work in the beautiful Mexico of great tradition and, thirdly, because the story and character of “Animas Trujano” seemed very human to me. »
He also declared that if Pedro Infante had been alive at that time, he would have been the one to play the main role, but since he had already passed away, he would proudly make the film in his honor. During his stay in the country, he took the opportunity to visit the then president of Mexico, Adolfo López Mateos, to whom he gave an inlaid Japanese pistol. His partner in the film the actress, Flor Silvestre, stated the following about her experience working with Mifune:
“Mr. Mifune is a gentleman... When he first came to the set he gave us, to all who took part in the film, gifts brought from Japan... he is an extraordinary artist, very gentleman, very professional and who knows how to be a friend. »
Mifune also developed a friendship with Columba Domínguez, with whom he also worked on the film. In November 1961, the newspaper "El Universal" published a fragment of a letter that the actor sent to Columba, in which He declared everything that the experience of working in Mexico left him, it said the following:
I lived with you new sensations that life offers in the spiritual and material. I was pleased to meet you Mexicans, in your own land, a land that has given you what the Mexican people are worth and to which I respect and I want as my own Japan. »
Personal life
In 1950, he met and married Sachiko Yoshimine. The marriage was strongly resisted by the bride's family due to the economic precariousness that stigmatized Japanese actors at the time, it could only come true with the intervention of the director Senkichi Taniguchi, who mediated with the young woman's parents. From this union two children were born: Shiro (1950) and Takeshi (1952).
His wife Sachiko passed away in 1995 at the age of 67. In 1982 he had a third daughter named Mika born to the actress and lover, Mika Kitagawa.
Death
On December 24, 1997, Mifune passed away at the age of 77 in a hospital in Mitaka, Tokyo. A relative of his stated that he had been ill for some time, but did not specify the cause of death. it was revealed that the actor passed away from pancreatic cancer and multiple organ failure. His body was buried at the Shunjuen Cemetery located in Kawasaki, Kanagawa, Japan.
Filmography
- 1947 Snow Trail - directed by Senkichi Taniguchi
- 1947 These Foolish Times - parts 1 & 2 - directed by Kajiro Yamamoto
- 1948 The drunken angel - directed by Akira Kurosawa
- 1949 Quiet sleep - directed by Akira Kurosawa
- 1949 Jakoman and Tetsu - directed by Senkichi Taniguchi
- 1949 Stray Dog - directed by Akira Kurosawa
- 1950 Escape at Dawn - directed by Senkichi Taniguchi
- 1950 Conduct Report on Professor Ishinaka - directed by Mikio Naruse
- 1950 Scandal - directed by Akira Kurosawa
- 1950 Engagement Ring - directed by Keisuke Kinoshita
- 1950 Rashomon - directed by Akira Kurosawa
- 1951 Beyond Love and Hate - directed by Senkichi Taniguchi
- 1951 Elegy - directed by Kajiro Yamamoto
- 1951 The Idiot - directed by Akira Kurosawa
- 1951 Pirates - directed by Hiroshi Inagaki
- 1951 Meeting of the Ghost Après-Guerre - directed by Kiyoshi Saeki
- 1951 Conclusion of Kojiro Sasaki-Duel at Ganryu Island directed by Hiroshi Inagaki - This was the first, but not the last, in which Mifune was Musashi Miyamoto
- 1951 The Life of a Horsetrader - directed by Keigo Kimura
- 1951 Who Knows a Woman's Heart - directed by Kajiro Yamamoto
- 1952 Vendetta for a Samurai - directed by Kazuo Mori
- 1952 Foghorn - directed by Senkichi Taniguchi
- 1952 Saikaku Ichidai Onna - directed by Kenji Mizoguchi
- 1952 Jewels in our Hearts - directed by Yasuke Chiba
- 1952 Swift Current - directed by Senkichi Taniguchi
- 1952 The Man Who Came to Port - directed by Ishirō Honda
- 1953 My Wonderful Yellow Car - directed by Senkichi Taniguchi
- 1953 The Last Embrace - directed by Masahiro Makino
- 1953 Love in a Teacup - directed by Yasuke Chiba
- 1953 The Eagle of the Pacific - directed by Ishiro Honda
- 1954 The seven samurai - directed by Akira Kurosawa
- 1954-56 Samurai Trilogy - directed by Hiroshi Inagaki
- 1954 Samurai I: Musashi Miyamoto
- 1955 Samurai II: Duel at Ichijoji Temple
- 1956 Samurai III: Duel at Ganryu Island
- 1954 The Sound of Waves - directed by Senkichi Taniguchi
- 1954 The Black Fury - directed by Toshio Sugie
- 1955 A Man Among Men - directed by Kajiro Yamamoto
- 1955 All Is Well - Part 1 & 2 - directed by Toshio Sugie
- 1955 No Time for Tears - directed by Seiji Maruyama
- 1955 Chronicle of a living being - directed by Akira Kurosawa
- 1956 Rainy Night Duel - directed by Senkichi Taniguchi
- 1956 The Underworld - directed by Kajiro Yamamoto
- 1956 Settlement of Love - directed by Shin Saburi
- 1956 A Wife's Heart - directed by Mikio Naruse
- 1956 Scoundrel - directed by Nabuo Aoyagi
- 1956 Rebels on the High Seas - directed by Hiroshi Inagaki
- 1957 Blood Throne - directed by Akira Kurosawa
- 1957 A Man in the Storm - directed by Senkichi Taniguchi
- 1957 Be Happy, These Two Lovers - directed by Ishiro Honda
- 1957 Yagyu Secret Scrolls - part 1 - directed by Hiroshi Inagaki
- 1957 A Dangerous Hero - directed by Hideo Suzuki
- 1957 The Lower Depths - directed by Akira Kurosawa
- 1957 Downtown - directed by Yasuki Chiba
- 1958 Yagyu Secret Scrolls - part 2 - directed by Hiroshi Inagaki
- 1958 Tokyo Holiday - directed by Kajiro Yamamoto
- 1958 The man in the cart - directed by Hiroshi Inagaki
- 1958 The Happy Pilgrimage - directed by Yasuki Chiba
- 1958 All About Marriage - unaccredited cameo - directed by Kihachi Okamoto
- 1958 Theater of Life - directed by Toshio Sugie
- 1958 The fortress hidden - directed by Akira Kurosawa
- 1959 Boss of the Underworld - directed by Kihachi Okamoto
- 1959 Samurai Saga - directed by Hiroshi Inagaki
- 1959 The Saga of the Vagabonds - directed by Toshio Sugie
- 1959 Awakened Outpost - directed by Kihachi Okamoto
- 1959 The Birth of Japan - directed by Hiroshi Inagaki
- 1960 The Last Gunfight - directed by Kihachi Okamoto
- 1960 The Gambling Samurai - directed by Senkichi Taniguchi
- 1960 Storm Over the Pacific - directed by Shūe Matsubayashi
- 1960 Man Against Man - directed by Senkichi Taniguchi
- 1960 The Bad Sleep Well - directed by Akira Kurosawa
- 1960 The Masterless 47 - part 1 - directed by Toshio Sugie
- 1961 The Story of Osaka Castle - directed by Hiroshi Inagaki
- 1961 The Masterless 47 - part 2 - directed by Toshio Sugie
- 1961 Yojimbo also known as The Bodyguard - directed by Akira Kurosawa
- 1961 The Youth and his Amulet - directed by Hiroshi Inagaki
- 1962 Trujano also known as The Important Man - directed by Ismael Rodríguez
- 1962 Sanjuro - directed by Akira Kurosawa
- 1962 Tatsu - directed by Hiroshi Inagaki
- 1962 Chushingura: Hana no Maki, Yuki no Maki - directed by Hiroshi Inagaki
- 1963 Wings over the Pacific - directed by Shūe Matsubayashi
- 1963 High and Low also known as Heaven and Hell - directed by Akira Kurosawa
- 1963 Legacy of the 500,000 - directed by Toshirō Mifune
- 1963 The Great Thief - directed by Senkichi Taniguchi
- 1964 Whirlwind - directed by Hiroshi Inagaki
- 1965 Samurai Assassin also known as Samurai - directed by Kihachi Okamoto
- 1965 Barbecue - directed by Akira Kurosawa
- 1965 Sanshiro Sugata - directed by Seiichiro Uchikiro - this is an adaptation of the films of Kurosawa, in Sanshiro Sugata and Sanshiro Sugata part 2
- 1965 Retreat from Kiska - directed by Seiji Maruyama
- 1965 Fort Graveyard - directed by Kihachi Okamoto
- 1966 Wild Goemon - directed by Hiroshi Inagaki
- 1966 The Sword of Doom - directed by Kihachi Okamoto
- 1966 The Adventure of Kigan Castle - directed by Senkichi Taniguchi
- 1966 The Mad Atlantic - directed by Jun Fukuda
- 1966 Grand Prix - directed by John Frankenheimer - this was Mifune's first English film - learned English phonetically - it has been reported that his voice was used in the premiere - All the versions of the film after the bent by Paul Frees, except the scenes in which he speaks Japanese, where his voice was used
- 1967 Rebellion - directed by Masaki Kobayashi
- 1967 The Longest Day of Japan - directed by Kihachi Okamoto
- 1968 The Sands of Kurobe - directed by Kei Kumai
- 1968 Admiral Yamamoto - directed by Seiji Maruyama
- 1968 Gion Festival - directed by Daisuke Itō and Tetsuya Yamanouchi
- 1968 Hell in the Pacific - directed by John Boorman - was filmed with two different endings for the Japanese and American market, and both are available in the current video versions
- 1969 Samurai Banners - directed by Hiroshi Inagaki
- 1969 5,000 Kilometers to Glory - directed by Koreyoshi Kurahara
- 1969 Battle of the Japan Sea - directed by Seiji Maruyama
- 1969 The red lion - directed by Kihachi Okamoto
- 1969 Shinsengumi - directed by Tadashi Sawashima
- 1970 Zatoichi Meets Yojimbo - directed by Kihachi Okamoto
- 1970 The Ambitious - directed by Daisuke Ito
- 1970 Incident at Blood Pass - directed by Hiroshi Inigaki
- 1970 The Walking Majo - directed by Koji Senno, Nobuaki Shirai and Keith Eric Burt
- 1970 The Militarists - directed by Hiromichi Horikawa
- 1971 Red Sun - directed by Terence Young - Not premiered in the United States until 1972
- 1975 Paper Tiger - directed by Ken Annakin
- 1976 The Battle of Midway - directed by Jack Smight
- 1977 Proof of the Man - directed by Junya Sato
- 1977 Japanese Godfather: Ambition - directed by Sadao Nakajima
- 1977 Shogun's Samurai - directed by Kinji Fukasaku
- 1978 Dog Flute - directed by Sadao Nakajima
- 1978 Lady Ogin - directed by Kei Kajima
- 1978 Japanese Godfather: Conclusion - directed by Sadao Nakajima
- 1978 The Fall of Ako Castle - directed by Kinji Fukasaku
- 1978 Lord Incognito - directed by Tetsuya Yamauchi
- 1979 Winter Kills - directed by William Richart
- 1979 The Adventures of Kosuke Kindaichi - directed by Nobuhiku Kobayashi
- 1979 Secret Detective Investigation-Net in Big Edo - directed by Akinori Matsuo
- 1979 1941 - directed by Steven Spielberg
- 1981 Bushido Blade - directed by Tsugunobu Kotani
- 1981 Port Arthur - directed by Toshio Masuda
- 1981 Shogun - directed by Jerry London - this was seen on U.S. television. America and as a theatrical version in the rest of the world.
- 1981 Inchon! - directed by Terence Young.
- 1982 The Challenge - directed by John Frankenheimer
- 1983 Conquest - directed by Sadao Nakajima
- 1983 Theater of Life - directed by Sadao Nakajima, Junya Sato and Kinji Fukasaku
- 1983 Battle Anthem - directed by Toshio Masuda
- 1984 The miracle of Joe the Petrel - directed by Toshiya Fujita
- 1985 Legend of the Holy Woman - directed by Toru Murakawa
- 1986 Song of Genkai Tsurezure - directed by Masanobu Deme
- 1987 Shatterer - directed by Tonino Valerii
- 1987 Tora-san Goes North - directed by Yoji Yamada
- 1987 Princess from the Moon - directed by Kon Ichikawa
- 1989 Demons in Spring - directed by Akira Kobayashi
- 1989 Death of a Tea Master - directed by Kei Kumai
- 1989 cf Girl - directed by Izo Hashimoto
- 1991 Strawberry Road - directed by Koreyoshi Kurihara
- 1991 Shogun Mayeda - directed by Gordon Hessler
- 1992 Helmet - directed by Gordon Hessler
- 1992 Shadow of the Wolf - directed by Jacques Dorfman
- 1994 Picture Bride - directed by Kayo Hatta
- 1995 Deep River - directed by Kei Kumai
Awards and distinctions
- Venice International Film Festival
Year | Category | Movie | Outcome |
---|---|---|---|
1961 | Copa Volpi to the best actor | Yojimbo | Winner |
New Cinema Award - Best actor | Winner | ||
1965 | Copa Volpi to the best actor | Barbecue | Winner |
Mifune received the Medal of Honor with Purple Ribbon and the Order of the Sacred Treasure from the Japanese Government in 1986 and 1993 respectively. She was a member of the jury of the 8th and 10th Moscow International Film Festival.
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