Pirekua

The pirekua is one of the musical genres of the p'urhépecha, from the state of Michoacán, originated from the syncretism of music and religious songs of the Spanish evangelizers with reminiscences of music indigenous (sonecitos de la Tierra and sones del Costumbre). Currently it represents a means of expression of the P'urhépecha language and constitutes a way of exalting their ethnic conscience in order to safeguard the pindekua (tradition and custom). The pirekua, in its abajeño (6/8) and son valseado (3/4) rhythms, transmits messages of love, heartbreak, P'urhépecha and Michoacán history, Michoacán geography and social life of the community.

Meaning of pirekua

The word pirekua, in the P'urhépecha or Purépecha language, means song, and generally the pirekuas are sung in this native language or in Spanish, some even mix both languages and many others are interpreted instrumentally. It stands out for its noble, nostalgic and sentimental character. Some of the regions where pirekua is cultivated are Quinceo, Zacán, San Lorenzo, Comachuen, Nurio, Cherán, Ichan, Angahuan, Pátzcuaro and other communities. Although this genre is not well known in other regions of the country, in Michoacán it is a part of the culture of the Purépechas, incorrectly called Tarascans by their Aztec enemies and later by the Spanish conquistadors.

Voices

Usually one or two male voices are sung, although they can be female or mixed and accompanied by sixth guitar, double bass, vihuela or harp and violin. Unlike the Purépecha son abajeño, few instruments are used (often one, two or even three), but on some occasions the same instrumentation is used, especially when a group is dedicated to interpreting both traditional genres.

Examples

Some traditional pirekuas:

• Canel Tsitskiki or Tsït-tsïk Urapiti (Cinnamon Pain)
• Josefinita
• Erandepakua
• Male Rosita
• Toronjil Morado