Susana Gimenez
María Susana Giménez Aubert (Buenos Aires, January 29, 1944) known simply as Susana Giménez is a theater, film and television actress, former model, Argentinian host and businesswoman.
During his 53-year career, he filmed 34 films and acted in 14 plays. In 1987 he began his television program, Hello, Susana, broadcast by ATC. As soon as it started, she achieved a high impact thanks to her telephone contests, her musical numbers and her interviews with show business personalities, sports and politics. Due to conflicts with the Italian program of a similar name and format Pronto, Raffaella? the cycle was renamed Hello, Susana, we are calling you and would later be renamed Susana Giménez. She garnered multiple awards and was awarded the INTE Award for America's Best Host. She received the Martín Fierro de Oro in 1996 and in 2010 she became the second person (after Mirtha Legrand) to obtain the Martín Fierro de Platinum.
Biography
Early Years
She is the daughter of Luisa Celia Sanders Herrera and Augusto Adolfo Johnny Giménez Aubert. She studied in Quilmes, at Quilmes High School and at La Anunciata de Barrio Norte. She married Mario J. Sarrabayrouse (23 years old) in 1962. They had Mercedes Sarrabayrouse on October 20, 1962. Susana had graduated as a normal primary school teacher, although she did not practice the profession.
Early career
In the mid-1960s, Susana experienced some financial problems, which prompted her to try her luck as a model. She submitted photos to different agencies and soon began working, both in graphic and television advertising. Thus, she was hired to work as a model in the Héctor Cavallero agency. In 1967, she appeared for the first time on the cover of Gente magazine. The caption of the photo, taken in an emblematic Buenos Aires nightclub, read "Susana Giménez & # 34; she killed & # 34; in Mau-Mau." From that moment on, she continued to appear regularly on the cover of said publication. In 1969 she would film in Tres Cascadas (Ascochinga, Córdoba) the publicity that definitively catapulted her to fame. It was a commercial for Cadum soap, where Susana would do the mythical “shock.” [citation needed ]
Giménez's screen career began in 1968, with roles in I'm in charge of my house, The novel of a poor young man and The Great Robbery (not listed in the credits of these films). That same year she made her television debut when she appeared as a guest on the show Basement Beat. Her next appearances occurred in the films Tiro de grace and You were mine one summer , starring Leonardo Favio.
When she gained more popularity, she was summoned in 1970 to compose a supporting role in the film Los mochileros, which told the story of two couples of young travelers who found pleasure making plasticine dolls. There she shared the scene with Soledad Silveyra, Ricardo Bauleo and Víctor Bó. She was hired in 1970 to star in one of the most successful programs in the history of Argentine television: Marriages and something else, in which she shared the scene with comedians such as Juan Carlos Dual, Juan Carlos Galván, Susana Freyre, Rodolfo Ranni, Fernando Siro and Carmen Vallejo, until 1972. In 1970, Giménez won a Martín Fierro award for "revelation" for his work on said program.
1970s
In 1970, Giménez won a Martín Fierro prize for revelation of the year for his participation in the television series Matrimonios y algo más. Said performance also brought him good reviews from various sources and the show, for its part, had high ratings. The following year, she ventured into theater for the first time by participating in the comedy Las mariposas son libres, with a cast that included Rodolfo Bebán and Ana María Campoy (later replaced by China Zorrilla), under the direction of José Cibrian. Initially presented at the Teatro Astral in the city of Buenos Aires, the play was praised by critics and was successful with the public, with seats that sold out weeks in advance. Later, Las mariposas son libres was presented at the Neptuno Theater in Mar del Plata and embarked on a tour of Argentina that lasted eighteen months, with similar success.
In 1974, Giménez ventured into magazine theater for the first time when she was summoned by Gerardo Sofovich to star in La revista de oro, presented at the Teatro Astros in Buenos Aires, with a cast that included Jorge Porcel, Nélida Roca and Nelly Láynez, among others. The actress had remained cautious of the genre since she had no intention of being a star, but her financial offer ended up convincing her to accept. Decades later, she even declared: "I didn't want to be a star, but they offered me a lot of money and I had to do it." The Golden Magazine was a box office success, which opened his mind for future work in shows of that style.
By then, Giménez had already scheduled a busy film schedule, focused mostly on low-budget comedies. At first, the actress insisted on appearing in dramatic films, but once her film La Mary failed to earn the expected revenue, she decided to focus on comedies. Of the 20 films in which he participated during the 1970s, there were a couple of exceptions, such as the productions he shot with Carlos Monzón in Italy—Il conto è chiuso and El macho, belonging to the western genre. Broadly speaking, her tapes were harshly criticized by the media; in one of the reviews, they were classified as "a film loaded with conventions." Despite this, most of them managed to be a box office success. Giménez always expressed disagreement with the films in which she intervened during this period of her career, although she always pointed out La Mary as her best work, while she labeled others as "shit". unlookable».
Towards the end of the 1970s, she continued to work as a vedette in shows such as En el Astros, las estrellas and The Astros ate Shark and also King Kong and as a leading actress in films such as You Drive Me Crazy (1976), co-starring and directed by Sandro, and The King of Exhortations (1979), alongside her friend Alberto Olmedo.
1980s
In 1980, Giménez returned to television with a weekly sketchs program titled Alberto y Susana, broadcast on Canal 13 and co-starring Alberto Olmedo. It meant his return to television after seven years. Since its premiere, the cycle had a low audience, which is why it was withdrawn from the programming at the end of its first season. On the show, Giménez played various characters, including an English translator, and recreated numerous musicals from Broadway shows. That same year saw the light of the comedy genre film Surgeons get out of hand, directed by Hugo Sofovich, with a leading cast completed by Olmedo, Jorge Porcel and Moria Casán.
In the summer of 1980 to 1981, Susana met again with Olmedo, Porcel and Casán to star together in the magazine show Don't break the waves at the Ópera theater in the city of Mar del Plata, which had a very good commercial reception. Later, the four performers got together again to act in another theatrical piece, La revista de las superestrellas (1981), presented at the Metropolitan Theater in the city of Buenos Aires during the winter. It should be added that during these years, the actress also took on the starring roles in the films Women Are a Beautiful Thing (1981) and A Peculiar Threesome (1982).
Some time later, she starred in the magazine Sexcitante (1982) at the El Nacional Theater, together with Juan Carlos Calabró. Regarding Calabró, decades later, she stated: "Cala never said a bad word in his life. She didn't need it. He was different from (Jorge) Porcel, for example. Alberto (Olmedo) didn't say much either, but he didn't need to either". Performances of the show were interrupted on June 22, 1982, when the theater suffered a fire and closed its doors. Some sources pointed out that it was an intentional arson because in a sketch by Sexcitante they mocked the self-styled National Reorganization Process, a civic-military dictatorship that ruled Argentina between 1976 and 1983. However, this theory could never be confirmed. In 1985 she posed nude for Playboy magazine, being the first Argentine woman to be the cover of that magazine.
She achieved great success with the musicals Sugar and La mujer del año with Ricardo Darín and Arturo Puig. In 1987 she began hosting Hola Susana on ATC (Argentina Televisora Color), the state channel. Inspired by the Italian show Soon, Raffaella by the Italian artist Raffaella Carrá. In 1988, the program moved to Channel 9. By the 1990s, Susana Giménez headed the most important general interest magazines and was considered one of the most influential women in Argentina and Latin America. Years later, she would be nicknamed "The diva of telephones" or "The number one diva of Argentine television."
1990s
At the end of 1991, the host ended the contract she had with Channel 9 and was hired by Telefe, a station that offered her a contract of one million dollars per month, thus becoming one of the highest paid stars. In 1992 the cycle was renamed, it was called Hello Susana, we are calling you and it began to be produced by what would later become its historic producer, Luis Cella. In the same year, she reconciled the actresses Tita Merello and Malvina Pastorino on Friend's Day, where the latter talked about old times and toasted at the end of the program. Since 1994 the program, which since its debut was broadcast at noon, went on to be broadcast definitively in primetime, remaining one of the most watched in its country until the end of the decade, with ratings that exceeded 35 points, prizes of more than a million dollars and congesting the country's telephone lines due to the number of telephone calls received. In 1996, her program was awarded the Martín Fierro de Oro award.
In the years that followed, she continued to win awards, including Best Female Host or Best Entertainment Program. In addition, in her career, it stands out that she has won the INTE award as the best conductor in America and the PAOLI international award on several occasions.
Throughout its history, the program has received the presence of numerous national and international artists, including major celebrities from Hollywood and Europe. The program became more successful every day and was an absolute phenomenon throughout Argentina and Latin America, reaching Hello Susana, we are calling you to enter the Guinness Book of Records for the millionaire sum of letters and telephone calls received.
At the end of the 1990s, due to a dispute with its former producer, the program had to change its name. From Hello Susana, we are calling you, it became simply Susana Giménez, a name that remains to this day.
Together with his program, he made what to date is his latest film Esa maldita costilla (1999), by Juan José Jusid. There, he shared the bill with Betiana Blum, Rossy de Palma, Loles León and Luis Brandoni.
In January 1998, she divorced former polo player Humberto Roviralta. In February of that year, upon returning from Miami, Giménez ran into Roviralta at his house and a fight broke out that ended with him leaving the house with blood on his face. In a subsequent press conference, Giménez declared that "Huberto wanted to attack me, I defended myself and threw him with an ashtray." After a long trial, they reach an agreement for which Roviralta receives 10 million dollars separation of property.
21st century
In 2000 he made a big change in the show, now called simply Susana Giménez, incorporating a great band of musicians, one of the biggest that Argentine TV has ever had (segment "This sounds familiar to me"), under the direction of Pablo Marino, and with the notable singers Claudio Ledda and Claudia Tejada. Production by Gustavo Yankelevich. During 2006, she left her television program to dedicate herself to her personal life, traveling through Asia, Germany on the occasion of the world soccer championship, and on several occasions to New York and her mansion in Miami.
His return to the screen took place on March 22, 2007 in season 19 —twenty years after his first show—, and with the departure of his historic and successful producer Luis Cella a renewed format (thanks to the production general of television businessman Gustavo Yankelevich) and a budget that allowed international stars to be brought in, achieving audience rating peaks in the Federal Capital of 34 points.
On May 20, 2008, she presented her own magazine, called Susana, at a press conference. This soon became one of the best-selling women's magazines in Argentina.
His film appearances during the XXI century were limited to cameos in the films Tetro by the American Francis Ford Coppola (2009) and the national comedy Delirium (2014).
In 2009 and 2010, Giménez did his show only once a week, airing on Sundays, lasting more than two hours and live. He returned to television on July 19 with high audience levels that exceeded 35 audience rating points. As of 2011 he returned to the daily format from Monday to Thursday at 9:00 p.m. and said that he would take a sabbatical year in the 2012.
In 2010, his cycle received the Martín Fierro de Platino award by popular vote, which began to be awarded after APTRA's 50th anniversary. This honor could only be received by those who had previously obtained the Gold. The award was given to him in the hands of Mirtha Legrand. That year she again starred in a series of commercials for Frávega together with Ricardo Darín.
In 2011 season 23 begins, despite having said that he would never return to the daily-weekly format, Giménez agreed to return to performing his television show from Monday to Thursday. After a strong negotiation with the channel, the diva returned despite having sworn that she would never be so many times a week again. The program maintained the validity and repercussion of always and that year it had as guests renowned international and national figures such as Ricky Martin, Lenny Kravitz, Michael Bublé, Xuxa, Chayanne, the Dalai Lama, Carlos Tévez, Justin Bieber, Cristian Castro, Rod Stewart, Antonio Banderas and Salma Hayek among others. In that year she also launched her own personal perfume after closing a deal with Karina Rabolini's company and her magazine was associated with the La Nación group.
In 2013, after taking a sabbatical abroad, he returned to television performing the 24th season of his show once a week.
In 2015, he decided not to carry out his program and, after 23 years, he returned to the Argentine theater as the protagonist of the play Piel de Judas, directed by Arturo Puig. The same day that the advance sale of tickets comes out, it sold out all the most expensive tickets in the room. In its opening week it becomes the most watched work in Buenos Aires, staying that way throughout its entire season.On December 16 it broadcasts a special program where it invites the recently elected President Mauricio Macri and his family; as well as several members of the new Cambiemos team. It also had the presence of Cacho Castaña and Tan Biónica.
In 2016 he returns with season 26 of his program that is broadcast on Sundays at 10:00 p.m.
In 2018 Susana Giménez, especiales is broadcast, with famous guests such as Maluma, Carlos Tévez, and Verónica Castro.
In May 2020, while the COVID-19 pandemic was going on and in the midst of preventive and mandatory social isolation in Argentina and marking his opposition to the government of Alberto Fernández and Kirchnerism, he traveled as a resident to his home in Uruguay.
Personal life
Susana has an only daughter named Mercedes Sarrabayrouse (born October 20, 1962), the fruit of her first marriage to Mario Sarrabayrouse, and two grandchildren, Lucía and Manuel Celasco. She had a brother, Jorge, two years younger, who suffered from a mental illness and ended up committing suicide in 1996. That year her mother also died. Susana also has three other siblings, the product of a new marriage of her father: Patricio, Carolina and Federico.
Marriages and Relationships
He had several romantic relationships with famous Argentines. Her relationship with boxer Carlos Monzón, with whom she lived, stands out. Later she spent nine years with the actor Ricardo Darín, thirteen years her junior. When they ended their relationship, they remained great friends.She also had secret romances with renowned artists, including Cacho Castaña, Carlos Calvo, Sergio Denis and basketball player Norberto Draghi. In 1988 she married the polo player Huberto Roviralta from whom she divorced in 1998 paying him a sum of more than 10 million dollars.
Business interests
She released two music albums in which she sang and became a gold record, having millions of sales in Argentina and Latin America.[citation required] She had her own doll (Barbie style) similar to her and with leopard outfits (characteristic of the clothes used by Susana). The doll managed, for months, to beat Barbie in sales in Argentina. She had two stamps of her own which were used by thousands of people. She had four books for sale that tell about her life and her intimacy. She created her own & # 34;bingo & # 34; by being associated and being the face of the company "Mi Bingo" created especially for her. In 2008 she launched her own monthly magazine, mainly based on fashion. She launched her personal perfume in 1991 and recently brought out a new one called 'Charme by Susana Giménez'.[citation needed]
Issues with Justice
In August 1991, Susana Giménez bought a Mercedes-Benz 500 SEC for $90,000 that had been brought into the country in the name of Cayetano Ruggiero, who is disabled. It was a maneuver that an importing group carried out to be able to sell imported cars in Argentina when this was not possible according to the commercial regulations of the time. For this, someone with physical defects was hired to provide his name, and thus use him as a figurehead for the vehicle. The coupe was found by the police hidden under bales of alfalfa on her ranch in Pilar. "I did not commit any crime," Susana Giménez insisted, but she had to pay $10,000 bail to avoid going to jail. She always said that she had been defrauded by the importer of the vehicle and the cause prescribed in 1996.
In 1997, she was prosecuted for fraud through the television contest Su llamado. In April 1997, Giménez launched the contest with prizes of up to one million pesos on her program. For this purpose, contracts were signed between Telefé, Hard Communication and Telinfor. Telefé is the channel that broadcasts Susana's program, Hard Communication is the now dissolved company that organizes the game. Businessman Jorge Born, ex-montonero Rodolfo Galimberti and Telinfor, the audiotext company that provided the telephone lines to Su Llamado , lived on her board. The contest used, in 1997, a charity line of the Felices los Niños Foundation, directed by Father Julio Grassi, and it operated for five months without authorization from the Social Action Secretariat. In September 1997, the organizers obtained authorization from Acción Social, under the regulatory framework of decree 7342/65. According to the decree, 50% of the proceeds from these collections must be used for charitable purposes. Furthermore, for six months the collection functioned without an agreement signed with Father Grassi. The agreement between Hard and Grassi's foundation was only signed in October 1997. In that document, Grassi agreed to receive only 7% of the proceeds, without counting organization expenses. In the end, the game billed 18 million, 16 million were collected and Father Grassi was liquidated 400,000 pesos, that is, two percent of the collection. The prosecutor questioned this liquidation because decree 7342 is of public order and cannot be replaced by an agreement between the parties.
Grassi, a priest who became famous on Susana Giménez's television programs, was later denounced and finally charged with rape of minors. Susana Giménez had defended Grassi in previous circumstances and finally, she was accused of a conspiracy against her. As part of the investigation, the journalists met with Jorge "Corcho" Rodríguez, Susana Giménez's ex-boyfriend, who also had knowledge of Grassi's personality.
A meeting was held, in which the late former leader Rodolfo Galimberti participated. “They were speaking for three hours and then Rodriguez (...) said he knew that Grassi liked them and slept with pipes. We knew this with Susana," confirmed Susana Giménez's then boyfriend. In another later meeting, Rodriguez said to them, "Don't be troubled because everyone knows that Grassi is a bullfighter." In that act, Rodriguez gave them an anonymous one in which the priest was denounced and that the journalists had already received before. In these meetings, Grassi’s defense was based to ensure, throughout the trial, that the accusation had been “a plot” supposedly organized by Susana Giménez and Channel 13.
At the beginning of 2009, the magazine Caras y Caretas involved her in a business of buying and selling players, with the following headline on its cover: “Hand in hand with glamour, drug traffickers land in Uruguayan soccer”, linking it to drug trafficking and money laundering. Susana sued the magazine for $300,000, but a year later (in April 2010), she reached an agreement to drop the charges against the magazine in exchange for it giving her a space to promote solidarity actions.
For this reason, Susana Giménez had to appear before the Uruguayan courts to testify in the case that was brought forward for two checks that her ex-boyfriend, the Uruguayan Jorge Rama, allegedly forged. The origin of the cause are two checks without funds that would be signed by Susana Giménez. Although there are various versions of the figures, the most plausible indicate that one would be for $200,000 and the other for $70,000. Months later, Giménez was dismissed after verifying that the checks were indeed forged by her ex-boyfriend.
Beliefs
Susana Giménez has emphasized her Catholic devotion on several occasions, such as in 2009, when she clarified that she was opposed to the death penalty for being Catholic, although some time before she called for the death of a taxi boy who allegedly he had assassinated a collaborator of his, in an unexplained fact.
Pandemic, tax domicile and residence in Uruguay
In 2020, during the coronavirus pandemic, Susana Giménez applied for residency in Uruguay, making clear her position in opposition to the current Argentine government, pointing out that the "Extraordinary Contribution to Great Fortunes is an arbitrary measure of populism", and confiscatory, despite being willing and established by law as a result of the pandemic to ask the richest Argentines to collaborate for the purchase of vaccines at that time, and maintained &# 34;luckily I already became Uruguayan" and also argued, like broad sectors of society, to be against the quarantine that had been ordered in Buenos Aires.. She contracted COVID in Punta del Este, undergoing a very serious form of the disease that led to her being admitted to intensive care. After she was discharged, she made the decision not to leave her house again.In 2022, the AFIP filed a criminal complaint against her for tax evasion, claiming a million-dollar amount of money.
Cinema
- The neurotic (1968).
- In my house I command (1968).
- The novel of a poor young man (1968).
- The big robbery (1968).
- The house of Madame Lulu (1968)
- You were mine a summer (1969).
- Tire of grace (1969).
- The backpackers (1970).
- The world is of the young (1970).
- The neurotic (1971).
- That's Buenos Aires. (1971).
- The buscona (1971).
- All the sins of the world (1972).
- I was born on the shore (1972).
- Come with me. (1973).
- The skin of love (1973).
- The Mary (1974).
- My girlfriend the... (1975).
- You freak me out. (1976).
- Men just think about it. (1976).
- The bill is paid. or Il conto è chiuso (1976) (Italy).
- Enough women (1977).
- The male (1977).
- A different touch (1977).
- I have a fiend too. (1978).
- Where two sleep... three sleep. (1979).
- The king of the exhortations (1979).
- Surgeons are leaving their hands (1980).
- Women are handsome. (1981).
- A peculiar stunt (1982).
- I have a husband left. (1987).
- That fucking rib. (1999).
- Tetro (2009).
- Delirium (2014).
Theater
- Butterflies are free (1971-1972).
- The Gold Magazine (1974), together with Jorge Porcel and Nélida Roca
- In the Astros, the stars (1975)
- There's a girl in my soup. (1975-1976).
- Astros ate Shark and also King Kong (1977).
- The dragonfly (1977-1978).
- Sea stars (1978).
- Gold and straw (1979).
- Don't break the waves. (in Mar del Plata, 1980-1981).
- The Super Star Magazine (1981).
- I'll change you for mine. (1982).
- The last one to turn off the light (1983).
- Sexcitante (1983).
- The woman of the year (1983-1984-1985-1986 at the Maipo Theatre - summer season 1989-1990 in Mar del Plata, Tronador Theatre)
- Sugar (November 1986 at the Teatro Lola Membrives, summer season 1987-1988, Mar del Plata, Teatro Neptuno-temporada de verano 1988-1989, Carlos Paz, 1989).
- The inhundible Molly Brown (1991).
- Susana Giménez: Special 2500 Programs, from the Teatro Gran Rex (15 November 2004).
- Piel de Judas (2015) and (2022). 19 March 2015 to 24 October 2015 at Teatro Lola Membrives (Buenos Aires) and 15 July 2022 at Teatro Enojoy (Punta del Este).
- Susana 30 Years: From Gran Rex Theatre (17 December 2017)
Television
Books
- A woman (1992, unauthorized biography).
- Behind the makeup (1994 of its own authorship).
- His Life, Passions and Tears of a Diva (1998, written by Jorge Rial).
- Susana Giménez, intimate portrait of her life (1999, photo book).
Magazine
- Susana (2008 - 2018), a magazine for a mostly female audience.
Discography
- 1971: "The Butterflies are Free" - Together with Rodolfo Beban - Philips
- 1990: "Hello Susana!!!" - Music Hall
Others
- Susana Giménez (simil Barbie) with microphone and leopard outfit (1987).
- Musical Disc Hello Susana!!!. Gold Disc(1990)
- Perfume Ishtar Susana Giménez Eau de Toilette (1991).
- Estampilla Correo Andreani (1993).
- OCA stamp (2004-2005).
- Perfume Charme by Susana Giménez (2011).
Awards and nominations
Martín Fierro Awards
| Year | Category | Nominated work | Outcome |
|---|---|---|---|
| 1970 | Revelation | Marriages and something else | Winner |
| 1988 | Best Entertainment Program | Susana Giménez | Nominated |
| 1989 | Winner | ||
| 1990 | Winner | ||
| 1991 | Nominated | ||
| 1994 | Best Actress of Comedy | Nominated | |
| Best Female Driving | Nominated | ||
| 1995 | Best Entertainment Program | Winner | |
| Best Female Driving | Nominated | ||
| 1996 | Best Entertainment Program | Nominated | |
| Best Female Driving | Winner | ||
| Best Actress of Comedy | Nominated | ||
| Martín Fierro de Oro | Winner | ||
| 1997 | Best Entertainment Program | Nominated | |
| Best Female Driving | Winner | ||
| 1998 | Best Entertainment Program | Nominated | |
| Best Female Driving | Winner | ||
| 1999 | Best Entertainment Program | Nominated | |
| Best Female Driving | Nominated | ||
| Best Actress of Comedy | Nominated | ||
| 2000 | Best Female Driving | Winner | |
| 2001 | Best Entertainment Program | Nominated | |
| Best Female Driving | Winner | ||
| 2002 | Best General Interest Programme | Nominated | |
| Best Female Driving | Winner | ||
| 2004 | Best Entertainment Program | Nominated | |
| Best Female Driving | Nominated | ||
| 2005 | Best Entertainment Program | Winner | |
| Best Female Driving | Nominated | ||
| 2006 | Winner | ||
| 2007 | Martin Fierro a la Trayectoria | Winner | |
| 2008 | Best Entertainment Program | Winner | |
| Best Female Driving | Nominated | ||
| 2009 | Best Entertainment Program | Winner | |
| Best Female Driving | Nominated | ||
| 2010 | Best Entertainment Program | Nominated | |
| Best Female Driving | Nominated | ||
| Martin Fierro de Platinum | Winner | ||
| 2011 | Best Entertainment Program | Winner | |
| Best Female Driving | Nominated | ||
| 2012 | Best Entertainment Program | Nominated | |
| Best Female Driving | Winner | ||
| Martín Fierro Honorífico | Winner | ||
| 2014 | Best General Interest Programme | Winner | |
| Best Female Driving | Nominated | ||
| 2015 | Best Entertainment Program | Nominated | |
| Best Female Driving | Nominated | ||
| 2016 | Best Female Driving | Nominated | |
| 2017 | Martin Fierro a la Trayectoria | Winner | |
| Best Female Driving | Nominated | ||
| Best Entertainment Program | Winner | ||
| 2018 | Best Female Driving | Winner | |
| Best Entertainment Program | Winner | ||
| Best Integral Production | Winner | ||
| Martin Fierro de la Gente | Winner | ||
| 2021 | Martin Fierro de Brillantes | His own career | Winner |
Other awards
- Star of the Sea for Women of the Year (1983).
- Carlos ́86 for Women of the Year (1986).
- Konex Award to the musical actress of the decade (1991).
- Pressrio (1991).
- Broadcasting (1993).
- Distinction Argentores (1995).
- Pressrio (1993).
- Pressrio (1995).
- Gold Cup (1995) Gente Magazine (star that occupied more tapas; 128 times).
- Broadcasting (1996).
- Paoli to the best comprehensive program (2000).
- Paoli to the most popular figure (2000).
- Lave de Puerto Rico (2001).
- Paoli to the international trajectory (2002).
- INTE TV HISPANA to the TV animator of the year (2002).
- Clarín Shows to the best TV driver (2004).
- Profile to the best production with current character (2005).
- Tapa Caras (2005) (210 times).
- FUNDTV to the best entertainment: Susana Giménez: The Imbatible (2005).
- People of Peru to the foreign program of greatest audience (2005).
- Key of Punta del Este (2004).
- Bal Habour Key (2004).
- Grammy Latino of the presidency, given to the successful Argentine driver for her help to promote and spread the music of Latin artists (2008).
- Pléyade Award for its magazine "Susana" (2008).
- "Referent" Award awarded by the "International Youth Leaders Foundation" (2009).
- Madrina de la Fiesta Nacional del Sol (2009 - 2010).
- Madrina de la Fundación Favaloro (2009).
- Silver Condor to the Path (2014).
- Ondas Award for the Path (2014).
- ACE Award for Best Leading Actress in Comedy (2015).
- Hugo Award for Musical Theatre for Best Integral Production Sugar (2017).
- Kids' Choice Awards Argentina to the trajectory (2017).
- ACE Award as Best Production for "Sugar" (2016–2017).
- Special mention in the reign of the Teatro del Lago in Villa Carlos Paz when invited in luxury (2017).
- Ciudadana Ilustre de la Ciudad de Buenos Aires (2017).
| Predecessor: Antonio Gasalla | Martín Fierro de Oro 1995 | Successor: Santo Biasatti |
| Predecessor: Lunch with Mirtha Legrand | Martin Fierro de Platinum 2009 | Successor: Marcelo Tinelli |
| Predecessor: - | Martin Fierro de la Gente 2018 | Successor: - |
Distinction and tribute
In November 2009, she was appointed godmother of the Favaloro Foundation, created by world-renowned Dr. René Favaloro. From there she began to meet with the authorities of the foundation to provide infrastructure and financial donations.
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