Paris Opera
The Paris Opera (French: Opéra national de Paris) is a French musical institution, successor to the one founded in Paris by Louis XIV in 1669 under the name of Académie royale de musique. It is one of the oldest institutions of its kind in Europe.
Originally it had the performance hall in the Theater du Palais-Royal, although it has changed venues over time on more than a dozen occasions. It currently occupies two sites:
- the palace of the Opera, opened on January 5, 1875 and also known as "Palais Garnier" (Palacio Garnier) or "Opera Garnier", in honor of the architect who designed it, Charles Garnier;
- the Palace of the Opera of the Bastille, opened on July 13, 1989, coinciding with the events of the bicentennial of the French Revolution.
History of the National Opera of Paris
Initially known as the "Opera Academy", the "Royal Academy of Music" was founded in 1669 at the behest of Colbert and in response to the Royal Academy of Dance. With the mission of spreading the French opera to the public, not only in Paris but also in other cities of the kingdom, one takes the practice of simply calling it "The Opera". Having as its financial resources only the tickets of the spectators (and not, as for the Comédie-Française or the Théâtre Italien, a real subsidy), the Opera obtains the privilege of representing music with the prohibition for whoever does such a thing without having obtained permission from the creators. The first to benefit from the privileges were Pierre Perrin and Robert Cambert. Imprisoned for debts, the latter is forced to surrender his privilege to Jean-Baptiste Lully in 1672, with the success that is known. Lully and his successors also negotiated the transfer of the privilege bitterly, in whole or in part, with contractors from the province: Pierre Gautier bought in 1684 the authorization to open a music academy in Marseille; then the cities of Lyon, Rouen, Lille and Bordeaux do some in the following years.
The Royal Academy of Music changed performance locations thirteen times during the 18th century, until its transformation, with the Revolution, in the "Theater of the Arts", which is called to this day the "National Opera of Paris". The Paris Opera was often in debt. In 1875, the institution moved to the Opera Garnier, and then, since 1990, it also occupies the Opera Bastille.
The fifteen rooms of the Paris Opera
Tradition preserves fifteen different rooms used by the Paris Opera for its shows. This list does not include more than ordinary theater rooms, without mentioning those that may have been used for performances abroad.
Ballet directors and maîtres
Years | Denomination | Directors and administrators | Maîtres de ballet |
---|---|---|---|
1669 | Académie royale de Musique | Pierre Perrin and Robert Cambert | Pierre Beauchamp |
1672 | Jean-Baptiste Lully | ||
1687 | Nicolas de Francine | Louis Pécour | |
1698 | Francine, Gaureaut and Dumont | ||
1704 | Pierre Guyenet | ||
1712 | Francine and Dumont | ||
1728 | André Cardinal Destouches | ||
1729 | Michel Blondy | ||
1730 | Maximilien-Claude Gruer | ||
1731 | Claude Lecomte | ||
1733 | Eugène de Thuret | ||
1739 | Antoine Bandieri de Laval | ||
1744 | François Berger | ||
1748 | Joseph Guénot de Tréfontaine | Jean-Barthélemy Lany | |
1749 | Ville de Paris | ||
1753 | François Rebel and François Francoeur | ||
1754 | Joseph Nicolas Pancrace Royer | ||
1755 | Bontemps and Levasseur | ||
1757 | Rebel and Francoeur | ||
1767 | Pierre Montan Berton and Jean-Claude Trial | ||
1769 | Antoine Dauvergne and Nicolas-René Joliveau | ||
1770 | Gaetano Vestris | ||
1773 | Rebel | ||
1775 | Pierre Montan Berton | ||
1776 | Jean-Georges Noverre | ||
1777 | Anne-Pierre-Jacques Devismes | ||
1780 | Pierre Montan Berton / Antoine Dauvergne and François-Joseph Gossec | ||
1781 | Gardel and Dauberval | ||
1787 | Management Committee | Pierre Gardel | |
1790 | Commissar de la Ville | ||
1791 | Théâtre de l'Opéra | ||
1792 | Francoeur and Cellerier | ||
1793 | Théâtre des Arts | ||
1797 | Théâtre de la République et des Arts | Commissaire de la Ville | |
1799 | Devismes and Joseph Balthazar Bonet de Treyches | ||
1800 | Devisms | ||
1801 | Cellerier | ||
1802 | Théâtre de l'Opéra | Etienne Morel de Chédeville | |
1804 | Académie impériale de Musique | ||
1807 | Louis-Benoît Picard | ||
1814 | Académie royale de musique | ||
1815 | Académie impériale de musique / Académie royale de Musique | ||
1816 | La Ferté | ||
1817 | Louis-Luc Loiseau de Persuis | ||
1818 | Régie générale | ||
1819 | Giovanni Battista Viotti | ||
1820 | Jean-Pierre Aumer | ||
1821 | François-Antoine Habeneck | ||
1824 | Duplantys | ||
1827 | Émile-Timothée Lubbert | ||
1831 | Louis Véron | Jean Coralli | |
1835 | Charles-Edmond Duponchel | ||
1839 | Duponchel and Édouard Monnais | ||
1841 | Duponchel and Léon Pillet | ||
1847 | Duponchel and Nestor Roqueplan | ||
1848 | Théâtre de la Nation / Opéra-Théâtre de la Nation | ||
1849 | Roqueplan | ||
1850 | Académie nationale de Musique | Arthur Saint-Léon | |
1851 | Académie impériale de Musique | ||
1852 | Joseph Mazilier | ||
1854 | Imperial Théâtre de l'Opéra | François-Louis Crosnier | |
1856 | Alphonse Royer | ||
1860 | Lucien Petipa | ||
1862 | Émile Perrin | ||
1868 | Henri Justamant | ||
1869 | Louis Mérante | ||
1870 | Société des Artistes | ||
1871 | Théâtre national de l'Opéra | Olivier Halanzier | |
1879 | Auguste-Emmanuel Vaucorbeil | ||
1884 | Ritt | ||
1888 | Joseph Hansen | ||
1892 | Eugène Bertrand | ||
1893 | Bertrand and Pedro Gailhard | ||
1908 | André Messager and Leimistin Broussan | Léo Staats | |
1911 | Ivan Custine | ||
1915 | Jacques Rouché | ||
1919 | Léo Staats | ||
1939 | Réunion des Théâtres lyriques nationaux | ||
1945 | Maurice Lehmann (RTLN) and Reynaldo Hahn (Opera teatro) | ||
1946 | Georges Hirsch | ||
1951 | Maurice Lehmann | ||
1955 | Jacques Ibert | ||
1956 | Georges Hirsch | ||
1958 | George Skibine | ||
1959 | Julien | ||
1962 | Georges Auric | ||
1965 | Michel Descombey | ||
1968 | André Chabaud | ||
1969 | René Nicoly | ||
1970 | Claude Bessy | ||
1971 | Jean Yves Daniel-Lesur and Bernard Lefort | Raymond Franchetti | |
1973 | Rolf Liebermann | ||
1977 | Violette Verdy | ||
1980 | Jean-Louis Martinoty | Rosella Hightower | |
1983 | Rudolf Nuréyev | ||
1989 | Association des Théâtres de l'Opéra de Paris | Georges-François Hirsch | Patrick Dupond |
1994 | Opéra national de Paris | ||
1995 | Hugues Gall | Brigitte Lefèvre | |
2004 | Gerard Mortier | ||
2009 | Nicolas Joël | ||
2014 | Stéphane Lissner | Benjamin Millepied | |
2016 | Aurélie Dupont |
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