Lista de composições de Johann Sebastian Bach

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Canon triplex a 6: primeiro impresso em 1747 (abaixo), aparece em ambas as versões do retrato Haussmann feito de Bach (1746, 1748 – acima). Na edição Bach Gesellschaft do século XIX, o cânone foi publicado no Volume 451P. 138. Em 1950 a peça foi atribuída o número 1076 no catálogo de obras de Bach de Schmieder (BWV). A edição de 1998 desse catálogo (BWV)2a) menciona as pinturas de Haussmann como fontes originais para o trabalho (p. 438), e da mesma forma o site digital Bach dá uma descrição de ambas as pinturas como fontes para a peça (ligado a Bach digital Work page 01262).

A música vocal de Johann Sebastian Bach inclui cantatas, motetos, missas, Magnificats, Passions, oratórios, corais a quatro vozes, canções e árias. A sua música instrumental inclui concertos, suites, sonatas, fugas e outras obras para órgão, cravo, alaúde, violino, viola da gamba, violoncelo, flauta, conjunto de câmara e orquestra.

Existem mais de 1000 composições conhecidas de Bach. Quase todos eles estão listados no Bach-Werke-Verzeichnis (BWV), que é o catálogo de composições de Bach mais conhecido e utilizado.

Lista das composições de Bach

Algumas das primeiras biografias de Johann Sebastian Bach contêm listas de suas composições. Por exemplo, seu obituário contém uma lista das composições instrumentais impressas durante a vida do compositor, seguida de uma lista aproximada de seus trabalhos inéditos. A primeira biografia do compositor publicada separadamente, de Johann Nikolaus Forkel, segue a mesma abordagem: seu nono capítulo lista primeiro as obras impressas (acrescentando corais a quatro vozes que haviam sido publicados na segunda metade do século XVIII), seguido de um esboço resumo dos inéditos. Na primeira metade do século XIX mais obras foram publicadas, então as biografias seguintes (Schauer e Hilgenfeldt em 1850) tiveram apêndices mais elaborados listando obras impressas, referindo-se a essas obras por editora e o número ou número de página dado às obras em essas publicações. Assim, por exemplo, o Prelúdio e a Fuga em Mi bemol maior podem ser indicados como "C. F. Peters Vol. III No. 1", ou qualquer uma das variantes ("Griepenkerl and Roitzsch Vol. 3 p. 2", "Peters Book 242 p. 2", "P. S. V., Cah. 3 (242), No. 1", etc.)

BG

O Prelúdio em F menor de The Well-Tempered Clavier livro 1, no BGA conhecido como Vol. 14, p. 44, mais de oitenta anos antes de ter o número 857 no Bach-Werke-Verzeichnis

Na segunda metade do século XIX, a Bach-Gesellschaft (BG) publicou todas as obras de Bach em cerca de 50 volumes, a chamada Bach Gesellschaft Ausgabe (BGA). Isso oferecia uma identificação única de todas as obras conhecidas de Bach, um sistema que foi rapidamente adotado, por exemplo, pelos biógrafos: Philipp Spitta usou-o complementarmente à numeração da edição de Peters para os volumes BG que apareceram quando ele estava escrevendo sua biografia de Bach na segunda metade do século 19 (por exemplo, "B. G., III., p. 173" para o prelúdio acima mencionado em mi bemol maior), e Terry a usou no terceiro apêndice à sua tradução do século 20 da biografia de Forkel.

Mas ainda havia muita confusão: alguns autores preferiam listar as obras de Bach segundo as edições de Novello, ou Augener, ou Schirmer,... dando surgem várias tabelas de conversão no final de livros sobre composições de Bach (por exemplo, Harvey Grace em um livro de 1922 sobre composições de órgão de Bach).

NBG

Em 1900, o BG publicou seu último volume e se dissolveu, pois seu objetivo principal, publicar todas as obras conhecidas de Bach, havia sido alcançado. O BG foi sucedido pelo Neue Bachgesellschaft (NBG), com um novo conjunto de objetivos (anuário de Bach, festivais de Bach e um museu de Bach). Ocasionalmente, no entanto, o NBG publicou trabalhos recém-descobertos ou variantes não publicadas no BGA. Por exemplo, a versão de 1740 de O Jesu Christ, meins Lebens Licht foi publicada na NBG XVII1 em 1916 (a versão de 1730 da mesma peça, com uma orquestração diferente, tinha foi publicado em BG 24, pp. 185–192).

BWV

Em 1950, o Bach-Werke-Verzeichnis foi publicado, alocando um número único para cada composição conhecida de Bach. Wolfgang Schmieder, o editor desse catálogo, agrupou as composições por gênero, em grande parte seguindo BG para o agrupamento (por exemplo, número da cantata BG = número BWV da cantata):

O BWV é um catálogo temático, portanto, identifica cada movimento de cada composição por suas primeiras medidas, como a abertura do BWV 1006, movimento 2 (Loure) acima.
  1. Kantaten (Cantatas), BWV 1–224
  2. Motetten (Motets), BWV 225-231
  3. Messen, Messensätze, Magnificat (Masses, Mass Movements, Magnificat), BWV 232–243
  4. Passionen, Oratorien (Passions, Oratorios), BWV 244–249
  5. Vierstimmige Choräle (Four-part chorles), BWV 250–438
  6. Lieder, Arien, Quodlibet (Songs, Arias e Quodlibet), BWV 439–524
  7. Werke für Orgel (trabalho para órgão), BWV 525–771
  8. Werke für Klavier (composições de Keyboard), BWV 772–994
  9. Werke für Laute (composições lutes), BWV 995–1000
  10. Kammermusik (Música de madeira), BWV 1001–1040
  11. Orchesterwerke (Works for Orchestra), BWV 1041–1071, originalmente em dois capítulos separados: Concertos (BWV 1041–1065) e Overtures (BWV 1066–1071)
  12. Kanons (Canons), BWV 1072–1078
  13. Musikalisches Opfer, Kunst der Fuge (Música of the Fugue), BWV 1079–1080

Por exemplo, o Prelúdio e a Fuga em Mi bemol maior agora se tornaram BWV 552, situados na faixa das obras para órgão. Em contraste com outros catálogos, como o catálogo Köchel para as composições de Mozart, não há nenhuma tentativa de organização cronológica na numeração do BWV, por exemplo, o BWV 992 é uma das primeiras composições de Bach. Excepcionalmente, os números BWV também são indicados como números Schmieder (S) (por exemplo, S. 225 = BWV 225).

Outra consequência dos princípios de ordenação do BWV foi que ele separou coleções conhecidas, por exemplo, Clavier-Übung III estava parcialmente na faixa de composições de órgão (BWV 552 e 669–689), com os quatro duetos listados entre o teclado composições (BWV 802–805).

BWV Anh.

O Anhang (Anh.), ou seja, o Apêndice, do BWV listou as obras que não eram adequadas para o catálogo principal, em três seções:

  • I – obras perdidas, ou obras das quais apenas uma pequena fração havia sobrevivido (Anh. 1–23)
  • II – obras de autenticidade duvidosa (24-155)
  • III – obras que antes foram atribuídas a Bach, mas para as quais tinha sido estabelecida não foram compostas por ele (Anh. 156-189)

Dentro de cada seção do Anhang as obras são ordenadas por gênero, seguindo a mesma sequência de gêneros do catálogo principal.

Schmieder publicou a segunda edição do BWV em 1990, com algumas modificações em relação às discriminações de autenticidade, e mais obras adicionadas ao catálogo principal e ao Anhang. Abandonou-se o agrupamento numérico estrito para inserir acréscimos, ou quando por outro motivo as composições foram reagrupadas. Por exemplo, BWV 11, anteriormente listado como uma Cantata, foi movido para o quarto capítulo do catálogo principal como um Oratório. Em vez de renumerar uma composição, uma seta indicava onde a composição foi inserida: "BWV 11/249b→" significando "BWV 11, inserido após BWV 249b" (4º capítulo). Da mesma forma, BWV 1083/243a→ significava BWV 1083, inserido após BWV 243a (3º capítulo). Também as discriminações de autenticidade, baseadas em novas pesquisas, podem levar a tais reposicionamentos dentro do catálogo, por ex. "BWV Anh. II 114" tornou-se "Anh. II 114/Anh. III 183→ indicando que agora era considerado um trabalho espúrio.

Em 1998, Alfred Dürr e Yoshitake Kobayashi publicaram uma pequena edição do catálogo, baseada na segunda edição de 1990. Esta edição, conhecida como BWV2a, continha algumas atualizações adicionais e rearranjos de collation.

Novas adições (Nachträge) ao BWV2/BWV2a incluídas:

  • BWV 1081–1126
  • BWV Anh. 190–213

Algumas exceções ao princípio de que as composições não foram renumeradas foram quando uma composição do Anhang pôde ser recuperada ou autenticada como de Bach, de modo que merecia um lugar no catálogo principal, caso em que foi dada um número acima de 1080. Assim, por exemplo, BWV Anh. 205 (BWV2) → BWV 1121 (BWV2a, onde está na seção 7 como uma obra para órgão).

Outras renumerações e números adicionais envolveram versões alternativas ou anteriores de basicamente a mesma composição, que foram indicadas pela adição de uma letra minúscula ao número BWV. Exemplos:

  • BWV 243a: 1723 E? versão principal do Magnificat 1733 em D grande BWV 243
  • BWV 1071 renumerado para BWV 1046a (versão inicial do primeiro Brandenburg Concerto)
  • BWV Anh. 198 renumerou para BWV 149/1a (versão abandonada mais cedo do movimento de abertura de Cantata BWV 149)

Algumas versões foram completamente removidas do catálogo, por ex. BWV 655b e c.

Barras indicam movimentos: ex. BWV 149/1 indica o primeiro movimento da Cantata BWV 149. Outro exemplo: o Agnus Dei da Missa em si menor pode ser indicado como BWV 232/22 (22º movimento da composição) ou, alternativamente, como BWV 232 IV/4 (BWV 232, quarto movimento da Parte IV).

Acréscimos do século 21

Números acima de BWV 1126 foram adicionados no século XXI.

Versões reconstruídas

Um R maiúsculo adicionado a um número BWV indica uma versão reconstruída, que é uma versão anterior conjecturada de uma composição conhecida. Uma dessas reconstruções, o Concerto para oboé e violino, publicado em NBA VII/7 (Suplemento) p. 75, baseado no concerto para cravo duplo BWV 1060, é conhecido como BWV 1060R.

BWV3

A partir de meados de 2018, o site digital de Bach começou a implementar os novos números da 3ª edição do Bach-Werke-Verzeichnis, que foi anunciada para publicação em 2020. Por exemplo, a versão de Leipzig do Christ lag em A cantata Todes Banden costumava ser BWV 4 nas versões anteriores do catálogo e, em BWV3, tornou-se BWV 4.2.

NBA

A NBA ilustra suas edições de pontuação com facsimiles de manuscritos ou edições contemporâneas: por exemplo NBA Series IV Volume 4 (Clavier-Übung III) contém um facsimile da página de título da primeira edição de 1739 dessa coleção.

Enquanto isso, a Nova Edição de Bach (Neue Bach-Ausgabe, abreviado como NBA) estava sendo publicada, oferecendo um novo sistema para se referir às obras de Bach, por exemplo, NBA IV/4: 2, 105, que é a Série IV, Volume 4, p. 2 (Prelúdio) e p. 105 (Fuga), para BWV 552.

NBArev

Alguns anos após a conclusão da NBA em 2007, sua editora Bärenreiter juntou-se ao Arquivo de Bach novamente para publicar edições revisadas de algumas das partituras de Bach. Essas edições revisadas, alinhadas com as edições da NBA (formato, layout), mas fora desse grupo de publicações, foram publicadas sob o nome Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition (Johann Sebastian Bach: Neue Ausgabe sämtlicher Werke – Revidierte Edition), em resumo: New Bach Edition – Revised (Neue Bach-Ausgabe – Revdierte Edition), abreviado como NBArev. Onde as edições originais da NBA eram exclusivamente em alemão, os volumes da série Revised têm suas introduções em alemão e inglês. Seu primeiro volume, NBArev 1, foi uma nova edição da Missa em si menor, lançada em 2010.

BC

O Bach Compendium (BC), um catálogo que abrange as obras vocais de Bach, foi publicado em 1985. Ocasionalmente, obras que não possuem número BWV podem ser identificadas por seu número BC, por exemplo, BC C 8 para "Der Gerechte kömmt um" um arranjo atribuído a Bach por motivos estilísticos, porém não mencionado no BWV.

BNB

Bachs Notenbibliothek (BNB) é uma lista de obras que Bach tinha à sua disposição. Obras de outros compositores que foram arranjadas por Bach ou que ele (tinha) copiado para execução geralmente têm um número BNB.

SBB

A Biblioteca Estatal de Berlim (Staatsbibliothek zu Berlin = SBB) possui uma importante coleção de manuscritos de composição relacionados a Bach. Algumas versões de obras são mais conhecidas por seu manuscrito principal na SBB, por exemplo BWV 525a = SBB St 345 , ou de acordo com as abreviações usadas no site Bach-digital D-B Mus. EM. Rua Bach 345.

Por número de opus e listas cronológicas

Página de título do Opus 1 de Bach (Clavier-Übung I, 1731), a única vez que ele parece ter usado um número de opus

Além de indicar sua primeira composição para teclado publicada como Opus 1, Bach não usou números de opus. As listas que seguem as cronologias de publicação estão, por exemplo, implícitas na primeira lista do obituário de Bach e os números da BG (dentro da sequência de publicação da BGA) - listas gerais que cobrem todas as composições de Bach na ordem da primeira publicação são, no entanto, não é uma maneira como as composições de Bach são normalmente apresentadas.

Listar as obras de Bach de acordo com seu tempo de composição não pode ser feito de forma abrangente: para muitas obras, o período em que foram compostas é muito amplo. Para as obras vocais maiores de Bach (cantatas, Paixões,...) a pesquisa levou a algumas cronologias mais ou menos geralmente aceitas, cobrindo a maioria dessas obras: um catálogo nesse sentido é Philippe (e Gérard) Zwang's lista dando um número cronológico para as cantatas BWV 1–215 e 248–249. Esta lista foi publicada em 1982 como Guide pratique des cantates de Bach em Paris, ISBN 2-221-00749-2. Uma edição revisada foi publicada em 2005 (ISBN 2747598888).

Outros compositores

Vários catálogos com obras de outros compositores têm interseções com coleções de obras associadas a Bach:

BR-WFB (ou BR)
Números de Bach-Repertorium para obras de Wilhelm Friedemann Bach, por exemplo, BWV 970 = BR A49
Outros BRs:
  • BR-CPEB: obras de Carl Philipp Emanuel Bach (para este compositor números Helm ou Wotquenne são mais frequentemente usados)
  • BR-JCFB: obras de Johann Christoph Friedrich Bach
Fk (ou) F
Números de catálogo falsos para obras de Wilhelm Friedemann Bach, por exemplo, BWV 970 = F 25/2
H. H. H.
Números de capacete para obras de Carl Philipp Emanuel Bach, por exemplo, BWV 1036 = H 569
HWV
Obras de George Frideric Handel, por exemplo BWV Anh. 106 = HWV 605
TWV
Composições de Georg Philipp Telemann, por exemplo, BWV 824 = TWV 32:14
Warb (ou) W
Números de Warburton para obras de Johann Christian Bach, por exemplo. BWV Anh. II 131 = W A22 (ou: Warb A 22)
Wq
Números de Wotquenne para obras de Carl Philipp Emanuel Bach, por exemplo, BWV 1036 = Wq 145

Obras nos catálogos e coleções de Bach

Existem mais de 1500 obras que constam de um catálogo de obras de Bach, como o Bach-Werke-Verzeichnis, e/ou de uma coleção de obras associadas a Bach (por exemplo, em um dos Cadernos de Anna Magdalena Bach). Destas, cerca de mil são composições originais de Bach, ou seja: mais do que uma mera cópia ou transcrição de uma obra anterior de sua autoria ou de outro compositor.

Lenda para a mesa
coluna conteúdo
01 BWV Bach-Werke-Verzeichnis (aceso.Números 'Bach-works-catalogue'; BWV. Anhang (Anexo; Anh.) os números são indicados da seguinte forma:
  • precedido por I: em Anh. I (trabalhos perdidos) de BWV1 (1950 primeira edição do BWV)
  • precedido por II: em Anh. II (duas obras) de BWV1
  • precedido por III: em Anh. III (obras eruditas) de BWV1
  • precedido por N: novos números Anh. em BWV2 (1990) e/ou BWV2a (1998)
02 2aSeção em que a composição aparece em BWV2a:
  • Capítulos do catálogo principal indicado pelos algarismos árabes (1-13)
  • Seções anh. indicadas por numerais romanos (I–III)
  • Reconstruções publicadas no NBE indicadas por "R"
03 Data Data associada à conclusão da versão listada da composição. As datas exatas (por exemplo, para a maioria dos cantatas) geralmente indicam a data assumida do primeiro desempenho (público). Quando a data é seguida por uma abreviatura em suportes (por exemplo, JSB para Johann Sebastian Bach) indica a data do envolvimento dessa pessoa com a composição como compositor, escriba ou editor.
04 Nome Nome da composição: se a composição é conhecida por um incipit alemão, esse nome alemão é precedido pelo tipo de composição (por exemplo, cantatata, chorle prelude, motet,...)
05 Chaveiro Chave da composição
06 Escondendo Veja tabela de pontuação abaixo para as abreviações usadas nesta coluna
07 BG Bach Gesellschaft-Ausgabe (BG edition; BGA): números antes do cólon indicar o volume nessa edição. Após o cólon um numeral árabe indica o número da página onde a pontuação da composição começa, enquanto um numeral romano indica uma descrição da composição no Vorwort (Prefácio) do volume.
08 NBE New Bach Edition (em alemão: Neue Bach-Ausgabe, NBA): numerais romanos para a série, seguidos por um slash, e o número de volume em algarismos árabes. Um número de página, após um cólon, refere-se à parte "Score" do volume. Sem tal número de página, a composição só é descrita na parte "Critical Commentary" do volume. Os volumes agrupam as composições de Bach por gênero:
  1. Cantatas (Vol. 1–34: cantatas da igreja agrupadas por ocasião; Vol. 35–40: cantatas seculares; Vol. 41: Varia)
  2. Massas, Paixões, Oratorios (12 volumes)
  3. Motets, Chorales, Lieder (4 volumes)
  4. Organ Works (11 volumes)
  5. Teclado e Lute Works (14 volumes)
  6. Chamber Music (5 volumes)
  7. Obras orquestrais (7 volumes)
  8. Canons, Oferta Musical, Arte de Fugue (3 volumes)
  9. Addenda (aproximadamente 7 volumes)
09 InformaçÃμes adicionais pode incluir:
  • "depois" – indicando um modelo para a composição
  • "por" – indicando o compositor da composição (se diferente de Johann Sebastian Bach)
  • "in" – indicando a fonte mais antiga conhecida da composição
  • "Legislação" – indicando uma composição com partes de origem diferente
  • "see" – composição renumerada em uma edição posterior do BWV
  • "texto" – por autor de texto, ou, na fonte

A prova de textos e músicas padrão, como hinos luteranos e suas melodias corais, textos litúrgicos latinos (por exemplo, Magnificat) e músicas comuns (por exemplo, Folia), não são geralmente indicados nesta coluna. Para uma visão geral de tais recursos utilizados por Bach, veja artigos de composição individuais e resumos em, por exemplo, Chorale cantata (Bach)#Bach's coral cantatas, Lista de harmonizações de coral por Johann Sebastian Bach#Chorale harmonizações em várias coleções e Lista de composições de órgãos por Johann Sebastian Bach#Chorale Preludes.

10. BD Bach Digital Página de trabalho
Cores de fundo
Cor Significado
verde verde manuscrito parcial ou completo (cópia) de Bach e/ou primeira edição sob supervisão de Bach
amarelo manuscrito existente ou claramente documentado (cópia) ou edição impressa, no todo ou em parte, por parente próximo, ou seja, irmão (J. Christoph), esposa (A. M.), filho (W. F. / C. P. E. / J. C. F. / J. Christian) ou genro (Altnickol)
laranja-marrommanuscrito existente ou claramente documentado (cópia) por amigo próximo e/ou aluno (Kellner, Krebs, Kirnberger, Walther,...), ou membro da família distante
Seções de tabela (collated como em BWV2a para BWV 1–1126 e Anhang)
BWV (variações originais em parênteses)
1. Cantatas (1–224) • 2. Motetos (225–231) • 3. Massa, Movimentos em massa, Magnificat (232–243) • 4. Passions, Oratorios (244–249) • 5. Quatro partes de coral (250–438) • 6. Canções, Arias e Quodlibet (439–524) • 7. Obras de órgão (525–771) • 8. Composições de teclado (772–994) • 9. Composições lúdicas (995–1000) • 10. Música de câmara (1001–1040) 11. Obras de orquestra (1041–1071) • 12. Cânones (1072–1078) • 13. Oferta Musical, A Arte de Fugue (1079–1080) • Adições posteriores (1081–...) • Reconstruções
BWV Anhang (Anexo)
I: Perdido/fragmentário (1–23) • II: Duvido (24–155) • III: Spurious (156–189) • N: Nachträge (Novas adições, 190–213)
Não em BWV (BWV deest)
Classificado por BC, BGA, BNB, NBA, etc.
Colecções
Sem recorrer à tabela (ou seja, coleção mantida em conjunto em BWV2a)
Cello Suites BWV 1007–1012 • Oratorio de Natal, BWV 248 • Clavier-Übung IV = Goldberg Variações BWV 988 • Invenções BWV 772–786 • Sinfonias BWV 787–801 • Sonatas e partitas para violino solo BWV 1001–1006
Usando a função de classificação (não disponível em todos os navegadores)
  • Cantatas por função (Advent I → Trinity XXVII; outras Festas, celebrações e serviços de igreja; cantatas seculares): sorte por NBA → I/1
  • Clavier-Übung I (1731): sorte por NBA → V/1
  • Clavier-Übung II (1735): sorte por NBA → V/2
  • Clavier-Übung III (1739): sorte por NBA → IV/4
  • Kirnberger coleção de prelúdios de coral: sorte por BWV → BWV 690
  • Klavierbüchlein für Wilhelm Friedemann Bach (1720): sorte por NBA → V/5 Serviço rápido e eficaz
  • Doze pequenos prelúdios: classificação por BG → 36: 118
  • Corais de Neumeister por J. S. Bach (sem BWV 601, 639, 719, 723, 737 e 751): sorte por NBA → IV/9
  • Notebook para Anna Magdalena Bach (1722): classificação por Nome → Notebook A. M. Bach (1722)
  • Notebook para Anna Magdalena Bach (1725): classificação por Nome → Notebook A. M. Bach (1725)
  • arranjos Vivaldi: ordenar por informações adicionais → depois de Vivaldi
  • The Well-Tempered Clavier book I (1722): sort by BG → Vol. 14
  • The Well-Tempered Clavier book II (1739–1742): sort by NBA → V/6.2
  • The Well-Tempered Clavier book II (1744): sort by BG → 14: 91
Works in Bach's catalogues and collections
BWV 2a Date Name Key Scoring BG NBE Additional info BD
1. Cantatas (see also: List of Bach cantatas, Church cantata (Bach) and List of secular cantatas by Johann Sebastian Bach) Up ↑
1 1. 1725-03-25 Cantata Wie schön leuchtet der Morgenstern (Annunciation) F maj. stbSATB 2Hn 2Odc 2Vl Str Bc 1: 1 I/28.2: 3 after Z 8359; text after Nicolai 00001
2 1. 1724-06-18 Cantata Ach Gott, vom Himmel sieh darein (Trinity II) G min. atbSATB 4Tbn 2Ob Str Bc 1: 53 I/16: 81 after Z 4431; text after Luther 00002
2/6 chorale setting "Ach Gott, vom Himmel sieh darein" (s. 6) G Dor. SATB 1: 72 III/2.1: 25
III/2.2: 156 		after Z 4431; text by Luther 11189
3 1. 1725-01-14 Cantata Ach Gott, wie manches Herzeleid (Epiphany II) A maj. satbSATB Hn Tbn 2Oba Str Bc 1: 73 I/5: 189 after Z 533a; text after Moller 00003
3/6 chorale setting "Ach Gott, wie manches Herzeleid" (s. 18) SATB 1: 94 III/2.1: 26
III/2.2: 90 		after Z 533a; text by Moller 11191
4.2 1. 1724-04-09 Cantata Christ lag in Todes Banden (Easter) E min. satbSATB Cnt 3Tbn Str Bc 1: 95 I/9: 1 after BWV 4.1; text by Luther 00004
4/8 chorale setting "Christ lag in Todes Banden" (s. 7) E min.
D min. 		SATB 1: 124 III/2.2: 104 after Z 7012a; text by Luther 11295
4.1 1. 1707-04-24 Cantata Christ lag in Todes Banden (Easter; early version, lost) satbSATB 2Vl 2Va Bc I/9 after Z 7012a; → BWV 4.2; text by Luther 00005
5 1. 1724-10-15 Cantata Wo soll ich fliehen hin (Trinity XIX) G min. satbSATB Tdt 2Ob Str Bc 1: 125 I/24: 133 after Z 2164; text after Heermann 00006
5/7 chorale setting "Wo soll ich fliehen hin" (s. 11) SATB 1: 150 III/2.1: 66
III/2.2: 180 		after Z 2164; text by Heermann 11232
chorale setting "Auf meinen lieben Gott" after Z 2164
6 1. 1725-04-02 Cantata Bleib bei uns, denn es will Abend werden (Easter 2) C min. satbSATB 2Ob Odc Str Vc Bc 1: 151 I/10: 43 after Z 439 (/3: → BWV 649), Z 350a (/6); text after Lk 24:29 (/1), by Melanchthon & Selnecker (/3), Luther (/6) 00007
6/6 chorale setting "Erhalt uns, Herr, bei deinem Wort" (s. 2) G min. SATB 1: 176 III/2.2: 40 after Z 350a; text by Luther 11338
7 1. 1724-06-24 Cantata Christ unser Herr zum Jordan kam (24 June: feast of John the Baptist) E min. atbSATB 2Oba 2Vl Str Bc 1: 177 I/29: 25 after Z 7246; text after Luther 00008
8.1 1. 1724-09-24 Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 1st version) E maj. satbSATB Hn Fl 2Oba Str Bc 1: 211 I/23: 105 after Z 6634; by Vetter, D. (/6); text after Neumann; → BWV 8.2 00009
8.2 1. 1747-09-17 Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 2nd version) D maj. satbSATB Fl 2Oba Tai 2Vl Str Bc I/23: 163 after BWV 8.1 00010
9 1. 1732-07-20 Cantata Es ist das Heil uns kommen her (Trinity VI) E maj. satbSATB Fl Oba Str Bc 1: 243 I/17.2: 83 after Z 4430; text after Speratus 00011
9/7 chorale setting "Es ist das Heil uns kommen her" (s. 12) SATB 1: 274 III/2.1: 52
III/2.2: 172 		after Z 4430; text by Speratus 11213
10 1. 1724-07-02 Cantata Meine Seel erhebt den Herren a.k.a. German Magnificat (Visitation) G min. satbSATB Tr 2Ob Str Bc 1: 275 I/28.2: 131 after Magnificat peregrini toni; text after Magnificat; → BWV 648 00012
10/7 chorale setting "Meine Seel erhebt den Herren" (doxology, ss. 10–11) SATB 1: 303 III/2.1: 82
III/2.2: 205 		after Magnificat peregrini toni; text: German Magnificat 11248
12 1. 1714-04-22 Cantata Weinen, Klagen, Sorgen, Zagen (Jubilate; two versions) F Dor. atbSATB Tr Ob 2Vl 2Va Bas Bc 2: 59 I/11.2: 1 after Z 5629 (/7: → BWV 69.1/6); text by Franck, S.?; text after Acts 14:22 (/3); text by Rodigast (/7); /2 → BWV 232/14 00014
1724-04-30 G min.
13 1. 1726-01-20 Cantata Meine Seufzer, meine Tränen (Epiphany II) D min. satbSATB 2Fl Odc Str Bc 2: 79 I/5: 229 after Z 6543 (/3), Z 2293b (/6); text by Lehms, Heermann (/3), Fleming (/6) 00015
13/6 chorale setting "In allen meinen Taten" (s. 9) B♭ maj. SATB 2: 98 III/2.2: 58 after Z 2293b; text by Fleming 11347
chorale setting "Nun ruhen alle Wälder" G maj. III/2.2: 216
14 1. 1735-01-30 Cantata Wär Gott nicht mit uns diese Zeit (Epiphany IV) G min. stbSATB Hn 2Ob Str Bc 2: 99 I/6: 139 after Z 4434; text after Luther 00016
14/5 chorale setting "Wär Gott nicht mit uns diese Zeit" (s. 3) SATB 2: 132 III/2.1: 88
III/2.2: 103 		after Z 4434; text by Luther 11250
16 1. 1726-01-01 Cantata Herr Gott, dich loben wir (New Year/Circumcision) A min. atbSATB Hn 2Ob Odc Str Bc 2: 173 I/4: 103 after Z 8652 (/1), 5267 (/6; → BWV 419); text by Lehms, Luther (/1), Eber (/6) 00018
1731-01-01 atbSATB Hn 2Ob Va Str Bc
16/6 1726-01-01 chorale setting "Helft mir Gotts Güte preisen" (s. 6) SATB 2: 198 III/2.2: 56 after Z 5267; text by Eber 11324
17 1. 1726-09-22 Cantata Wer Dank opfert, der preiset mich (Trinity XIV) A maj. satbSATB 2Ob Str Bc 2: 199 I/21: 147 after Z 8244 (/7); text: Meiningen, after Ps 50:23 (/1; → BWV 236/6), Lk 17:15-16 (/4), by Gramann (/7) 00019
17/7 chorale setting "Nun lob, mein Seel, den Herren" (s. 3) SATB 2: 225 III/2.2: 4 after Z 8244; text by Gramann 11330
18.2 1. 1724-02-13 Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima) A min. stbSATB 2Fl Bas 4Va Vc Bc 2: 227
(in g) 		I/7: 107 after BWV 18.1; text by Neumeister, after Is 55:10–11 (/2), Luther (/3), by Spengler (/5) 00020
18/5 chorale setting "Durch Adams Fall ist ganz verderbt" (s. 8) SATB 2: 252
(in g) 		III/2.2: 71 after Z 7549; text by Spengler 11301
1. 1715-02-24 chorale setting "Ich ruf zu dir, Herr Jesu Christ" G min. III/2.2: 56 after Z 7549; text by Agricola
18.1 Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima) stbSATB Bas 4Va Vc Bc I/7: 81 after Z 7549 (/5); text by Neumeister, after Is 55:10–11 (/2), Luther (/3), by Spengler (/5); → BWV 18.2 00021
19 1. 1726-09-29 Cantata Es erhub sich ein Streit (Michaelmas) C maj. stbSATB 3Tr Tmp 2Ob 2Oba Tai Str Bc 2: 253 I/30: 55 after Z 6543 (/7); text after Picander 00022
19/7 chorale setting "Freu dich sehr, o meine Seele" (s. 9) SATB 2: 288 III/2.1: 62
III/2.2: 177 		after Z 6543 11227
chorale setting "Weg, mein Herz, mit den Gedanken" after Z 6543; text by Gerhardt
20 1. 1724-06-11 Cantata O Ewigkeit, du Donnerwort (Trinity I) F maj. atbSATB Tdt Tmp 3Ob Str Bc 2: 291 I/15: 133 after Z 5820; text after Rist 00023
20/7
20/11 		chorale setting "O Ewigkeit, du Donnerwort" (ss. 11, 16) SATB 2: 317,327 III/2.2: 17 after Z 5820; text by Rist 11332
21.1 1. before Dec. 1713 Cantata Ich hatte viel Bekümmernis (1st version: in ogni tempore; 1714-06-17: Trinity III) C min. satbSATB 3Tr Tmp Ob Str Bc I/16: 109 after Z 2778 (/9); text by Franck, S.?; text after Ps 94:19 (/2), 42:12 (/6), 116:7 (/9), Rv 5:12-13 (/11), by Neumark (/9); → BWV 21.2 00024
21.2 1. c. autumn 1720 Cantata Ich hatte viel Bekümmernis (2nd version: in ogni tempore) D min. satbSATB 3Tr Tmp Ob Str Bas Bc I/16 after BWV 21.1 (same text); → BWV 21.3 00025
21.3 1. 1723-06-13 Cantata Ich hatte viel Bekümmernis (3rd version: Trinity III) C min. satbSATB 3Tr Tmp 4Tne Ob Str Bas Bc 51: 1 I/16 after BWV 21.2 (same text) 00026
22 1. 1723-02-07 Cantata Jesus nahm zu sich die Zwölfe (Estomihi) satbSATB Ob Str Bc 51: 65 I/8: 1 after Z 4297a (/5); text after Luke 18:31, 34 (/1), by Cruciger (/5) 00027
23.1 1. 1723 Cantata Du wahrer Gott und Davids Sohn (1st version, 3 movements: Estomihi) C min. satbSATB 2Ob Str Bc 51: 93 I/8: 33 → BWV 23.2,.3 00028
23.2 1. 1723-02-07 Cantata Du wahrer Gott und Davids Sohn (2nd version, 4 movements: Estomihi) B min. satbSATB Cnt 3Tbn 2Oba Str Bc I/8: 69 after BWV 23.1, Z 58 (/4); text by Luther after Agnus Dei (/4); → BWV 23.3, 245.2/40 00029
23.3 1. 1728–1731 Cantata Du wahrer Gott und Davids Sohn (3rd version, 4 movements: Estomihi) C min. satbSATB 2Ob Str Bc 51: 93 I/8: 33 after BWV 23.1,.2; text by Luther after Agnus Dei (/4) 00030
24 1. 1723-06-20 Cantata Ein ungefärbt Gemüte (Trinity IV) F maj. satbSATB Tr 2Ob 2Oba Str Bc 51: 125 I/17.1: 47 after Z 5148 (/6); text by Neumeister, Heermann (/6), after Mt 7:12 (/3) 00031
24/6 chorale setting "O Gott, du frommer Gott" (s. 1) SATB 51: 150 III/2.2: 195 after Z 5148; text by Heermann 11333
chorale setting "Was frag ich nach der Welt" after Z 5148; text by Kindermann
25 1. 1723-08-29 Cantata Es ist nichts Gesundes an meinem Leibe (Trinity XIV) E min. stbSATB Cnt 3Tbn 3Fl 2Ob Str Bc 51: 153 I/21: 79 after Z 6543 (/6); text after Rambach [de], Ps 38:4 (/1), by Heermann (/6) 00032
25/6 chorale setting "Treuer Gott, ich muss dir klagen" (s. 12) C maj. SATB 51: 188 III/2.1: 15
III/2.2: 150 		after Z 6543; text by Heermann 11177
chorale setting "Weg, mein Herz, mit den Gedenken" after Z 6543; text by Gerhardt
chorale setting "Freu dich sehr, o meine Seele" III/2.2: 168 after Z 6543
26 1. 1724-11-19 Cantata Ach wie flüchtig, ach wie nichtig (Trinity XXIV) A min. satbSATB Hn Fl 3Ob Str Bc 51: 189 I/27: 29 after Z 1887b; text after Franck, M. 00033
26/6 chorale setting "Ach wie flüchtig, ach wie nichtig" (s. 8) SATB 51: 216 III/2.2: 28 after Z 1887b; text by Franck, M. 11289
27 1. 1726-10-06 Cantata Wer weiß, wie nahe mir mein Ende? (Trinity XVI) C min. satbSSATB Hn 2Ob Odc Str Org Bc 51: 217 I/23: 221 after Z 2778 (/1); by Rosenmüller (/6 = BWV Anh. 170); text by E. J. of Schwarzburg-Rudolstadt (/1), Albinus (/6), after Neumeister (/3) 00034
28 1. 1725-12-30 Cantata Gottlob! nun geht das Jahr zu Ende (Christmas I) A min. satbSATB Cnt 3Tbn 2Ob Tai Str Bc 51: 245 I/3.2: 75 after Z 8244 (/2), 5267 (/6); text by Neumeister, Gramann (/2), Eber (/6), after Jer 32:41 (/3); → BWV 28/2a, Anh. 160/2 00035
28/6 chorale setting "Helft mir Gotts Güte preisen" (s. 12) SATB 51: 272 III/2.1: 13
III/2.2: 49 		after Z 5267; text by Eber 11175
chorale setting "Zeuch ein zu deinen Toren" III/2.2: 15 after Z 5267; text by Gerhardt
28/2a 1. 1725? Motet Sei Lob und Preis mit Ehren C maj. SATB 39: 167 III/3: 15 after BWV 28/2; ↔ Anh. 160/2; was BWV 231 00036
29 1. 1731-08-27 Cantata Wir danken dir, Gott, wir danken dir (council election) D maj. satbSATB 3Tr Tmp 2Ob Str Org Bc 51: 273 I/32.2: 1 after BWV 120.2/4 (/1), Z 8244 (/8); text after Ps 75:2 (/2; → BWV 232/7, /23), by Gramann (/8) 00037
29/8 chorale setting "Nun lob, mein Seel, den Herren" (s. 5) SATB 51: 316 III/2.2: 65 after Z 8244; text by Gramann 11331
30.2 1. 1738-06-24 Cantata Freue dich, erlöste Schar (24 June: feast of John the Baptist) D maj. satbSATB 2Fl 2Ob Oba Vl Str Bc 51: 321 I/29: 59 after BWV 30.1, Z 6543 (/6); text by Picander?, Olearius, J. (/6) 00038
30.2/6 chorale setting "Tröstet, tröstet, meine Lieben" (s. 3) A maj. SATB 51: 360 III/2.2: 42 after Z 6543; text by Olearius, J. 11318
chorale setting "Freu dich sehr, o meine Seele" G maj. after Z 6543
30.1 1. 1737-09-28 Secular cantata Angenehmes Wiederau (for Hennicke [de] at Wiederau [de] manor) D maj. satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Bc 51: 399
34: 325 		I/39: 51 text by Picander; → BWV 30.2, 195.2/6, /8 00039
31.2 1. 1724-04-09 Cantata Der Himmel lacht! Die Erde jubilieret (Leipzig version: Easter) C maj. stbSSATB 3Tr Tmp Ob 2Oba Bas 2Vl 2Va Bc 7: 1 I/9: 41 after BWV 31.1 (same text) 00040
31/9 chorale setting "Wenn mein Stündlein vorhanden ist" (s. 5) SATB 7: 50 III/2.1: 56 after Z 4482a; text by Herman 11221
31.1 1. 1715-04-21 Cantata Der Himmel lacht! Die Erde jubilieret (Weimar version: Easter) C maj. stbSSATB 3Tr Tmp 3Ob Tai Bas 2Vl 2Va Bc I/9
rev 2: 37 		after Z 4482a (/9); text by Franck, S, Herman (/9); → BWV 31.2 00041
32 1. 1726-01-13 Cantata Liebster Jesu, mein Verlangen (Epiphany I) E min. sbSATB Ob Str Bc 7: 53 I/5: 143 after Z 6543 (/6); text by Lehms, Gerhardt (/6) 00042
32/6 chorale setting "Weg, mein Herz, mit den Gedenken" (s. 12) G maj. SATB 7: 80 III/2.2: 18 after Z 6543; text by Gerhardt 11317
chorale setting "Freu dich sehr, o meine Seele" after Z 6543
33 1. 1724-09-03 Cantata Allein zu dir, Herr Jesu Christ (Trinity XIII) A min. atbSATB 2Ob Str Bc 7: 81 I/21: 23 after Z 7292b; text after Hubert 00043
33/6 chorale setting "Allein zu dir, Herr Jesu Christ" (s. 4) SATB 7: 114 III/2.1: 58
III/2.2: 10 		after Z 7292b; text by Hubert 11223
34.1 1. 1727-06-01 Cantata O ewiges Feuer, o Ursprung der Liebe (Pentecost) D maj. atbSATB 3Tr Tmp 2Fl 2Ob Str Bc 7: 115 I/13: 129 text after Ps 128:6 (/5); → BWV 34.2 00044
34.2 1. after 1727 Cantata O ewiges Feuer, o Ursprung der Liebe (wedding; incomplete) D maj. satbSATB Vl Va Bc 41: 117 I/33: 27 after BWV 34.1; text after Ps 128:4–6 (/3–/4), Nm 6:24–26 (/7) 00045
35 1. 1726-09-08 Cantata Geist und Seele wird verwirret (Trinity XII) D min. a 2Ob Tai Str Org Bc 7: 171 I/20: 215 text by Lehms; → BWV 1059 00046
36.4 1. c. 1726–1730 Cantata Schwingt freudig euch empor (Advent I; early version) D maj. stbSATB Oba Str Bc 7: 395 I/1: 17 after BWV 36.1, Z 8359 (/5); text by Picander?, by Nicolai (/5); → BWV 36.5 00048
36.4/5 chorale setting "Wie schön leuchtet der Morgenstern" (s. 7) SATB 7: 399 III/2.1: 28 after Z 8359; text by Nicolai 11193
36.5 1. 1731-12-02 Cantata Schwingt freudig euch empor (Advent I) D maj. satbSATB 2Oba Str Bc 7: 221 I/1: 41 after BWV 36.4, Z 1174 (/2, /6, /8), Z 8359 (/4); text by Picander?, by Luther (/2, /6, /8), Nicolai (/4) 00047
36.5/4 chorale setting "Wie schön leuchtet der Morgenstern" (s. 6) SATB 7: 243 III/2.2: 48,
109, 180 		after Z 8359; text by Nicolai 11346
36.5/8 chorale setting "Nun komm, der Heiden Heiland" (s. 8) B min. SATB 7: 258 III/2.2: 18 after Z 1174; text by Luther 11329
36.2 1. 1726-11-30 or
1725-11-30 		Secular cantata Steigt freudig in die Luft (birthday of Charlotte Friederike Wilhelmine of Anhalt-Köthen; music lost) stbSATB Oba Va Str Bc (?) I/35 text by Picander; after BWV 36.1/1, /3, /5, /7, /9 00049
36.3 1. 1735-07-27 Secular cantata Die Freude reget sich (birthday of Rivinus, J. F. [de]?) D maj. satSATB Fl Oba Str Bc 34: 39 I/38: 255 after BWV 36.1/1, /3, /5, /7, /8 00050
36.1 1. April–May 1725 Secular cantata Schwingt freudig euch empor (birthday of Mencke, J. B. [de]?) D maj. stbSATB Oba Str Va Bc 34: 39 I/39: 1 → BWV 36.2–.4 00051
37 1. 1724-05-18 Cantata Wer da gläubet und getauft wird (Ascension) A maj. satbSATB 2Oba Str Bc 7: 259 I/12: 79 after Z 8359 (/3), 5354 (/6); text after Mk 16: 16, by Nicolai (/3), Kolross (/6) 00052
37/6 chorale setting "Ich dank dir, lieber Herre" (s. 4) SATB 7: 282 III/2.2: 197 after Z 5354; text by Kolross 11304
38 1. 1724-10-29 Cantata Aus tiefer Not schrei ich zu dir (Trinity XXI) E min. satbSATB 2Ob 4Tbn Str Bc 7: 283 I/25: 217 after Z 4437; text after Luther 00053
38/6 chorale setting "Aus tiefer Not schrei ich zu dir" (s. 5) SATB 7: 300 III/2.1: 67
III/2.2: 8 		after Z 4437; text by Luther 11233
39 1. 1726-06-23 Cantata Brich dem Hungrigen dein Brot (Trinity I) G min. sabSATB 2Fl 2Ob Str Bc 7: 336 I/15 179 after Z 6543 (/7); text: Meiningen, after Is 58:7–8 (/1), Hb 13:16 (/4), by Denicke (/7) 00054
39/7 chorale setting "Kommt, lasst euch den Herren lehren" (s. 6) B♭ maj. SATB 7: 348 III/2.1: 81
III/2.2: 37 		after Z 6543; text by Denicke 11247
chorale setting "Freu dich sehr, o meine Seele" after Z 6543
40 1. 1723-12-26 Cantata Darzu ist erschienen der Sohn Gottes (Christmas 2) F maj. atbSATB 2Hn 2Ob Str Bc 7: 349 I/3.1: 3 after Z 2072 (/3), 4870 (/6), 7880a (/8); text after 1Jh 3:8 (/1; → BWV 233/6), by Füger (/3), Gerhardt (/6), Keymann (/8) 00055
40/3 chorale setting "Wir Christenleut" (s. 3) G min. SATB 7: 377 III/2.2: 186 after Z 2072; text by Füger 11315
40/6 chorale setting "Schwing dich auf zu deinem Gott" (s. 2) D min. SATB 7: 387 III/2.2: 82 after Z 4870; text by Gerhardt 11343
40/8 chorale setting "Freuet euch, ihr Christen alle" (s. 4) F min. SATB 7: 394 III/2.2: 6 after Z 7880a; text by Keymann 11339
41 1. 1725-01-01 Cantata Jesu, nun sei gepreiset (New Year) C maj. satbSATB 3Tr Tmp 3Ob Str Vc Bc 10: 1 I/4: 37 after Z 8477a; text after Hermann; /6 → BWV 171/6 00056
41/6 chorale setting "Jesu, nun sei gepreiset" (s. 3) SATB 10: 58 III/2.1: 90
III/2.2: 8 		after Z 8477a; text by Hermann 11253
42 1. 1725-04-08 Cantata Am Abend aber desselbigen Sabbats (Quasimodogeniti) D maj. satbSATB 2Ob Bas Str Bc 10: 63 I/11.1: 61 after Z 1945b (/7); text after Jh 20:19 (/2), by Fabricius [de] (/4), Luther after Da pacem Domine & Walter after 1Tm 2:2 (/7) 00057
42/7 chorale setting "Verleih uns Frieden gnädiglich" (ss. 1–2) F♯ min. SATB 10: 91 III/2.1: 21
III/2.2: 51, 154 		after Z 1945b; text by Luther after Da pacem Domine & Walter after 1Tm 2:2 11186
43 1. 1726-05-30 Cantata Gott fähret auf mit Jauchzen (Ascension) C maj. satbSATB 3Tr Tmp 2Ob Str Bc 10: 93 I/12: 133 after Z 5741b (/11: by Peter [de]); text: Meiningen, after Ps 47:6-7 (/1), Mk 16:19 (/4), by Rist (/11) 00058
44 1. 1724-05-21 Cantata Sie werden euch in den Bann tun (Exaudi) G min. satbSATB 2Ob Str Bc 10: 127 I/12: 165 after Z 533a (/4), 2293b (/7); text after Jh 16:2 (/1–2), by Moller (/4), Fleming (/7) 00059
44/7 chorale setting "In allen meinen Taten" (s. 7) B♭ maj. SATB 10: 150 III/2.1: 75
III/2.2: 203 		after Z 2293b; text by Fleming 11242
chorale setting "Nun ruhen alle Wälder" after Z 2293b; text by Gerhardt
45 1. 1726-08-11 Cantata Es ist dir gesagt, Mensch, was gut ist (Trinity VIII) E maj. atbSATB 2Fl Ob Oba Str Bc 10: 151 I/18: 197 after Z 5206b–c (/7); text: Meiningen, after Mh 6:8 (/1), Mt 7:22–23 (/4), by Heermann (/7) 00060
45/7 chorale setting "O Gott, du frommer Gott" (s. 7) SATB 10: 186 III/2.2: 47 after Z 5206b–c; text by Heermann 11297
46 1. 1723-08-01 Cantata Schauet doch und sehet, ob irgend ein Schmerz sei (Trinity X) D min. atbSATB Tdt Hn 2Fl 2Odc Str Bc 10: 187 I/19: 109 after Z 5105a (/6); text after Lm 1:12 (/1), by Meyfart (/6) 00061
46/6 chorale setting "O großer Gott von Macht" (s. 9) G min. SATB 10: 236 III/2.2: 45 after Z 5105a; text by Meyfart 11341
47 1. 1726-10-13 Cantata Wer sich selbst erhöhet, der soll erniedriget werden (Trinity XVII) G min. sbSATB 2Ob Str Org Bc 10: 239 I/23: 319 after Z 1689a (/5); text by Helbig, after Lk 14:11 (/1) 00062
47/5 chorale setting "Warum betrübst du dich, mein Herz" (s. 11) SATB 10: 274 III/2.2: 52 after Z 1689a 11336
48 1. 1723-10-03 Cantata Ich elender Mensch, wer wird mich erlösen (Trinity XIX) G min. atSATB Tr 2Ob Str Bc 10: 275 I/24: 105 after Z 2051 (/3), 4486 (/7); text after Rm 7:24, by Rutilius [de] (/3) 00063
48/3 chorale setting "Ach Gott und Herr" (s. 4) B♭ maj. SATB 10: 288 III/2.1: 30
III/2.2: 166 		after Z 2051; text by Rutilius [de] 11197
48/7 chorale setting "Herr Jesu Christ, ich schrei zu dir" (s. 12) G min. SATB 10: 298 III/2.1: 33
III/2.2: 158 		after Z 4486 11320
chorale setting "Herr Jesu Christ, du höchstes Gut" after Z 4486; text by Ringwaldt
49 1. 1726-11-03 Cantata Ich geh und suche mit Verlangen (Trinity XX) G min. sb Oba Str Vl Org Bc 10: 299 I/25: 107 after Z 8359; text by Birkmann, Nicolai & after Jer 31:3, Rv 3:20 (/6); /1 → BWV 1053/3 00064
50 1. Cantata Nun ist das Heil und die Kraft (single movement; arrangement or fragment of a cantata for Michaelmas?) D maj. 2SATB 3Tr Tmp 3Ob Str Bc 10: 341 I/30: 141 text after Rv 12:10; in SBB P 136 00065
51 1. 1730-09-17 Cantata Jauchzet Gott in allen Landen (Trinity XV) C maj. s (2)Tr (Tmp) Str Bc 122: 1 I/22: 77 after Z 8244 (/4); text after Ps 128:2 & 26:2 (/2), by Gramann (/4) 00066
52 1. 1726-11-24 Cantata Falsche Welt, dir trau ich nicht (Trinity XXIII) F maj. sSATB 2Hn 3Ob Bas Str Bc 122: 25 I/26: 131 after BWV 1046a/1 (/1), Z 2461 (/6); text by Birkmann, Reusner (/6) 00067
54 1. 1714–1717? Cantata Widerstehe doch der Sünde (Oculi) E♭ maj. a 2Vl 2Va Bc 122: 59 I/18: 3 text by Lehms; → BWV 247/53? 00069
55 1. 1726-11-17 Cantata Ich armer Mensch, ich Sündenknecht (Trinity XXII) G min. tSATB Fl Oba Str Bc 122: 73 I/26: 55 after Z 6551 (/5); text by Birkmann, Rist (/5) 00070
55/5 chorale setting "Werde munter, mein Gemüte" (s. 6) B♭ maj. SATB 122: 86 III/2.2: 53 after Z 6551; text by Rist 11319
56 1. 1726-10-27 Cantata Ich will den Kreuzstab gerne tragen (Trinity XIX) G min. bSATB 2Ob Tai Str Vc Bc 122: 87 I/24: 173 after Z 6773 (/5); text by Birkmann, Franck, J. (/5) 00071
56/5 chorale setting "Du, o schönes Weltgebäude" (s. 6) C Dor. SATB 122: 104 III/2.2: 48 after Z 6773; text by Franck, J. 11300
57 1. 1725-12-26 Cantata Selig ist der Mann (Christmas 2) G min. sbSATB 2Ob Tai Str Bc 122: 105 I/3.1: 83 after Z 1912a–c (/8); text by Lehms, Fritsch (/8), after Jm 1:12 (/1) 00072
57/8 chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" (s. 6) B♭ maj. SATB 122: 132 III/2.2: 50 after Z 1912a–c; text by Fritsch 11323
58.2 1. 1733-01-04
or
1734-01-03 		Cantata Ach Gott, wie manches Herzeleid (New Year I) C maj. sb 2Ob Tai Vl Str Bc 122: 133 I/4: 217 after BWV 58.1; text by Birkmann, Moller (/1), Behm (/5) 00073
58.1 1. 1727-01-05 Cantata Ach Gott, wie manches Herzeleid (New Year I; early version) C maj. sb Vl Str Bc I/4: 241 after Z 533a (/1, /5); text by Birkmann, Moller (/1), Behm (/5); → BWV 58.2 00074
59 1. 1724-05-28 Cantata Wer mich liebet, der wird mein Wort halten (Pentecost) C maj. sbSATB 2Tr Tmp Str Bc 122: 151 I/13: 65 after Z 7445a (/3); text by Neumeister, Luther (/3), after Jh 14:23 (/1); → BWV 74/1–/2, 175/7 00075
60 1. 1723-11-07 Cantata O Ewigkeit, du Donnerwort (Trinity XXIV) D maj. atbSATB Hn 2Oba Str Bc 122: 169 I/27: 1 after Z 5820 (/1), 7173 (/5); text by Rist (/1), Burmeister (/5), after Rv 14:13 (/4) 00076
60/5 chorale setting "Es ist genug, so nimm" (s. 5) A maj. SATB 122: 190 III/2.1: 37
III/2.2: 127 		after Z 7173; text by Burmeister 11203
61 1. 1714-12-02 Cantata Nun komm, der Heiden Heiland (Advent I – first setting) A min. stbSATB Fag 2Vl 2Va Bc 16: 1 I/1: 1 after Z 1174 (/1), 8359 (/6); text by Neumeister, Luther (/1), Nicolai (/6), after Rv 3:20 (/4) 00077
62 1. 1724-12-03 Cantata Nun komm, der Heiden Heiland (Advent I – second setting) B min. satbSATB Hn 2Ob Str Bc 16: 19 I/1: 75 after Z 1174; text after Luther 00078
62/6 chorale setting "Nun komm, der Heiden Heiland" (s. 8) SATB 16: 50 III/2.1: 68 after Z 1174; text by Luther 11234
A min. III/2.2: 97
63 1. 1714-12-25
1723-12-25 		Cantata Christen, ätzet diesen Tag (Christmas; two versions) C maj. satbSATB 4Tr Tmp 3Ob Bas Str Bc 16: 51 I/2: 1 text by Heineccius? 00079
64 1. 1723-12-27 Cantata Sehet, welch eine Liebe hat uns der Vater erzeiget (Christmas 3) E min. sabSATB Cnt 3Tbn Oba Str Bc 16: 111, 371 I/3.1: 113 after Z 1947 (/2), 5206b–c (/4), 8032 (/8); text after Knauer [scores], 1Jh 3:1 (/1), by Luther (/2), Kindermann (/4), Franck, J. (/8) 00080
64/2 chorale setting "Gelobet seist du, Jesu Christ" (s. 7) G maj. SATB 16: 371 III/2.1: 16
III/2.2: 92 		after Z 1947; text by Luther 11179
64/4 chorale setting "Was frag ich nach der Welt" (s. 1) D maj. SATB 16: 372 III/2.1: 16
III/2.2: 151 		after Z 5206b–c; text by Kindermann 11180
64/8 chorale setting "Jesu, meine Freude" (s. 5) E min. SATB 16: 132 III/2.1: 15
III/2.2: 80 		after Z 8032; text by Franck, J. 11178
65 1. 1724-01-06 Cantata Sie werden aus Saba alle kommen (Epiphany) C maj. tbSATB 2Hn 2Fl 2Odc Str Bc 16: 133 I/5: 1 after Z 192b (/2), 7568 (/7); text after Is 60:6 (/1), by Spangenberg (/2), Gerhardt (/7) 00081
65/2 chorale setting "Ein Kind geboren zu Bethlehem" (s. 4) A min. SATB 16: 152 III/2.2: 9 after Z 192b; text by Spangenberg 11342
chorale setting "Puer natus in Bethlehem" after Z 192b
65/7 chorale setting "Ich hab in Gottes Herz und Sinn" (s. 10) A min. SATB 16: 166 III/2.2: 24 after Z 7568; text by Gerhardt 11337
chorale setting "Was mein Gott will, das gscheh allzeit" after Z 7568; text by Albert of Prussia
66.2 1. 1724-04-10 Cantata Erfreut euch, ihr Herzen (Easter 2) D maj. atbSATB Tr 2Ob Str Bc 16: 167 I/10: 1 after BWV 66.1/8, /1–/4, Z 8584/3 00082
66.2/6 chorale setting "Alleluja", s. 3 from "Christ ist erstanden" F♯ min. SATB 16: 214 III/2.1: 57 after Z 8584/3 11222
66.1 1. 1718-12-10 Secular cantata Der Himmel dacht auf Anhalts Ruhm und Glück (birthday of Leopold of Anhalt-Köthen) atbSATB 2Ob Bas Str Bc (?) I/35 text by Hunold; → BWV 66.2/1–/5 00083
67 1. 1724-04-16 Cantata Halt im Gedächtnis Jesum Christ (Quasimodogeniti) A maj. atbSATB Hn Fl 2Oba Str Bc 16: 215 I/11.1: 1 after Z 1743 (/4), 4373 (/7); text after 2Ti 2:8 (/1), Jh 20:19 (/6; → BWV 234/2), by Herman (/4), Ebert (/7) 00084
67/7 chorale setting "Du Friedefürst, Herr Jesu Christ" (s. 1) SATB 16: 246 III/2.1: 10
III/2.2: 25 		after Z 4373; text by Ebert 11174
68 1. 1725-05-21 Cantata Also hat Gott die Welt geliebt (Pentecost 2) D min. sbSATB Hn Cnt 3Tbn 2Ob Tai Str Vc Bc 16: 247 I/14: 31 after Z 5920 (/1), BWV 208/13 (/2) and /7 (/4); text by Ziegler, C. M., Liscow (/1), after Jh 3:18 (/5) 00085
69.2 1. 1748-08-26 Cantata Lobe den Herrn, meine Seele (council election) D maj. satbSATB 3Tr Tmp 3Ob Oba Bas Str Bc 16: 281 I/32.2: 111 after BWV 69.1/1, /3, /5, Z 7247 (/6); text after Knauer [scores], Ps 103:2 (/1), by Luther (/6) 00086
69.2/6 chorale setting "Es woll uns Gott genädig sein" (s. 3) SATB 16: 325 III/2.2: 192 after Z 7247; text by Luther 11303
69.1 1. 1723-08-15 Cantata Lobe den Herrn, meine Seele (Trinity XII) D maj. satbSATB 3Tr Tmp Fl 3Ob Oba Odc Bas Str Bc 16: 373 I/20: 117 after BWV 12/7 (/6); text after Knauer [scores], Ps 103:2 (/1), by Rodigast (/6); → BWV 69.2/1, /3, /5 00087
69.1/6 chorale setting "Was Gott tut, das ist wohlgetan" (s. 6) G maj. SATB 16: 379 III/2.1: 55
III/2.2: 174 		after BWV 12/7; text by Rodigast 11219
70.2 1. 1723-11-21 Cantata Wachet! Betet! Betet! Wachet! (Trinity XXVI) C maj. satbSATB Tr Ob Str Vc Bc 16: 327 I/27: 107 after BWV 70.1, Z 6543 (/7); text by Franck, S, Keymann (/11) 00088
70.2/11 1716-12-06 chorale setting "Meinen Jesum laß ich nicht, weil" (s. 5) C maj. SATB 16: 368 III/2.2: 200 = BWV 70.1/6 11308
70.1 1. Cantata Wachet! Betet! Betet! Wachet! (Advent II) satbSATB Tr Ob Str Vc Bc 16: 327 I/1 after Z 3449 (/6); text by Franck, S, Keymann (/6); → BWV 70.2/1, /3, /5, /8, /10, /11 00089
71 1. 1708-02-04 Cantata Gott ist mein König (council election) D maj. satbSATB 3Tr Tmp 2Fl Vc 2Ob Bas Str Vne Org 18: 1 I/32.1: 3 after Z 5148 (/2); text by Eilmar?, Heermann & after 2Sm 19:35 & 37 (/2), Ps 74:12 (/1), 16–17 (/4), 19 (/6), Dt 33:25 & Gn 21:22b (/3) 00090
72 1. 1726-01-27 Cantata Alles nur nach Gottes Willen (Epiphany III) A min. sabSATB 2Ob Str Bc 18: 55 I/6: 59 after Z 7568 (/6); text by Franck, S, Albert of Prussia (/6); /1 → BWV 235/2 00091
73 1. 1724-01-23 Cantata Herr, wie du willt, so schicks mit mir (Epiphany III) G min. stbSATB Hn 2Ob Str Bc 18: 85 I/6: 3 after Z 4441a (/1), 5264b (/5); text by Bienemann [de] (/1), Helmbold (/5) 00092
73/5 chorale setting "Von Gott will ich nicht lassen" (s. 9) C min.
A min. 		SATB 18: 104 III/2.2: 107 after Z 5264b; text by Helmbold 11310
74 1. 1725-05-20 Cantata Wer mich liebet, der wird mein Wort halten (Pentecost) C maj. satbSATB 3Tr Tmp 2Ob Odc Str Bc 18: 105 I/13: 83 after BWV 59/1 & /4 (/1–/2), Z 2496 (/8); text by Ziegler, C. M., Gerhardt (/8), after Jh 14:23 (/1), 28 (/4), Rm 8:1 (/6) 00093
74/8 chorale setting "Gott Vater, sende deinen Geist" (s. 2) A min. SATB 18: 146 III/2.1: 78
III/2.2: 212 		after Z 2496; text by Gerhardt 11245
chorale setting "Kommt her zu mir, spricht Gottes Sohn" after Z 2496; text by Grünwald
75 1. 1723-05-30 Cantata Die Elenden sollen essen (Trinity I) E min. satbSATB Tr 2Ob Oba Bas Str Bc 18: 147 I/15: 85 after Z 5629 (/7=/14: → BWV 100/6); text after Ps 22:27 (/1), by Rodigast (/7, /14) 00094
76 1. 1723-06-06 Cantata Die Himmel erzählen die Ehre Gottes (Trinity II) C maj. satbSATB Tr 2Ob Oba Str Vdg Bc 18: 189 I/16: 1 after Z 7247 (/7=/14); text after Ps 12:2 & 4 (/1), by Luther (/7, /14); /8 ↔ BWV 528/1 00095
77 1. 1723-08-22 Cantata Du sollt Gott, deinen Herren, lieben (Trinity XIII) C maj. satbSATB Tdt 2Ob Str Bc 18: 233 I/21: 1 after Z 4431 (/6); text after Knauer, Lk 10:27 (/1), by Denicke? (/6) 00096
77/6 chorale setting "Wenn einer alle Ding verstünd" (s. 8)? G min. SATB 18: 254 III/2.1: 14
III/2.2: 150 		after Z 4431; text by Denicke 11176
chorale setting "Ach Gott, vom Himmel sieh darein" after Z 4431; text by Luther
78 1. 1724-09-10 Cantata Jesu, der du meine Seele (Trinity XIV) G min. satbSATB Hn Fl 2Ob Str Vne Bc 18: 255 I/21: 115 after Z 6804; text after Rist 00097
78/7 chorale setting "Jesu, der du meine Seele" (s. 12) SATB 18: 286 III/2.1: 60
III/2.2: 150 		after Z 6804; text by Rist 11225
79 1. 1725-10-31 Cantata Gott der Herr ist Sonn und Schild (Reformation Day; two versions: Fl associated with 2nd c.1730) G maj. sabSATB 2Hn Tmp (2Fl) 2Ob Str Bc 18: 287 I/31: 1 after Z 5142 (/3), 159 (/6); text after Ps 84:12 (/1), by Rinkart (/3), Helmbold (/6); → BWV 236/2, /4, 234/5 00098
80.3 1. c. 1735? Cantata Ein feste Burg ist unser Gott (Reformation Day; 2nd Leipzig v.; Tr & Tmp in BGA likely W. F. Bach's addition) D maj. satbSATB 3Ob 2Oba Odc Str Bc 18: 317 I/31: 71 after BWV 80.2 (same text) 00099
80.1 1. 1715-03-24 Cantata Alles, was von Gott geboren (Oculi; music lost) satb(?)SATB Ob Str Bc I/8.2: V after Z 7377 (/1, /6)?; text by Franck, S, Luther (/6); → BWV 80.2 00100
80.2 1. c. 1729–1731 Cantata Ein feste Burg ist unser Gott (Reformation Day; 1st Leipzig version) D maj. sbSATB Ob Str Bc 18: 351 I/31: 65 after Z 7377, BWV 80.1 (/2–/4, /6–/7); text by Franck, S, Luther (/1, /2, /5, /8); → BWV 80.3 00101
80/8 chorale setting "Ein feste Burg ist unser Gott" (s. 4) SATB 18: 378 III/2.1: 29
III/2.2: 162 		after Z 7377; text by Luther 11195
81 1. 1724-01-30 Cantata Jesus schläft, was soll ich hoffen? (Epiphany IV) E min. atbSATB 2Fl 2Oba Str Bc 201: 1 I/6: 111 after Z 8032 (/7); text after Ps 10:1 (/2), Mt 8:26 (/4), by Franck, J. (/7) 00102
81/7 chorale setting "Jesu, meine Freude" (s. 2) SATB 201: 24 III/2.2: 188 after Z 8032; text by Franck, J. 11305
82.1 1. 1727-02-02 Cantata Ich habe genug (Purification; 1st version) C min. b Ob Str Bc 201: 25 I/28.1: 77 text by Birkmann; → BWV 82.2–.4 00103
82.2 1. 1731-02-02 Cantata Ich habe genug (Purification; 2nd version) E min. s Fl Str Bc I/28.1: 155 after BWV 82.1 (same text); → 82.3–.4 00104
82.2/2–/3 1. c.1731 (AMB) Notebook A. M. Bach (1725) No. 34 Recitative "Ich habe genug"; Aria "Schlummert ein, ihr matten Augen" E min. s Bc 432: 46 V/4:122 after BWV 82.2; text by Birkmann 00104
82.2/3 1. c.1731 (AMB) Notebook A. M. Bach (1725) No. 38 Aria "Schlummert ein, ihr matten Augen" (incomplete) E min. s Bc 432: 49 V/4:122 after BWV 82.2; text by Birkmann 00104
82.3 1. c.1735 Cantata Ich habe genug (Purification; 3rd version) C min. b or mezzo Ob Str Bc I/28.1: 109 after BWV 82.1–.2 (same text); → 82.4 00105
82.4 1. 1746–1748 Cantata Ich habe genug (Purification; 4th version) C min. b (or mezzo) Ob Odc Str Bc I/28.1: 109 after BWV 82.1–.3 (same text) 00106
83 1. 1724-02-02 Cantata Erfreute Zeit im neuen Bunde (Purification) F maj. atbSATB 2Hn 2Ob Vl Str Bc 201: 51 I/28.1: 3 after Z 3986 (/5); text after Lk 2:29-31 (/2), Hb 4:16 (/3), by Luther (/5) 00107
83/5 chorale setting "Mit Fried und Freud ich fahr dahin" (s. 4) D min. SATB 201: 76 III/2.2: 188 after Z 3986; text by Luther 11309
84 1. 1727-02-09 Cantata Ich bin vergnügt mit meinem Glücke (Septuagesimae) E min. sSATB Ob Str Bc 201: 77 I/7: 21 after Z 2778 (/5); text after Picander, by E. J. of Schwarzburg-Rudolstadt (/5) 00108
84/5 chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 12) B min. SATB 201: 98 III/2.1: 27
III/2.2: 63 		after Z 2778; text by E. J. of Schwarzburg-Rudolstadt 11192
chorale setting "Wer nur den lieben Gott lässt walten" after Z 2778; text by Neumark
85 1. 1725-04-15 Cantata Ich bin ein guter Hirt (Misericordias Domini) C min. satbSATB 2Ob Str Vc Bc 201: 99 I/11.1: 157 after Z 4457 (/3), 2542 (/6); text after Jh 10:12 (/1), by Becker (/3), Homburg [de] (/6) 00109
85/6 chorale setting "Ist Gott mein Schild und Helfersmann" (s. 4) SATB 201: 118 III/2.1: 74
III/2.2: 69 		after Z 2542; text by Homburg [de] 11240
86 1. 1724-05-14 Cantata Wahrlich, wahrlich, ich sage euch (Rogate) E maj. satbSATB 2Oba Str Bc 201: 119 I/12: 45 after Z 2496c (/3), 4430 (/6); text after Jh 16:23 (/1), by Grünwald (/3), Speratus (/6) 00110
86/6 chorale setting "Es ist das Heil uns kommen her" (s. 11) SATB 201: 134 III/2.2: 3 after Z 4430; text by Speratus 11322
87 1. 1725-05-06 Cantata Bisher habt ihr nichts gebeten in meinem Namen (Rogate) D min. atbSATB 2Ob 2Odc Str Bc 201: 135 I/12: 61 after Z 8032 (/7); text after Ziegler, C. M., Jh 16:24 (/1), by Müller, H. (/7) 00111
87/7 chorale setting "Selig ist die Seele" (s. 9) SATB 201: 152 III/2.1: 73
III/2.2: 54 		after Z 8032; text by Müller, H. 11239
chorale setting "Jesu, meine Freude" after Z 8032; text by Franck, J.
88 1. 1726-07-21 Cantata Siehe, ich will viel Fischer aussenden (Trinity V) D maj. satbSATB 2Hn 2Oba Tai Str Bc 201: 153 I/17.2: 33 after Z 2778 (/7); text: Meiningen, after Jer 16:16 (/1), Lk 5:10 (/4), by Neumark (/7) 00112
88/7 chorale setting "Wer nur den lieben Gott lässt walten" (s. 7) B min. SATB 201: 178 III/2.2: 58 after Z 2778; text by Neumark 11312
89 1. 1723-10-24 Cantata Was soll ich aus dir machen, Ephraim? (Trinity XXII) C min. sabSATB Hn 2Ob Str Bc 201: 179 I/26: 1 after Z 2164 (/6); text after Hs 11:8 (/1), by Heermann (/6) 00113
89/6 chorale setting "Wo soll ich fliehen hin" (s. 7) G min. SATB 201: 194 III/2.2: 167 after Z 2164; text by Heermann 11292
90 1. 1723-11-14 Cantata Es reißet euch ein schrecklich Ende (Trinity XXV) D min. atbSATB (Tr) Str Bc 201: 195 I/27: 59 after Z 2561 (/5); text by Moller (/5) 00114
90/5 chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7) SATB 201: 214 III/2.1: 33
III/2.2: 158 		after Z 2561; text by Moller 11199
chorale setting "Vater unser im Himmelreich" after Z 2561; text by Luther
91.2 1. 1746–1747 Cantata Gelobet seist du, Jesu Christ (Christmas; later version) G maj. satbSATB 2Hn Tmp 3Ob Str Bc 22: 1 I/2: 131 after BWV 91.1 (same text) 00115
91.1 1. 1724-12-25 Cantata Gelobet seist du, Jesu Christ (Christmas; early version) G maj. satbSATB 2Hn Tmp 3Ob Str Bc 22: 1,333 I/2: 164 after Z 1947; text after Luther; → BWV 91.2 00116
91/6 chorale setting "Gelobet seist du, Jesu Christ" (s. 7) SATB III/2.1: 89
III/2.2: 30 		after Z 1947; text by Luther 11252
92 1. 1725-01-28 Cantata Ich hab in Gottes Herz und Sinn (Septuagesimae) B min. satbSATB 2Oba Str Bc 22: 33 I/7: 41 after Z 7568; text after Gerhardt 00117
93 1. 1724-07-09 Cantata Wer nur den lieben Gott läßt walten (Trinity V) C min. satbSATB 2Ob Str Bc 22: 69 I/17.2: 3 after Z 2778; text after Neumark; /4 → BWV 647 00118
94 1. 1724-08-06 Cantata Was frag ich nach der Welt (Trinity IX) D maj. satbSATB Fl 2Ob 2Oba Str Bc 22: 95 I/19: 43 after Z 5206b–c; text after Kindermann 00119
94/8 chorale setting "Was frag ich nach der Welt" (s. 8) SATB 22: 127 III/2.1: 53
III/2.2: 173 		after Z 5206b–c; text by Kindermann 11215
95 1. 1723-09-12 Cantata Christus, der ist mein Leben (Trinity XVI) G maj. stbSATB Hn or Cnt 2Ob 2Oba Str Bc 22: 129 I/23: 65 after Z 132 & 3986 (/1: → BWV 282), 5404a (/3), 4482 (/7); text by Simon Graf [de] & Luther (/1), Herberger (/3), Herman (/7) 00120
95/7 chorale setting "Wenn mein Stündlein vorhanden ist" (s. 4) SATB 22: 153 III/2.1: 64 after Z 4482; text by Herman 11229
96 1. 1724-10-08 Cantata Herr Christ, der einge Gottessohn (Trinity XVIII) F maj. satbSATB Hn or Tbn Fl/Fl or Vl 2Ob Str Bc 22: 155 I/24: 1 after Z 4297a; text after Cruciger 00121
96/6 chorale setting "Herr Christ, der einge Gottessohn" (s. 5) SATB 22: 184 III/2.1: 66
III/2.2: 179 		after Z 4297a; text by Cruciger 11231
97 1. 1734-07-25?
after 1735 		Cantata In allen meinen Taten (two versions; Trinity V?) B♭ maj. satbSATB 2Ob Str Bc 22: 185, 336 I/34: 197 after Z 2293b; text by Fleming; /9 → BWV 392 00122
97/9 chorale setting "In allen meinen Taten" (s. 9) SATB 22: 230 III/2.1: 49 after Z 2293b; text by Fleming; → BWV 392 11210
chorale setting "Nun ruhen alle Wälder" after Z 2293b; text by Gerhardt; → BWV 392
98 1. 1726-11-10 Cantata Was Gott tut, das ist wohlgetan (Trinity XXI) B♭ maj. satbSATB 2Ob Str Bc 22: 231 I/25: 241 after Z 5629 (/1); text by Birkmann, Rodigast (/1) 00123
99 1. 1724-09-17 Cantata Was Gott tut, das ist wohlgetan (Trinity XV) G maj. satbSATB Hn Fl Oba Str Bc 22: 251 I/22: 41 after Z 5629; text after Rodigast; /1 → BWV 100/1 00124
100 1. 1734–1735 Cantata Was Gott tut, das ist wohlgetan G maj. satbSATB 2Hn Tmp Fl Oba Str Bc 22: 277 I/34: 239 after Z 5629, BWV 99/1 (/1), 75/7 (/6); text by Rodigast 00125
100/6 chorale setting "Was Gott tut, das ist wohlgetan" (s. 6) SATB 22: 323 III/2.1: 72 after 75/7=/14; text by Rodigast 11238
101 1. 1724-08-13 Cantata Nimm von uns, Herr, du treuer Gott (Trinity X) D min. satbSATB 2Hn Tmp Fl Oba Str Bc 23: 1 I/19: 173 after Z 2561; text after Moller 00126
101/7 chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7) SATB 23: 32 III/2.1: 54
III/2.2: 174 		after Z 2561; text by Moller 11216
102 1. 1726-08-25 Cantata Herr, deine Augen sehen nach dem Glauben (Trinity X) G min. atbSATB Fl Vl 2Ob Str Bc 23: 33 I/19: 229 after Z 2561 (/7); text: Meiningen, after Jer 5:3 (/1: → BWV 235/1), Rm 2:4–5 (/4), by Heermann (/7); /3 & /5 → BWV 233/4 & /5 00127
102/7 chorale setting "So wahr ich lebe, spricht dein Gott" (ss. 6–7) C min. SATB 23: 66 III/2.2: 62 after Z 2561; text by Heermann 11334
chorale setting "Vater unser im Himmelreich" after Z 2561; text by Luther
103 1. 1725-04-22
1731-04-15 		Cantata Ihr werdet weinen und heulen (Jubilate, 2 versions) B min. atSATB Tr Fl Fl (or) Vl 2Oba Str Bc 23: 67 I/11.2: 25 after Z 7568 (/6); text by Ziegler, C. M., Gerhardt (/6) 00128
103/6 chorale setting "Barmherzger Vater, höchster Gott" (s. 9) SATB 23: 94 III/2.1: 72
III/2.2: 68 		after Z 7568; text by Gerhardt 11237
chorale setting "Ich hab in Gottes Herz und Sinn"
chorale setting "Was mein Gott will, das gscheh allzeit" after Z 7568; text by Albert of Prussia
104 1. 1724-04-23 Cantata Du Hirte Israel, höre (Misericordias) G maj. tbSATB 2Ob 2Oba Tai Str Bc 23: 95 I/11.1: 113 after Z 4457 (/6); text after Ps 80:2 (/1), by Becker (/6) 00129
104/6 chorale setting "Der Herr ist mein getreuer Hirt" (s. 1) A maj. SATB 23: 116 III/2.2: 189 after Z 4457; text by Becker 11283
chorale setting "Allein Gott in der Höh sei Ehr" after Z 4457; text by Decius
G maj. III/2.2: 71 11290
105 1. 1723-07-25 Cantata Herr, gehe nicht ins Gericht mit deinem Knecht (Trinity IX) G min. satbSATB Hn 2Ob Str Bc 23: 117 I/19: 1 after Z 6804 (/6); text after Ps 143:2 (/1), by Rist (/6) 00130
105/6 chorale setting "Jesu, der du meine Seele" (s. 11) SATB 23: 146 III/2.1: 52 after Z 6804; text by Rist 11214
106 1. 1708-09-16? Cantata Gottes Zeit ist die allerbeste Zeit (funeral; aka Actus tragicus) E♭ maj. satbSATB 2Fl 2Vdg Bc 23: 147 I/34: 1 after Z 1680 (/2d), 3986 (/3b), 2461 (/4); text after Olearius, J., Acts 17:28 & Ps 90:12 & Is 38:1 & JS 14:18 & Rv 22:20 (/2), Ps 31:6 & Lk 23:43 & by Luther (/3), Reusner (/4) 00131
107 1. 1724-07-23 Cantata Was willst du dich betrüben (Trinity VII) B min. stbSATB Hn 2Fl 2Oba Str Bc 23: 179 I/18: 55 after Z 5264b; text by Heermann 00132
108 1. 1725-04-29 Cantata Es ist euch gut, daß ich hingehe (Cantate) A maj. atbSATB 2Oba Str Bc 23: 203 I/12: 17 after Z 2496 (/6); text by Ziegler, C. M., Gerhardt (/6), after Jh 16:7 (/1), 13 (/4) 00133
108/6 chorale setting "Gott Vater, sende deinen Geist" (s. 10) B min. SATB 23: 230 III/2.1: 69
III/2.2: 26 		after Z 2496; text by Gerhardt 11235
chorale setting "Kommt her zu mir, spricht Gottes Sohn" after Z 2496; text by Grünwald
109 1. 1723-10-17 Cantata Ich glaube, lieber Herr, hilf meinem Unglauben (Trinity XXI; 2 versions) D min. atSATB (Hn) 2Ob Str Bc 23: 231 I/25: 157 after Z 7549 (/6); text after Mk 9:24 (/1), by Spengler (/6) 00134
110 1. 1725-12-25 Cantata Unser Mund sei voll Lachens (Christmas) D maj. satbSATB 3Tr Tmp 2Fl 3Ob Oba Odc Bas Str Bc 23: 263 I/2: 71 after Z 2072 (/7); text by Lehms, Füger (/7), after Ps 126:2–3 (/1), Jer 10:6 (/3), Lk 2:14 (/5) 00135
110/7 chorale setting "Wir Christenleut" (s. 5) B min. SATB 23: 324 III/2.2: 32 after Z 2072; text by Füger 11316
111 1. 1725-01-25 Cantata Was mein Gott will, das g'scheh allzeit (Epiphany III) A min. satbSATB 2Ob Str Bc 24: 1 I/6: 27 after Z 7568; text after Albert of Prussia 00136
112 1. 1731-04-08 Cantata Der Herr ist mein getreuer Hirt (Misericordias) G maj. satbSATB 2Hn 2Oba Str Bc 24: 29 I/11.1: 179 after Z 4457; text by Meuslin after Ps. 23 00137
112/5 chorale setting "Der Herr ist mein getreuer Hirt" (s. 5) SATB 24: 48 III/2.1: 71
III/2.2: 183,
202 		11236
chorale setting "Allein Gott in der Höh sei Ehr" after Z 4457; text by Decius
113 1. 1724-08-20 Cantata Herr Jesu Christ, du höchstes Gut (Trinity XI) B min. satbSATB Fl 2Oba Str Bc 24: 49 I/20: 79 after Z 4486; text after Ringwaldt 00138
113/8 chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8) SATB 24: 80 III/2.1: 54
III/2.2: 175 		after Z 4486; text by Ringwaldt 11217
114 1. 1724-10-01 Cantata Ach, lieben Christen, seid getrost (Trinity XVII) G min. satbSATB Hn Fl 2Ob Str Bc 24: 81 I/23: 287 after Z 4441a; text after Gigas 00139
114/7 chorale setting "Ach, lieben Christen, seid getrost" (s. 6) SATB 24: 108 III/2.1: 65
III/2.2: 179 		after Z 4441a; text by Gigas 11230
115 1. 1724-11-05 Cantata Mache dich, mein Geist, bereit (Trinity XXII) G maj. satbSATB Hn Fl Oba Str Vc Bc 24: 109 I/26: 21 after Z 6274a; text after Freystein 00140
115/6 chorale setting "Mache dich, mein Geist, bereit" (s. 10) SATB 24: 132 III/2.1: 25
III/2.2: 23 		after Z 6274a; text by Freystein 11190
chorale setting "Straf mich nicht in deinem Zorn" after Z 6274a; text by Albinus
116 1. 1724-11-26 Cantata Du Friedefürst, Herr Jesu Christ (Trinity XXV) A maj. satbSATB Hn 2Oba Str Bc 24: 133 I/27: 79 after Z 4373; text after Ebert 00141
117 1. 1728–1731 Cantata Sei Lob und Ehr dem höchsten Gut G maj. atbSATB 2Fl 2Ob 2Oba Str Bc 24: 159 I/34: 151 after Z 4430; text by Schütz, J. J. 00142
117/4
117/9 		chorale setting "Sei Lob und Ehr dem höchsten Gut" (ss. 4, 9) SATB 24: 159 III/2.1: 71
III/2.2: 203 		11172
chorale setting "Sei Lob und Ehr dem höchsten Gut" III/2.1: 9
III/2.2: 147 		11173
119 1. 1723-08-30 Cantata Preise, Jerusalem, den Herrn (council election) C maj. satbSATB 4Tr Tmp 2Fl 3Ob 2Odc Str Bc 24: 193 I/32.1: 129 after Z 8652 (/9); text after Ps 147:12–14 (/1), by Luther (/9) 00144
120.1 1. 1729 or earlier Cantata Gott, man lobet dich in der Stille (council election) A maj. satbSATB 3Tr 2Ob 2Oba Vl Str Bc 24: 247 I/32.2: 53 after Z 8652 (/6); text after Ps 65:2 (/1), by Luther (/6); ↔ BWV 120.2/6 (/1 →.3/1), /1 (/2 →.3/2), /3 (/4 ↔ 1019a/3 →.3/4) 00145
120.2 1. 1729? Cantata Herr Gott, Beherrscher aller Dinge (wedding; incomplete) D maj. satbSATB 3Tr Tmp 2Ob 2Oba Str Org Bc 41: 149 I/33: 75 after BWV 1006/1 (/4 → 29/1), 137/5 (/8); text after JS 50:24 (/2), by Luther (/5), Neander (/8); ↔ BWV 120.1/2 (/1 →.3/2), /4 (/3 ↔ 1019a/3 →.3/4), /1 (/6 →.3/1) 00146
120.3 1. 1730-06-26 Cantata Gott, man lobet dich in der Stille (200th anniversary of the Augsb. Confess.; music lost, partially reconstructable) saSATB 3Tr Tmp 2Oba Vl Str Bc ? I/34
I/32.2 		after BWV 120.1/1 (=.2/6), /2 (=.2/1 → 232II/9), /4 (=.2/3 ↔ 1019a/3); text by Picander 00147
121 1. 1724-12-26 Cantata Christum wir sollen loben schon (Christmas 2) E min. satbSATB Cnt 3Tbn Oba Str Bc 26: 1 I/3.1: 57 after Z 297c, text after Luther 00148
121/6 chorale setting "Christum wir sollen loben schon" (s. 8) SATB 26: 20 III/2.2: 31 after Z 297c, text by Luther 11284
122 1. 1724-12-31 Cantata Das neugeborne Kindelein (Christmas I) G min. satbSATB 3Fl 2Ob Tai Str Bc 26: 21 I/3.2: 53 after Z 491; text after Schneegaß 00149
122/6 chorale setting "Das neugeborne Kindelein" (s. 5) SATB 26: 40 III/2.1: 43
III/2.2: 30,
101 		after Z 491; text by Schneegaß 11207
123 1. 1725-01-06 Cantata Liebster Immanuel, Herzog der Frommen (Epiphany) B min. atbSATB 2Fl 2Oba Str Bc 26: 41 I/5: 47 after Z 4932c; text after Fritsch 00150
123/6 chorale setting "Liebster Immanuel, Herzog der Frommen" (s. 6) SATB 26: 60 III/2.2: 108 after Z 4932c; text by Fritsch 11340
124 1. 1725-01-07 Cantata Meinen Jesum laß ich nicht (Epiphany I) E maj. satbSATB Hn Oba Str Bc 26: 61 I/5: 115 after Z 3449; text after Keymann 00151
125 1. 1725-02-02 Cantata Mit Fried und Freud ich fahr dahin (Purification) E min. atbSATB Hn Fl Ob Oba Str Bc 26: 83 I/28.1: 31 after Z 3986; text after Luther 00152
126 1. 1725-02-04 Cantata Erhalt uns, Herr, bei deinem Wort (Sexagesimae) A min. atbSATB Tr 2Ob Str Bc 26: 111 I/7: 155 after Z 350a, 1945b (/6); text after Luther, Jonas, Walter 00153
126/6 chorale setting "Verleih uns Frieden gnädiglich" (ss. 1–2) SATB 26: 131 III/2.2: 126
(in g) 		after Z 1945b; text by Luther, Walter 11335
127 1. 1725-02-11 Cantata Herr Jesu Christ, wahr' Mensch und Gott (Estomihi) F maj. stbSATB Tr 2Fl 2Ob Str Bc 26: 133 I/8: 107 after Z 2570; text after Eber; /1 → BWV 127/1 (variant) 00154
127/5 chorale setting "Herr Jesu Christ, wahr' Mensch und Gott" (s. 8) SATB 26: 160 III/2.1: 46
III/2.2: 169 		after Z 2570; text by Eber 11209
127/1 (var.) 1. c.1750 Chorus "Herr Jesu Christ, wahr' Mensch und Gott" (Passion oratorio movement) E♭ maj. SATB 2Fl 2Ob Str Bc I/41: 95 after BWV 127/1; → BC D 10 00155
128 1. 1725-05-10 Cantata Auf Christi Himmelfahrt allein (Ascension) G maj. atbSATB Tr 2Hn 2Ob 2Oba Odc Str Bc 26: 163 I/12: 101 after Z 4457 (/1), 5206b (/5); text by Ziegler, C. M., Sonnemann [de] (/1), Avenarius [scores] (/5) 00156
129 1. 1727-06-08 Cantata Gelobet sei der Herr, mein Gott (Trinity) D maj. sabSATB 3Tr Tmp Fl 2Ob Oba Str Bc 26: 185 I/15: 37 after Z 5206b; text by Olearius, J. 00157
129/5 chorale setting "Gelobet sei der Herr, mein Gott" (s. 5) SATB 26: 224 III/2.1: 80 11246
chorale setting "O Gott, du frommer Gott" after Z 5206b; text by Heermann
130.1 1. 1724-09-29 Cantata Herr Gott, dich loben alle wir (Michaelmas; 1st version) C maj. satbSATB 3Tr Tmp Fl 3Ob Str Bc 26: 231 I/30: 1 after Z 368; text after Eber; → BWV 130.2 00158
130/6 chorale setting "Herr Gott, dich loben alle wir" (s. 11) SATB 26: 268 III/2.1: 61
III/2.2: 218 		after Z 368; text by Eber 11226
130.2 1. 1732–1735 Cantata Herr Gott, dich loben alle wir (Michaelmas; 2nd version) C maj. satbSATB 3Tr Tmp Fl 3Ob Str Bc I/30: 48 after BWV 130.1 (same text) 00159
131 1. 1707 Cantata Aus der Tiefen rufe ich, Herr, zu dir G min. satbSATB Ob Bas Str Bc 28: 1 I/34: 67 after Z 4486 (/2, /4); text after Ps. 130, by Ringwaldt (/2, /4); → BWV 131a 00160
132 1. 1715-12-22 Cantata Bereitet die Wege, bereitet die Bahn (Advent IV) A maj. satbSATB Ob Bas Str Vc Bc 28: 33 I/1: 99
rev 2: 97 		text by Franck, S., Cruciger (/6) 00162
133 1. 1724-12-27 Cantata Ich freue mich in dir (Christmas 3) A maj. satbSATB Cnt 2Oba Str Bc 28: 51 I/3.1: 135 ↔ Z 5187; text after Ziegler, C. 00163
133/6 chorale setting "Ich freue mich in dir" (s. 4) D maj. SATB 28: 80 III/2.1: 44
III/2.2: 34 		↔ Z 5187; text by Ziegler, C. 11208
134.3 1. 1731-03-27
1735-04-12 		Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; later version) B♭ maj. atSATB 2Ob Str Bc 28: 81 I/10: 69 after BWV 134.2 00164
134.2 1. 1724-04-11 Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; early version) B♭ maj. atSATB 2Ob Str Bc 28: 81, 287 I/10: 106 after BWV 134.1; → BWV 134.3 00165
134.1 1. 1719-01-01 Secular cantata Die Zeit, die Tag und Jahre macht (congratulation for New Year) B♭ maj. atSATB 2Ob Str Bc 29: 209 I/35: 49 text by Hunold; → BWV 134.2 00166
135 1. 1724-06-25 Cantata Ach Herr, mich armen Sünder (Trinity III) E min. atbSATB Cnt Tbn 2Ob Str Bc 28: 119 I/16: 197 after Z 5385a; text after Schneegaß 00167
136 1. 1723-07-18 Cantata Erforsche mich, Gott, und erfahre mein Herz (Trinity VIII) A min. atbSATB Hn 2Ob 2Oba Str Bc 28: 137 I/18: 129 after Z 2164 (/6); text after Ps 139:23 (/1: → BWV 234/6), by Heermann (/6) 00168
136/6 chorale setting "Wo soll ich fliehen hin" (s. 9) B min. SATB 28: 164 III/2.2: 191 after Z 2164; text by Heermann 11293
137 1. 1725-08-19 Cantata Lobe den Herren, den mächtigen König der Ehren (Trinity XII) C maj. satbSATB 3Tr Tmp 2Ob Str Bc 28: 165 I/20: 171 after Z 1912a–c; text by Neander; /2 → BWV 650; /5 → 120.2/8 00169
137/5 chorale setting "Lobe den Herren, den mächtigen König der Ehren" (s. 5) SATB 28: 196 III/2.1: 56 after Z 1912a–c; text by Neander; → BWV 120.2/8 11220
chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" after Z 1912a–c; text by Fritsch
138 1. 1723-09-05 Cantata Warum betrübst du dich, mein Herz (Trinity XV) B min. satbSATB 2Oba Str Bc 28: 197 I/22: 19 after Z 1689a; /4 → BWV 236/3 00170
139 1. 1724-11-12 Cantata Wohl dem, der sich auf seinen Gott (Trinity XXIII) E maj. satbSATB 2Oba Str Bc 28: 223 I/26: 97 after Z 2383; text after Rube [fr] 00171
140 1. 1731-11-25 Cantata Wachet auf, ruft uns die Stimme (Trinity XXVII) E♭ maj. stbSATB Hn 2Ob Tai Vl Str Bc 28: 249 I/27: 149 after Z 8405a, text after Nicolai; /4 → BWV 645 00172
140/7 chorale setting "Wachet auf, ruft uns die Stimme" (s. 3) SATB 28: 284 III/2.1: 19
III/2.2: 101 		after Z 8405a, text by Nicolai 11183
143 1. c. 1709–1711? Cantata Lobe den Herrn, meine Seele (New Year) B♭ maj. stbSATB 3Hn Tmp Bas Str Bc 30: 43 I/4: 165
rev 2: 3 		after Z 4373; text after Ps 146, by Ebert (/2, /7) 00175
C maj. stbSATB 3Tr Tmp Bas Str Bc rev 2: 119
144 1. 1724-02-06 Cantata Nimm, was dein ist, und gehe hin (Septuagesima) B min. satSATB 2Ob Oba Str Bc 30: 75 I/7: 1 after Z 5629 (/3), 7568 (/6); text after Mt 20:14 (/1), by Rodigast (/3), Albert of Prussia (/6) 00176
144/3 chorale setting "Was Gott tut, das ist wohlgetan" (s. 1) G maj. SATB 30: 87 III/2.1: 34
III/2.2: 36 		after Z 5629; text by Rodigast 11204
144/6 chorale setting "Was mein Gott will, das g'scheh allzeit" (s. 1) B min. 30: 92 III/2.1: 35
III/2.2: 157 		after Z 7568; text by Albert of Prussia 11205
145/1–5 1. 1729-04-19 Cantata Ich lebe, mein Herze, zu deinem Ergötzen (Easter 3) D maj. stbSATB Tr Fl 2Ob Str Bc 30: 104 I/10: 111 by Bach, C. P. E.?; after Z 1743 (/5); text by Picander, Herman (/5) 00177
145/5 chorale setting "Erschienen ist der herrlich Tag" (s. 14) F♯ min. SATB 30: 122 III/2.2: 214 by Bach, C. P. E.?; after Z 1743; text by Herman 11321
chorale setting "Erschienen ist der herrlich Tag" E min. III/2.2: 12
145/a 1. chorale setting "Auf, mein Herz, des Herren Tag" (s. 1) D maj. SATB (or) Org 30: 93 III/2.2: 195 by Bach, C. P. E.; after Z 3432b; text by Neumann 10584
chorale setting "Jesus, meine Zuversicht" by Bach, C. P. E.; after Z 3432b; text by L. H. of Brandenb. 09019
146 1. 1726-05-12 Cantata Wir müssen durch viel Trübsal (Jubilate) D min. satbSATB Fl 2Ob 2Oba Tai Str Org Bc 30: 123 I/11.2: 65 after Z 6551 (/8); text after Acts 14:22 (/2); /1 & /2 ↔ BWV 1052/1 & /2 00179
147.2 1. 1723-07-02 Cantata Herz und Mund und Tat und Leben (Visitation) D maj. satbSATB Tr 2Ob Oba 2Odc Str Bc 30: 191 I/28: 63 after BWV 147.1/1–5 (/1, /3, /7, /5, /9), Z 6551 (/6, /10); text by Franck, S. (/1, /3, /7, /5, /9), Janus (/6, /10) 00180
147.1 1. 1716-12-20 Cantata Herz und Mund und Tat und Leben (Advent IV) D maj. satbSATB Tr Ob Str Bc I/1 text by Franck, S., Kolross (/6); /1–/5 → BWV 147.2/1, /3, /7, /5, /9 00181
148 1. 1723-09-19 Cantata Bringet dem Herrn Ehre seines Namens (Trinity XVII) D maj. atSATB Tr 2Oba Odc Str Bc 30: 235 I/23: 253 after Z 2164 (/6); text after Picander 00182
148/6 chorale setting "Wo soll ich fliehen hin" F♯ min.
F min. 		SATB 30: 260 III/2.2: 16 after Z 2164; text by Heermann 11291
149 1. 1729-09-29 Cantata Man singet mit Freuden vom Sieg (Michaelmas) D maj. satbSATB 3Tr Tmp 3Ob Bas Str Vne Bc 30: 261 I/30: 97 after BWV 208/15 (/1), Z 8326 (/7); text by Picander, Schalling (/7) 00183
149/1a 1. Fall 1729 Cantata opening: "Concerto" (incomplete; abandoned alternative start of BWV 149?) D maj. SATB 3Tr Tmp 2Ob Str Bc I/40
I/30 		in SBB P 175; was BWV Anh. 198 01509
150 1. 1707-07-10 Cantata Nach dir, Herr, verlanget mich (Trinity III) B min. satbSATB Bas 2Vl Bc 30: 301 I/41: 3 text after Ps 25 (/2, /4, /6) 00184
151 1. 1725-12-27 Cantata Süßer Trost, mein Jesus kömmt (Christmas 3) G maj. satbSATB Fl Vl Oba Str Bc 32: 1 I/3.1: 169 after Z 198 (/5); text by Lehms, Herman (/5) 00185
151/5 chorale setting "Lobt Gott, ihr Christen allzugleich" (s. 8) SATB 32: 16 III/2.2: 30 after Z 198; text by Herman 11307
152 1. 1714-12-30 Cantata Tritt auf die Glaubensbahn (Christmas I) E min. sb Fl Ob Va Vdg Bc 32: 17 I/3.2: 3 text by Franck, S.; /1 ↔ BWV 536/2, → 536a/2 00186
153 1. 1724-01-02 Cantata Schau, lieber Gott, wie meine Feind (Christmas II) A min. atbSATB Str Bc 32: 41 I/4: 199 after Z 4431 (/1), 5385a (/5), 533a (/9); text by Denicke (/1), Gerhardt (/5), Moller (/9), after Is 14:10 (/3) 00187
153/1 chorale setting "Schau, lieber Gott, wie meine Feind" (s. 1) A min. SATB 32: 43 III/2.2: 3 after Z 4431; text by Denicke 11288
chorale setting "Ach Gott, vom Himmel sieh darein" after Z 4431; text by Martin Luther
153/5 chorale setting "Befiehl du deine Wege" (s. 5) A min. SATB 32: 46 III/2.2: 14 after Z 5385a; text by Gerhardt 11326
chorale setting "Herzlich tut mich verlangen" after Z 5385a; text by Knoll
153/9 chorale setting "Ach Gott, wie manches Herzeleid" (ss. 16–18) C maj. SATB 32: 58 III/2.2: 128 after Z 533a; text by Moller 11282
154 1. 1724-01-09 Cantata Mein liebster Jesus ist verloren (Epiphany I) B min. atbSATB 2Oba Str Hc Bc 32: 59 I/5: 89 after Z 6551 (/3), 3449 (/8); text by Janus (/3), Keymann (/8), after Lk 2:49; /3 → BWV 359 00188
154/3 chorale setting "Jesu, meiner Seelen Wonne" (s. 2) A maj. SATB 32: 65 III/2.1: 87
III/2.2: 137 		after Z 6551; text by Janus; → BWV 359 11249
chorale setting "Werde munter, mein Gemüte" after Z 6551; text by Rist
154/8 chorale setting "Meinen Jesum lass ich nicht, weil" (s. 6) D maj. SATB 32: 82 III/2.1: 88
III/2.2: 88 		after Z 3449; text by Keymann 11251
155 1. 1716-01-19
1724-01-16 		Cantata Mein Gott, wie lang, ach lange? (Epiphany II) D min. satbSATB Bas Str Bc 32: 83 I/5: 173 after Z 4430 (/5); text by Franck, S., Speratus (/5) 00189
155/5 chorale setting "Es ist das Heil uns kommen her" (s. 12) F maj. SATB 32: 96 III/2.2: 194 after Z 4430; text by Speratus 11302
156 1. 1729-01-23 Cantata Ich steh mit einem Fuß im Grabe (Epiphany III) F maj. satbSATB Ob Str Bc 32: 97 I/6: 91 after Z 2383 (/2), 4438 (/6); text by Picander, Schein (/2), Bienemann [de] (/6); /1 ↔ BWV 1056/2 00190
156/6 chorale setting "Herr, wie du willt, so schicks mit mir" (s. 1) C maj. SATB 32: 114 III/2.2: 185 after Z 4438; text by Bienemann [de] 11294
157.2 1. after 1727-02-06 Cantata Ich lasse dich nicht, du segnest mich denn (funeral; later: Purification) B min. tbSATB Fl Ob Oba Va 2Vl Bc 32: 115 I/34: 41 after Z 3449 (/5), BWV 157.1 (same text) 00191
157.1 1. 1727-02-06 Cantata Ich lasse dich nicht, du segnest mich denn (funeral) tbSATB Fl Oba Va Bc I/34 text by Picander, Keymann (/5), after Gen 32:27 (/1); → BWV 157.2 11366
158 1. c. 1725–1735 Cantata Der Friede sei mit dir (Purification; later: Easter 3) D maj. sbSATB Ob Vl Bc 32: 141 I/10: 129 after Z 6531 (/2), 7012a (/4); text by Albinus (/2), Luther (/4; ↔ BWV 279) 00192
158/4 chorale setting "Christ lag in Todes Banden" (s. 5) E min. SATB 32: 154 III/2.1: 24
III/2.2: 155 		after Z 7012a; text by Luther; ↔ BWV 279 11187
159 1. 1729-02-27 Cantata Sehet, wir gehn hinauf gen Jerusalem (Estomihi) C min. satbSATB Ob Str Bc 32: 155 I/8: 153 after Z 5385a (/2), 6288a–b (/5); text by Picander, Gerhardt (/2), Stockmann (/5), after Lk 18:31 (/1), Jh 19:30 (/4) 00193
159/5 chorale setting "Jesu Leiden, Pein und Tod" (s. 33) E♭ maj. SATB 32: 168 III/2.1: 41
III/2.2: 33 		after 6288a–b; text by Stockmann 11206
161 1. 1716-09-27 Cantata Komm, du süße Todesstunde (Trinity XVI; 1st version) C maj. atSATB 2Fl Str Org Bc 33: 1 I/23: 1, 33 after Z 5385a; text by Franck, S., Knoll; → BWV 161, v2 00195
161/6 chorale setting "Herzlich tut mich verlangen" (s. 4) A min. SATB 33: 27 III/2.1: 29
III/2.2: 160 		after Z 5385a; text by Knoll 11194
chorale setting "Befiehl du deine Wege" after Z 5385a; text by Gerhardt
161, v2 1. 1723–1750? Cantata Komm, du süße Todesstunde (Trinity XVI; 2nd version) C maj. satSATB 2Fl Str Bc I/23: 33 after BWV 161; text by Franck, S., Knoll 00196
162.1 1. 1716-10-25 Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX) A min. satbSATB Str Bc I/25: 1 after Z 6783 (/6); text by Franck, S., Rosenmüller (/6); → BWV 162.2 00197
162.2 1. 1723-10-10 Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX) B min. satbSATB Hn Str Bc 33: 29
(in a) 		I/25: 23 after BWV 162.1 (same text) 11367
163 1. 1715-11-24 Cantata Nur jedem das Seine (Trinity XXIII) B min. satbSATB Str 2Vc Bc 33: 47 I/26: 77 after Z 3449 (/5), 2177 (/6); text by Franck, S., Heermann (/6) 00198
164 1. 1725-08-26 Cantata Ihr, die ihr euch von Christo nennet (Trinity XIII) G min. satbSATB 2Fl 2Ob Str Bc 33: 65 I/21: 57 after Z 4297a (/6); text by Franck, S., Cruciger (/6) 00199
164/6 chorale setting "Herr Christ, der einge Gottes Sohn" (s. 5) B♭ maj. SATB 33: 88 III/2.1: 59
III/2.2: 57 		after Z 4297a; text by Cruciger 11224
165 1. 1715-06-16
1724-06-04 		Cantata O heilges Geist- und Wasserbad (Trinity) G maj. satbSATB Fag Str Bc 33: 89 I/15: 1 after Z 159 (/6); text by Franck, S., Helmbold (/6) 00200
166 1. 1724-05-07 Cantata Wo gehest du hin? (Cantate) B♭ maj. satbSATB Ob Str Bc 33: 105 I/12: 1 after Z 4486 (/3), 2778 (/6); text by Franck, S., Ringwaldt (/3), E. J. of Schwarzburg-Rudolstadt (/6), after Jh 16:5 (/1); /2 → BWV 584 00201
166/6 chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 1) G min. SATB 33: 122 III/2.2: 116 after 2778; text by E. J. of Schwarzburg-Rudolstadt 11311
167 1. 1723-06-24 Cantata Ihr Menschen, rühmet Gottes Liebe (24 June: feast of John the Baptist) G maj. satbSATB Tr Ob Odc Str Bc 33: 123 I/29: 1 after Z 8244 (/5); text by Gramann (/5) 00202
168 1. 1725-07-29 Cantata Tue Rechnung! Donnerwort (Trinity IX) B min. satbSATB 2Oba Str Bc 33: 147 I/19: 87 after Z 4486 (/6); text by Franck, S., Ringwaldt (/6) 00203
168/6 chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8) SATB 33: 166 III/2.2: 52 after Z 4486; text by Ringwaldt 11198
169 1. 1726-10-20 Cantata Gott soll allein mein Herze haben (Trinity XVIII) D maj. aSATB 2Oba Tai Str Org Bc 33: 167 I/24: 59 after Z 2029a (/7); text by Birkmann, Luther (/7); /1 & /5 ↔ BWV 1053/1 & /2 00204
169/7 chorale setting "Nun bitten wir den Heiligen Geist" (s. 3) A maj. SATB 33: 192 III/2.1: 30
III/2.2: 54 		after Z 2029a; text by Luther 11196
170 1. 1726-07-28 Cantata Vergnügte Ruh, beliebte Seelenlust (Trinity VI) D maj. a Oba Fl Str Org Bc 33: 193 I/17.2: 61 text by Lehms 00205
171 1. 1729-01-01 Cantata Gott, wie dein Name, so ist auch dein Ruhm (New Year) D maj. satbSATB 3Tr Tmp 2Ob Str Bc 35: 1 I/4: 131 after BWV 205 (/4), 41/6 (/6); text by Picander, Hermann (/6) 00206
171/6 chorale setting "Jesu, nun sei gepreiset" (s. 2) SATB 35: 32 after BWV 41/6; text by Hermann 11253
172.1 1. 1714-05-20 Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 1st version = Weimar version; incomplete) C maj. (SATB) 3Tr Tmp (Fl? Ob 2)Vl 2Va Vc Bas (Bc) I/13 after Z 8359 (/6); text by Franck, S.?, Nicolai (/6), after Jh 14:23 (/2); → BWV 172.2 00207
172/6 chorale setting "Wie schön leuchtet der Morgenstern" (s. 4) F maj. SATB 35: 69 III/2.2: 187 after Z 8359; text by Nicolai 11314
172.2 1. 1724-05-28 Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 2nd version = 1st Leipzig version) D maj. satbSATB 3Tr Tmp Fl Ob Oba Bas 2Vl 2Va Vc Bc I/13: 1 after BWV 172.1 (same text); → BWV 172.3 00208
172.3 1. 1731-05-13 Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 3rd version = 2nd Leipzig version) C maj. satbSATB 3Tr Tmp Ob Bas 2Vl 2Va Vc Org Bc 35: 35 I/13: 33 after BWV 172.2 (same text) 00209
173.2 1. 1727-06-02
1731-05-14 		Cantata Erhöhtes Fleisch und Blut (Pentecost 2) D maj. satbSATB 2Fl Str Bc 35: 71 I/14: 1 after BWV 173.1 00210
173.1 1. 1722-12-10 Secular cantata Durchlauchtster Leopold (birthday of Leopold of Anhalt-Köthen) D maj. satbSATB 2Fl Str Bc 34: 1 I/35: 95 → BWV 173.2 (/1–/5, /8), 175/4 (/7) 00211
174 1. 1729-06-06 Cantata Ich liebe den Höchsten von ganzem Gemüte (Pentecost 2) G maj. atbSATB 2Cdc 2Ob Tai 3Vl 3Va 3Vc Str Bc 35: 103 I/14: 63 after BWV 1048/1 (/1), Z 8326 (/5); text by Picander, Schalling (/5) 00212
174/5 chorale setting "Herzlich lieb hab ich dich, o Herr" (s. 1) D maj. SATB 35: 157 III/2.1: 78
III/2.2: 32 		after Z 8326; text by Schalling 11244
175 1. 1725-05-22 Cantata Er rufet seinen Schafen mit Namen (Pentecost 3) G maj. atbSATB 2Tr 3Fl Str Vc Bc 35: 159 I/14: 147 after BWV 173.1/7 (/4), BWV 59/3 (/7); text by Ziegler, C. M., Rist (/7), after Jh 10:3 & 6 (/1 & /5) 00213
175/7 chorale setting "O Gottes Geist, mein Trost und Rat" (s. 9) SATB 35: 177 III/2.1: 76 after Z 7445a; text by Rist 11243
chorale setting "Komm, Heiliger Geist, Herre Gott" after Z 7445a; text by Luther
176 1. 1725-05-27 Cantata Es ist ein trotzig und verzagt Ding (Trinity) C min. sabSATB 2Ob Odc Str Bc 35: 179 I/15: 17 after Z 7246 (/6); text by Ziegler, C. M., Gerhardt (/6), after Jer 17:9 (/1) 00214
176/6 chorale setting "Was alle Weisheit in der Welt" (s. 8) SATB 35: 198 III/2.2: 67 after Z 7246; text by Gerhardt 11296
chorale setting "Christ unser Herr zum Jordan kam" after Z 7246; text by Luther
177 1. 1732-07-06 Cantata Ich ruf zu dir, Herr Jesu Christ (Trinity IV) G min. satSATB 2Ob Odc Bas Vl Str Bc 35: 199 I/17.1: 77 after Z 7400; text by Agricola, J. 00215
177/5 chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 5) G min.
E min 		SATB 35: 234 III/2.1: 50
III/2.2: 40 		11211
178 1. 1724-07-30 Cantata Wo Gott der Herr nicht bei uns hält (Trinity VIII) A min. atbSATB Hn 2Ob 2Oba Str Bc 35: 235 I/18: 159 after Z 4441a; text after Jonas 00216
179 1. 1723-08-08 Cantata Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei (Trinity XI) G min. stbSATB 2Ob 2Odc Str Bc 35: 273 I/20: 55 after Z 2778 (/6); text after JS 1:34 (/1), by Tietze [wikisource:de] (/6); /1 & /3 → BWV 236/1 & /5; /5 → 234/4 00217
179/6 chorale setting "Ich armer Mensch, ich armer Sünder" (s. 1) A min. SATB 35: 292 III/2.1: 55
III/2.2: 196 		after Z 2778; text by Tietze [wikisource:de] 11218
chorale setting "Wer nur den lieben Gott lässt walten after Z 2778; text by Neumark
180 1. 1724-10-22 Cantata Schmücke dich, o liebe Seele (Trinity XX) F maj. satbSATB 2Fl Fl Ob Odc Str Vc Bc 35: 293 I/25: 41 after Z 6923; text after Franck, J. 00218
180/7 chorale setting "Schmücke dich, o liebe Seele" (s. 9) F maj.
E♭ maj. 		SATB 35: 322 III/2.1: 24
III/2.2: 15 		after Z 6923; text by Franck, J. 11188
181 1. 1724-02-13 Cantata Leichtgesinnte Flattergeister (Sexagesima) E min. satbSATB Tr Fl Ob Str Bc 37: 1 I/7: 133 00219
182 1. 1714-03-25 Cantata Himmelskönig, sei willkommen (Palm Sunday) B♭ maj. atbSATB Fl (Ob 2)Vl 2Va Bc I/8.2: 1 after 6288a–b (/7); text by Franck, S.?, Stockmann (/7), after Ps 40:8-9 (/3) 00220
1724-03-25
1728-03-21 		G maj. 37: 21 I/8.2: 43
183 1. 1725-05-13 Cantata Sie werden euch in den Bann tun (Exaudi) A min. satbSATB 2Oba 2Odc Str Vc Bc 37: 59 I/12: 187 after Z 5267 (/5); text by Ziegler, C. M., Gerhardt (/5), after Jh 16:2 (/1) 00221
183/5 chorale setting "Zeuch ein zu deinen Toren" (s. 5) SATB 37: 74 III/2.2: 70 after Z 5267; text by Gerhardt 11325
chorale setting "Helft mir Gotts Güte preisen" after Z 5267; text by Eber
184.2 1. 1724-05-30
1727-06-03
1731-05-15 		Cantata Erwünschtes Freudenlicht (Pentecost 3) G maj. satSATB 2Fl Str Bc 37: 75 I/14: 119 after BWV 184.1/1–/4 & /6, Z 5690 (/5); text by Wildenfels (/5) 00222
184.2/5 chorale setting "O Herre Gott, dein göttlich Wort" (s. 8) D maj.
G maj. 		SATB 37: 95 III/2.1: 17
III/2.2: 10 		after Z 5690; text by Wildenfels 11181
184.1 1. 1721-01-01 Secular cantata (incomplete) G maj. sb 2Fl Vl Str Bc (?) I/35 → BWV 184.2/1–/4, /6 00223
185.1 1. 1715-07-14 Cantata Barmherziges Herze der ewigen Liebe (Trinity IV) F♯ min. satbSATB Ob Str Bc 37: 101 I/17.1: 1 after Z 7400 (/6); text by Franck, S., Agricola, J. (/6); → BWV 185.2 00224
185/6 chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 1) SATB 37: 118 III/2.1: 50 after Z 7400; text by Agricola, J. 11212
185.2 1. 1723-06-20 Cantata Barmherziges Herze der ewigen Liebe (Trinity IV) G min. satbSATB Tr Ob Str Bc 37: 101 I/17.1: 1 after BWV 185.1 (same text) 11368
186.2 1. 1723-07-11 Cantata Ärgre dich, o Seele, nicht (Trinity VII) G min. satbSATB 2Ob Tai Bas Str Bc 37: 119 I/18: 15 after BWV 186.1/1–/5 (/1, /3, /5, /8, /10), Z 4430 (/6, /11); text by Franck, S. (/1, /3, /5, /8, /10), Speratus (/6, /11) 00225
186.1 1. 1716-12-13 Cantata Ärgre dich, o Seele, nicht (Advent III; incomplete) stbSATB 2Ob Odc Tai Bas Str Bc I/1 text by Franck, S., Helmbold (/6); → BWV 186.2/1, /3, /5, /8, /10 00226
187 1. 1726-08-04 Cantata Es wartet alles auf dich (Trinity VII) G min. sabSATB 2Ob Str Bc 37: 155 I/18: 91 after Z 4816e (/7); text: Meiningen, after Ps 104:27–28 (/1), Mt 6:31–32 (/4), by Vogel [scores] (/7); /1, /3, /4, /5 → BWV 235/6, /4, /3, /5 00227
187/7 chorale setting "Singen wir aus Herzensgrund" (ss. 4, 6) SATB 37: 191 III/2.2: 61 after Z 4816e; text by Vogel [scores] 11344
188 1. 1728-10-17 Cantata Ich habe meine Zuversicht (Trinity XXI) D min. satbSATB 2Ob Tai Str Org Bc 37: 193 I/25: 265 after Z 2164 (/6); text by Picander; /1 ↔ BWV 1052/3 00228
190.1 1. 1724-01-01 Cantata Singet dem Herrn ein neues Lied (New Year; incomplete) D maj. atbSATB 3Tr Tmp 3Ob Oba Bas Str Bc 37: 227 I/4: 1 after Z 8652 (/1–/2), 8477a (/7); text by Luther (/1–/2), Hermann (/7); → BWV 190.2/1, /2, /3, /5 00230
190/7 chorale setting "Jesu, nun sei gepreiset" (s. 2) SATB 37: 257 III/2.2: 189 after 8477a; text by Hermann (/7) 11306
190.2 1. 1730-06-25 Cantata Singet dem Herrn ein neues Lied (200th anniversary of the Augsb. Confess.; incomplete) atbSATB 3Tr Tmp 3Ob Str Bc (?) I/34 after BWV 190/1, /2, /3, /5; text by Picander, Luther (/1–/2, /7) 00231
191 1. 1743–1746 Cantata Gloria in excelsis Deo (Christmas) D maj. stSSATB 3Tr Tmp 2Fl 2Ob Str Bc 41: 1 I/2: 171 after BWV 232/4, /5, /8, /12; text: Lk 2:14, doxology 00232
192 1. autumn 1730? Cantata Nun danket alle Gott (incomplete) G maj. sbSATB 2Fl 2Ob Str Bc 41: 65 I/34: 107 after Z 5142; text by Rinkart 00233
193.2 1. 1727-08-25 Cantata Ihr Tore zu Zion (council election; incomplete) D maj. saSA(TB) 2Ob Str (Bc) 41: 91 I/32.1: 201 after BWV 193.1/1, /7, /9 00234
193.1 1. 1727-08-03 Secular cantata Ihr Häuser des Himmels, ihr scheinenden Lichter (name day of Friedrich August II; incomplete) saSA(TB) 2Ob Str (Bc) I/36 text by Picander; → BWV 193.2/1, /3, /5 00235
194.3 1. 1724-06-04
1731-05-20 		Cantata Höchsterwünschtes Freudenfest (Trinity; 1st Leipzig version) B♭ maj. stbSATB 3Ob Bas Str Bc 29: 99 I/31: 145 after BWV 194.2 (same text); → BWV 194.4 00236
194.4 1. 1726-06-16 Cantata Nun lasst uns Gott, dem Herren? (Trinity; 2nd Leipzig version) B♭ maj. stbSATB 3Ob Bas Str Bc 29: 99 I/31: 145, 235 after BWV 194.3/12, /2, /3, /4, /5, /7, /10 00237
194.2 1. 1723-11-02 Cantata Höchsterwünschtes Freudenfest (Störmthal version: consecration of church and organ) B♭ maj. sabSATB 3Ob Bas Str Bc 29: 99 I/31: 123 after BWV 194.1/1, /3, /5, /7, /9, Z 6543 (/6), 159 (/12); text by Heermann (/6), Gerhardt (/12); → BWV 194.3 00238
194.2/6 chorale setting "Treuer Gott, ich muß dir klagen" (ss. 6–7) B♭ maj.
G maj. 		SATB 29: 124 III/2.1: 20
III/2.2: 35, 152 		after Z 6543; text by Heermann 11184
chorale setting "Jesu, deine tiefen Wunden" after Z 6543; text by Heermann
chorale setting "Freu dich sehr, o meine Seele" after Z 6543
194.2/12 chorale setting "Wach auf, mein Herz, und singe" (ss. 9–10) B♭ maj. SATB 29: 138 III/2.1: 20
III/2.2: 52, 152 		after Z 159; text by Gerhardt 11185
chorale setting "Nun lasst uns Gott dem Herren" after Z 159; text by Helmbold
194.1 1. 1717–1723? Secular cantata model for church cantata versions of BWV 194 (incomplete) B♭ maj. 3Ob Str &? I/35 → BWV 194.2/1, /3, /5, /8, /10 00239
195.3 1. c.1748–1749 Cantata Dem Gerechten muß das Licht (wedding; last version) D maj. satbSATB 3Tr Tmp 2Hn 2Fl 2Ob 2Oba Str Bc 131: 1 I/33: 171 after BWV 195.2, Z 198 (/6); text after Ps 97:11–12 (/1), by Gerhardt (/6) 00242
195.1 1. 1727–1731 Cantata Dem Gerechten muß das Licht (wedding; 1st version, lost) SATB 3Tr Tmp 2Fl 2Ob Str Bc I/33 → BWV 195.2 00240
195.2 1. c. 1742 Cantata Dem Gerechten muß das Licht (wedding; 2nd version, incomplete) SATB &? I/33 after BWV 195.1, 30.1/5, /1 (/6, /8); text after Ps 97:11–12 (/1); → BWV 195.3 00241
196 1. 1708-06-05? Cantata Der Herr denket an uns (wedding) C maj. stbSATB Str Bc 131: 71 I/33: 1 text after Ps. 115: 12–15 00243
197.2 1. 1736–1737 Cantata Gott ist unsre Zuversicht (wedding) D maj. sabSATB 3Tr Tmp 2Ob 2Oba Bas Str Bc 131: 95 I/33: 117 after Z 2029a (/5), 2778 (/10), BWV 197.1/4, /6 (/6, /8); text by Luther (/5) 00244
197.2/5 chorale setting "Nun bitten wir den Heiligen Geist" (s. 3) A maj. SATB 131: 128 III/2.2: 46 after Z 2029a; text by Luther 11328
197.2/10 chorale setting "Wer nur den lieben Gott lässt walten" B min. SATB 131: 144 III/2.2: 37 after Z 2778; text by Neumark 11313
197.1 1. 1728-12-25 Cantata Ehre sei Gott in der Höhe (Christmas; incomplete) D maj. abSATB 2Fl Oba Bas Str Vc Bc 41: 109 I/2: 63 after Z 5206b–c (/7); text by Picander, Ziegler, C. (/7; ↔ BWV 398), after Lk 2:14 (/1); /4 & /6 → BWV 197.2/6, /8 00245
197.1/7 chorale setting "Ich freue mich in dir" (s. 4) SATB 41: 114 III/2.2: 182 after Z 5206b–c; text by Ziegler, C.; ↔ BWV 398 11298
chorale setting "O Gott, du frommer Gott" after Z 5206b–c; text by Heermann; ↔ BWV 398
198 1. 1727-10-17 Secular cantata Laß, Fürstin, laß noch einen Strahl a.k.a. Trauer-Ode (funeral ceremony for Christiane Eberhardine) B min. satbSATB 2Fl 2Ob 2Oba Str 2Vdg 2Lu Bc 133: 144: 54 I/38: 179 text by Gottsched, J. C.; ↔ BWV 244a, 247 00246
199.2 1. 1720–1721 Cantata Mein Herze schwimmt im Blut (Trinity XI; Köthen version; incomplete) D min. s Ob Str Vdg Bc 41: 202 I/20: 48 after BWV 199.1 (same text); → 199.3 00247
199.3 1. 1723-08-08 Cantata Mein Herze schwimmt im Blut (Trinity XI; Leipzig version) D min. s Ob Str Vc Bc I/20: 23 after BWV 199.2 (same text) 00248
199.1 1. 1714-08-12 Cantata Mein Herze schwimmt im Blut (Trinity XI; Weimar version) C min. s Ob Str Bc NBG 132 I/20: 1 text by Lehms, Heermann (/6); → BWV 199.2 00249
200 1. 1742–1743 (JSB) Aria Bekennen will ich seinen Namen E maj. a (2Vl) Bc I/28.1: 189 after Stölzel; text after Lk 2:29–32 00250
201 1. autumn 1729 Secular cantata Geschwinde, ihr wirbelnden Winde a.k.a. Der Streit zwischen Phoebus und Pan (dramma per musica) D maj. sattbb 3Tr Tmp 2Fl 2Ob Oba Str Bc 112: 144: 85 I/40: 117 text by Picander; /7 → BWV 212/20 00251
202 1. c.1718? Secular cantata Weichet nur, betrübte Schatten (wedding) G maj. s Ob Str Bc 112: 73 I/40: 1 in D-LEb Peters Ms. R 8 00252
203 1. c.1720? Secular cantata Amore traditore A min. b Hc 112: 91 I/41: 31 00253
204 1. 1726–1727 Secular cantata Ich bin in mir vergnügt a.k.a. Von der Vergnügsamkeit B♭ maj. s Fl 2Ob Str Bc 112: 103 I/40: 79 text after Hunold 00254
205.1 1. 1725-08-03 Secular cantata Zerreißet, zersprenget, zertrümmert die Gruft a.k.a. Der zufriedengestellte Aeolus (dramma per musica for August Friedrich Müller) D maj. satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc 112: 13744: 39 I/38: 1 text by Picander; → BWV 205.2/1–/7, /9–/11, /13, /15, 171/4, 216/7 00255
205.2 1. 1734-02-19 Secular cantata Blast Lärmen, ihr Feinde (dramma per musica; music lost but largely reconstructable; coronation of Augustus III) satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc I/37 after BWV 205.1/1–/7, /9–/11, /13, /15; text by Picander? 00256
206.1 1. 1736-10-07
(1734?) 		Secular cantata Schleicht, spielende Wellen (dramma per musica; 1st version: birthday of Augustus III) D maj. satbSATB 3Tr Tmp 3Fl 2Oba Str Bc 202: 1 I/36: 157 → BWV 206.2 00257
206.2 1. 1740-08-03 Secular cantata Schleicht, spielende Wellen (dramma per musica; 2nd version: name day of Augustus III) D maj. satbSATB 3Tr Tmp 3Fl 2Ob 2Oba Str Bc I/36: 157 after BWV 206.1 00258
207.1 1. 1726-12-11 Secular cantata Vereinigte Zwietracht der wechselnden Saiten (dramma per musica; appointment of professor Gottlieb Kortte) D maj. satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc 202: 71 I/38: 97 after BWV 1046/3 (/1); → BWV 207.2/1, /3, /5, /7–/9 00259
207.2 1. 1735-08-03 Secular cantata Auf, schmetternde Töne der muntern Trompeten (dramma per musica; name day of Augustus III) D maj. satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc 202: 13934: 345 I/37: 1 after BWV 207.1/1, /3, /5, /7–/9 00260
208.1 1. 1713-02-23 Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (1st version: birthday of Christian of Saxe-Weissenfels) F maj. sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne) 29: 1 I/35: 1 text by Franck, S.; → BWV 208.2, 1040, 68/4, /2, 149/1 00261
1040 1. 1713-02-23 Trio (a.k.a. (Canonic) Trio Sonata; postlude to the Hunting Cantata?) F maj. Vl Ob Bc 29: 230 I/35: 1 after BWV 208.1/13; =BWV 208.1/13a 01222
208.2 1. c.1715 Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (2nd version: for Ernst August I of Saxe-Weimar) F maj. sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne) 29: 1 I/35: 1 after BWV 208.1 (near-identical text); → BWV 208.3 00262
208.3 1. 1742-08-03 Secular cantata Was mir behagt, ist nur die muntre Jagd (3rd version: name day of Augustus III) F maj. sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)? I/37 after BWV 208.2; text after Franck, S. 00263
209 1. 1747? Secular cantata Non sa che sia dolore (farewell of Lorenz Albrecht Beck?) B min. s Fl Str Bc 29: 43 I/41: 43 text after Metastasio 00264
210.2 1. 1741-09-19 Secular cantata O holder Tag, erwünschte Zeit (wedding) A maj. s Fl Oba Str Hc Vne 29: 67 I/40: 35 after BWV 210.1/1–/2, /4, /8, /10 00265
210.1 1. 1729-01-12 Secular cantata O angenehme Melodei (incomplete; homage to Christian of Saxe-Weissenfels) A maj. s (Fl Oba Str Bc)? 29: 245 I/39: 141 → BWV 210.2/1–/2, /4, /8, /10 00266
211 1. c.1734 Secular cantata Schweigt stille, plaudert nicht a.k.a. Coffee Cantata G maj. stb Fl Str Hc Bc 29: 13944: 86 I/40: 193 text by Picander 00267
212 1. 1742-08-30 Secular cantata Mer hahn en neue Oberkeet a.k.a. Peasant Cantata (Cantate burlesque; homage to Carl Heinrich von Dieskau) G maj. sb Hn Fl Str Bc 29: 17344: 132 I/39: 151 after BWV 1157/9 (/14), 201/7 (/20); text by Picander 00268
213 1. 1733-09-05 Secular cantata Laßt uns sorgen, laßt uns wachen a.k.a. Hercules auf dem Scheidewege (dramma per musica; birthday of Frederick Christian of Saxony) F maj. satbSATB 2Hn 2Ob Oba 2Vl 2Va Bc 34: 119 I/36: 1 text by Picander; /1, /3, /5, /7, /9, /11 → BWV 248/36, /19, /39, /41, /4, /29 00269
214 1. 1733-12-08 Secular cantata Tönet, ihr Pauken! Erschallet, Trompeten! (birthday of queen Maria Josepha) D maj. satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Vne Bc 34: 175 I/36: 89 text by Picander; /1, /5, /7, /9 → BWV 248/1, /15, /8, /24 00270
215 1. 1734-10-05 Secular cantata Preise dein Glücke, gesegnetes Sachsen (anniversary of the election of Augustus III as king of Poland) D maj. stb2SATB 3Tr Tmp 2Fl 2Ob Oba Str Va Bc 34: 243 I/37: 85 after BWV 1157/1 (/1)?; text by Clauder [fr]; /7 → BWV 248/47 00271
216.1 1. 1728-02-05 Secular cantata Vergnügte Pleißenstadt (wedding; incomplete) C maj. sa &? I/40: 21 after BWV 204/8 (/3), 205.1/13 (/7); text by Picander; → BWV 216.2/1, /3, /5, /7 00272
216.2 1. 1728–1731 Secular cantata Erwählte Pleißenstadt a.k.a. Apollo et Mercurius (incomplete) at &? I/39 after BWV 216.1/1, /3, /5, /7; text by Meißner [scores] after Picander 00273
2. Motets (see also: List of motets by Johann Sebastian Bach) Up ↑
225 2. 1726–1727
New Year? 		Motet Singet dem Herrn ein neues Lied B♭ maj. 2SATB (+colla parte instr.?) 39: 3 III/1: 1 after Z 8244 (/2); text after Ps. 149: 1–3 (/1), by Gramann after Ps. 103 (/2), after Ps. 150: 2, 6 (/3) 00282
226 2. 1729-10-20 Motet Der Geist hilft unser Schwachheit auf (funeral of Ernesti, J. H.) B♭ maj. 2SATB Str Vc 2Ob Tai Bas 39: 39, 143 III/1: 37 after Z 7445a (/2); text after Rom. 8: 26–27 (/1), by Luther (/2) 00283
226/2 chorale setting "Komm, Heiliger Geist, Herre Gott" (s. 3) B♭ maj.
G maj. 		SATB 39: 57 III/2.1: 18
III/2.2: 38 		after Z 7445a; text by Luther 11182
227 2. c. 1723–1735 Motet Jesu, meine Freude E min. SSATB (+colla parte instr.?) 39: 59 III/1: 75 after Z 8032 (odd mvts); text by Franck, J. (odd mvts), after Rom. 8: 1–2, 9–11 (even mvts) 00284
227/1
227/11 		chorale setting "Jesu, meine Freude" (ss. 1, 6) SATB 39: 61 III/2.1: 27
III/2.2: 156 		after Z 8032; text by Franck, J. 11200
227/3 chorale setting "Jesu, meine Freude" (s. 2) SATB 39: 66 III/2.1: 28 after Z 8032; text by Franck, J. 11201
227/7 chorale setting "Jesu, meine Freude" (s. 4) SATB 39: 75 III/2.1: 22
III/2.2: 168 		after Z 8032; text by Franck, J. 11202
228 2. c. 1715 Motet Fürchte dich nicht A maj. 2SATB (+colla parte instr.?) 39: 85 III/1: 105 after Z 6461 (/2); text after Is. 41: 10 (/1), 43: 1 (/2), by Gerhardt (/2) 00285
229 2. before 1731–1732 Motet Komm, Jesu, komm G min. 2SATB (+colla parte instr.) 39: 107 III/1: 125 text by Thymich 00286
230 2. 1723–1739? Motet Lobet den Herrn, alle Heiden C maj. SATB Bc (+colla parte instr.?) 39: 127 III/1: 147 text after Ps. 117 00287
231
see BWV 28/2a 00288
118.1 2. 1736–1737 Motet O Jesu Christ, meins Lebens Licht (funeral) B♭ maj. SATB 2Hn Cnt 3Tbn 24: 185 III/1: 163 text by Behm; → BWV 118.2 00143
118.2 2. 1746–1747 Motet O Jesu Christ, meins Lebens Licht (funeral) B♭ maj. SATB 2Ob Tai Bas 2Hn Str Bc NBG 171 III/1: 171 text by Behm; after BWV 118.1 11121
3. Masses, Mass movements, Magnificat (see also: List of Masses, Mass movements and Magnificats by Johann Sebastian Bach) Up ↑
232 3. Aug. 1748 – Oct. 1749 (compilation, completion) Mass a.k.a. Hohe Messe, Mass in B minor B min. ssatbSSAATB 3Tr Tmp Hn 2Fl 3Ob 2Oba 2Bas Vl Str Bc 6 II/1
rev 1 		after BWV 232I e. v., II e. v., III e. v., 171/1, 12/2, 120/2, Anh. 11/1, Anh. 196/3; text after Ordinarium Missae 00289
232I e. v. 3. 1733-07-27 Kyrie–Gloria Mass for the Dresden court (Mass in B Minor, Part I: Missa; early version) B min. ssatbSSATB 3Tr Tmp Hn 2Fl 2Oba 2Bas Vl Str Bc II/1a after BWV 29/1, 46/1; text from Ordinarium Missae; → BWV 191, 232I 00290
233 3. 1738–1739? Kyrie–Gloria Mass F maj. sabSATB 2Hn 2Ob Bas Str Bc 8: 1 II/2: 197 after BWV 233a, 102/3, /5, 40/1; text from Ordinarium Missae 00291
233a 3. 1708-04-06? Kyrie "Christe, du Lamm Gottes" F maj. SSATB Bc 41: 187 II/2: 285 text after Ordinarium Missae; → BWV 233/1 00292
234 3. c.1738 Kyrie–Gloria Mass A maj. sabSATB 2Fl Str Bc 8: 51 II/2: 1 after BWV 67/6, 138/5, 179/5, 79/2; text from Ordinarium Missae 00293
235 3. 1738–1739? Kyrie–Gloria Mass G min. atbSATB 2Ob Str Bc 8: 99 II/2: 127 after BWV 102/1, 72/1, 187/4, /3, /5, /1; text from Ordinarium Missae 00294
236 3. 1738–1739? Kyrie–Gloria Mass G maj. satbSATB 2Ob Str Bc 8: 155 II/2: 61 after BWV 179/1, /3, 79/1, /5, 138/5, 17/1; text from Ordinarium Missae 00295
1081 3. c.1747 – Aug. 1748 Credo intonation for Mass No. 5 in F major of G. B. Bassani's Acroama Missale F maj. SATB Bc II/2 → BNB I/B/48; text from Credo 01267
237 3. 1723-06-24? Sanctus C maj. SATB 3Tr Tmp 2Ob Str Bc 111: 67 II/2: 311 text from Sanctus 00296
238 3. 1723-12-25
1736–1737 		Sanctus D maj. SATB Cnt Str Bc 111: 79 II/2: 325 text from Sanctus 00297
240 3. 1742 (JSB) Sanctus G maj. SATB 2Ob Str Bc 111: 93 II/9: 3 text from Sanctus 00299
241 3. Jul. 1747 – Aug. 1748 (JSB) Sanctus of Missa superba D maj. 2SATB 2Oba 2Vl 3Va Bas Vc Vne Bc 41: 177 II/9: 45 after Kerll; text from Sanctus 00300
242 3. 1727–1732 (JSB) Christe eleison for a Kyrie-Gloria Mass in C minor by F. Durante G min. SA Bc 41: 197 II/2: 295 text from Kyrie; → BWV Anh. 26/2 00301
243.2 3. 1733-07-02?
1732–1735 		Magnificat (2nd version: Visitation?) D maj. ssatbSSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bas Vc Vne Bc 111: 1 II/3: 65 after BWV 243.1 (same text) 00302
243.1 3. 1723-07-02
1723-12-25 		Magnificat (1st version:Visitation, and with 4 laudes added: Christmas) E♭ maj. ssatbSSATB 3Tr Tmp 2Fl 2Ob Str Bc 111: 103 II/3: 1 after Magnificat peregrini toni (/10); text: Magnificat; → BWV 243.2 00303
1082 3. 1740–1742 (JSB) Suscepit Israel from a Magnificat by A. Caldara E min. SATB 2Vl Bc II/9: 59 after Caldara (BNB I/C/1); text from Magnificat 01268
1083 3. 1745–1747 (JSB) Cantata Tilge, Höchster, meine Sünden sa 2Vl Str Vne Vc Bc I/41: 169 after Pergolesi (Stabat Mater); text after Ps. 51 01269
4. Passions, Oratorios (see also: List of Passions and Oratorios by Johann Sebastian Bach) Up ↑
244.2 4. 1736-03-30
1742
1743–1746 		Passion St Matthew Passion (later versions; Good Friday) E min. 2satb2SATB 2Fl 4Fl 4Ob 4Oba 2Odc 2Str 2Vdg 2Bc 444: 58 II/5 after BWV 244.1, 245.2 (/29); text by Picander, Decius (/1), Heermann (/3, /19, /46), Gerhardt (/10, /15, /17, /37, /44, /54, /62), Albert of Prussia (/25), Heyden (/29), Reusner (/32), Rist (/40), after Mt 26–27, Sng 6:1 (/30) 00304
244a
see BWV 1143 00305
244.1 4. 1727-04-11 Passion St Matthew Passion (early version; Good Friday) E min. satb2SATB 4Fl 4Ob 4Oba 2Odc 2Str Lu Bc II/5a
II/5b 		after Z 4361a (/1), 983 (/3, /19, /46), 2293b (/10, /37), 5385a (/15, /17, /44, /54, /62), 7568 (/25), 3449 (/29), 2461c (/32), 6551 (/40); text by Picander, Heermann (/3, /19, /46), Gerhardt (/10, /15, /17, /37, /44, /54, /62), Albert of Prussia (/25), Keymann (/29), Reusner (/32), Rist (/40), after Mt 26–27, Sng 6:1 (/30); ↔ BWV 198, 1143; → BWV 244.2 00306
244/3 chorale setting "Herzliebster Jesu" (s. 1) B min. SATB 4: 23 III/2.2: 43 after Z 983; text by Heermann 11349
244/10 chorale setting "O Welt, sieh hier dein Leben" (s. 5) A♭ maj. SATB 4: 42 III/2.2: 66 after Z 2293b; text by Gerhardt 11351
chorale setting "Nun ruhen alle Wälder"
244/15 chorale setting "O Haupt voll Blut und Wunden" (s. 5) E maj.
D maj. 		SATB 4: 51 III/2.2: 55 after Z 5385a; text by Gerhardt 11358
244/17 chorale setting "O Haupt voll Blut und Wunden" (s. 6; in BWV 244.1: s. 7?) E♭ maj.
D maj. 		4: 53
244/25 chorale setting "Was mein Gott will, das gscheh allzeit" (s. 1) B min. SATB 4: 83 III/2.2: 64 after Z 7568; text by Albert of Prussia 11353
244/32 chorale setting "In dich hab ich gehoffet, Herr" (s. 5) B♭ maj. SATB 4: 151 III/2.2: 66 after Z 2461c; text by Reusner 11354
244/37 chorale setting "O Welt, sieh hier dein Leben" (s. 3) F maj. SATB 4: 164 III/2.2: 29 after Z 2293b; text by Gerhardt 11352
chorale setting "In allen meinen Taten" after Z 2293b; text by Fleming
244/40 chorale setting "Werde munter, mein Gemüte" (s. 6) A maj. SATB 4: 173 III/2.1: 95
III/2.2: 68 		after Z 6551; text by Rist 11254
chorale setting "Jesu, meiner Seelen Wonne" after Z 6551; text by Janus
244/44 chorale setting "Befiehl du deine Wege" (s. 1) D maj. SATB 4: 186 III/2.2: 49 after Z 5385a; text by Gerhardt 11355
chorale setting "O Haupt voll Blut und Wunden"
244/46 chorale setting "Herzliebster Jesu" (s. 4) B min. SATB 4: 192 III/2.2: 59 after Z 983; text by Heermann 11350
244/54 chorale setting "O Haupt voll Blut und Wunden" (ss. 1–2) F maj. SATB 4: 214 III/2.2: 41 after Z 5385a; text by Gerhardt 11356
244/62 chorale setting "O Haupt voll Blut und Wunden" (s. 9) A min.
B min. 		SATB 4: 248 III/2.2: 50 11357
245.1 4. 1724-04-07 Passion St John Passion (1st version; Good Friday) G min. satbSATB (2Fl?) 2Ob 2Odc Str 2Va Vdg Lu Bc 12144: 26 II/4: 40 after Z 983 (/3, /17), 2561 (/5), 2293b (/11), 6288a–b (/14, /28, /32), 6283b (/15, /37), 2383 (/22), 5404a (/26), 8326 (/40); text after Jh 18–19, Mt 26:75 (/12), Mk 15:38 (/33), by Heermann (/3, /17), Luther (/5), Brockes (/7, /19, /20, /24, /32, /34, /35, /39), Gerhardt (/11), Weise (/13), Stockmann (/14, /28, /32), Weiße (/15, /37), Postel (/19, /22, /30), Herberger (/26), Schalling (/40); → BWV 245.2–5 00307
245.1/3 chorale setting "Herzliebster Jesu" (s. 7) G min. SATB III/2.1: 93 after Z 983; text by Heermann 11255
245/3 c. 1740 121: 17 III/2.2: 33
245.1/5 1724-04-07 chorale setting "Vater unser im Himmelreich" (s. 4) D min. SATB III/2.1: 94
III/2.2: 27 		after Z 2561; text by Luther after Mt 6:9–13; ↔ BWV 416 11256
245/5 c. 1740 121: 18 after Z 2561; text by Luther after Mt 6:9–13
245/11 1724-04-07 chorale setting "O Welt, sieh hier dein Leben" (ss. 3–4) A maj. SATB 121: 31 III/2.1: 94
III/2.2: 35 		after Z 2293b; text by Gerhardt; → BWV 395 11257
chorale setting "Nun ruhen alle Wälder"
245/14 chorale setting "Jesu Leiden, Pein und Tod" (s. 10) A maj. SATB 121: 39 III/2.2: 46 after Z 6288a–b; text by Stockmann 11273
245/15 chorale setting "Christus, der uns selig macht" (s. 1) A min. SATB 121: 43 III/2.2: 44 after Z 6283b; text by Weiße after "Patris sapientia" 11274
245/17 chorale setting "Herzliebster Jesu" (ss. 8–9) A min. SATB 121: 52 III/2.1: 95
III/2.2: 62 		after Z 983; text by Heermann 11258
245/22 chorale setting "Durch dein Gefängnis Gottes Sohn" E maj. SATB 121: 74 III/2.2: 181 after Z 2383; text by Postel 11275
chorale setting "Machs mit mir, Gott, nach deiner Güt" after Z 2383; text by Schein
245/26 chorale setting "Valet will ich dir geben" (s. 3) E♭ maj. SATB 121: 95 III/2.1: 96
III/2.2: 60 		after Z 5404a; text by Herberger 11259
245/28 chorale setting "Jesu Leiden, Pein und Tod" (s. 20) A maj. SATB 121: 103 III/2.2: 59 after Z 6288a–b; text by Stockmann 11276
245/37 chorale setting "Christus, der uns selig macht" (s. 8) B♭ min. SATB 121: 121 III/2.2: 63 after Z 6283b; text by Weiße after "Patris sapientia" 11277
245/40 chorale setting "Herzlich lieb hab ich dich, o Herr" (s. 3) E♭ maj. SATB 121: 131 III/2.2: 60 after Z 8326; text by Schalling 11278
245.2 4. 1725-03-30 Passion St John Passion (2nd version; Good Friday) E♭ maj. satbSATB 2Fl 2Ob 2Odc Str Vdg Bc 121 II/4: 167 after Z 8303 (/1), BWV 245.1, 23/4 (/40); text by Heyden (/1), Heermann (/3, /17), Luther (/5, /40), Brockes (/7, /24, /32, /34, /35, /39), Gerhardt (/11), Birkmann (a, b, c) Stockmann (a, /14, /28, /32), Weiße (/15, /37), Postel (/22, /30), Herberger (/26), after Jh 18–19, Mt 26:75 (/12), Mt 27:51 (/33); → BWV 245.3; /1 → BWV 244.2/29, 00308
245.3 4. 1732-04-11 Passion St John Passion (3rd version; Good Friday) satbSATB 2Fl 2Ob Str Vdg Org Bc 12144: 26 II/4: 206 after BWV 245.1–.2; text after Jh 18–19, by Heermann (/3, /17), Luther (/5), Brockes (/7, /19, /20, /24, /32, /39), Gerhardt (/11), Stockmann (/14, /28, /32), Weiße (/15, /37), Postel (/19, /22, /30), Herberger (/26); → BWV 245.4–5 00309
245.4 4. 1739 Passion St John Passion (incomplete revision) satbSATB Fl 2Ob Str Bc 12144: 26 II/4 after BWV 245.1–.3; text by Heyden (/1), Heermann (/3), Luther (/5), after Jh 18; → BWV 245.5 11076
245.5 4. 1749-04-04 Passion St John Passion (4th version; Good Friday) satbSATB 2Fl 2Ob 2Oba Odc Bas Str Vdg Hc Bc 12144: 26 II/4 after BWV 245.1–4; text after Jh 18–19, Mt 26:75 (/12), Mt 27:51 (/33), by Heermann (/3, /17), Luther (/5), Brockes (/7, /19, /24, /32, /34, /35, /39), Gerhardt (/11), Weise (/13), Stockmann (/14, /28, /32), Weiße (/15, /37), Postel (/19, /22, /30), Herberger (/26), Schalling (/40) 00310
246/40a 4. 1743–1745 (JSB) Chorale Aus der Tiefen rufe ich, No. 40 of St Luke Passion t Str Bc (?) II/9: 65 after BWV 246/40 00312
247 4. 1731-03-23
1744-04-03 		Passion St Mark Passion (Good Friday; music lost but in part reconstructable) satbSATB 2Fl 2Ob 2Oba 2Vl 2Va (2Vdg 2Lu) Org Bc (?) II/5 text by Picander, Jonas, Reusner, Gerhardt, Rist, Kritzelmann [de], Schein, Stockmann, Franck, J., Homburg [de], Luther, Spee; after BWV 198/1, /5, /3, /8, /10 (or 244a/7), 54/1, 248/28?, /45, 7/2? 00313
1088 4. c.1750? Arioso So heb ich denn mein Auge sehnlich auf, No. 20 in Passion Oratorio Wer ist der, so von Edom kömmt (Good Friday) b 2Bas Bc (?) I/41: 125 01274
248 4. 1734-12-25 – 1735-01-06 Oratorio Christmas Oratorio (Christmastide) D maj. satbSATB 3Tr 2Hn Tmp 2Fl 2Ob 2Oba 2Odc Str Bc 5144: 125 II/6 after BWV 214 (/1, /8, /15, /24), 213 (/4, /19, /29, /36, /39, /41), 215 (/47), 248VIa (/54, /56–/57, /61–/64), Z 5385a (/5, /64), 1947 (/7, /28), 346 (/9, /17, /23), 5741b (/12), 6462 (/33), 2072 (/35), 2461c (/46), 3614b (/53), 4429a (/59); text by Picander?, Gerhardt (/5, /17, /23, /33, /59), Luther (/7, /9, /28), Rist (/12, /38, /40, /42), Runge [s:de] (/35), Weissel (/46), Franck, J. (/53), Werner (/64), after Lk 2:1–21, Mt 2:1–12 00314
248I 4. 1734-12-25 Cantata Jauchzet, frohlocket, auf, preiset die Tage (Christmas Oratorio, Part I; Christmas) D maj. satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc 51: 244: 125 II/6: 1 after BWV 214/1 & /7 (/1 & /8), 213/9 (/4), Z 5385a (/5), 1947 (/7), 346 (/9); text by Picander?, Gerhardt (/5), Luther (/7, /9), after Lk 2:1, 3–7 11385
248/5 chorale setting "Wie soll ich dich empfangen" (s. 1) A min. SATB 51: 36 III/2.2: 199 after Z 5385a; text by Gerhardt 11279
chorale setting "O Haupt voll Blut und Wunden"
248/9 chorale setting "Vom Himmel hoch da komm ich her" (s. 13) D maj. SATB 51: 47 III/2.2: 26 after Z 346; text by Luther 11280
248II 4. 1734-12-26 Cantata Und es waren Hirten in derselben Gegend (Christmas Oratorio, Part II; Christmas 2) G maj. satbSATB 2Fl 2Oba 2Odc Str Bc 51: 5044: 126 II/6: 55 after Z 5741b (/3), 346 (/8, /14), BWV 214/5 (/6), 213/3 (/10); text by Picander?, Rist (/3), Gerhardt (/8, /14), after Lk 2: 8–14 11386
248/12 chorale setting "Ermuntre dich, mein schwacher Geist" (s. 9) G maj. SATB 51: 59 III/2.1: 83, 92
III/2.2: 7, 207 		after Z 5741b; text by Rist 11260
chorale setting "Du Lebensfürst, Herr Jesu Christ"
248/17 chorale setting "Schaut, schaut, was ist für Wunder dar" (s. 8) C maj. SATB 51: 66 III/2.1: 84 after Z 346; text by Gerhardt 11261
chorale setting "Vom Himmel hoch da komm ich her" after Z 346; text by Luther
248/23 chorale setting "Wir singen dir, Immanuel" (s. 2) G maj. SATB 51: 90 III/2.2: 198 after Z 346; text by Gerhardt 11281
chorale setting "Vom Himmel hoch da komm ich her" after Z 346; text by Luther
248III 4. 1734-12-27 Cantata Herrscher des Himmels, erhöre das Lallen (Christmas Oratorio, Part III; Christmas 3) D maj. satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc 51: 94 II/6: 107 after BWV 214/9 (/1=/13), 213/11 (/6), Z 1947 (/5), 6462 (/10), 2072 (/12); text by Picander?, Luther (/5), Gerhardt (/10), Runge [s:de] (/12), after Lk 2: 15–20 11387
248/28 chorale setting "Gelobet seist du, Jesu Christ" (s. 7) D maj. SATB 51: 110 III/2.1: 85 after Z 1947; text by Luther 11262
248/33 chorale setting "Fröhlich soll mein Herze springen" (s. 15) G maj. SATB 51: 124 III/2.1: 86
III/2.2: 81 		after Z 6462; text by Gerhardt 11264
chorale setting "Warum sollt ich mich denn grämen"
248/35 chorale setting "Laßt Furcht und Pein" (s. 4) F♯ min. SATB 51: 126 III/2.1: 86
III/2.2: 206 		after Z 2072; text by Runge [s:de] 11263
chorale setting "Wir Christenleut" after Z 2072; text by Füger
248IV 4. 1735-01-01 Cantata Fallt mit Danken, fallt mit Loben (Christmas Oratorio, Part IV; New Year) F maj. satbSATB 2Hn 2Ob Str Bc 51: 128 II/6: 143 after BWV 213/1, /5, /7 (/1, /4, /6); text by Picander?, Rist (/3, /5, /7), after Lk 2: 21 11388
248/42 chorale setting "Hilf, Herr Jesu, laß gelingen" (s. 15) SATB 51: 166 III/2.1: 99
III/2.2: 211 		text by Rist 11266
chorale setting "Jesu, meiner Seelen Wonne" text by Janus
248V 4. 1735-01-02 Cantata Ehre sei dir, Gott, gesungen (Christmas Oratorio, Part V; New Year I) A maj. satbSATB 2Oba Str Bc 51: 172 II/6: 199 after BWV 247/39b (/3), 215/7 (/5), Z 2461c (/4), 3614b (/11); text by Picander?, Weissel (/4), Franck, J. (/11), after Mt 2:1–6 11389
248/46 chorale setting "Nun, liebe Seel, nun ist es Zeit" (s. 5) SATB 51: 190 III/2.1: 87
III/2.2: 43 		after Z 2461c; text by Weissel 11265
chorale setting "In dich hab ich gehoffet, Herr" after Z 2461c; text by Reusner
248/53 chorale setting "Ihr Gestirn, ihr hohlen Lüfte" (s. 9) SATB 51: 208 III/2.1: 100
III/2.2: 21 		after Z 3614b; text by Franck, J. 11267
chorale setting "Gott des Himmels und der Erden" after Z 3614b; text by Albert
248VI 4. 1735-01-06 Cantata Herr, wenn die stolzen Feinde schnauben (Christmas Oratorio, Part VI; Epiphany) D maj. satbSATB 3Tr Tmp 2Ob 2Oba Str Bc 51: 210 II/6: 243 after BWV 248VIa (/1, /3, /4, /8–/11), Z 4429a (/6), 5385a (/11); text by Picander?, Gerhardt (/6), Werner (/11), after Mt 2:7–12 11390
248/59 chorale setting "Ich steh an deiner Krippen hier" (s. 1) G maj. SATB 51: 245 III/2.1: 84
III/2.2: 208 		after 4429a; text by Gerhardt 11268
chorale setting "Es ist gewisslich an der Zeit" after 4429a; text by Ringwaldt
248/64 chorale setting "Ihr Christen auserkoren" (s. 4) D maj. SATB 51: 256 III/2.1: 85 after 5385a; text by Werner 11269
chorale setting "Ach Herr, mich armen Sünder" after 5385a; text by Schneegaß
248VIa 4. 1734 or earlier Cantata model for BWV 248VI D maj. satbSATB 3Tr Tmp 2Ob 2Oba Str Bc II/6 after BWV Anh. 10/1; → 248/54, /56–/57, /61–/64 00315
249.5 4. 1743–1746
1749-04-06
1750-03-26 		Oratorio Kommt, eilet und laufet (Easter Oratorio; Easter) satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Str Bc 213 II/7: 1 after BWV 249.4; text by Picander? 00316
249.4 4. c. 1738 Oratorio Kommt, eilet und laufet (Easter Oratorio, middle version; Easter) satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Str Bc II/7 after BWV 249.3; text by Picander?; → BWV 249.5 11392
249.3 4. 1725-04-01
c.1738 		Cantata Kommt, fliehet und eilet (Easter Oratorio, early versions: first version as cantata; Easter) satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Vl Str Bc II/7: 97 after BWV 249.1; text by Picander?; → BWV 249.4 00317
249.1 4. 1725-02-23 Secular cantata Entfliehet, verschwindet, entweichet, ihr Sorgen, a.k.a. Shepherd Cantata (birthday of Christian of Saxe-Weissenfels; music lost but in part reconstructable) satbSATB 3Tr Tmp Fl 2Fl 2Ob Str Bc I/35 text by Picander; → BWV 249.3/1–/3, /5, /7, /9, /11; 249.2 00318
249.2 4. 1726-08-25 Secular cantata Verjaget, zerstreuet, zerrüttet, ihr Sterne a.k.a. Die Feier des Genius (dramma per musica; birthday of Joachim Friedrich von Flemming [de]; music lost but in part reconstructable) I/39 after BWV 249.1/1–/3, /5, /7, /9, /11; text by Picander 00319
11 4. 1735-05-19 Oratorio Lobet Gott in seinen Reichen (Ascension Oratorio; Ascension) D maj. satbSATB 3Tr Tmp 2Fl 2Ob Str Bc 2: 1 II/8: 1 after Z 5741b (/6), 5264b (/9); text by Picander?, Rist (/6), Sacer (/9), after Lk 24:50ff., Acts 1:9–12, Mk 16:19 00013
11/6 chorale setting "Nun lieget alles unter dir" (= "Du Lebensfürst, Herr Jesu Christ", s. 4) SATB 2: 32 III/2.2: 198 after Z 5741b; text by Rist 11299
5. Four-part chorales (see also: List of chorale harmonisations by Johann Sebastian Bach) Up ↑
250 5. 1734–1738 chorale setting "Was Gott tut, das ist wohlgetan" (Three wedding chorales No. 1) SATB 2Hn Ob Oba Str Bc 131: 147 III/2.1: 3 text by Rodigast 00320
251 5. 1734–1738 chorale setting "Sei Lob und Ehr dem höchsten Gut" (Three wedding chorales No. 2) SATB 2Hn Ob Oba Str Bc 131: 148 III/2.1: 4 text by Schütz, J. J. 00321
252 5. 1734–1738 chorale setting "Nun danket alle Gott" (Three wedding chorales No. 3) SATB 2Hn Ob Oba Str Bc 131: 149 III/2.1: 5 text by Rinkart 00322
253 5. 1750 or earlier chorale setting "Ach bleib bei uns, Herr Jesu Christ" A maj. SATB 39: 177 III/2.2: 101 after Z 439; text by Calvisius; ↔ BWV 414 00323
254 5. 1750 or earlier chorale setting "Ach Gott, erhör mein Seufzen" D Dor. SATB 39: 177 III/2.2: 105 after Z 1831a; text by Schechs [wikisource:de] 00324
255 5. 1750 or earlier chorale setting "Ach Gott und Herr" C maj. SATB 39: 178 III/2.2: 24 after Z 4441a; text by Rutilius [de] 00325
256 5. 1750 or earlier chorale setting "Ach lieben Christen, seid getrost" A min. SATB 39: 178 III/2.2: 19 after Z 4441a; text by Gigas 00326
259 5. 1750 or earlier chorale setting "Ach, was soll ich Sünder machen" E min. SATB 39: 179 III/2.2: 23 after Z 3573b; text by Flittner [de] 00329
260 5. c. 1735 or earlier chorale setting "Allein Gott in der Höh sei Ehr" G maj. SATB 39: 180 III/2.1: 9
III/2.2: 147 		after Z 4457; text by Decius after Gloria 00330
261 5. 1750 or earlier chorale setting "Allein zu dir, Herr Jesu Christ" B min. SATB 39: 180 III/2.2: 206 after Z 7292b; text by Hubert 00331
262 5. 1750 or earlier chorale setting "Alle Menschen müssen sterben" D maj. SATB 39: 181 III/2.2: 88 after Pachelbel; text by Albinus, Rosenmüller 00332
263 5. 1750 or earlier chorale setting "Alles ist an Gottes Segen" G maj. SATB 39: 181 III/2.2: 72 after Z 3842f 00333
264 5. 1750 or earlier chorale setting "Als der gütige Gott" G maj. SATB 39: 182 III/2.2: 91 after Z 1646; text by Weiße 00334
265 5. 1750 or earlier chorale setting "Als Jesus Christus in der Nacht" D Dor. SATB 39: 182 III/2.2: 102 after Z 258; text by Heermann 00335
266 5. 1750 or earlier chorale setting "Als vierzig Tag nach Ostern warn" E min. SATB 39: 182 III/2.2: 120 after Z 1743; text by Herman 00336
267 5. c. 1735 or earlier chorale setting "An Wasserflüssen Babylon" G maj. SATB 39: 183 III/2.2: 4 after Z 7663; text by Dachstein 00337
A♭ Maj. III/2.1: 98
chorale setting "Ein Lämmlein geht und trägt G maj. 39: 183 after Z 7663; text by Gerhardt
A♭ Maj. III/2.2: 180
268 5. 1750 or earlier chorale setting "Auf, auf, mein Herz" G maj. SATB 39: 184 III/2.2: 70 after Z 824; text by Birken 00338
269 5. 1750 or earlier chorale setting "Aus meines Herzens Grunde" G maj. SATB 39: 184 III/2.2: 2 after Z 5269; text by Niege [de] 00339
270 5. c. 1735 or earlier chorale setting "Befiehl du deine Wege" B min. SATB 39: 185 III/2.1: 47
III/2.2: 170 		after Z 5385a; text by Gerhardt 00340
271 5. c. 1735 or earlier chorale setting "Befiehl du deine Wege" B min. SATB 39: 185 III/2.1: 97
III/2.2: 210 		after Z 5385a; text by Gerhardt 00341
272 5. 1730–1761 chorale setting "Befiehl du deine Wege" D min. SATB 39: 186 III/2.2: 196 by Bach, C. P. E.?; after Z 5393; text by Gerhardt 00342
273 5. 1750 or earlier chorale setting "Christ, der du bist der helle Tag" G min. SATB 39: 186 III/2.2: 136 after Z 384; text by Alberus 00343
274 5. 1750 or earlier chorale setting "Christe, der du bist Tag und Licht" G min. SATB 39: 187 III/2.2: 145 after Z 343; text by Musculus after "Christe qui lux es" 00344
275 5. 1750 or earlier chorale setting "Christe, du Beistand" D Dor. SATB 39: 187 III/2.2: 122 after Z 993; text by Löwenstern 00345
276 5. 1750 or earlier chorale setting "Christ ist erstanden" D Dor. SATB 39: 188 III/2.2: 110 after Z 8584; text: "Christ ist erstanden" 00346
277 5. 1750 or earlier chorale setting "Christ lag in Todesbanden" D Dor. SATB 39: 189 III/2.2: 11 after Z 7012a; text by Luther 00347
278 5. c. 1735 or earlier chorale setting "Christ lag in Todesbanden" E min. SATB 39: 190 III/2.1: 92
III/2.2: 212 		after Z 7012a; text by Luther 00348
279 5. c. 1725–1735 chorale setting "Christ lag in Todesbanden" E min. SATB 32: 154 III/2.1: 24
III/2.2: 155 		after Z 7012a; text by Luther; ↔ BWV 158/4 00349
280 5. 1750 or earlier chorale setting "Christ unser Herr zum Jordan kam" D Dor. SATB 39: 190 III/2.2: 36 after Z 7246; text by Luther 00350
281 5. 1750 or earlier chorale setting "Christus, der ist mein Leben" F maj. SATB 39: 191 III/2.2: 6 after Z 132, Neu Leipziger GB, p 942 00351
282 5. 1750 or earlier chorale setting "Christus, der ist mein Leben" G maj. SATB 39: 191 III/2.2: 184 after BWV 95/1 00352
283 5. 1750 or earlier chorale setting "Christus, der uns selig macht" A min. SATB 39: 192 III/2.2: 112 after Z 6283a; text by Weiße after "Patris sapientia" 00353
284 5. 1750 or earlier chorale setting "Christus ist erstanden, hat überwunden" C maj. SATB 39: 192 III/2.2: 113 after Z 6240b; text by Weiße 00354
285 5. 1750 or earlier chorale setting "Da der Herr Christ zu Tische saß" C min. SATB 39: 193 III/2.2: 110 after Z 2503; text by Herman 00355
286 5. 1750 or earlier chorale setting "Danket dem Herrn, denn er ist" A min. SATB 39: 193 III/2.2: 134 after Z 12; text by Horn [de] 00356
287 5. 1750 or earlier chorale setting "Dank sei Gott in der Höhe" F maj. SATB 39: 194 III/2.2: 182 after Z 5391; text by Mühlmann [de] 00357
288 5. c. 1735 or earlier chorale setting "Das alte Jahr vergangen ist" D Dor. SATB 39: 194 III/2.1: 11
III/2.2: 93 		after Z 381; text by Steuerlein [de] 00358
289 5. 1750 or earlier chorale setting "Das alte Jahr vergangen ist" E min. SATB 39: 194 III/2.2: 183 after Z 381; text by Steuerlein [de] 00359
290 5. 1750 or earlier chorale setting "Das walt Gott Vater und Gott Sohn" F maj. SATB 39: 195 III/2.2: 132 after Z 673; text by Behm 00360
291 5. 1750 or earlier chorale setting "Das walt mein Gott" D min. SATB 39: 195 III/2.2: 42 after Z 4217; text by Förtsch [wikisource:de]? 00361
292 5. 1750 or earlier chorale setting "Den Vater dort oben" C maj. SATB 39: 196 III/2.2: 141 after Z 4795; text by Weiße 00362
293 5. 1750 or earlier chorale setting "Der du bist drei in Einigkeit" D Dor. SATB 39: 196 III/2.2: 89 after Z 335e; text by Luther after "O lux beata Trinitas" 00363
294 5. 1750 or earlier chorale setting "Der Tag, der ist so freudenreich" G maj. SATB 39: 197 III/2.2: 90 after Z 7870; text after "Dies est laetitiae" 00364
295 5. 1750 or earlier chorale setting "Des Heilgen Geistes reiche Gnad" D min. SATB 39: 197 III/2.2: 120 after Z 370b; text by Gesius after "Spiritus Sancti gratia" 00365
296 5. 1750 or earlier chorale setting "Die Nacht ist kommen" G Mix. SATB 39: 198 III/2.2: 136 after Z 5001; text by Herbert [de] 00366
297 5. 1750 or earlier chorale setting "Die Sonn hat sich mit ihrem Glanz gewendet" D Dor. SATB 39: 198 III/2.2: 137 after Z 923; text by Stegmann [de]; ↔ BWV 447 00367
298 5. 1750 or earlier chorale setting "Dies sind die heilgen zehn Gebot" C maj. SATB 39: 198 III/2.2: 72 after Z 1951; text by Luther 00368
299 [2] 5. 1725–1735 chorale setting "Dir, dir, Jehova, will ich singen" B♭ maj. SATB 39: 199 III/2.1: 11
III/2.2: 121 		↔ Z 3068; text by Crasselius; → BWV 452 00369
299 [1] Notebook A. M. Bach (1725) No. 39: chorale setting "Dir, dir, Jehova, will ich singen" S(AT)B (V Bc) 432: 50 V/4: 126 11543
300 5. 1750 or earlier chorale setting "Du großer Schmerzensmann" E min. SATB 39: 199 III/2.2: 94 after Z 5159a; text by Thebesius [de] 00370
301 5. 1750 or earlier chorale setting "Du, o schönes Weltgebäude" D min. SATB 39: 200 III/2.2: 80 after Z 6773; text by Franck, J. 00371
302 5. c. 1735 or earlier chorale setting "Ein feste Burg ist unser Gott" D maj. SATB 39: 200 III/2.1: 48
III/2.2: 14 		after Z 7377; text by Luther after Ps. 46 00372
303 5. c. 1735 or earlier chorale setting "Ein feste Burg ist unser Gott" D maj. SATB 39: 201 III/2.1: 10
III/2.2: 148 		after Z 7377; text by Luther after Ps. 46 00373
304 5. c. 1735 or earlier chorale setting "Eins ist not, ach Herr, dies Eine" D maj. SATB 39: 201 III/2.1: 36
III/2.2: 166 		after Z 7127; text by Schröder 00374
305 5. 1750 or earlier chorale setting "Erbarm dich mein, o Herre Gott" A min. SATB 39: 202 III/2.2: 20 after Z 5851; text by Hegenwald after Ps. 51 00375
306 5. 1750 or earlier chorale setting "Erstanden ist der heilig Christ" F maj. SATB 39: 202 III/2.2: 100 after Z 288; text after "Surrexit Christus hodie" 00376
307 5. c. 1735 or earlier chorale setting "Es ist gewisslich an der Zeit" B♭ maj. SATB 39: 203 III/2.1: 22
III/2.2: 155 		after Z 4429a; text by Ringwaldt 00377
308 5. 1750 or earlier chorale setting "Es spricht der Unweisen Mund wohl" B♭ maj. SATB 39: 204 III/2.2: 17 after Z 4436; text by Luther after Ps. 14 00378
309 5. 1750 or earlier chorale setting "Es stehn vor Gottes Throne" G Dor. SATB 39: 204 III/2.2: 95 after Z 4298; text by Helmbold 00379
310 5. 1750 or earlier chorale setting "Es wird schier der letzte Tag herkommen" E min. SATB 39: 205 III/2.2: 140 after Z 1423; text by Weiße 00380
311 5. 1750 or earlier chorale setting "Es woll uns Gott gnädig sein" B min. SATB 39: 205 III/2.2: 12 after Z 7247; text by Luther after Ps. 67 00381
312 5. c. 1735 or earlier chorale setting "Es woll uns Gott gnädig sein" A min. SATB 39: 206 III/2.1: 70
III/2.2: 202 		after Z 7247; text by Luther after Ps. 67 00382
327 5. 1750 or earlier chorale setting "Vor deinen Thron tret ich hiermit" D maj. SATB 39: 213 III/2.2: 193 after Z 368; text by Hodenberg? 00397
313 5. 1750 or earlier chorale setting "Für Freuden lasst uns springen" G min. SATB 39: 206 III/2.2: 93 after Z 2339; text by Peltsch [fr] 00383
314 5. c. 1735 or earlier chorale setting "Gelobt seist du, Jesu Christ" D maj. SATB 39: 207 III/2.1: 48
III/2.2: 171 		after Z 1947; text by Luther 00384
315 5. c. 1735 or earlier chorale setting "Gib dich zufrieden und sei stille" E min. SATB 39: 207 III/2.1: 38
III/2.2: 161 		after BWV 511; text by Gerhardt; ↔ BWV 512, Z 7417a 00385
316 5. 1750 or earlier chorale setting "Gott, der du selber bist das Licht" G min. SATB 39: 208 III/2.2: 133 after Z 5814; text by Rist 00386
317 5. 1750 or earlier chorale setting "Gott der Vater wohn uns bei" D maj. SATB 39: 208 III/2.2: 78 after Z 8507; text by Luther 00387
318 5. 1750 or earlier chorale setting "Gottes Sohn ist kommen" G maj. SATB 39: 209 III/2.2: 13 after Z 3294; text by Horn [de] 00388
F maj. III/2.2: 214
319 5. 1750 or earlier chorale setting "Gott hat das Evangelium" E min. SATB 39: 209 III/2.2: 102 after Z 1788; text by Alberus 00389
320 5. 1750 or earlier chorale setting "Gott lebet noch" F maj. SATB 39: 210 III/2.2: 138 after Z 7951; text by Zihn [de]; ↔ BWV 461 00390
321 5. 1750 or earlier chorale setting "Gottlob, es geht nunmehr zum Ende" B♭ maj. SATB 39: 210 III/2.2: 108 after Z 2853; → Z 2855; text by Luther 00391
322 5. 1750 or earlier chorale setting "Gott sei gelobet und gebenedeiet" C maj. SATB 39: 211 III/2.2: 39 after Z 8078; text by Luther 00392
323 5. 1750 or earlier chorale setting "Gott sei uns gnädig und barmherzig" F♯ min. SATB 39: 212 III/2.2: 186 after German Magnificat; text after Ps. 67 00393
325 5. 1750 or earlier chorale setting "Heilig, heilig, heilig" F maj. SATB 39: 212 III/2.2: 138 after Z 8633a; text after Sanctus; ↔ Z 8634 00395
chorale setting "Sanctus, Sanctus Dominus Deus" after Z 8633a; text: Sanctus; ↔ Z 8634
326 5. 1750 or earlier chorale setting "Herr Gott, dich loben alle wir" B♭ maj. SATB 39: 213 III/2.2: 96 after Z 368; text by Eber 00396
328 5. 1750 or earlier chorale setting "Herr Gott, dich loben wir" A min. SATB 39: 214 III/2.2: 117 after Z 8652; text by Luther after Te Deum 00398
329 5. 1750 or earlier chorale setting "Herr, ich denk an jene Zeit" B♭ maj. SATB 39: 216 III/2.2: 123 after Z 4840; text by Mylius [de] 00399
330 5. 1750 or earlier chorale setting "Herr, ich habe missgehandelt" A min. SATB 39: 216 III/2.2: 21 after Z 3695; text by Franck, J. 00400
331 5. c. 1735 or earlier chorale setting "Herr, ich habe missgehandelt" A min. SATB 39: 217 III/2.1: 47
III/2.2: 171 		after Z 3695; text by Franck, J. 00401
332 5. 1750 or earlier chorale setting "Herr Jesu Christ, dich zu uns wend" G maj. SATB 39: 217 III/2.2: 79 after Z 624; text by William of Saxe-Weimar 00402
333 5. 1750 or earlier chorale setting "Herr Jesu Christ, du hast bereit'" G min. SATB 39: 218 III/2.2: 133 after Z 4711; text by Kinner [de] 00403
334 5. c. 1735 or earlier chorale setting "Herr Jesu Christ, ich schrei zu dir" G min. SATB III/2.1: 43 after Z 4486 00404
chorale setting "Herr Jesu Christ, du höchstes Gut" 39: 218 III/2.2: 41 after Z 4486; text by Ringwaldt
335 5. c. 1735 or earlier chorale setting "Herr Jesu Christ, meins Lebens Licht" E min. SATB 39: 218 III/2.1: 60
III/2.2: 175 		after Z 423; text by Behm 00405
chorale setting "O Jesu, du mein Bräutigam" III/2.2: 139 after Z 423; text by Hermann
336 5. 1750 or earlier chorale setting "Herr Jesu Christ, wahr' Mensch und Gott" A maj. SATB 39: 219 III/2.2: 106 after Z 423; text by Eber 00406
337 5. 1750 or earlier chorale setting "Herr, nun lass in Friede" A min. SATB 39: 219 III/2.2: 107 after Z 3302; text by Behme [de] 00407
338 5. 1750 or earlier chorale setting "Herr, straf mich nicht in deinem Zorn, das bitt" A min. SATB 39: 220 III/2.2: 131 after Z 4606a; text after Ps. 6 00408
339 5. 1750 or earlier chorale setting "Wer in dem Schutz des Höchsten ist" A maj. SATB 39: 220 III/2.2: 84 after Z 4438; text by Heyden 00409
chorale setting "Herr, wie du willt, so schicks mit mir" after Z 4438; text by Bienemann [de]
340 5. c. 1735 or earlier chorale setting "Herzlich lieb hab ich dich, o Herr" C maj. SATB 39: 221 III/2.1: 42
III/2.2: 164 		after Z 8326; text by Schalling 00410
341 5. 1750 or earlier chorale setting "Heut ist, o Mensch, ein großer Trauertag" G Dor. SATB 39: 221 III/2.2: 96 after Z 8569/A; text by Löwenstern 00411
342 5. 1750 or earlier chorale setting "Heut triumphieret Gottes Sohn" A min. SATB 39: 222 III/2.2: 44 after Z 2585; text by Stolzhagen [de] 00412
343 5. 1750 or earlier chorale setting "Hilf, Gott, dass mirs gelinge" G Dor. SATB 39: 222 III/2.2: 112 after Z 4329f; text by Müller, H. 00413
344 5. 1750 or earlier chorale setting "Hilf, Herr Jesu, lass gelingen" G Dor. SATB 39: 223 III/2.2: 89 after Z 3687a; text by Rist 00414
345 5. c. 1735 or earlier chorale setting "Ich bin ja, Herr, in deiner Macht" G min. SATB 39: 223 III/2.1: 13
III/2.2: 148 		↔ Z 5878a; text by Dach 00415
346 5. 1750 or earlier chorale setting "Ich dank dir, Gott, für deine Wohltat" C maj. SATB 39: 224 III/2.2: 132 after Z 8090; text by Freder [de] 00416
347 5. 1750 or earlier chorale setting "Ich dank dir, lieber Herre" A maj. SATB 39: 224 III/2.2: 2 after Z 5354a–b; text by Kolross 00417
348 5. c. 1735 or earlier chorale setting "Ich dank dir, lieber Herre" B♭ maj. SATB 39: 225 III/2.1: 39
III/2.2: 162 		after Z 5354a–b; text by Kolross 00418
349 5. 1750 or earlier chorale setting "Ich dank dir schon durch deinen Sohn" F maj. SATB 39: 225 III/2.2: 106 after Z 247b; text by Burchart [de] 00419
350 5. 1750 or earlier chorale setting "Ich danke dir, Herr Gott, in deinem Throne" G min. SATB 39: 226 III/2.2: 135 after Z 3199; text by Fabricius [de] 00420
351 5. 1750 or earlier chorale setting "Ich hab mein Sach Gott heimgestellt" G Dor. SATB 39: 226 III/2.2: 13 after Z 1679; text by Leon [de] 00421
366 5. 1750 or earlier chorale setting "Ihr Gestirn, ihr hohlen Lüfte" D min. SATB 39: 236 III/2.2: 92 after Z 3703; text by Franck, J. 00436
367 5. 1750 or earlier chorale setting "In allen meinen Taten" C maj. SATB 39: 236 III/2.2: 81 after Z 2276; text by Fleming 00437
368 5. 1750 or earlier chorale setting "In dulci jubilo" F maj. SATB 39: 236 III/2.2: 83 after Z 4947 00438
352 5. 1750 or earlier chorale setting "Jesu, der du meine Seele" A min. SATB 39: 227 III/2.2: 22 after Z 6804; text by Rist 00422
353 5. c. 1735 or earlier chorale setting "Jesu, der du meine Seele" G min. SATB 39: 228 III/2.1: 26
III/2.2: 160 		after Z 6804; text by Rist 00423
354 5. c. 1735 or earlier chorale setting "Jesu, der du meine Seele" B♭ Dor. SATB 39: 228 III/2.1: 99
III/2.2: 211 		after Z 6804; text by Rist 00424
355 5. 1750 or earlier chorale setting "Jesu, der du selbsten wohl" A maj. SATB 39: 229 III/2.2: 97 after Z 6335; text by Bapzien [de] 00425
356 5. 1750 or earlier chorale setting "Jesu, du mein liebstes Leben" G min. SATB 39: 230 III/2.2: 144 after Z 7891; text by Rist 00426
357 5. 1750 or earlier chorale setting "Jesu, Jesu, du bist mein" C Dor. SATB 39: 230 III/2.2: 144 ↔ BWV 470, Z 6446 00427
358 5. c. 1735 or earlier chorale setting "Jesu, meine Freude" D min. SATB 39: 231 III/2.1: 80
III/2.2: 204 		after Z 8032; text by Franck, J. 00428
360 5. c. 1735 or earlier chorale setting "Jesu, meiner Seelen Wonne" B♭ maj. SATB 39: 232 III/2.1: 73
III/2.2: 201 		after Z 6551a; text by Janus 00430
359 5. 1750 or earlier chorale setting "Jesu, meiner Seelen Wonne" A maj. SATB 39: 232 III/2.2: 209 after BWV 154/3; text by Janus 00429
361 5. c. 1735 or earlier chorale setting "Jesu, meines Herzens Freud" B♭ maj. SATB 39: 233 III/2.1: 34
III/2.2: 157 		after Z 4797–4798; text by Flittner [de] 00431
362 5. c. 1735 or earlier chorale setting "Jesu, nun sei gepreiset" B♭ maj. SATB 39: 234 III/2.1: 12
III/2.2: 149 		after Z 8477a; text by Hermann 00432
364 5. 1750 or earlier chorale setting "Jesus Christus, unser Heiland, der den Tod überwand" G Dor. SATB 39: 235 III/2.2: 99 after Z 1978; text by Luther 00434
363 5. 1750 or earlier chorale setting "Jesus Christus, unser Heiland, der von uns den Gottes Zorn wandt" E min. SATB 39: 234 III/2.2: 19 after Z 1576; text by Luther 00433
365 5. 1750 or earlier chorale setting "Jesus, meine Zuversicht" C maj. SATB 39: 235 III/2.2: 100 after Z 3432b; text by Louise Henriette of N 00435
369 5. 1750 or earlier chorale setting "Keinen hat Gott verlassen" E min. SATB 39: 237 III/2.2: 73 after Z 5395 00439
370 5. 1750 or earlier chorale setting "Komm, Gott Schöpfer, Heiliger Geist" C maj. SATB 39: 238 III/2.2: 105 after Z 295; text by Luther 00440
371 5. 1750 or earlier chorale setting "Kyrie, Gott Vater in Ewigkeit" A min. SATB 39: 238 III/2.2: 74 after Z 8600c 00441
372 5. 1750 or earlier chorale setting "Lass, o Herr, dein Ohr sich neigen" G Dor. SATB 39: 240 III/2.2: 128 after Z 6863; text by Opitz 00442
373 5. 1750 or earlier chorale setting "Liebster Jesu, wir sind hier" G maj. SATB 39: 240 III/2.2: 74, 190 after Z 3498b; text by Clausnitzer 00443
374 5. 1750 or earlier chorale setting "Lobet den Herren, denn er ist sehr" G Dor. SATB 39: 241 III/2.2: 134 after Z 975; text after Ps. 147 00444
375 5. c. 1735 or earlier chorale setting "Lobt Gott, ihr Christen, allzugleich" G maj. SATB 39: 241 III/2.1: 45
III/2.2: 164 		after Z 198; text by Herman 00445
376 5. 1750 or earlier chorale setting "Lobt Gott, ihr Christen allzugleich" A maj. SATB 39: 242 III/2.2: 197 after Z 198; text by Herman 00446
377 5. 1750 or earlier chorale setting "Machs mit mir, Gott, nach deiner Güt" D maj. SATB 39: 242 III/2.2: 26 after Z 2383; text by Schein 00447
378 5. 1750 or earlier chorale setting "Mein Augen schließ ich jetzt" G maj. SATB 39: 243 III/2.2: 153 after Z 1067; text by Löwenstern 00448
379 5. 1750 or earlier chorale setting "Meinen Jesum lass ich nicht, Jesus" G maj. SATB 39: 243 III/2.2: 87 after Z 3448a 00449
380 5. c. 1735 or earlier chorale setting "Meinen Jesum lass ich nicht, weil" E♭ maj. SATB 39: 244 III/2.1: 62
III/2.2: 178 		after Z 3449; text by Keymann 00450
324 5. 1750 or earlier chorale setting "Meine Seele erhebet den Herren" E min. SATB 39: 212 III/2.2: 73 after German Magnificat; text by Luther after Lk. 1:46–55 00394
381 5. 1750 or earlier chorale setting "Meines Lebens letzte Zeit" E min. SATB 39: 244 III/2.2: 199 after Z 6380; ↔ BWV 488 00451
382 5. c. 1735 or earlier chorale setting "Mit Fried und Freud ich fahr dahin" G Dor. SATB 39: 245 III/2.1: 40
III/2.2: 28 		after Z 3986; text by Luther 00452
383 5. 1750 or earlier chorale setting "Mitten wir im Leben sind" A min. SATB 39: 246 III/2.2: 124 after Z 8502; text by Luther after Media vita 00453
384 5. 1750 or earlier chorale setting "Nicht so traurig, nicht so sehr" C min. SATB 39: 247 III/2.2: 86 ↔ Z 3355; text by Gerhardt 00454
385 5. c. 1735 or earlier chorale setting "Nun bitten wir den Heiligen Geist" A maj. SATB 39: 247 III/2.1: 76
III/2.2: 22 		after Z 2029a; text by Luther 00455
386 5. c. 1735 or earlier chorale setting "Nun danket alle Gott" A maj. SATB 39: 248 III/2.1: 101
III/2.2: 20 		after Z 5142; text by Rinkart 00456
387 5. 1750 or earlier chorale setting "Nun freut euch, Gottes Kinder all" D Dor. SATB 39: 248 III/2.2: 104 after Z 364; text by Alberus 00457
388 5. 1750 or earlier chorale setting "Nun freut euch, lieben Christen gmein" G maj. SATB 39: 248 III/2.2: 103 after Z 4427; text by Luther 00458
389 5. c. 1735 or earlier chorale setting "Nun lob, mein Seel, den Herren" C maj. SATB 39: 249 III/2.1: 32
III/2.2: 159 		after Z 8244; text by Gramann after Ps. 103 00459
390 5. c. 1735 or earlier chorale setting "Nun lob, mein Seel, den Herren" C maj. SATB 39: 250 III/2.1: 58
III/2.2: 176 		after Z 8244; text by Gramann after Ps. 103 00460
391 5. 1750 or earlier chorale setting "Nun preiset alle Gottes Barmherzigkeit" G maj. SATB 39: 250 III/2.2: 131 after Z 4089a; text by Löwenstern 00461
392 5. 1734–1750 chorale setting "Nun ruhen alle Wälder" B♭ maj. SATB 39: 251 III/2.2: 172 after BWV 97/9; text by Gerhardt 00462
396 5. 1750 or earlier chorale setting "Nun sich der Tag geendet hat" A min. SATB 39: 252 III/2.2: 142 after Z 212b; text by Krieger 00466
397 5. c. 1735 or earlier chorale setting "O Ewigkeit, du Donnerwort" F maj. SATB 39: 253 III/2.1: 23
III/2.2: 163 		after Z 5820; text by Johann Rist; ↔ BWV 513 00467
398 5. c. 1728–1729 chorale setting "O Gott, du frommer Gott" D maj. SATB 39: 254 III/2.2: 182 after Z 5206b; text by Heermann; ↔ BWV 197a/7 00468
399 5. 1750 or earlier chorale setting "O Gott, du frommer Gott" G maj. SATB 39: 254 III/2.2: 184 after Z 5148; text by Heermann 00469
400 5. 1750 or earlier chorale setting "O Herzensangst" E♭ maj. SATB 39: 255 III/2.2: 99 ↔ Z 1003; text by Müller von Königsberg 00470
401 5. 1750 or earlier chorale setting "O Lamm Gottes, unschuldig" F maj. SATB 39: 255 III/2.2: 94 after Z 4361a; text by Decius after Agnus Dei 00471
402 5. 1750 or earlier chorale setting "O Mensch, bewein dein Sünde groß" E♭ maj. SATB 39: 256 III/2.2: 114 after Z 8303; text by Heyden 00472
403 5. 1750 or earlier chorale setting "O Mensch, schau Jesum Christum an" G Dor. SATB 39: 257 III/2.2: 116 after Z 3994a–b; text by Specht; ↔ Z 3994c 00473
404 5. 1750 or earlier chorale setting "O Traurigkeit, o Herzeleid" A min. SATB 39: 257 III/2.2: 34 after Z 1915; text by Rist 00474
F min. III/2.2: 215
393 5. c. 1735 or earlier chorale setting "O Welt, sieh hier dein Leben" A maj. SATB 39: 251 III/2.1: 44
III/2.2: 163 		after Z 2293b; text by Gerhardt 00463
394 5. c. 1735 or earlier chorale setting "O Welt, sieh hier dein Leben" A maj. SATB 39: 252 III/2.1: 96
III/2.2: 210 		after Z 2293b; text by Gerhardt 00464
395 5. 1724–1750 chorale setting "O Welt, sieh hier dein Leben" A maj. SATB 39: 252 III/2.2: 208 after BWV 245/11; text by Gerhardt 00465
405 5. 1750 or earlier chorale setting "O wie selig seid ihr doch, ihr Frommen" D min. SATB 39: 258 III/2.2: 124 after Z 1583; text by Dach; ↔ BWV 495 00475
406 5. 1750 or earlier chorale setting "O wie selig seid ihr doch, ihr Frommen" D min. SATB 39: 258 III/2.2: 129 after Z 1581; text by Dach 00476
407 5. 1750 or earlier chorale setting "O wir armen Sünder" D maj. SATB 39: 258 III/2.2: 114 after Z 8187c; text by Bonnus [de] 00477
408 5. 1750 or earlier chorale setting "Schaut, ihr Sünder" G Dor. SATB 39: 259 III/2.2: 98 after Z 8569/B; text by Löwenstern 00478
409 5. 1750 or earlier chorale setting "Seelenbräutigam" A maj. SATB 39: 260 III/2.2: 82, 216 after Z 3255a–b; text by Drese; ↔ BWV 496 00479
410 5. 1750 or earlier chorale setting "Sei gegrüßet, Jesu gütig" G min. SATB 39: 260 III/2.2: 98 after Z 3889b; text by Keymann; ↔ BWV 499 00480
411 5. 1750 or earlier chorale setting "Singt dem Herrn ein neues Lied" G maj. SATB 39: 260 III/2.2: 146 after Z 6424; text by Löwenstern 00481
412 5. 1750 or earlier chorale setting "So gibst du nun, mein Jesu, gute Nacht" G Dor. SATB 39: 261 III/2.2: 119 after Z 849; text by Pfeiffer [de]; ↔ BWV 501 00482
413 5. 1750 or earlier chorale setting "Sollt ich meinem Gott nicht singen" D min. SATB 39: 262 III/2.2: 130 after Z 7886b; text by Gerhardt; ↔ BWV 481 00483
414 5. 1750 or earlier chorale setting "Uns ist ein Kindlein heut geborn" G maj. SATB 39: 262 III/2.2: 86 after Z 439; ↔ BWV 253 00484
415 5. 1750 or earlier chorale setting "Valet will ich dir geben" D maj. SATB 39: 263 III/2.2: 16 after Z 5404a; text by Herberger 00485
416 5. 1724-04-07 chorale setting "Vater unser im Himmelreich" D min. SATB 39: 263 III/2.1: 94
III/2.2: 27 		after Z 2561; text by Luther after Mt 6:9–13; ↔ BWV 245.1/5 00486
417 5. c. 1735 or earlier chorale setting "Von Gott will ich nicht lassen" B min. SATB 39: 264 III/2.1: 92
III/2.2: 209 		after Z 5264b; text by Helmbold 00487
418 5. 1750 or earlier chorale setting "Von Gott will ich nicht lassen" A min. SATB 39: 264 III/2.2: 192 after Z 5264b; text by Helmbold 00488
419 5. 1726–1761 (CPE) chorale setting "Helft mir Gotts Güte preisen" A min. SATB 39: 265 III/2.2: 64 by Bach, C. P. E.; after BWV 16/6; text by Eber 00489
chorale setting "Von Gott will ich nicht lassen" by Bach, C. P. E.; after BWV 16/6; text by Helmbold
257 5. c. 1735 or earlier chorale setting "Wär Gott nicht mit uns diese Zeit" A min. SATB 39: 178 III/2.1: 46
III/2.2: 170 		after Z 4441a; text by Luther after Ps. 124 00327
420 5. 1750 or earlier chorale setting "Warum betrübst du dich, mein Herz" A min. SATB 39: 265 III/2.2: 84 after Z 1689a 00490
421 5. c. 1735 or earlier chorale setting "Warum betrübst du dich, mein Herz" A min. SATB 39: 266 III/2.1: 65
III/2.2: 178 		after Z 1689a; ↔ BWV 1164/2 00491
422 5. c. 1735 or earlier chorale setting "Warum sollt ich mich denn grämen" G Mix. SATB 39: 266 III/2.1: 82
III/2.2: 204 		after Z 6461; → Z 6462; text by Gerhardt 00492
423 5. 1750 or earlier chorale setting "Was betrübst du dich, mein Herze" G Dor. SATB 39: 267 III/2.2: 140 ↔ Z 6830; text by Herrmann [wikisource:de] 00493
424 5. 1750 or earlier chorale setting "Was bist du doch, o Seele, so betrübet" A min. SATB 39: 267 III/2.2: 108 after Z 1837; text by Schultt, R. F. [scores]; ↔ BWV 506 00494
425 5. 1750 or earlier chorale setting "Was willst du dich, o meine Seele, kränken" A min. SATB 39: 268 III/2.2: 142 after Z 7844; text by Werder [de] 00495
426 5. 1750 or earlier chorale setting "Weltlich Ehr und zeitlich Gut" C maj. SATB 39: 269 III/2.2: 122 after Z 4972; text by Weiße 00496
427 5. 1750 or earlier chorale setting "Wenn ich in Angst und Not" E♭ maj. SATB 39: 269 III/2.2: 85 after Z 4233; text by Löwenstern 00497
428 5. 1750 or earlier chorale setting "Wenn mein Stündlein verhanden ist" G maj. SATB 39: 270 III/2.2: 187 after Z 4482a; text by Herman 00498
429 5. c. 1735 or earlier chorale setting "Wenn mein Stündlein verhanden ist" A maj. SATB 39: 270 III/2.1: 91
III/2.2: 29 		after Z 4482a; text by Herman 00499
430 5. c. 1735 or earlier chorale setting "Wenn mein Stündlein verhanden ist" A maj. SATB 39: 271 III/2.1: 68
III/2.2: 201 		after Z 4482a; text by Herman 00500
431 5. 1750 or earlier chorale setting "Wenn wir in höchsten Nöten sein" F maj. SATB 39: 272 III/2.2: 38 after Z 394; text by Eber 00501
432 5. 1750 or earlier chorale setting "Wenn wir in höchsten Nöten sein" G maj. SATB 39: 272 III/2.2: 146 after Z 394; text by Eber 00502
433 5. 1750 or earlier chorale setting "Wer Gott vertraut, hat wohl gebaut" G maj. SATB 39: 273 III/2.2: 78 after Z 8207; text by Magdeburg [de] 00503
434 5. c. 1735 or earlier chorale setting "Wer weiß, wie nahe mir mein Ende" A min. SATB 39: 273 III/2.1: 38 after Z 2778; text by Emilie Juliane of B-M 00504
chorale setting "Wer nur den lieben Gott lässt walten" III/2.2: 85 after Z 2778; text by Neumark
435 5. 1750 or earlier chorale setting "Wie bist du, Seele, in mir so gar betrübt" E min. SATB 39: 274 III/2.2: 143 after Z 4092; text by Zeutschner [choralwiki] 00505
436 5. c. 1735 or earlier chorale setting "Wie schön leuchtet der Morgenstern" E maj. SATB 39: 274 III/2.1: 45
III/2.2: 165 		after Z 8359; text by Nicolai 00506
437 5. 1750 or earlier chorale setting "Wir glauben all an einen Gott" D Dor. SATB 39: 275 III/2.2: 76 after Z 7971; text by Luther after Creed 00507
258 5. 1750 or earlier chorale setting "Wo Gott der Herr nicht bei uns hält" B min. SATB 39: 179 III/2.2: 194 after Z 4441a; text by Jonas 00328
438 5. 1750 or earlier chorale setting "Wo Gott zum Haus nicht gibt sein Gunst" F maj. SATB 39: 276 III/2.2: 90 after Z 305; text by Kolross 00508
500a 5. 1726-04-19 chorale setting "So gehst du nun, mein Jesu, hin" (in Bach's Leipzig versions of St Mark Passion attributed to Keiser) SATB Str Bc II/9: 75 text by Nachtenhöfer [de]; ↔ BWV 500 00571
1084 5. 1726-04-19 chorale setting "O hilf Christe, Gottes Sohn" (in Bach's Leipzig versions of St Mark Passion attributed to Keiser) SATB Str Bc II/9: 76 text by Weiße; after BC D 5a/14 01270
1089 5. chorale setting "Da Jesus an dem Kreuze stund" SATB III/2.2: 216 text by Lilius [de] 01275
1122 5. c. 1735 or earlier chorale setting "Denket doch, ihr Menschenkinder" F maj. SATB III/2.1: 31
III/2.2: 217 		text by Hübner? 01720
1123 5. c. 1735 or earlier chorale setting "Wo Gott zum Haus gibt nicht sein Gunst" G maj. SATB III/2.1: 40 after Z 305; text by Kolross 01721
1124 5. c. 1735 or earlier chorale setting "Ich ruf zu dir, Herr Jesu Christ" E min. SATB III/2.1: 51 after Z 7400; text by Agricola, J. 01722
1125 5. c. 1735 or earlier chorale setting "O Gott, du frommer Gott" D maj. SATB III/2.1: 79 after Z 5206b; text by Heermann 01723
1126 5. chorale setting "Lobet Gott, unsern Herren" SATB III/2.2: 218 01724
6. Songs, Arias and Quodlibet (see also: List of songs and arias of Johann Sebastian Bach) Up ↑
439 6. 1735–1736 or earlier song "Ach, dass nicht die letzte Stunde" (Schemelli #831; tune #56) V Bc 39: 279 III/2.1: 210 ↔ Z 6721; text by Neumeister 00509
440 6. 1735–1736 or earlier song "Auf, auf! die rechte Zeit ist hier" (Schemelli #171; tune #11) V Bc 39: 279 III/2.1: 123 ↔ Z 705; text by Opitz 00510
441 6. c. 1735 or earlier chorale setting "Auf, auf, mein Herz, mit Freuden" F maj. SATB III/2.1: 67 after Z 5243; text by Gerhardt 00511
1735–1736 or earlier song "Auf, auf, mein Herz, mit Freuden" (Schemelli #320; tune #27) V Bc 39: 279 III/2.1: 152
442 6. 1735–1736 or earlier song "Beglückter Stand getreuer Seelen" (Schemelli #570; tune #39) V Bc 39: 280 III/2.1: 176 after Z 5970; text by Bonin [de] 00512
443 6. 1735–1736 or earlier song "Beschränkt, ihr Weisen dieser Welt" (Schemelli #689; tune #47) V Bc 39: 280 III/2.1: 192 ↔ Z 7765; text by Wegleiter [wikisource:de] 00513
444 6. 1735–1736 or earlier song "Brich entzwei, mein armes Herze" (Schemelli #303; tune #24) V Bc 39: 280 III/2.1: 146 after Z 7110–7111a; → Z 7111b; text by Trommer [scores] 00514
445 6. 1735–1736 or earlier song "Brunnquell aller Güter" (Schemelli #335; tune #29) V Bc 39: 281 III/2.1: 156 after Z 6252b; text by Franck, J. 00515
446 6. 1735–1736 or earlier song "Der lieben Sonnen Licht und Pracht" (Schemelli #39; tune #2) V Bc 39: 281 III/2.1: 106 after Z 5659; text by Scriver 00516
447 6. 1735–1736 or earlier song "Der Tag ist hin, die Sonne gehet nieder" (Schemelli #40; tune #3) V Bc 39: 281 III/2.1: 108 after Z 923; ↔ BWV 297; text by Rube [fr] 00517
448 6. 1735–1736 or earlier song "Der Tag mit seinem Lichte" (Schemelli #43; tune #4) V Bc 39: 282 III/2.1: 110 after Z 7512b; text by Gerhardt 00518
449 6. 1735–1736 or earlier song "Dich bet ich an, mein höchster Gott" (Schemelli #396; tune #31) V Bc 39: 282 III/2.1: 160 ↔ Z 2437; text by Olearius, J. G. [de] 00519
450 6. 1735–1736 or earlier song "Die bittre Leidenszeit beginnet abermal" (Schemelli #258; tune #17) V Bc 39: 282 III/2.1: 134 after Z 7429; text by Elmenhorst [de] 00520
451 6. 1735–1736 or earlier song "Die güldne Sonne" (Schemelli #13; tune #1) V Bc 39: 283 III/2.1: 104 after Z 8015; text by Gerhardt 00521
452 6. 1735–1736 or earlier song "Dir, dir, Jehova, will ich singen" (Schemelli #397; tune #32) V Bc 39: 284 III/2.1: 162 after BWV 299; → Z 3068; text by Crasselius 00522
453 6. 1735–1736 or earlier song "Eins ist not! ach Herr, dies Eine" (Schemelli #112; tune #7) V Bc 39: 284 III/2.1: 116 ↔ Z 7129; text by Schröder [scores] 00523
454 6. 1735–1736 or earlier song "Ermuntre dich, mein schwacher Geist" (Schemelli #187; tune #12) V Bc 39: 284 III/2.1: 124 after Z 5741; text by Rist 00524
455 6. 1735–1736 or earlier song "Erwürgtes Lamm, das die verwahrten Siegel" (Schemelli #580; tune #43) V Bc 39: 285 III/2.1: 184 after Z 3138; text by Bonin [de] 00525
456 6. 1735–1736 or earlier song "Es glänzet der Christen inwendiges Leben" (Schemelli #572; tune #40) V Bc 39: 285 III/2.1: 178 after Z 6969; text by Richter 00526
457 6. 1735–1736 or earlier song "Es ist nun aus mit meinem Leben" (Schemelli #847; tune #57) V Bc 39: 286 III/2.1: 212 after Z 6969; text by Omeis [de] 00527
458 6. 1735–1736 or earlier song "Es ist vollbracht! Vergiss ja nicht dies Wort" (Schemelli #306; tune #25) V Bc 39: 286 III/2.1: 148 after Z 2692; text by Schmidt [scores] 00528
459 6. 1735–1736 or earlier song "Es kostet viel, ein Christ zu sein" (Schemelli #522; tune #38) V Bc 39: 286 III/2.1: 174 after Z 2727; text by Richter 00529
460 6. 1735–1736 or earlier song "Gib dich zufrieden und sei stille" (Schemelli #647; tune #45) V Bc 39: 288 III/2.1: 188 after Z 7415; text by Gerhardt 00530
461 6. 1735–1736 or earlier song "Gott lebet noch" (Schemelli #488; tune #37) V Bc 39: 288 III/2.1: 172 after Z 7951; ↔ BWV 320; text by Zihn [de] 00531
462 6. 1735–1736 or earlier song "Gott wie groß ist deine Güte" (Schemelli #360; tune #30) V Bc 39: 289 III/2.1: 158 text by Schemelli; → Z 7937 00532
463 6. 1735–1736 or earlier song "Herr, nicht schicke deine Rache" (Schemelli #78; tune #5) V Bc 39: 289 III/2.1: 112 after Z 6863; text by Opitz 00533
464 6. 1735–1736 or earlier song "Ich bin ja, Herr, in deiner Macht" (Schemelli #861; tune #58) V Bc 39: 290 III/2.1: 214 after Z 5869a; text by Dach 00534
465 6. 1735–1736 or earlier song "Ich freue mich in dir" (Schemelli #194; tune #13) V Bc 39: 290 III/2.1: 126 after Z 5138; text by Ziegler, C. 00535
466 6. 1735–1736 or earlier song "Ich halte treulich still" (Schemelli #657; tune #46) V Bc 39: 290 III/2.1: 190 text by Till [scores]; → Z 5082 00536
467 6. 1735–1736 or earlier song "Ich lass dich nicht" (Schemelli #734; tune #51) V Bc 39: 291 III/2.1: 200 after Z 7455; text by Deßler [de] 00537
468 6. 1735–1736 or earlier song "Ich liebe Jesum alle Stund" (Schemelli #737; tune #52) V Bc 39: 291 III/2.1: 202 after Z 4731; → Z 4732 00538
469 6. 1735–1736 or earlier song "Ich steh an deiner Krippen hier" (Schemelli #195; tune #14) V Bc 39: 292 III/2.1: 128 ↔ Z 4663; text by Gerhardt 00539
476 6. 1735–1736 or earlier song "Ihr Gestirn, ihr hohlen Lüfte" (Schemelli #197; tune #15) V Bc 39: 294 III/2.1: 130 after Z 3703; text by Franck, J. 00546
471 6. 1735–1736 or earlier song "Jesu, deine Liebeswunden" (Schemelli #139; tune #10) V Bc 39: 292 III/2.1: 122 text by Wegleit. [wikisource:de]?; → Z 1302 00541
470 6. 1735–1736 or earlier song "Jesu, Jesu, du bist mein" (Schemelli #741; tune #53) V Bc 39: 292 III/2.1: 204 ↔ BWV 357; → Z 6446 00540
472 6. 1735–1736 or earlier song "Jesu, meines Glaubens Zier" (Schemelli #119; tune #8) V Bc 39: 293 III/2.1: 118 after Z 6453; text by Sacer 00542
473 6. 1735–1736 or earlier song "Jesu, meines Herzens Freud" (Schemelli #696; tune #48) V Bc 39: 293 III/2.1: 194 after Z 4797–4798; text by Flittner [de] 00543
474 6. 1735–1736 or earlier song "Jesus ist das schönste Licht" (Schemelli #463; tune #33) V Bc 39: 293 III/2.1: 164 after Z 6412; text by Richter 00544
475 6. 1735–1736 or earlier song "Jesus, unser Trost und Leben" (Schemelli #333; tune #28) V Bc 39: 294 III/2.1: 154 after Z 4918; text by Homburg [de] 00545
477 6. 1735–1736 or earlier song "Kein Stündlein geht dahin" (Schemelli #869; tune #60) V Bc 39: 294 III/2.1: 218 after 4243b; text by Franck, M.? 00547
478 6. 1735–1736 or earlier song "Komm, süßer Tod" (Schemelli #868; tune #59) V Bc 39: 295 III/2.1: 216 → Z 4400 00548
479 6. 1735–1736 or earlier song "Kommt, Seelen, dieser Tag" (Schemelli #936; tune #67) V Bc 39: 295 III/2.1: 232 → Z 5185; text by Löscher 00549
480 6. 1735–1736 or earlier song "Kommt wieder aus der finstern Gruft" (Schemelli #938; tune #68) V Bc 39: 296 III/2.1: 234 → Z 4709; text by Löscher 00550
481 6. 1735–1736 or earlier song "Lasset uns mit Jesu ziehen" (Schemelli #281; tune #18) V Bc 39: 296 III/2.1: 136 after Z 7886b; ↔ BWV 413; text by Birken 00551
482 6. 1735–1736 or earlier song "Liebes Herz, bedenke doch" (Schemelli #467; tune #34) V Bc 39: 297 III/2.1: 166 after Z 6434; text by Koitsch [de] 00552
483 6. 1735–1736 or earlier song "Liebster Gott, wann werd ich sterben" (Schemelli #873; tune #61) E♭ maj. V Bc 39: 297 III/2.1: 220 after Z 6634; text by Neumann 00553
484 6. 1735–1736 or earlier song "Liebster Herr Jesu, wo bleibst du so lange" (Schemelli #874; tune #62) V Bc 39: 298 III/2.1: 222 ↔ Z 3969; text by Weselowius [scores] 00554
485 6. 1735–1736 or earlier song "Liebster Immanuel, Herzog der Frommen" (Schemelli #761; tune #54) V Bc 39: 298 III/2.1: 206 after Z 4932c; text by Fritsch 00555
488 6. 1735–1736 or earlier song "Meines Lebens letzte Zeit" (Schemelli #881; tune #63) V Bc 39: 299 III/2.1: 224 after Z 6380; ↔ BWV 381 00558
486 6. 1735–1736 or earlier song "Mein Jesu, dem die Seraphinen" (Schemelli #121; tune #9) V Bc 39: 298 III/2.1: 120 after Z 5988; text by Deßler [de] 00556
487 6. 1735–1736 or earlier song "Mein Jesu! was vor Seelenweh" (Schemelli #283; tune #19) V Bc 39: 299 III/2.1: 138 text by Schemelli?; → Z 8383 00557
489 6. 1735–1736 or earlier song "Nicht so traurig, nicht so sehr" (Schemelli #574; tune #41) V Bc 39: 300 III/2.1: 180 after Z 3342; text by Gerhardt? 00559
490 6. 1735–1736 or earlier song "Nur mein Jesus ist mein Leben" (Schemelli #700; tune #49) V Bc 39: 300 III/2.1: 196 after Z 8404c 00560
491 6. 1735–1736 or earlier song "O du Liebe meiner Liebe" (Schemelli #284; tune #20) V Bc 39: 300 III/2.1: 140 after Z 6693; text by Senitz [Wikidata] 00561
492 6. 1735–1736 or earlier song "O finstre Nacht, wenn wirst du doch vergehen" (Schemelli #891; tune #64) V Bc 39: 301 III/2.1: 226 ↔ Z 6171; text by Breithaupt [scores] 00562
493 6. 1735–1736 or earlier song "O Jesulein süß, o Jesulein mild" (Schemelli #203; tune #16) V Bc 39: 302 III/2.1: 132 after Z 2016a; text by Thilo [de] 00563
494 6. 1735–1736 or earlier song "O liebe Seele, zieh die Sinnen" (Schemelli #575; tune #42) V Bc 39: 302 III/2.1: 182 → Z 7787 00564
495 6. 1735–1736 or earlier song "O wie selig seid ihr doch, ihr Frommen" (Schemelli #894; tune #65) V Bc 39: 302 III/2.1: 228 after Z 1583; ↔ BWV 405; text by Dach 00565
496 6. 1735–1736 or earlier song "Seelenbräutigam" (Schemelli #472; tune #35) V Bc 39: 303 III/2.1: 168 after Z 3255a–b; ↔ BWV 409; text by Drese 00566
497 6. 1735–1736 or earlier song "Seelenweide" (Schemelli #710; tune #50) V Bc 39: 303 III/2.1: 198 after Z 1286; text by Drese 00567
499 6. 1735–1736 or earlier song "Sei gegrüßet, Jesu gütig" (Schemelli #293; tune #22) V Bc 39: 304 III/2.1: 143 after Z 3889b; ↔ BWV 410; text by Keymann 00569
498 6. 1735–1736 or earlier song "Selig, wer an Jesum denkt" (Schemelli #292; tune #21) V Bc 39: 304 III/2.1: 142 → Z 4846 00568
500 6. 1735–1736 or earlier song "So gehst du nun, mein Jesu hin" (Schemelli #296; tune #23) V Bc 39: 304 III/2.1: 144 after Z 7631b; ↔ BWV 500a; text by Nachtenhöfer [de] 00570
501 6. 1735–1736 or earlier song "So gibst du nun, mein Jesu, gute Nacht" (Schemelli #315; tune #26) V Bc 39: 304 III/2.1: 150 after Z 849; ↔ BWV 412; text by Pfeiffer [de] 00572
502 6. 1735–1736 or earlier song "So wünsch ich mir zu guter Letzt" (Schemelli #901; tune #66) V Bc 39: 305 III/2.1: 230 ↔ Z 5892; text by Rist 00573
503 6. 1735–1736 or earlier song "Steh ich bei meinem Gott" (Schemelli #945; tune #69) V Bc 39: 305 III/2.1: 236 after Z 5207; text by Herrnschmidt [de] 00574
504 6. 1735–1736 or earlier song "Vergiss mein nicht, dass ich dein nicht vergesse" (Schemelli #475; tune #36) V Bc 39: 306 III/2.1: 170 after Z 4779; text by Arnold 00575
505 6. 1735–1736 or earlier song "Vergiss mein nicht,..., Mein allerliebster Gott" (Schemelli #627; tune #44) V Bc 39: 306 III/2.1: 186 text by Arnold; → Z 4233 00576
506 6. 1735–1736 or earlier song "Was bist du doch, o Seele, so betrübt" (Schemelli #779; tune #55) A min. V Bc 39: 307 III/2.1: 208 after Z 1837; ↔ BWV 424; text by Schultt, R. F. [scores] 00577
507 6. 1735–1736 or earlier song "Wo ist mein Schäflein, das ich liebe" (Schemelli #108; tune #6) V Bc 39: 308 III/2.1: 114 after Z 5958a; text by Schultt, J. P. [scores] 00578
508 6. 1718-11-16 (GHS)
after 1733–1734 (AMB) 		Notebook A. M. Bach (1725) No. 25: aria "Bist du bei mir" E♭ maj. V Bc 432: 36
39: 309 		V/4: 102 after Stölzel (Diomedes) 00579
509 6. 1725–1733 (AMB) Notebook A. M. Bach (1725) No. 41: aria "Gedenke doch, mein Geist, zurücke" V Bc 432: 52
39: 310 		V/4: 128 00580
510 6. 1725–1733 Notebook A. M. Bach (1725) No. 12: song "Gib dich zufrieden und sei stille" F maj. V Bc 432: 30
39: 311 		V/4: 91 00581
511 6. 1725–1733 Notebook A. M. Bach (1725) No. 13a: song "Gib dich zufrieden und sei stille" G min. V Bc 432: 31
39: 287 		V/4: 91 text by Gerhardt; → BWV 512 00582
512 6. 1725–1733 Notebook A. M. Bach (1725) No. 13b: song "Gib dich zufrieden und sei stille" E min. V Bc 432: 31
39: 287 		V/4: 91 after BWV 511; ↔ BWV 315, Z 7417a; text by Gerhardt 00583
513 6. 1725–1733 (AMB) Notebook A. M. Bach (1725) No. 42: song "O Ewigkeit, du Donnerwort" V Bc 432: 52
39: 301 		V/4: 129 ↔ BWV 397; text by Rist 00584
514 6. 1725–1733 (AMB) Notebook A. M. Bach (1725) No. 35: song "Schaffs mit mir, Gott" V Bc 432: 48
39: 303 		V/4: 125 text by Schmolck 00585
515 6. after 1733–1734 Notebook A. M. Bach (1725) No. 20a: aria "So oft ich meine Tobackspfeife" D min. V Bc 432: 34 V/4: 98 by Bach, G. H.?; → BWV 515a 00586
515a 6. after 1733–1734 Notebook A. M. Bach (1725) No. 20b: aria "So oft ich meine Tobackspfeife" G min. V Bc 432: 34
39: 309 		V/4: 98 after BWV 515 00587
516 6. after 1733–1734 (AMB) Notebook A. M. Bach (1725) No. 33: aria "Warum betrübst du dich" V Bc 432: 46
39: 307 		V/4: 121 00588
517 6. after 1733–1734 (AMB) Notebook A. M. Bach (1725) No. 40: song "Wie wohl ist mir, o Freund der Seelen" V Bc 432: 51
39: 307 		V/4: 128 text by Deßler [de] 00589
518 6. after 1725 Notebook A. M. Bach (1725) No. 37: aria "Willst du dein Herz mir schenken" a.k.a. "Aria di G(i)ovannini" V Bc 432: 49
39: 311 		V/4: 126 00590
519 6. c.1736? Five Hymns from SBB Bach P 802 No. 1: "Hier lieg ich nun, o Vater aller Gnaden" V Bc by Krebs, J. L.?; in Spitta III, pp. 401–403 00591
520 6. c.1736? Five Hymns from SBB Bach P 802 No. 2: "Das walt mein Gott, Gott Vater, Sohn und heilger Geist" V Bc by Krebs, J. L.?; in Spitta III, pp. 401–403 00592
521 6. c.1736? Five Hymns from SBB Bach P 802 No. 3: "Gott, mein Herz dir Dank zusendet" V III/3 by Krebs, J. L.?; in Spitta III, pp. 401–403 00593
522 6. c.1736? Five Hymns from SBB Bach P 802 No. 4: "Meine Seele, lass es gehen, wie es in der Welt jetzt geht" V by Krebs, J. L.?; in Spitta III, pp. 401–403 00594
523 6. c.1736? Five Hymns from SBB Bach P 802 No. 5: "Ich gnüge mich an meinem Stande" V by Krebs, J. L.?; in Spitta III, pp. 401–403 00595
524 6. 1707 – July 1708 Quodlibet (incomplete; wedding?) SATB (SBBB) Bc NBG 322 I/41: 69 00596
7. Works for organ (see also: List of organ compositions by Johann Sebastian Bach) Up ↑
525 7. c. 1730 Trio Sonata No. 1/6 E♭ maj. Organ 15: 3 IV/7: 1 → BWV 525a 00597
526 7. c. 1730 Trio Sonata No. 2/6 C min. Organ 15: 13 IV/7: 14 00598
527 7. c. 1730 Trio Sonata No. 3/6 (+e. v. for /1) D min. Organ 15: 26 IV/7: 28 → BWV 1044/2 00599
528 7. c. 1730 Trio Sonata No. 4/6 (+e. v. for /2, /3) E min. Organ 15: 40 IV/7: 44 after BWV 76/8 00600
529 7. c. 1730 Trio Sonata No. 5/6 (+e. v. for /2) C maj. Organ 15: 50 IV/7: 56 00601
530 7. c. 1730 Trio Sonata No. 6/6 G maj. Organ 15: 66 IV/7: 76 00602
531 7. c. 1703–1707 Prelude and Fugue C maj. Organ 15: 81 IV/5: 3 in Möllersche Handschrift 00603
532.2 7. c. 1708–1712 Prelude and Fugue D maj. Organ 15: 88 IV/5: 58 after BWV 912/1, 532.1 00604
532.1 7. Fugue (early version) D maj. Organ IV/6: 95 → BWV 532.2/2 00605
533 7. c.1704 Prelude and Fugue ("Cathedral") E min. Organ 15: 100 IV/5: 90 ↔ BWV 533a 00606
533a 7. Prelude and Fugue E min. Keyboard IV/6: 106 ↔ BWV 533 00607
534 7. c.1712–1717 Prelude and Fugue F min. Organ 15: 104 IV/5: 130 00608
535 7. after 1717 Prelude and Fugue G min. Organ 15: 112 IV/5: 157 after BWV 535a 00609
535a 7. c.1702–1704 Prelude and Fugue (incomplete) G min. Organ IV/6: 109 → BWV 535; in Möllersche Handschrift 00610
536 7. 1708–1717 Prelude and Fugue A maj. Organ 15: 120 IV/5: 180 ↔ BWV 152/1; → 536a 00611
537 7. 1729–1750 Fantasia and Fugue C min. Organ 15: 129 IV/5: 47 00613
538 7. 1712–1717 Toccata and Fugue ("Dorian") D min. Organ 15: 136 IV/5: 76 00614
539 7. 1724–1750? Prelude and Fugue D min. Organ 15: 148 IV/5: 70 after BWV 1001/2, 1000 00615
540 7. c.1712–1717? Toccata and Fugue F maj. Organ 15: 154 IV/5: 112 00616
541
528/3 		7. c.1712–1717? Toccata and Fugue (Trio BWV 528/3 e. v. as possible middle movement) G maj. Organ 15: 169 IV/5: 146 → BWV 528/3 00617
542 7. c.1714–1720? Fantasia and Fugue ("Great"; independent compositions?; fugue also in F minor) G min. Organ 15: 177 IV/5: 167 00618
543 7. after c.1730 Prelude and Fugue A min. Organ 15: 189 IV/5: 186 after BWV 543/1a 00619
543/1a 7. bef. c.1725 Prelude A min. Organ IV/6: 121 → BWV 543/1 00620
544 7. 1725–1728 Prelude and Fugue B min. Organ 15: 199 IV/5: 198 00621
545
529/2 		7. 1708–1717
after 1722 		Prelude and Fugue (middle movement BWV 529/2 e. v. removed after 1722) C maj. Organ 15: 212 IV/5: 10 after BWV 545a, b; → 529/2 00622
545a 7. 1708–1717 Prelude and Fugue (early version) C maj. Organ IV/6: 77 → BWV 545b, 545 00623
546 7. 1708–1750 Prelude and Fugue C min. Organ 15: 218 IV/5: 35 00625
547 7. 1719–1750 Prelude and Fugue C maj. Organ 15: 228 IV/5: 20 00626
548 7. 1725–1728 Prelude and Fugue ("Wedge") E min. Organ 15: 236 IV/5: 94 00627
549 7. 1705–1750 Prelude and Fugue C min. Organ 38: 3 IV/5: 30 after BWV 549a 00628
549a 7. c.1701 Prelude (or: Fantasia) and Fugue D min. Organ IV/6: 101 → BWV 549; in Möllersche Handschrift 00629
550 7. 1706–1708 Prelude and Fugue G maj. Organ 38: 9 IV/5: 138 00630
551 7. c.1699 Prelude and Fugue A min. Organ 38: 17 IV/6: 63 00631
552 7. 1739 Prelude and Fugue ("St Anne") from Clavier-Übung III E♭ maj. Organ 3: 173, 254 IV/4: 2, 105 00632
562 7. 1720–c.1748 Fantasia and Fugue (unfinished fugue added c.1747–1748) C min. Organ 38: 64, 20944: 4 IV/5: 54 00642
563 7. c.1704 Fantasia and Imitatio C maj. Organ 38: 59 IV/6: 68 in Andreas-Bach-Buch 00643
564 7. bef. c.1712 Toccata, Adagio and Fugue C maj. Organ 15: 253 IV/6: 3 00644
565 7. c.1704? Toccata and Fugue D min. Organ 15: 267 IV/6: 31 00645
566 7. 1700–1750 Prelude and Fugue (earliest manuscripts: C major; /1 as Toccata in BGA) E maj.
C maj. 		Organ 15: 276 IV/6: 40 00646
568 7. c.1700–1705? Prelude G maj. Organ 38: 85 IV/6: 51 00648
569 7. 1703–c.1704 Prelude A min. Organ 38: 89 IV/6: 59 00649
1121 7. 1706–1710 Fantasia C min. Organ IV/11: 54 in Andreas-Bach-Buch; was Anh. 205 01516
570 7. c.1698–1704 Fantasia C maj. Organ 38: 62 IV/6: 16 in Andreas-Bach-Buch 00650
572 7. 1708–c.1712 Fantasia, a.k.a. Pièce d'Orgue (+reworked version) G maj. Organ 38: 75 IV/7: 130, 144 00652
573 7. c.1722–1725 Notebook A. M. Bach (1722) No. 6 Fantasia (incomplete?) C maj. Keyboard 38: 209
432: 3 		V/4: 39
IV/6: 18 		00653
574 7. after c.1708? Fugue on a theme by Legrenzi C min. Organ 38: 94 IV/6: 19 after BWV 574b; ↔ 574a 00654
574a 7. after c.1708? Fugue on a theme by Legrenzi (variant) C min. Organ 38: 205 IV/6: 82 after BWV 574b; ↔ 574 00655
574b 7. c.1707–1713 or earlier Fugue on a theme by Legrenzi (early version) C min. Organ IV/6: 88 after Legrenzi (theme); → BWV 574a, 574; in Andreas-Bach-Buch 00656
575 7. 1708–1717? Fugue C min. Organ 38: 101 IV/6: 26 00657
578 7. c.1713 or earlier Fugue ("Little") G min. Organ 38: 116 IV/6: 55 in Andreas-Bach-Buch 00660
579 7. 1708–1717? Fugue on a theme by Corelli B min. Organ 38: 121 IV/6: 71 after Corelli (theme) 00661
582 7. bef. 1707
1707–1708 		Passacaglia (and Fugue) C min. Organ 15: 289 IV/7: 98 in Andreas-Bach-Buch 00664
583 7. c.1730 or earlier? Trio D min. Organ 38: 143 IV/7: 94 00665
585 7. c.1726–1727 (JSB) Trio C min. Organ 38: 219 IV/8: 73 after Fasch J. F., FaWV N:c2/1, /2; arr. by Bach 00667
586 7. bef. c.1740 Trio G maj. Organ IV/8: 78 after Telemann? 00668
587 7. after 1726 Aria F maj. Organ 38: 222 IV/8: 82 after Couperin, Les NationsIII/4 00669
588 7. c.1704–1707 or earlier Canzona D min. Organ 38: 126 IV/7: 118 in Möllersche Handschrift 00670
589 7. 1700–1720? Alla breve D maj. Organ 38: 131 IV/7: 114 00671
590 7. bef. c.1727 Pastorella (/1 incomplete?) F maj. Organ 38: 135 IV/7: 122 00672
592 7. c.1714–1717 Concerto for solo organ G maj. Organ 38: 149 IV/8: 56 after J. E. of Saxe-Weimar, Concerto a 8; → BWV 592a 00674
592a 7. c.1714–1717 Concerto for solo harpsichord G maj. Keyboard 42: 282 V/11: 150 after BWV 592 00675
593 7. c.1714–1717 Concerto for solo organ A min. Organ 38: 158 IV/8: 16 after Vivaldi, Op. 3 No. 8 (RV 522) 00676
594 7. c.1714–1717 Concerto for solo organ C maj. Organ 38: 171 IV/8: 30 after Vivaldi, RV 208, Grosso Mogul 00677
595 7. c.1714–1717 Concerto for solo organ C maj. Organ 38: 196 IV/8: 65 after BWV 984/1 00678
596 7. c.1714–1717 Concerto for solo organ (arrangement previously attributed to W. F. Bach) D min. Organ IV/8: 3 after Vivaldi, Op. 3 No. 11 (RV 565) 00679
599 7. 1713–1715 or earlier chorale setting "Nun komm, der Heiden Heiland" (Orgelbüchlein No. 1) A min. Organ 252: 3 IV/1: 3 after Z 1174 00682
600 7. 1713–1715 or earlier chorale setting "Gott durch deine Güte" (Orgelbüchlein No. 2) F maj. Organ 252: 4 IV/1: 4 after Z 3294 00683
chorale setting "Gottes Sohn ist kommen" (Orgelbüchlein No. 2)
601 7. 1713–1715 or earlier chorale setting "Herr Christ, der ein'ge Gottes Sohn" (Orgelbüchlein No. 3; also in Neumeister Collection) A maj. Organ 252: 5 IV/1: 6 after Z 4297a 00684
chorale setting "Herr Gott, nun sei gepreiset" (Orgelbüchlein No. 3; also in Neumeister Collection)
602 7. 1713–1715 or earlier chorale setting "Lob sei dem allmächtigen Gott" (Orgelbüchlein No. 4) D min. Organ 252: 6 IV/1: 7 after Z 339 00685
603 7. 1713–1715 or earlier chorale setting "Puer natus in Bethlehem" (Orgelbüchlein No. 5) G min. Organ 252: 6 IV/1: 8 after Z 192b 00686
604 7. 1713–1715 or earlier chorale setting "Gelobet seist du, Jesu Christ" (Orgelbüchlein No. 6) G maj. Organ 252: 7 IV/1: 11 after Z 1947 00687
605 7. 1713–1715 or earlier chorale setting "Der Tag, der ist so freudenreich" (Orgelbüchlein No. 7) G maj. Organ 252: 8 IV/1: 11 after Z 7870 00688
606 7. 1713–1715 or earlier chorale setting "Vom Himmel hoch, da komm ich her" (Orgelbüchlein No. 8) D maj. Organ 252: 9 IV/1: 13 after Z 346 00689
607 7. 1713–1715 or earlier chorale setting "Vom Himmel kam der Engel Schar" (Orgelbüchlein No. 9) G min. Organ 252: 10 IV/1: 14 after Z 192a 00690
608 7. 1713–1715 or earlier chorale setting "In dulci jubilo" (Orgelbüchlein No. 10) A maj. Organ 252: 12 IV/1: 16 after Z 4947 00691
609 7. 1713–1715 or earlier chorale setting "Lobt Gott, ihr Christen allzugleich" (Orgelbüchlein No. 11) G maj. Organ 252: 13 IV/1: 18 after Z 198 00692
610 7. 1713–1715 or earlier chorale setting "Jesu, meine Freude" (Orgelbüchlein" No. 12) C min. Organ 252: 14 IV/1: 19 after Z 8032 00693
611 7. 1713–1715 or earlier chorale setting "Christum wir sollen loben schon" (Orgelbüchlein No. 13) E min. Organ 252: 15 IV/1: 20 after Z 297c 00694
612 7. 1713–1715 or earlier chorale setting "Wir Christenleut" (Orgelbüchlein No. 14) G min. Organ 252: 16 IV/1: 22 after Z 2072 00695
613 7. after 1724? chorale setting "Helft mir Gotts Güte preisen" (Orgelbüchlein No. 15) B min. Organ 252: 18 IV/1: 24 after Z 5267 00696
614 7. 1713–1715 or earlier chorale setting "Das alte Jahr vergangen ist" (Orgelbüchlein No. 16) A min. Organ 252: 19 IV/1: 25 after Z 381c 00697
615 7. 1713–1715 or earlier chorale setting "In dir ist Freude" (Orgelbüchlein No. 17) G maj. Organ 252: 20 IV/1: 27 after Z 8537 00698
616 7. 1713–1715 or earlier chorale setting "Mit Fried und Freud ich fahr dahin" (Orgelbüchlein No. 18) D min. Organ 252: 24 IV/1: 30 after Z 3986 00699
617 7. 1713–1715 or earlier chorale setting "Herr Gott, nun schleuß den Himmel auf" (Orgelbüchlein No. 19) A min. Organ 252: 26 IV/1: 32 after Z 7641b 00700
618 7. 1713–1715 or earlier chorale setting "O Lamm Gottes, unschuldig" (Orgelbüchlein No. 20) F maj. Organ 252: 28 IV/1: 34 after Z 4361a 00701
619 7. 1713–1715 or earlier chorale setting "Christe, du Lamm Gottes" (Orgelbüchlein No. 21) F maj. Organ 252: 30 IV/1: 36 after Z 58 00702
620 7. after 1724? chorale setting "Christus, der uns selig macht" (Orgelbüchlein No. 22) A min. Organ 252: 30 IV/1: 37 after BWV 620a 00703
620a 7. 1713–1715 or earlier chorale setting "Christus, der uns selig macht" (Orgelbüchlein No. 22, e. v.) A min. Organ 252: 149 IV/1: 78 after Z 6283b; → BWV 620 00704
621 7. 1713–1715 or earlier chorale setting "Da Jesus an dem Kreuze stund" (Orgelbüchlein No. 23) A min. Organ 252: 32 IV/1: 39 after Z 1706 00705
622 7. 1713–1715 or earlier chorale setting "O Mensch, bewein dein Sünde groß" (Orgelbüchlein No. 24) E♭ maj. Organ 252: 33 IV/1: 40 after Z 8303; → BWV 622 (var.) 00706
622 (var.) 7. 1716–1789 chorale setting "O Mensch, bewein dein Sünde groß" (variant) Organ after BWV 622 00707
623 7. 1713–1715 or earlier chorale setting "Wir danken dir, Herr Jesu Christ" (Orgelbüchlein No. 25) G maj. Organ 252: 35 IV/1: 42 after Z 423 00708
624 7. 1713–1715 or earlier chorale setting "Hilf Gott, dass mir's gelinge" (Orgelbüchlein No. 26) G min. Organ 252: 36 IV/1: 44 after Z 4329 00709
625 7. 1713–1715 or earlier chorale setting "Christ lag in Todesbanden" (Orgelbüchlein No. 27) D min. Organ 252: 38 IV/1: 46 after Z 7012a 00710
626 7. 1713–1715 or earlier chorale setting "Jesus Christus, unser Heiland, der den Tod überwand" (Orgelbüchlein No. 28) A min. Organ 252: 39 IV/1: 48 after Z 1978 00711
627 7. 1713–1715 or earlier chorale setting "Christ ist erstanden" (Orgelbüchlein No. 29) D min. Organ 252: 40 IV/1: 49 after Z 8584 00712
628 7. 1713–1715 or earlier chorale setting "Erstanden ist der heilge Christ" (Orgelbüchlein No. 30) D maj. Organ 252: 44 IV/1: 54 after Z 1747a 00713
629 7. 1713–1715 or earlier chorale setting "Erschienen ist der herrliche Tag" (Orgelbüchlein No. 31) D min. Organ 252: 45 IV/1: 55 after Z 1743 00714
630 7. 1713–1715 or earlier chorale setting "Heut triumphieret Gottes Sohn" (Orgelbüchlein No. 32) D min. Organ 252: 46 IV/1: 56 after BWV 630a 00715
630a 7. bef. 1716 chorale setting "Heut triumphieret Gottes Sohn" (Orgelbüchlein No. 32, e. v.) Organ IV/1: 80 after Z 2585; → BWV 630 00716
631 7. 1723–1750 chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Orgelbüchlein No. 33) D min. Organ 252: 47 IV/1: 58 after BWV 631a 00717
631a 7. 1713–1715 or earlier chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Orgelbüchlein No. 33, e. v.) G maj. Organ 252: 150 IV/1: 82 after Z 295; → BWV 631 00718
632 7. 1713–1715 or earlier chorale setting "Herr Jesu Christ, dich zu uns wend" (Orgelbüchlein No. 34) F maj. Organ 252: 48 IV/1: 59 after Z 624 00719
633 7. 1713–1715 or earlier chorale setting "Liebster Jesu, wir sind hier" distinctus (Orgelbüchlein No. 36) A maj. Organ 252: 49 IV/1: 61 after BWV 634 00720
634 7. 1713–1715 or earlier chorale setting "Liebster Jesu, wir sind hier" (Orgelbüchlein No. 35) A maj. Organ 252: 50 IV/1: 60 after Z 3498b; → BWV 633 00721
635 7. 1713–1715 or earlier chorale setting "Dies sind die heilgen zehn Gebot" (Orgelbüchlein No. 37) C maj. Organ 252: 50 IV/1: 62 after Z 1951 00722
636 7. 1713–1715 or earlier chorale setting "Vater unser im Himmelreich" (Orgelbüchlein No. 38) D min. Organ 252: 52 IV/1: 64 after Z 2561 00723
637 7. 1713–1715 or earlier chorale setting "Durch Adams Fall ist ganz verderbt" (Orgelbüchlein No. 39) A min. Organ 252: 53 IV/1: 65 after Z 7549 00724
638 7. 1713–1715 or earlier chorale setting "Es ist das Heil uns kommen her" (Orgelbüchlein No. 40) D maj. Organ 252: 54 IV/1: 66 after BWV 638a 00725
638a 7. bef. c.1715 chorale setting "Es ist das Heil uns kommen her" (Orgelbüchlein No. 40, e. v.) Organ IV/1: 83 after Z 4430; → BWV 638 00726
639 7. 1713–1715 or earlier chorale setting "Ich ruf zu dir, Herr Jesu Christ" (Orgelbüchlein No. 41; also in Neumeister Collection) F min. Organ 252: 55 IV/1: 68 after Z 7400; → BWV Anh. 73 00727
640 7. 1713–1715 or earlier chorale setting "In dich hab ich gehoffet, Herr" (Orgelbüchlein No. 42) E min. Organ 252: 56 IV/1: 70 after Z 2459 00728
641 7. 1713–1715 or earlier chorale setting "Wenn wir in höchsten Nöten sein" (Orgelbüchlein No. 43) G maj. Organ 252: 57 IV/1: 71 after Z 394 00729
642 7. 1713–1715 or earlier Chorale prelude Wer nur den lieben Gott lässt walten (Orgelbüchlein No. 44) A min. Organ 252: 58 IV/1: 72 after Z 2778 00730
643 7. 1713–1715 or earlier chorale setting "Alle Menschen müssen sterben" (Orgelbüchlein No. 45) G maj. Organ 252: 59 IV/1: 74 after Z 6779a 00731
644 7. 1713–1715 or earlier chorale setting "Ach wie nichtig, ach wie flüchtig" (Orgelbüchlein No. 46) G min. Organ 252: 60 IV/1: 75 after Z 1887b 00732
645 7. 1748–1749 chorale setting "Wachet auf, ruft uns die Stimme" (Schübler Chorales No. 1) E♭ maj. Organ 252: 63 IV/1: 86 after BWV 140/4 00733
646 7. 1748–1749 chorale setting "Wo soll ich fliehen hin" (Schübler Chorales No. 2) E min. Organ 252: 66 IV/1: 90 after Z 2164 00734
chorale setting "Auf meinen lieben Gott" (Schübler Chorales No. 2)
647 7. 1748–1749 chorale setting "Wer nur den lieben Gott lässt walten" (Schübler Chorales No. 3) C min. Organ 252: 68 IV/1: 92 after BWV 93/4 00735
648 7. 1748–1749 chorale setting "Meine Seele erhebt den Herren" (Schübler Chorales No. 4) D min. Organ 252: 70 IV/1: 94 after BWV 10/5 00736
649 7. 1748–1749 chorale setting "Ach bleib bei uns, Herr Jesu Christ" (Schübler Chorales No. 5) B♭ maj. Organ 252: 71 IV/1: 95 after BWV 6/3 00737
650 7. 1748–1749 chorale setting "Kommst du nun, Jesu, vom Himmel herunter" (Schübler Chorales No. 6) G maj. Organ 252: 74 IV/1: 98 after BWV 137/2 00738
651 7. 1747–1748 chorale setting "Komm, heiliger Geist" (Fantasia; Leipzig Chorales 1/18) F maj. Organ 252: 79 IV/2: 3 after BWV 651a 00739
651a 7. 1708–1717 chorale setting "Komm, heiliger Geist, Herre Gott" (Fantasia; e. v.: Weimar) Organ 252: 151 IV/2: 117 after Z 7445a; → BWV 651 00740
652 7. 1747–1748 chorale setting "Komm, heiliger Geist, Herre Gott" (alio modo; Leipzig Chorales 2/18) G maj. Organ 252: 86 IV/2: 13 after BWV 652a 00741
652a 7. 1708–1717 chorale setting "Komm, heiliger Geist, Herre Gott" (e. v.: Weimar) Organ IV/2: 121 after Z 7445a; → BWV 652 00742
653 7. 1747–1748 chorale setting "An Wasserflüssen Babylon" (Leipzig Chorales 3/18) G maj. Organ 252: 92 IV/2: 22 after BWV 653a 00743
653a 7. 1708–1717 chorale setting "An Wasserflüssen Babylon" (alio modo; 2nd v.: Weimar) Organ 252: 157 IV/2: 133 after BWV 653b; → BWV 653 00744
653b 7. 1708–1717 chorale setting "An Wasserflüssen Babylon" (à 5; 1st v.: Weimar) Organ 40: 49 IV/2: 130 after Z 7663; → BWV 653a 00745
654 7. 1747–1748 chorale setting "Schmücke dich, o liebe Seele" (Leipzig Chorales 4/18) E♭ maj. Organ 252: 95 IV/2: 26 after BWV 654a 00746
654a 7. 1708–1717 chorale setting "Schmücke dich, o liebe Seele" (e. v.: Weimar) Organ IV/2: 136 after Z 6923; → BWV 654 00747
655 7. 1747–1748 chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio; Leipzig Chorales 5/18) G maj. Organ 252: 98 IV/2: 31 after BWV 655a; ↔ 655 var. 1–4; → 655b–c 00748
655 var. 1 7. 1708–1798 chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 1) Organ after Z 624; ↔ BWV 655(a), var. 2–4 00749
655 var. 2 7. 1708–1798 chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 2) F maj. Organ after Z 624; ↔ BWV 655(a), var. 1, 3–4 00750
655 var. 3 7. 1708–1798 chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 3) F maj. Organ after Z 624; ↔ BWV 655(a), var. 1–2, 4 00751
655 var. 4 7. 1708–1798 chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 4) F maj. Organ after Z 624; ↔ BWV 655(a), var. 1–3 00752
655a 7. 1708–1717 chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio; e. v.: Weimar) Organ 252: 162 IV/2: 140 after Z 624; ↔ BWV 655 var. 1–4; → 655 00753
656 7. 1747–1748 chorale setting "O Lamm Gottes, unschuldig" (Leipzig Chorales 6/18) A maj. Organ 252: 102 IV/2: 38 after BWV 656a 00756
656a 7. 1708–1717 chorale setting "O Lamm Gottes, unschuldig" (e. v.: Weimar) Organ 252: 166 IV/2: 146 after Z 4361b; → BWV 656 00757
657 7. 1708–1717 Chorale prelude Nun danket alle Gott (Leipzig Chorales 7/18) G maj. Organ 252: 108 IV/2: 46 after Z 5142 00758
658 7. 1747–1748 chorale setting "Von Gott will ich nicht lassen" (Leipzig Chorales 8/18) F min. Organ 252: 112 IV/2: 51 after BWV 658a 00759
658a 7. 1708–1717 chorale setting "Von Gott will ich nicht lassen" (Fantasia; e. v.: Weimar) Organ 252: 170 IV/2: 154 after Z 5264b → BWV 658 00760
659 7. 1747–1748 chorale setting "Nun komm, der Heiden Heiland" (Leipzig Chorales 9/18) G min. Organ 252: 114 IV/2: 55 after BWV 659a 00761
659a 7. 1708–1717 chorale setting "Nun komm, der Heiden Heiland" (Fantasia; e. v.: Weimar) Organ 252: 172 IV/2: 157 after Z 1174; → BWV 659 00762
660 7. 1747–1748 chorale setting "Nun komm, der Heiden Heiland" (Trio; Leipzig Chorales 10/18) G min. Organ 252: 116 IV/2: 59 after BWV 660a 00763
660a 7. 1708–1717 chorale setting "Nun komm, der Heiden Heiland" (Trio; e. v.: Weimar) Organ 252: 174 IV/2: 160 after Z 1174; → BWV 660, 660b 00764
660b 7. 1708–1719 chorale setting "Nun komm, der Heiden Heiland" (arrangement) Organ 252: 176 by Krebs, J. T. (arr.)?; after BWV 660a 00765
661 7. 1747–1748 chorale setting "Nun komm, der Heiden Heiland" (Leipzig Chorales 11/18) G min. Organ 252: 118 IV/2: 62 after BWV 661a 00766
661a 7. 1708–1717 chorale setting "Nun komm, der Heiden Heiland" (e. v.: Weimar) Organ 252: 178 IV/2: 164 after Z 1174; → BWV 661 00767
662 7. 1747–1748 chorale setting "Allein Gott in der Höh sei Ehr" (Leipzig Chorales 12/18) A maj. Organ 252: 122 IV/2: 67 after BWV 662a 00768
662a 7. 1708–1717 chorale setting "Allein Gott in der Höh sei Ehr" (e. v.: Weimar) Organ IV/2: 168 after Z 4457; → BWV 662 00769
663 7. 1747–1748 chorale setting "Allein Gott in der Höh sei Ehr" (Leipzig Chorales 13/18) G maj. Organ 252: 125 IV/2: 72 after BWV 663a 00770
663a 7. 1708–1717 chorale setting "Allein Gott in der Höh sei Ehr" (e. v.: Weimar) Organ 252: 180 IV/2: 172 after Z 4457; → BWV 663 00771
664 7. 1747–1748 chorale setting "Allein Gott in der Höh sei Ehr" (Trio; Leipzig Chorales 14/18) A maj. Organ 252: 130 IV/2: 79 after BWV 664a–b 00772
664a 7. 1708–1717 chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; fair copy) Organ 252: 183 IV/2 after BWV 664b; → BWV 664 00773
664b 7. 1708–1717 chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; sketch) Organ IV/2: 179 after Z 4457; → BWV 664(a) 00774
665 7. 1747–1748 chorale setting "Jesus Christus, unser Heiland" (Leipzig Chorales 15/18) E min. Organ 252: 136 IV/2: 87 after BWV 665a 00775
665a 7. 1708–1717 chorale setting "Jesus Christus, unser Heiland" (e. v.: Weimar) Organ 252: 188 IV/2: 187 after Z 1576; → BWV 665 00776
666 7. 1708–1748 chorale setting "Jesus Christus, unser Heiland" (alio modo; Leipzig Chorales 16/18) E min. Organ 252: 140 IV/2: 91 after BWV 666a 00777
666a 7. 1708–1717 chorale setting "Jesus Christus, unser Heiland" (alio modo; e. v.: Weimar) Organ IV/2: 191 after Z 1576; → BWV 666 00778
667 7. 1747–1748 chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Leipzig Chorales 17/18) C maj. Organ 252: 142 IV/2: 94 after BWV 667a 00779
667a 7. 1708–1717 chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar) Organ IV/2 after BWV 667b; → BWV 667 00780
667b 7. 1708–1717 chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar; sketch) Organ IV/2: 194 after Z 295; → BWV 667(a) 00781
668 7. 1747–1748 chorale setting "Vor deinen Thron tret ich hiermit" (fragment; Leipzig Chorales 18/18) G maj. Organ 252: 145 IV/2: 113 after BWV 668a 00782
668a 7. 1708–1748 chorale setting "Wenn wir in höchsten Nöten" (e. v.) Organ IV/2: 212 after Z 394; → BWV 668 00783
669 7. 1739 chorale setting "Kyrie, Gott Vater in Ewigkeit" from Clavier-Übung III Organ 3: 184 IV/4: 16 after Z 8600 00784
670 7. 1739 chorale setting "Christe, aller Welt Trost" from Clavier-Übung III Organ 3: 186 IV/4: 18 after Z 8600 00785
671 7. 1739 chorale setting "Kyrie, Gott heiliger Geist" from Clavier-Übung III Organ 3: 190 IV/4: 20 after Z 8600 00786
672 7. 1739 chorale setting "Kyrie, Gott Vater in Ewigkeit" from Clavier-Übung III Org/man. 3: 194 IV/4: 27 after Z 8600 00787
673 7. 1739 chorale setting "Christe, aller Welt Trost" from Clavier-Übung III Org/man. 3: 194 IV/4: 28 after Z 8600 00788
674 7. 1739 chorale setting "Kyrie, Gott heiliger Geist" from Clavier-Übung III Org/man. 3: 196 IV/4: 29 after Z 8600 00789
675 7. 1739 chorale setting "Allein Gott in der Höh sei Ehr" from Clavier-Übung III Organ 3: 197 IV/4: 30 after Z 4457 00790
676 7. 1739 chorale setting "Allein Gott in der Höh sei Ehr" from Clavier-Übung III Organ 3: 199 IV/4: 33 after Z 4457; → BWV 676a 00791
677 7. 1739 chorale setting "Allein Gott in der Höh sei Ehr" (Fughetta) from Clavier-Übung III Org/man. 3: 205 IV/4: 41 after Z 4457 00793
678 7. 1739 chorale setting "Dies sind die heiligen zehen Gebot" from Clavier-Übung III Organ 3: 206 IV/4: 42 after Z 1951 00794
679 7. 1739 chorale setting "Dies sind die heiligen zehen Gebot" (Fughetta) from Clavier-Übung III Org/man. 3: 210 IV/4: 49 after Z 1951 00795
680 7. 1739 chorale setting "Wir gläuben all an einen Gott" from Clavier-Übung III Organ 3: 212 IV/4: 52 after Z 7971 00796
681 7. 1739 chorale setting "Wir gläuben all an einen Gott" (Fughetta) from Clavier-Übung III Org/man. 3: 216 IV/4: 57 after Z 7971 00797
682 7. 1739 chorale setting "Vater unser im Himmelreich" from Clavier-Übung III Organ 3: 217 IV/4: 58 after Z 2561 00798
683 7. 1739 chorale setting "Vater unser im Himmelreich" from Clavier-Übung III Org/man. 3: 223 IV/4: 66 after Z 2561; → BWV 683a 00799
684 7. 1739 chorale setting "Christ unser Herr zum Jordan kam" from Clavier-Übung III Organ 3: 224 IV/4: 68 after Z 7246 00801
685 7. 1739 chorale setting "Christ unser Herr zum Jordan kam" from Clavier-Übung III Org/man. 3: 228 IV/4: 73 after Z 7246 00802
686 7. 1739 chorale setting "Aus tiefer Not schrei ich zu dir" from Clavier-Übung III Organ 3: 229 IV/4: 74 after Z 4437 00803
687 7. 1739 chorale setting "Aus tiefer Not schrei ich zu dir" from Clavier-Übung III Org/man. 3: 232 IV/4: 78 after Z 4437 00804
688 7. 1739 chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" from Clavier-Übung III Organ 3: 234 IV/4: 81 after Z 1576 00805
689 7. 1739 chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" (Fugue) from Clavier-Übung III Org/man. 3: 239 IV/4: 89 after Z 1576 00806
690 7. c.1700–1717 chorale setting "Wer nur den lieben Gott lässt walten" (Kirnberger collection No. 1) Organ 40: 3 IV/3: 98 after Z 2778 00807
691 7. c.1720 or earlier Notebook A. M. Bach (1725) No. 11 chorale setting "Wer nur den lieben Gott lässt walten" (WFB No. 3; Kirnb. coll. No. 2) Organ 40: 4
432: 30
451: 214 		V/5: 6
V/4: 90
IV/3: 98 		after Z 2778; → BWV 691a 00808
694 7. c.1700–1717 chorale setting "Wo soll ich fliehen hin" (Kirnb. coll. No. 5) Organ 40: 6 IV/3: 103 after Z 2164 00813
695 7. c.1700–1717 chorale setting "Christ lag in Todesbanden" (Fantasia; Kirnb. coll. No. 6) Organ 40: 10 IV/3: 20 after Z 7012a; → BWV 695a 00814
695a 7. 1700–1789 chorale setting "Christ lag in Todesbanden" (variant) Organ 40: 153 after BWV 695 00815
696 7. c.1700–1717 chorale setting "Christum wir sollen loben schon" (Fughetta; Kirnb. coll. No. 7) Organ 40: 13 IV/3: 23 after Z 297c 00816
chorale setting "Was fürchtest du Feind, Herodes, sehr" (Fughetta; Kirnb. coll. No. 7)
697 7. c.1700–1717 chorale setting "Gelobet seist du, Jesu Christ" (Fughetta; Kirnb. coll. No. 8) Organ 40: 14 IV/3: 32 after Z 1947 00817
698 7. c.1700–1717 chorale setting "Herr Christ, der ein'ge Gottes Sohn" (Fughetta; Kirnb. coll. No. 9) Organ 40: 15 IV/3: 35 after Z 4297a 00818
699 7. c.1700–1717 chorale setting "Nun komm, der Heiden Heiland" (Fughetta; Kirnb. coll. No. 10) Organ 40: 16 IV/3: 73 after Z 1174 00819
700 7. c.1699 chorale setting "Vom Himmel hoch da komm ich her" (Kirnb. coll. No. 11) Organ 40: 17 IV/3: 92 after Z 346 00820
701 7. c.1700–1717 chorale setting "Vom Himmel hoch da komm ich her" (Fughetta; Kirnb. coll. No. 12) Organ 40: 19 IV/3: 96 after Z 346 00821
702 7. c.1700–1717 chorale setting "Das Jesulein soll doch mein Trost" (Fughetta; Kirnb. coll. No. 13) Organ 40: 20 IV/3: 45 after Z 7597 00822
703 7. c.1700–1717 chorale setting "Gottes Sohn ist kommen" (Fughetta; Kirnb. coll. No. 14) Organ 40: 21 IV/3: 34 after Z 3294 00823
704 7. c.1700–1717 chorale setting "Lob sei dem allmächtigen Gott" (Fughetta; Kirnb. coll. No. 15) Organ 40: 22 IV/3: 62 after Z 339 00824
705 7. c.1700–1717 chorale setting "Durch Adams Fall ist ganz verderbt" (Kirnb. coll. No. 16) Organ 40: 23 IV/10: 47 after Z 7549 00825
706/1
706/2 		7. c.1700–1717 chorale setting "Liebster Jesu, wir sind hier" (/2 = alio modo; Kirnb. coll. No. 17) Organ 40: 25 IV/3: 59 after Z 3498b 00826
707 7. c.1700–1717 chorale setting "Ich hab mein Sach Gott heimgestellt" (Kirnb. coll. No. 18) Organ 40: 26 IV/10: 87 after Z 1679 00827
708 7. 1700–1789 chorale setting "Ich hab mein Sach Gott heimgestellt" (alio modo; Kirnb. coll. No. 19) Organ 40: 30 IV/10: 86 after Z 1679 00828
708a 7. 1700–1789 chorale setting "Ich hab mein Sach Gott heimgestellt" Organ 40: 152 IV/10: 86 after Z 1679 00829
709 7. c.1700–1717 chorale setting "Herr Jesu Christ, dich zu uns wend" (Kirnb. coll. No. 20) Organ 40: 30 IV/3: 43 after Z 624 00830
710 7. c.1700–1717 chorale setting "Wir Christenleut habn jetzund Freud" (Kirnb. coll. No. 21) Organ 40: 32 IV/3: 100 after Z 2072 00831
711 7. c.1700–1717 chorale setting "Allein Gott in der Höh sei Ehr" (bicinium; Kirnb. coll. No. 22) Organ 40: 34 IV/3: 11 after Z 4457 00832
712 7. c.1708 chorale setting "In dich hab ich gehoffet, Herr" (Kirnb. coll. No. 23) Organ 40: 36 IV/3: 48 after Z 2461 00833
713 7. c.1700–1717 chorale setting "Jesu, meine Freude" (Kirnb. coll. No. 24) Org/man. 40: 38 IV/3: 54 after Z 8032; → BWV 713a 00834
713a 7. 1700–1789 chorale setting "Jesu, meine Freude" (Fantasia; variant) Organ 40: 155 IV/10: 93 after BWV 713 00835
714 7. 1708–1717 chorale setting "Ach Gott und Herr" (Neumeister Chorales No. 13) Organ 40: 43 IV/9: 26
IV/3: 3 		after Z 2050, 2052 00836
715 7. 1703–1717 chorale setting "Allein Gott in der Höh sei Ehr" Organ 40: 44 IV/3: 14 after Z 4457 00837
716 7. c.1700–1717 chorale setting "Allein Gott in der Höh sei Ehr" (Fantasia) Organ 40: 45 IV/10: 14 after Z 4457 00838
717 7. 1708–1717 chorale setting "Allein Gott in der Höh sei Ehr" Organ 40: 46 IV/3: 8 after Z 4457 00839
718 7. c.1700–1717 chorale setting "Christ lag in Todesbanden" Organ 40: 52 IV/3: 16 after Z 7012a 00840
719 7. c.1704 chorale setting "Der Tag, der ist so freudenreich" (Neumeister Chorales No. 1) Organ 40: 55 IV/9: 2, 72 after Z 7870 00841
720 7. 1709? chorale setting "Ein feste Burg ist unser Gott" Organ 40: 57 IV/3: 24 after Z 7377; by Bach, J. Michael? 00842
721 7. c.1704 chorale setting "Erbarm dich mein, o Herre Gott" Organ 40: 60 IV/3: 28 after Z 5851 00843
722 7. 1708–1717 chorale setting "Gelobet seist du, Jesu Christ" Organ 40: 62 IV/3: 31 after BWV 722a 00844
722a 7. 1709? chorale setting "Gelobet seist du, Jesu Christ" (sketch) Organ 40: 158 IV/3: 30 after Z 1947; → BWV 722 00845
723 7. c.1700–1717 chorale setting "Gelobet seist du, Jesu Christ" (also in Neumeister Collection) Organ 40: 63 after Z 1947; by Bach, J. Michael? 00846
724 7. c. 1699 chorale setting "Gott durch deine Güte" Organ 40: 65 IV/3: 33 after Z 3294; in Andreas-Bach-Buch 00847
chorale setting "Gottes Sohn ist kommen"
725 7. c.1700–1717 chorale setting "Herr Gott, dich loben wir" Organ 40: 66 IV/3: 36 after Z 8652 00848
726 7. 1708–1717 chorale setting "Herr Jesu Christ, dich zu uns wend" Organ 40: 72 IV/3: 45 after Z 624 00849
727 7. 1708–1717 chorale setting "Herzlich tut mich verlangen" Organ 40: 73 IV/3: 46 after Z 5385a 00850
728 7. 1722–1723 or earlier Notebook A. M. Bach (1722) No. 8 chorale setting "Jesus, meine Zuversicht" Organ 432: 5
40: 74 		V/4: 41
IV/3: 58 		after Z 3432b 00851
729 7. 1708–1717 chorale setting "In dulci jubilo" Organ 40: 74 IV/3: 52 after BWV 729a 00852
729a 7. 1708–1717 chorale setting "In dulci jubilo" (sketch) Organ 40: 158 IV/3: 50 after Z 4947; → BWV 729 00853
730 7. 1708–1717 chorale setting "Liebster Jesu, wir sind hier" Organ 40: 76 IV/3: 60 after Z 3498b 00854
731 7. 1708–1717 chorale setting "Liebster Jesu, wir sind hier" Organ 40: 77 IV/3: 61 after Z 3498b 00855
732 7. 1708–1717 chorale setting "Lobt Gott, ihr Christen, allzugleich" Organ 40: 78 IV/3: 64 after BWV 732a 00856
732a 7. 1708–1717 chorale setting "Lobt Gott, ihr Christen, allzugleich" (draft) Organ 40: 159 IV/3: 63 after Z 198; → BWV 732 00857
733 7. 1708–1717 chorale setting "Meine Seele erhebt den Herren" (fugue) Organ 40: 79 IV/3: 65 after Magnificat peregrini toni; by Krebs, J. L.? 00858
734 7. 1708–1717 chorale setting "Nun freut euch, lieben Christen g'mein" Organ 40: 160 IV/3: 70 after Z 4429a; → BWV 734a 00859
734a 7. 1708–1789 chorale setting "Es ist gewisslich an der Zeit" Organ 40: 84 IV/10 after BWV 734; arr. by Scholz? 00860
735 7. c.1700–1717 chorale setting "Valet will ich dir geben" (Fantasia) Organ 40: 86 IV/3: 77 after BWV 735a 00861
735a 7. c.1706 chorale setting "Valet will ich dir geben" (early version) Organ 40: 161 IV/3: 81 after Z 5404a; → BWV 735 00862
736 7. 1713–1717 chorale setting "Valet will ich dir geben" Org (V Bc) 40: 90 IV/3: 84 after Z 5404a 00863
737 7. c.1704 chorale setting "Vater unser im Himmelreich" (Neumeister Chorales No. 18) Organ 40: 96 IV/9: 36
IV/3: 90 		after Z 2561 00864
738 7. 1708–1717 chorale setting "Vom Himmel hoch, da komm ich her" Organ 40: 97 IV/3: 94 after BWV 738a 00865
738a 7. 1708–1717 chorale setting "Vom Himmel hoch, da komm ich her" (sketch) Organ 40: 159 IV/3: 94 after Z 346; → BWV 738 00866
739 7. c.1704 chorale setting "Wie schön leuchtet der Morgenstern" Organ 40: 99 IV/10: 2 after Z 8359 00867
740 7. 1700–1780 chorale setting "Wir glauben all an einen Gott" Organ 40: 103 after Z 4000; by Krebs, J. L.? (Krebs‑WV 554c) 00868
741 7. c.1701 chorale setting "Ach Gott, vom Himmel sieh darein" Organ 40: 167 IV/3: 4 after Z 4431 00869
742 7. c.1704 chorale setting "Ach Herr, mich armen Sünder" [scores] (Neumeister Chorales No. 14) Organ IV/9: 28 after Z 5385a 00870
743 7. c.1700–1717 chorale setting "Ach, was ist doch unser Leben" [scores] Organ IV/10: 11 after Z 1208b 00871
744 7. c.1700–1717 chorale setting "Auf meinen lieben Gott" Organ 40: 170 IV/10: 20 after Z 2164; by Krebs, J. L.? (Krebs‑WV 517) 00872
745 7. 1700–1788 chorale setting "Aus der Tiefe rufe ich" Organ 40: 171 IV/10: 22 after Z 1217; by Bach, C. P. E.? 00873
747 7. c.1700–1717 chorale setting "Christus, der uns selig macht" [scores] Organ IV/10: 38 after Z 6283b 00875
749 7. c.1700–1717 chorale setting "Herr Jesu Christ, dich zu uns wend" [scores] Organ IV/10: 80 after Z 624; by Bach, J. Christoph or Telemann? 00878
750 7. c.1700–1703 chorale setting "Herr Jesu Christ, meins Lebens Licht" [scores] Organ IV/10: 81 00879
752 7. c.1700–1717 chorale setting "Jesu, der du meine Seele" [scores] Organ after Z 6779a 00881
753 7. c.1720 chorale setting "Jesu, meine Freude" (unfinished; WFB No. 5) Organ 40: 163
451: 214 		V/5: 8 after Z 8032 00882
754 7. c.1700–1717 chorale setting "Liebster Jesu, wir sind hier" [scores] Organ after Z 3498b 00883
755 7. c.1700–1717 chorale setting "Nun freut euch, lieben Christen g'mein" [scores] Organ after Z 4429a 00884
756 7. c.1700–1717 chorale setting "Nun ruhen alle Wälder" [scores] Organ after Z 2293b 00885
757 7. c.1700–1717 chorale setting "O Herre Gott, dein göttlichs Wort" [scores] Organ after Z 5690 00886
758 7. c.1700–1717 chorale setting "O Vater, allmächtiger Gott" Organ 40: 179 IV/11: 69 after Z 8603b 00887
762 7. c.1700–1717 chorale setting "Vater unser im Himmelreich" [scores] Organ IV/10: 142 after Z 2561 00891
763 7. c.1700–1717 chorale setting "Wie schön leucht uns der Morgenstern" [scores] Organ after Z 8359 00892
764 7. c.1704–1705 chorale setting "Wie schön leuchtet der Morgenstern" Organ 40: 164 IV/10: 6 after Z 8359 00893
765 7. c.1706 chorale setting "Wir glauben all an einen Gott" Organ 40: 187 after Z 7971 00894
1085 7. c.1700–1717 chorale setting "O Lamm Gottes unschuldig" [scores] Organ IV/3: 76 after Z 4361 01683
1090 7. c.1704 chorale setting "Wir Christenleut" (Neumeister Chorales No. 2) Organ IV/9: 4 after Z 2072 01276
1091 7. c.1699 chorale setting "Das alte Jahr vergangen ist (Neumeister Chorales No. 3) Organ IV/9: 6 after Z 381c 01277
1092 7. c.1701 chorale setting "Herr Gott, nun schleuß den Himmel auf" (Neumeister Chorales No. 4) Organ IV/9: 8 after Z 7641b 01278
1093 7. c.1704 chorale setting "Herzliebster Jesu, was hast du verbrochen" (Neumeister Chorales No. 5) Organ IV/9: 10 after Z 983 01279
1094 7. c.1699 chorale setting "O Jesu, wie ist dein Gestalt" (Neumeister Chorales No. 6) Organ IV/9: 12 after Z 8360 01280
1095 7. c.1704 chorale setting "O Lamm Gottes unschuldig" (Neumeister Chorales No. 7) Organ IV/9: 14 after Z 4361a 01281
1097 7. c.1699 chorale setting "Ehre sei dir Christe, der du leidest Not" (Neumeister Chorales No. 9) Organ IV/9: 18 after Z 8187h 01283
1098 7. c.1704 chorale setting "Wir glauben all an einen Gott" (Neumeister Chorales No. 10) Organ IV/9: 20 after Z 7971 01284
1099 7. c.1701 chorale setting "Aus tiefer Not schrei ich zu dir" (Neumeister Chorales No. 11) Organ IV/9: 22 after Z 4438 01285
1100 7. c.1704 chorale setting "Allein zu dir, Herr Jesu Christ" (Neumeister Chorales No. 12) Organ IV/9: 24 after Z 7292b 01286
1101 7. c.1704 chorale setting "Durch Adams Fall ist ganz verderbt" (Neumeister Chorales No. 15) Organ IV/9: 30 after Z 7549 01287
1102 7. c.1706 chorale setting "Du Friedefürst, Herr Jesu Christ" (Neumeister Chorales No. 16) Organ IV/9: 33 after Z 4373 01288
1103 7. 1699–1709 chorale setting "Erhalt uns Herr, bei deinem Wort" (Neumeister Chorales No. 17) Organ IV/9: 35 after Z 350 01289
1104 7. 1699–1709 chorale setting "Wenn dich Unglück tut greifen an" (Neumeister Chorales No. 19) Organ IV/9: 38 after Z 499 01290
1105 7. c.1701 chorale setting "Jesu, meine Freude" (Neumeister Chorales No. 20) Organ IV/9: 39 after Z 8032 01291
1106 7. c.1704 chorale setting "Gott ist mein Heil, mein Hilf und Trost" (Neumeister Chorales No. 21) Organ IV/9: 40 after Z 4421 01292
1107 7. c.1704 chorale setting "Jesu, meines Lebens Leben" (Neumeister Chorales No. 22) Organ IV/9: 42 after Z 6794 01293
1108 7. c.1704 chorale setting "Als Jesus Christus in der Nacht" (Neumeister Chorales No. 23) Organ IV/9: 44 after Z 258 01294
1109 7. 1699–1709 chorale setting "Ach Gott, tu dich erbarmen" (Neumeister Chorales No. 24) Organ IV/9: 46 after Z 7228c 01295
1110 7. c.1704 chorale setting "O Herre Gott, dein göttlich Wort" (Neumeister Chorales No. 25) Organ IV/9: 48 after Z 5690 01296
1111 7. c.1701 chorale setting "Nun lasset uns den Leib begraben" (Neumeister Chorales No. 26) Organ IV/9: 50 after Z 352 01297
1112 7. c.1699 chorale setting "Christus, der ist mein Leben" (Neumeister Chorales No. 27) Organ IV/9: 52 after Z 132 01298
1113 7. c.1699 chorale setting "Ich hab mein Sach Gott heimgestellt" (Neumeister Chorales No. 28) Organ IV/9: 54 after Z 1679 01299
1114 7. c.1701 chorale setting "Herr Jesu Christ, du höchstes Gut" (Neumeister Chorales No. 29) Organ IV/9: 56 after Z 4486 01300
1115 7. c.1701 chorale setting "Herzlich lieb hab ich dich, o Herr" (Neumeister Chorales No. 30) Organ IV/9: 58 after Z 8326 01301
1116 7. c.1701 chorale setting "Was Gott tut, das ist wohlgetan" (Neumeister Chorales No. 31) Organ IV/9: 60 after Z 5629 01302
1117 7. c.1701 chorale setting "Alle Menschen müssen sterben" (Neumeister Chorales No. 32) Organ IV/9: 62 after Z 6779a 01303
1118 7. c.1701 chorale setting "Werde munter, mein Gemüte" (Neumeister Chorales No. 34) Organ IV/9: 66 after Z 6551 01304
1119 7. c.1699 chorale setting "Wie nach einer Wasserquelle" (Neumeister Chorales No. 35) Organ IV/9: 68 after Z 1294 01305
1120 7. c.1704 chorale setting "Christ, der du bist der helle Tag" (Neumeister Chorales No. 36) Organ IV/9: 70 after Z 384 01306
957 7. c.1701 chorale setting "Machs mit mir, Gott, nach deiner Güt" (Neumeister Chorales No. 33; a.k.a. Fugue = first half in later arr.) G maj. Organ 42: 203 IV/9: 64, 74 after Z 2383 01134
766 7. c.1706 chorale setting "Christ, der du bist der helle Tag" Organ 40: 107 IV/1: 114 after Z 384 00895
767 7. c.1708 chorale setting "O Gott, du frommer Gott" Organ 40: 114 IV/1: 122 after Z 5138 00896
768 7. 1708–1717 or earlier chorale setting "Sei gegrüßet, Jesu gütig" Organ 40: 122 IV/1: 132, 152 after Z 3889b 00897
769 7. c.1747–1748 chorale setting "Vom Himmel hoch da komm ich her'" (canonic variations; print version) Organ 40: 137 IV/2: 197 after Z 346; → BWV 769a 00898
769a 7. c.1747–1748 chorale setting "Vom Himmel hoch da komm ich her" (canonic variations; autograph) Organ IV/2: 98 after BWV 769 00899
770 7. c.1704 chorale setting "Ach, was soll ich Sünder machen" Organ 40: 189 IV/1: 104 after Z 3574 00900
8. Keyboard compositions (see also: List of solo keyboard compositions by Johann Sebastian Bach) Up ↑
772 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 1 – Invention No. 1 = WFB No. 32: Preamb. 1 C maj. Keyboard 3: 1
451: 221 		V/5: 48
V/3: 2 		→ BWV 772a 00902
772a 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 1a – Invention No. 1a C maj. Keyboard 3: 342 V/3: 4 after BWV 772 00903
773 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 2 – Invention No. 2 = WFB No. 46: Preamb. 15 C min. Keyboard 3: 2
451: 223 		V/5: 76
V/3: 6 		00904
774 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 3 – Invention No. 3 = WFB No. 45: Preamb. 14 D maj. Keyboard 3: 3
451: 223 		V/5: 74
V/3: 8 		00905
775 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 4 – Invention No. 4 = WFB No. 33: Preamb. 2 D min. Keyboard 3: 4
451: 221 		V/5: 50
V/3: 10 		00906
776 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 5 – Invention No. 5 = WFB No. 44: Preamb. 13 E♭ maj. Keyboard 3: 6
451: 222 		V/5: 72
V/3: 12 		00907
777 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 6 – Invention No. 6 = WFB No. 43: Preamb. 12 E maj. Keyboard 3: 7
451: 222 		V/5: 70
V/3: 14 		00908
778 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 7 – Invention No. 7 = WFB No. 34: Preamb. 3 E min. Keyboard 3: 9
451: 221 		V/5: 52
V/3: 16 		00909
779 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 8 – Invention No. 8 = WFB No. 35: Preamb. 4 F maj. Keyboard 3: 10
451: 221 		V/5: 54
V/3: 18 		00910
780 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 9 – Invention No. 9 = WFB No. 42: Preamb. 11 F min. Keyboard 3: 11
451: 222 		V/5: 68
V/3: 20 		00911
781 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 10 – Invention No. 10 = WFB No. 36: Preamb. 5 G maj. Keyboard 3: 12
451: 221 		V/5: 56
V/3: 22 		00912
782 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 11 – Invention No. 11 = WFB No. 41: Preamb. 10 G min. Keyboard 3: 13
451: 222 		V/5: 66
V/3: 24 		00913
783 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 12 – Invention No. 12 = WFB No. 40: Preamb. 9 A maj. Keyboard 3: 14
451: 222 		V/5: 64
V/3: 26 		00914
784 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 13 – Invention No. 13 = WFB No. 37: Preamb. 6 A min. Keyboard 3: 15
451: 221 		V/5: 58
V/3: 28 		00915
785 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 14 – Invention No. 14 = WFB No. 39: Preamb. 8 B♭ maj. Keyboard 3: 16
451: 222 		V/5: 62
V/3: 30 		00916
786 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 15 – Invention No. 15 = WFB No. 38: Preamb. 7 B min. Keyboard 3: 18
451: 222 		V/5: 60
V/3: 32 		00917
787 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 16 – Sinfonia No. 1 = WFB No. 49: Fantasia 1 C maj. Keyboard 3: 19
451: 227 		V/5: 90
V/3: 34 		00918
788 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 17 – Sinfonia No. 2 = WFB No. 63: Fantasia 15 C min. Keyboard 3: 20
451: 231 		V/5: 118
V/3: 36 		00919
789 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 18 – Sinfonia No. 3 = WFB No. 62: Fantasia 14 D maj. Keyboard 3: 22
451: 230 		V/5: 116
V/3: 38 		00920
790 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 19 – Sinfonia No. 4 = WFB No. 50: Fantasia 2 D min. Keyboard 3: 23
451: 227 		V/5: 92
V/3: 40 		00921
791 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 20 – Sinfonia No. 5 = WFB No. 61: Fantasia 13 E♭ maj. Keyboard 3: 24
451: 230 		V/5: 114
V/3: 42 		→ BWV 791a 00922
791a 8. 1723 Sinfonias and Inventions No. 20a – Sinfonia No. 5a E♭ maj. Keyboard V/3: 44, 80 after BWV 791 00923
792 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 21 – Sinfonia No. 6 = WFB No. 60: Fantasia 12 E maj. Keyboard 3: 26
451: 229 		V/5: 112
V/3: 46 		00924
793 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 22 – Sinfonia No. 7 = WFB No. 51: Fantasia 3 E min. Keyboard 3: 28
451: 227 		V/5: 94
V/3: 48 		00925
794 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 23 – Sinfonia No. 8 = WFB No. 52: Fantasia 4 F maj. Keyboard 3: 29
451: 227 		V/5: 96
V/3: 50 		00926
795 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 24 – Sinfonia No. 9 = WFB No. 59: Fantasia 11 F min. Keyboard 3: 30
451: 229 		V/5: 110
V/3: 52 		00927
796 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 25 – Sinfonia No. 10 = WFB No. 53: Fantasia 5 G maj. Keyboard 3: 32
451: 228 		V/5: 98
V/3: 54 		00928
797 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 26 – Sinfonia No. 11 = WFB No. 58: Fantasia 10 G min. Keyboard 3: 34
451: 229 		V/5: 108
V/3: 56 		00929
798 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 27 – Sinfonia No. 12 = WFB No. 57: Fantasia 9 A maj. Keyboard 3: 36
451: 229 		V/5: 106
V/3: 58 		00930
799 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 28 – Sinfonia No. 13 = WFB No. 54: Fantasia 6 A min. Keyboard 3: 38
451: 228 		V/5: 100
V/3: 60 		00931
800 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 29 – Sinfonia No. 14 = WFB No. 56: Fantasia 8 B♭ maj. Keyboard 3: 40
451: 228 		V/5: 104
V/3: 62 		00932
801 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 30 – Sinfonia No. 15 = WFB No. 55: Fantasia 7 B min. Keyboard 3: 41
451: 228 		V/5: 102
V/3: 64 		00933
802 8. 1739 Duet No. 1 from Clavier-Übung III E min. Organ 3: 242 IV/4: 92 00934
803 8. 1739 Duet No. 2 from Clavier-Übung III F maj. Organ 3: 245 IV/4: 96 00935
804 8. 1739 Duet No. 3 from Clavier-Übung III G maj. Organ 3: 248 IV/4: 99 00936
805 8. 1739 Duet No. 4 from Clavier-Übung III A min. Organ 3: 251 IV/4: 102 00937
806 8. 1714–1723 English Suites, No. 1 A maj. Keyboard 451: 3
132: 3 		V/7: 2 00938
806a 8. 1714–1717 English Suites, No. 1a A maj. Keyboard V/7: 116 00939
807 8. 1725 or earlier English Suites, No. 2 A min. Keyboard 451: 16
132: 16 		V/7: 20 00940
808 8. 1725 or earlier English Suites, No. 3 G min. Keyboard 451: 30
132: 30 		V/7: 38 00941
809 8. 1725 or earlier English Suites, No. 4 F maj. Keyboard 451: 41
132: 41 		V/7: 54 00942
810 8. 1725 or earlier English Suites, No. 5 E min. Keyboard 451: 53
132: 53 		V/7: 70 00943
811 8. 1725 or earlier English Suites, No. 6 D min. Keyboard 451: 68
132: 68 		V/7: 90 00944
812 8. 1722 or earlier Notebook A. M. Bach (1722) No. 1 – French Suites, No. 1 D min. Keyboard 432: VI V/4: 3 00945
Notebook A. M. Bach (1725) No. 30 – French Suites, No. 1 432: 40 V/4: 109
French Suites, No. 1 – Version A (Altnickol) 451: 89
132: 89 		V/8: 2
French Suites, No. 1 – Version B (early version) V/8: 64
813 8. c. 1722–1725 Notebook A. M. Bach (1722) No. 2 – French Suites, No. 2 C min. Keyboard 432: VI V/4: 10, 42 00946
Notebook A. M. Bach (1725) No. 31 – French Suites, No. 2 432: 44 V/4: 116
French Suites, No. 2 – Version A (Altnickol) 451: 94
132: 94 		V/8: 10
French Suites, No. 2 – Version B (early version) V/8: 72
36: 236
814 8. c. 1722–1725 Notebook A. M. Bach (1722) No. 3 – French Suites, No. 3 B min. Keyboard 432: VII V/4: 16, 43 → BWV 814a 00948
French Suites, No. 3 – Version A (Altnickol) 451: 100
132: 100 		V/8: 20
French Suites, No. 3 – Version B (early version) V/8: 82
814a 8. c. 1720–1739 French Suites, No. 3 – Variant B min. Keyboard 451: 100
36: 237
132: 100 		V/8: 166 after BWV 814/1–/5, 929, 814/7 00949
815 8. c. 1722–1725 Notebook A. M. Bach (1722) No. 4 French Suites, No. 4 E♭ maj. Keyboard 432: VII V/4: 23 → BWV 815a 00950
French Suites, No. 4 – Version A (Altnickol) 451: 106
132: 106 		V/8: 30
French Suites, No. 4 – Version B (early version) V/8: 92
36: 236
815a 8. c. 1722–1725 or later French Suites, No. 4 – Variant E♭ maj. Keyboard 36: 234
451: 106
132: 108 		V/8: 176 after BWV 815/1–/5 00951
816 8. c. 1724–1725 Notebook A. M. Bach (1722) No. 5 French Suites, No. 5 G maj. Keyboard 432: VII V/4: 30 00952
French Suites, No. 5 – Version A (Altnickol) 451: 112
132: 112 		V/8: 40
French Suites, No. 5 – Version B (early version) V/8: 102
817 8. c.1725 or later French Suites, No. 6 – Version A (Altnickol) E maj. Keyboard 451: 120
132: 120 		V/8: 52 00953
French Suites, No. 6 – Version B (early version) V/8: 114
818 8. 1720–1722 Suite for keyboard (early version) A min. Keyboard 36: 3 V/8: 129 00954
818a 8. after 1721 Suite for keyboard (later version) A min. Keyboard 36: 213 V/8: 146 00955
819 8. before 1726 Suite for keyboard (early version) E♭ maj. Keyboard 36: 8 V/8: 136 00956
819a 8. 1725–1728 Suite for keyboard (later version) E♭ maj. Keyboard 36: 217 V/8: 156 00957
820 8. 1705–1713 Suite (Ouverture) for keyboard F maj. Keyboard 36: 14 V/10: 43 00958
822 8. Suite for keyboard G min. Keyboard V/10: 68 after unknown model? 00960
823 8. before 1727 Suite for keyboard F min. Keyboard 36: 229 V/10: 50 00961
825 8. 1725–1726 Partita No. 1 from Clavier-Übung I B♭ maj. Keyboard 3: 46 V/1: 2 00963
826 8. 1725–1727 Partita No. 2 from Clavier-Übung I C min. Keyboard 3: 56 V/1: 15 00964
827 8. 1725–1727 Notebook A. M. Bach (1725) No. 1 = Partita No. 3 from Clavier-Übung I A min. Keyboard 3: 70 V/1: 35
V/4: 47 		00964
828 8. 1725–1728 Partita No. 4 from Clavier-Übung I D maj. Keyboard 3: 82 V/1: 50 00966
829 8. 1725–1730 Partita No. 5 from Clavier-Übung I G maj. Keyboard 3: 102 V/1: 72 00967
830 8. 1725–1730 Notebook A. M. Bach (1725) No. 2 = Partita No. 6 from Clavier-Übung I E min. Keyboard 3: 116 V/1: 90
V/4: 60 		after BWV 1019a/3 /5 00968
831 8. 1733–1735 Overture in the French style (Clavier-Übung II No. 2) B min. Harpsichord 3: 154 V/2: 20 after BWV 831a 00969
831a 8. 1727–1733 Overture in the French style (early version) C min. Keyboard V/2: 43 → BWV 831 00970
832 8. before 1707 Suite for keyboard A maj. Keyboard 42: 255 V/10: 54 in Möllersche Handschrift 00971
833 8. before 1707 Prelude and partita for keyboard F maj. Keyboard V/10: 60 in Möllersche Handschrift 00972
836 8. 1720–1721 Allemande, Klavierbüchlein WFB No. 6 G min. Keyboard 451: 214 V/5: 8 by Bach, W. F. & J. S.? 00975
837 8. 1720–1721 Allemande, Klavierbüchlein WFB No. 7 (incomplete) G min. Keyboard 451: 215 V/5: 10 by Bach, W. F. & J. S.? 00976
841 8. 1720–1721 Notebook A. M. Bach (1722) No. 11 Menuet = WFB No. 11: Menuet 1 G maj. Keyboard 36: 209
451: 215 		V/5: 16 V/4: 44 by Bach, W. F. & J. S.? 00980
842 8. 1720–1721 Klavierbüchlein WFB No. 12: Menuet 2 G min. Keyboard 36: 209
451: 216 		V/5: 17 by Bach, W. F. (BR A43) & J. S.? 00981
843 8. 1720–1721 Klavierbüchlein WFB No. 13: Menuet 3 G maj. Keyboard 36: 210
451: 216 		V/5: 18 00982
846 8. 1722 Well-Tempered Clavier I, P. & F. No. 1 C maj. Keyboard 14: 3 V/6.1: 2 after BWV 846a 00986
846/1 8. 1725 (AMB) Notebook A. M. Bach (1725) No. 29 Prelude (short version of WTC I No. 1/1) C maj. Keyboard V/4: 107 00986
846a 8. 1720 Klavierbüchlein WFB No. 14: Praeludium 1 (early WTC I No. 1/1) C maj. Keyboard 451: 216 V/5: 19
V/6.1: 127 		→ BWV 846/1 00987
847 8. 1722 Well-Tempered Clavier I, P. & F. No. 2 (/1 = WFB No. 15: Praeludium 2) C min. Keyboard 14: 6
451: 216 		V/5: 20
V/6.1: 2 		after BWV 847a 00988
847a 8. Prelude and Fughetta (early WTC I No. 2) C min. Keyboard V/6.1: 130 → BWV 847 00989
848 8. 1722 Well-Tempered Clavier I, P. & F. No. 3 (/1 = WFB No. 21: Praeludium [8]) C♯ maj. Keyboard 14: 10
451: 218 		V/5: 30
V/6.1: 2 		after BWV 848a 00990
848a 8. Prelude and Fughetta (early WTC I No. 3) C♯ maj. Keyboard V/6.1: 134 → BWV 848 00991
849 8. 1722 Well-Tempered Clavier I, P. & F. No. 4 (/1 = WFB No. 22: Praeludium [9]) C♯ min. Keyboard 14: 14
451: 218 		V/5: 32
V/6.1: 2 		after BWV 849a 00992
849a 8. Prelude and Fughetta (early WTC I No. 4) C♯ min. Keyboard V/6.1: 140 → BWV 849 00993
850 8. 1722 Well-Tempered Clavier I, P. & F. No. 5 (/1 = WFB No. 17: Praeludium 4) D maj. Keyboard 14: 18
451: 217 		V/5: 23
V/6.1: 2 		after BWV 850a 00994
850a 8. Prelude and Fughetta (early WTC I No. 5) D maj. Keyboard V/6.1: 146 → BWV 850 00995
851 8. 1722 Well-Tempered Clavier I, P. & F. No. 6 (/1 = WFB No. 16: Praeludium 3) D min. Keyboard 14: 22
451: 217 		V/5: 22
V/6.1: 2 		after BWV 851a 00996
851a 8. Prelude and Fughetta (early WTC I No. 6) D min. Keyboard V/6.1: 150 → BWV 851 00997
852 8. 1722 Well-Tempered Clavier I, P. & F. No. 7 E♭ maj. Keyboard 14: 26 V/6.1: 32 after BWV 852a 00998
852a 8. Prelude and Fughetta (early WTC I No. 7) E♭ maj. Keyboard V/6.1: 154 → BWV 852 00999
853 8. 1722 Well-Tempered Clavier I, P. & F. No. 8 (/1 = WFB No. 23: Praeludium [10]) E♭ min.
D♯ min. 		Keyboard 14: 32
451: 218 		V/5: 34
V/6.1: 38 		after BWV 853a; → K. 404a/1 01000
853a 8. Prelude and Fughetta (early WTC I No. 8) E♭ min.
D♯ min. 		Keyboard V/6.1: 160 → BWV 853 01001
854 8. 1722 Well-Tempered Clavier I, P. & F. No. 9 (/1 = WFB No. 19: Praeludium 6) E maj. Keyboard 14: 36
451: 218 		V/5: 26
V/6.1: 44 		after BWV 854a 01002
854a 8. Prelude and Fughetta (early WTC I No. 9) E maj. Keyboard V/6.1: 166 → BWV 854 01003
855 8. 1722 Well-Tempered Clavier I, P. & F. No. 10 E min. Keyboard 14: 38 V/6.1: 48 after BWV 855a 01004
855a 8. c.1720 Prelude and Fughetta (early WTC I No. 10) (/1 = WFB No. 18: Praeludium 5) E min. Keyboard 451: 217 V/5: 24
V/6.1: 170 		→ BWV 855 01005
856 8. 1722 Well-Tempered Clavier I, P. & F. No. 11 (/1 = WFB No. 20: Praeludium 7) F maj. Keyboard 14: 42
451: 218 		V/5: 28
V/6.1: 54 		after BWV 856a 01006
856a 8. Prelude and Fughetta (early WTC I No. 11) F maj. Keyboard V/6.1: 174 → BWV 856 01007
857 8. 1722 Well-Tempered Clavier I, P. & F. No. 12 (/1 = WFB No. 24: Praeludium [11]) F min. Keyboard 14: 44
451: 218 		V/5: 36
V/6.1: 58 		after BWV 857a 01008
857a 8. Prelude and Fughetta (early WTC I No. 12) F min. Keyboard V/6.1: 178 → BWV 857 01009
858 8. 1722 Well-Tempered Clavier I, P. & F. No. 13 F♯ maj. Keyboard 14: 48 V/6.1: 64 after BWV 858a 01010
858a 8. Prelude and Fughetta (early WTC I No. 13) F♯ maj. Keyboard V/6.1: 184 → BWV 858 01011
859 8. 1722 Well-Tempered Clavier I, P. & F. No. 14 F♯ min. Keyboard 14: 50 V/6.1: 64 after BWV 859a 01012
859a 8. Prelude and Fughetta (early WTC I No. 14) F♯ min. Keyboard V/6.1: 188 → BWV 859 01013
860 8. 1722 Well-Tempered Clavier I, P. & F. No. 15 G maj. Keyboard 14: 52 V/6.1: 72 after BWV 860a 01014
860a 8. Prelude and Fughetta (early WTC I No. 15) G maj. Keyboard V/6.1: 192 → BWV 860 01015
861 8. 1722 Well-Tempered Clavier I, P. & F. No. 16 G min. Keyboard 14: 57 V/6.1: 78 after BWV 861a 01016
861a 8. Prelude and Fughetta (early WTC I No. 16) G min. Keyboard V/6.1: 198 → BWV 861 01017
862 8. 1722 Well-Tempered Clavier I, P. & F. No. 17 A♭ maj. Keyboard 14: 60 V/6.1: 82 after BWV 862a 01018
862a 8. Prelude and Fughetta (early WTC I No. 17) A♭ maj. Keyboard V/6.1: 202 → BWV 862 01019
863 8. 1722 Well-Tempered Clavier I, P. & F. No. 18 G♯ min. Keyboard 14: 64 V/6.1: 86 after BWV 863a 01020
863a 8. Prelude and Fughetta (early WTC I No. 18) G♯ min. Keyboard V/6.1: 206 → BWV 863 01021
864 8. 1722 Well-Tempered Clavier I, P. & F. No. 19 A maj. Keyboard 14: 66 V/6.1: 90 after BWV 864a 01022
864a 8. Prelude and Fughetta (early WTC I No. 19) A maj. Keyboard V/6.1: 210 → BWV 864 01023
865 8. 1722 Well-Tempered Clavier I, P. & F. No. 20 A min. Keyboard 14: 70 V/6.1: 96 after BWV 865a 01024
865a 8. Prelude and Fughetta (early WTC I No. 20) A min. Keyboard V/6.1: 216 → BWV 865 01025
866 8. 1722 Well-Tempered Clavier I, P. & F. No. 21 B♭ maj. Keyboard 14: 74 V/6.1: 104 after BWV 866a 01026
866a 8. Prelude and Fughetta (early WTC I No. 21) B♭ maj. Keyboard V/6.1: 224 → BWV 866 01027
867 8. 1722 Well-Tempered Clavier I, P. & F. No. 22 B♭ min. Keyboard 14: 78 V/6.1: 108 after BWV 867a; → Hess 38 [commons] 01028
867a 8. Prelude and Fughetta (early WTC I No. 22) B♭ min. Keyboard V/6.1: 228 → BWV 867 01029
868 8. 1722 Well-Tempered Clavier I, P. & F. No. 23 B maj. Keyboard 14: 82 V/6.1: 112 after BWV 868a 01030
868a 8. Prelude and Fughetta (early WTC I No. 23) B maj. Keyboard V/6.1: 232 → BWV 868 01031
869 8. 1722 Well-Tempered Clavier I, P. & F. No. 24 B min. Keyboard 14: 84 V/6.1: 116 after BWV 869a 01032
869a 8. Prelude and Fughetta (early WTC I No. 24) B min. Keyboard V/6.1: 236 → BWV 869 01033
870b
870/2 		8. 1739–1742 Well-Tempered Clavier II, P. & F. No. 1 (version A) C maj. Keyboard 451: 243
14: 94 		V/6.2: 2,
6, 342 		01036
871 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 2 C min. Keyboard 14: 96 V/6.2: 8,
160 		→ K. 405/1 01037
872 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 3 C♯ maj. Keyboard 14: 100 V/6.2: 12,
164, 352 		after BWV 872a 01038
872a/1 8. 1739–1740 Prelude (early WTC II, P. & F. No. 3/1) C maj. Keyboard 14: 243 V/6.2: 344 → BWV 872/1 01039
872a/2 8. 1738 Fughetta (early WTC II, P. & F. No. 3/2) C maj. Keyboard 36: 224 V/6.2: 358 → BWV 872/2 01039
873 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 4 C♯ maj. Keyboard 14: 104 V/6.2: 16,
168 		01040
874 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 5 D maj. Keyboard 14: 108 V/6.2: 24,
176 		→ K. 405/5 01041
875 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 6 D min. Keyboard 14: 112 V/6.2: 30
182, 348,
356 		after BWV 875a 01042
875a 8. 1739–1740 Preambulum (early WTC II, P. & F. No. 6/1) D min. Keyboard 36: 224 V/6.2: 346 → BWV 875/1 01043
876 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 7 E♭ maj. Keyboard 14: 116 V/6.2: 36,
188, 354 		→ K. 405/2 01044
877 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 8 D♯ min. Keyboard 14: 120 V/6.2: 42,
194 		→ K. 405/4 01045
878 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 9 E maj. Keyboard 14: 124 V/6.2: 48,
200 		→ K. 405/3 01046
879 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 10 E min. Keyboard 14: 128 V/6.2: 54,
206 		01047
880 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 11 F maj. Keyboard 14: 134 V/6.2: 62,
215 		01048
881 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 12 F min. Keyboard 14: 138 V/6.2: 69,
221 		01049
882 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 13 F♯ maj. Keyboard 14: 142 V/6.2: 76,
228 		→ K. 404a/3 01050
883 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 14 F♯ min. Keyboard 14: 146 V/6.2: 84,
236 		→ K. 404a/2 01051
884 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 15 G maj. Keyboard 14: 150 V/6.2: 90,
242, 350 		after BWV 902/2 01052
885 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 16 G min. Keyboard 14: 154 V/6.2: 94,
246 		01053
886 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 17 A♭ maj. Keyboard 14: 160 V/6.2: 100,
108, 252 		after BWV 901/2 01054
887 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 18 G♯ min. Keyboard 14: 166 V/6.2: 112,
260 		01055
888 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 19 A maj. Keyboard 14: 172 V/6.2: 120,
268 		01056
889 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 20 A min. Keyboard 14: 176 V/6.2: 124,
272 		01057
890 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 21 B♭ maj. Keyboard 14: 180 V/6.2: 128,
276 		01058
891 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 22 B♭ min. Keyboard 14: 186 V/6.2: 134,
282 		01059
892 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 23 B maj. Keyboard 14: 192 V/6.2: 142,
290 		01060
893 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 24 B min. Keyboard 14: 198 V/6.2: 150,
298 		01061
870 8. 1744 Well-Tempered Clavier II, P. & F. No. 1 (version B) C maj. Keyboard 14: 91 V/6.2: 156 after BWV 870a 01034
894 8. 1710–1717 (JTK) Prelude and Fugue A min. Keyboard 36: 91 V/9.2: 40 → BWV 1044/1, /3; in SBB P 801, P 804 01062
895 8. 1709 (JCB) Prelude and Fugue A min. Keyboard 36: 104 V/9.2: 69 in Yale LM 4982 01063
896 8. 1704–1707 Prelude and Fugue A maj. Keyboard 36: 157 V/9.2: 72 in Möllersche Handschrift 01064
870a 8. before 1727 Prelude and Fughetta C maj. Keyboard 36: 224 V/6.2: 307,
310 		→ BWV 870; in SBB P 804, P 1089 01035
899 8. before 1727 Prelude and Fughetta D min. Keyboard 36: 106 V/6.2: 314
V/12: 24 		in SBB P 804, P 1089 01068
900 8. before 1727 Prelude and Fughetta E min. Keyboard 36: 108 V/6.2
V/12 		in SBB P 804, P 1089 01069
901 8. before 1727 Prelude and Fughetta F maj. Keyboard 36: 112 V/6.2: 324 → BWV 886/2; in SBB P 1089 01070
902 8. c.1729 Prelude and Fughetta G maj. Keyboard 36: 114 V/6.2: 328 → BWV 884/2; in SBB P 804, P 1089 01071
902/1a 8. before 1727 Prelude (previous Prelude to BWV 902/2) G maj. Keyboard 36: 220 V/6.2: 334,
338 		→ BWV 884/2; in SBB P 804 01072
903 8. Chromatic Fantasia and Fugue D min. Keyboard 36: 71 V/9.2: 76 after BWV 903a; in SBB P 803, P 651 01073
903a 8. Fantasia (early BWV 903/1) D min. Keyboard 36: 219 V/9.2: 90 → BWV 903/1; in D-DS Mus. ms. 69 01074
904 8. before 1727 Fantasia and Fugue A min. Keyboard 36: 81 V/9.2 in SBB P 804 01075
906 8. before 1729
c.1738 		Fantasia and Fugue (Fugue incomplete) C min. Keyboard 36: 145, 238 V/9.2: 110 in US-BETbc, D-Dl Mus.2405-T-52 01077
910 8. 1707–1713 Toccata F♯ min. Kb (or) Org 3: 311 V/9.1: 1 in Andreas-Bach-Buch 01081
911 8. 1707–1713 Toccata C min. Kb (or) Org 3: 322 V/9.1: 13 in Andreas-Bach-Buch 01082
912 8. 1707–1713 Toccata D maj. Kb (or) Org 36: 26 V/9.1: 38 after BWV 912a; ↔ BWV 532/1 01083
912a 8. 1704–1707 Toccata D maj. Kb (or) Org 36: 218 V/9.1: 26 → BWV 912; in Möllersche Handschrift 01084
913 8. 1707–1709 Toccata D min. Kb (or) Org 36: 36 V/9.1: 50, 63 after BWV 913a 01085
913a 8. Toccata D min. Kb (or) Org V/9.1: 52 → BWV 913; publ. 1801 01086
914 8. 1707–1709 Toccata E min. Kb (or) Org 36: 47 V/9.1: 78 01087
915 8. 1707–1709 Toccata G min. Kb (or) Org 36: 54 V/9.1: 87 01088
916 8. 1707–1713 Toccata G maj. Kb (or) Org 36: 63 V/9.1: 100 in Andreas-Bach-Buch 01089
917 8. 1704–1707 Fantasia G min. Keyboard 36: 143 V/9.1: 14, 16 in Möllersche Handschrift 01090
918 8. Fantasia on a Rondo C min. Keyboard 36: 148 V/9.1: 14, 18 01091
921 8. 1707–1713 Prelude C min. Keyboard 36: 136 V/9.1: 24 in Andreas-Bach-Buch 01094
922 8. 1710–1714 (JTK) Prelude (Fantasia) A min. Keyboard 36: 138 V/9.2: 27, 34 in SBB P 803 01095
923 8. c.1723? Prelude B min. Keyboard 42: 211 V/9.2: 116 by Pachelbel, W. H.?; → BWV 923a; in SBB P 401 01096
924 8. c.1720 Twelve Little Preludes No. 1: Preambulum (WFB No. 2) C maj. Keyboard 36: 118
451: 214 		V/5: 4 → BWV 924a 01098
924a 8. 1720–1726 Twelve Little Preludes No. 1a: Preludium ex c♮ (WFB No. 26) C maj. Keyboard 36: 221
451: 220 		V/5: 41 after BWV 924; BR A44 F(add) 206 01099
925 8. 1720–1726 Twelve Little Preludes No. 4: Preludium ex d♮ (WFB No. 27) D maj. Keyboard 36: 121
451: 220 		V/5: 42 BR A45 F(add) 206 01100
926 8. c.1720 Twelve Little Preludes No. 5: Preludium (WFB No. 4) D min. Keyboard 36: 122
451: 214 		V/5: 6 01101
927 8. 1720–1726 Twelve Little Preludes No. 8: Preambulum (WFB No. 8) F maj. Keyboard 36: 124
451: 215 		V/5: 10 01102
928 8. 1720–1726 Twelve Little Preludes No. 9: Preludium (WFB No. 10) F maj. Keyboard 36: 124
451: 215 		V/5: 14 01103
929 8. 1720–1726 Twelve Little Preludes No. 10: Trio for a Minuet by Stölzel (WFB No. 48e) G min. Keyboard 36: 126
451: 226 		V/5: 89 → BWV 814a 01104
930 8. 1720–1726 Twelve Little Preludes No. 11: Preambulum (WFB No. 9) G min. Keyboard 36: 126
451: 215 		V/5: 12 01105
931 8. 1720–1726 Preludium, Klavierbüchlein WFB No. 29 A min. Keyboard 36: 237
451: 220 		V/5: 45 BR A47 F(add) 206 01106
932 8. 1720–1726 Preludium ex e♭, Klavierbüchlein WFB No. 28 (incomplete) E min. Keyboard 36: 237
451: 220 		V/5: 44 BR A46 F(add) 206 01107
933 8. 1717–1723? Six Little Preludes No. 1 C maj. Keyboard 36: 128 V/9.2: 3 in SBB P 542, P 885 01108
934 8. 1717–1723? Six Little Preludes No. 2 C min. Keyboard 36: 128 V/9.2: 4 in SBB P 542, P 885 01109
935 8. 1717–1723? Six Little Preludes No. 3 D min. Keyboard 36: 130 V/9.2: 5 in SBB P 542, P 885 01110
936 8. 1717–1723? Six Little Preludes No. 4 D maj. Keyboard 36: 131 V/9.2: 6 in SBB P 542, P 885 01111
937 8. 1717–1723? Six Little Preludes No. 5 E maj. Keyboard 36: 132 V/9.2: 8 in SBB P 542, P 885 01112
938 8. 1717–1723? Six Little Preludes No. 6 E min. Keyboard 36: 133 V/9.2: 10 in SBB P 542, P 885 01113
939 8. 1726–1727 Five Little Preludes No. 1 (=12 L. P. No. 2) C maj. Keyboard 36: 119 V/12: 50 by Bach?; in SBB P 804 01114
940 8. 1726–1727 Five Little Preludes No. 2 (=12 L. P. No. 6) D min. Keyboard 36: 123 V/12: 50 by Bach?; in SBB P 804 01115
941 8. 1726–1727 Five Little Preludes No. 3 (=12 L. P. No. 7) E min. Keyboard 36: 123 V/12: 51 by Bach?; in SBB P 804 01116
942 8. 1726–1727 Five Little Preludes No. 4 (=12 L. P. No. 12) A min. Keyboard 36: 127 V/12: 52 by Bach?; in SBB P 804 01117
943 8. 1725–1727 Five Little Preludes No. 5 C maj. Org (Kb?) 36: 134 V/12: 53 in SBB P 804 01118
944 8. 1707–1713 Fantasia and Fugue A min. Keyboard 3: 334 V/9.2: 133 in Andreas-Bach-Buch 01119
946 8. early work? Fugue on a theme by Albinoni C maj. Keyboard 36: 159 V/9.2: 153 after Albinoni, Op. 1, No. 12/4 (theme) 01121
947 8. early work? Fugue A min. Keyboard 36: 161 V/12: 55 by Bach? 01122
948 8. early work? Fugue D min. Keyboard 36: 164 V/9.2: 156 in D-B N. Mus. ms. 10580 01123
949 8. 1707–1713 Fugue A maj. Keyboard 36: 169 V/9.2: 163 after Albinoni (theme)?; in Andreas-Bach-Buch 01124
950 8. before 1725 Fugue on a theme by Albinoni A maj.
G maj. 		Keyboard 36: 173 V/9.2: 168 after Albinoni (theme); in SBB P 804 01125
951 8. 1714–1717 Fugue on a theme by Albinoni B min. Keyboard 36: 178 V/9.2: 118 after BWV 951a; in SBB P 801 01126
951a 8. 1714–1717 Fugue on a theme by Albinoni (early version) B min. Keyboard 36: 221 V/9.2: 127 after Albinoni (theme); → BWV 951; in D-LEm Poel. mus. Ms. 9 01127
952 8. Fugue C maj. Keyboard 36: 184 V/9.2: 176 01128
953 8. 1720–1726 Fugue a 3, Klavierbüchlein WFB No. 31 C maj. Keyboard 36: 186
451: 220 		V/5: 46 01129
954 8. early work? Fugue on a theme by Reincken B♭ maj. Keyboard 42: 50 V/11: 200 after Reincken, Hortus Musicus No. 2/2 (theme) 01130
955 8. early work Fugue B♭ maj. Keyboard 42: 55 V/12: 60 after BWV 955a; in SBB P 425, P 804 01131
955a 8. early work Fugue B♭ maj. Organ 42: 298 V/12: 65 by Erselius?; → BWV 955; in SBB P 247, P 595 01132
959 8. Fugue A min. Keyboard 42: 208 V/9.2: 178 by Bach? 01136
961 8. ? Fughetta C min. Keyboard 36: 154 V/9.2: 182 in SBB P 823 01138
963 8. early work Sonata for keyboard D maj. Keyboard 36: 19 V/10: 32 in SBB P 804 01140
965 8. c.1714–1717
or earlier 		Sonata for keyboard after Reincken A min. Keyboard 42: 29 V/11: 173 after Reincken, Hortus Musicus No. 1/1–/5; in SBB P 803 01142
966 8. c.1714–1717
or earlier 		Sonata for keyboard after Reincken A min. Keyboard 42: 42 V/11: 188 after Reincken, Hortus Musicus No. 3/1–/5; in SBB P 803 01143
967 8. 1704–1707 Sonata transcription, 1st movement A min. Keyboard 451: 168 V/9.2: 184 in SBB P 804 01144
971 8. 1733–1735 Italian Concerto (Clavier-Übung II No. 1) F maj. Harpsichord 3: 139 V/2: 2 01148
972 8. July 1713–
July 1714 		Concerto for solo keyboard (1/16) D maj. Keyboard 42: 59 V/11: 3 after Vivaldi, Op. 3 No. 9 01149
972a 8. July 1713–
July 1714 		Concerto for solo keyboard (1/16), early version D maj. Keyboard V/11: 161 after Vivaldi, Op. 3 No. 9 01150
973 8. July 1713–
July 1714 		Concerto for solo keyboard (2/16) G maj. Keyboard 42: 59 V/11: 12 after Vivaldi, Op. 7 No. 8 01151
974 8. July 1713–
July 1714 		Concerto for solo keyboard (3/16) D min. Keyboard 42: 59 V/11: 20 after Marcello, A., Oboe Concerto 01152
975 8. July 1713–
July 1714 		Concerto for solo keyboard (4/16) G min. Keyboard 42: 59 V/11: 30 after Vivaldi, Op. 4 No. 6 01153
976 8. July 1713–
July 1714 		Concerto for solo keyboard (5/16) C maj. Keyboard 42: 59 V/11: 39 after Vivaldi, Op. 3 No. 12 01154
977 8. July 1713–
July 1714 		Concerto for solo keyboard (6/16) C maj. Keyboard 42: 59 V/11: 50 after unknown model 01155
978 8. July 1713–
July 1714 		Concerto for solo keyboard (7/16) F maj. Keyboard 42: 59 V/11: 56 after Vivaldi, Op. 3 No. 3 (RV 310) 01156
979 8. July 1713–
July 1714 		Concerto for solo keyboard (8/16) B min. Keyboard 42: 59 V/11: 64 after Vivaldi, RV 813 (previously: Torelli) 01157
980 8. July 1713–
July 1714 		Concerto for solo keyboard (9/16) G maj. Keyboard 42: 59 V/11: 79 after Vivaldi, Op. 4 No. 1 (RV 381) 01158
981 8. July 1713–
July 1714 		Concerto for solo keyboard (10/16) C min. Keyboard 42: 59 V/11: 90 after Marcello, B., Op. 1 No. 2 01159
982 8. July 1713–
July 1714 		Concerto for solo keyboard (11/16) B♭ maj. Keyboard 42: 59 V/11: 100 after J. E. of Saxe-Weimar, Op. 1 No. 1 01160
983 8. July 1713–
July 1714 		Concerto for solo keyboard (12/16) G min. Keyboard 42: 59 V/11: 110 after unknown model 01161
984 8. July 1713–
July 1714 		Concerto for solo keyboard (13/16) C maj. Keyboard 42: 59 V/11: 118 after J. E. of Saxe-Weimar, lost Concerto; → BWV 595 01162
985 8. July 1713–
July 1714 		Concerto for solo keyboard (14/16) G min. Keyboard 42: 59 V/11: 128 after Telemann, TWV 51:g1 01163
986 8. July 1713–
July 1714 		Concerto for solo keyboard (15/16) G min. Keyboard 42: 59 V/11: 137 after unknown model 01164
987 8. July 1713–
July 1714 		Concerto for solo keyboard (16/16) D min. Keyboard 42: 59 V/11: 142 after J. E. of Saxe-Weimar, Op. 1 No. 4 01165
988 8. 1741–1742 Goldberg Variations (Clavier-Übung IV) G maj. Harpsichord 3: 263 V/2: 69 → BWV 1087 01166
988/1 8. c.1740? (AMB) Notebook A. M. Bach (1725) No. 26 Aria of the Goldberg Variations G maj. Harpsichord 3: 263 V/4: 103 → BWV 1087 01166
989 8. 1707–1713 Aria variata A min. Keyboard 36: 203 V/10: 21 in Andreas-Bach-Buch 01167
991 8. 1722 Notebook A. M. Bach (1722) No. 7 Air with variations (incomplete) C min. Keyboard 432: 4 V/4: 40 01169
992 8. 1704–1707 Capriccio on the departure of a beloved brother B♭ maj. Keyboard 36: 190 V/10: 3 in Möllersche Handschrift 01170
993 8. c.1705 Capriccio in honorem Johann Christoph Bachii Ohrdrufiensis [scores] E maj. Keyboard 36: 197 V/10: 12 in SBB P 804 01171
994 8. 1720 Klavierbüchlein WFB No. 1: Applicatio C maj. Keyboard 36: 237
451:214 		V/5: 4 01172
9. Lute compositions (see also: List of solo lute compositions by Johann Sebastian Bach) Up ↑
995 9. Fall 1727 – Winter 1731 Suite for lute G min. Lu V/10: 81 after BWV 1011

 01173
996 9. 1710–1717 (JGW) Suite for lute E min. Lu (Lw?) 451: 149 V/10: 94 in SBB P 801, pp. 385–395
 01174
997.1 9. 1720–1739 Suite (1st version) C min. Lw 451: 156 V/10: 102 in SBB P 650; → BWV 997.2
 01175
997.2 9. 1720–1739 Suite (2nd version) C min. Lu 451: 156 V/10: 102 in D LEm III 11.5; after BWV 997.1
 11576
998 9. 1735–1745 Prelude, Fugue and Allegro E♭ maj. Lu (or) Hc 451: 141 V/10: 114
01176
999 9. 1717–1723 Prelude for lute (Twelve Little Preludes No. 3) C min. Lu 36: 119 V/10: 122 in SBB P 804, pp. 101–103 01177
1000 9. after 1720 Fugue G min. Lu V/10: 124 after BWV 1001/2; → 539/2; in MB Lpz III.11.4
 01178
1006.2 9. c.1736–1737 Suite E maj. Lu? 42: 16 V/10: 134 after BWV 1006.1
 01185
10. Chamber music (see also: List of chamber music works by Johann Sebastian Bach) Up ↑
1001 10. 1720 Sonatas and partitas for solo violin No. 1: Sonata No. 1 G min. Vl 271: 3 VI/1: 3
rev 3: 3 		→ BWV 1000, 539/2 01179
1002 10. 1720 Partitas and sonatas for solo violin No. 2: Partita No. 1 B min. Vl 271: 3 VI/1: 10
rev 3: 10 		01180
1003 10. 1720 Sonatas and partitas for solo violin No. 3: Sonata No. 2 A min. Vl 271: 3 VI/1: 20
rev 3: 20 		→ BWV 964 01181
1004 10. 1720 Partitas and sonatas for solo violin No. 4: Partita No. 2 D min. Vl 271: 3 VI/1: 30
rev 3: 30 		01182
1005 10. 1720 Sonatas and partitas for solo violin No. 5: Sonata No. 3 C maj. Vl 271: 3 VI/1: 42
rev 3: 42 		after "Komm, Heiliger Geist, Herre Gott"; → BWV 968 01183
1006.1 10. 1720 Partitas and sonatas for solo violin No. 6: Partita No. 3 E maj. Vl 271: 3 VI/1: 54
rev 3: 54 		→ BWV 1006.2, 29/1 and 120a/4 01184
1007 10. 1720 (AMB) Suite for cello No. 1 G maj. Vc 271: 59 VI/2: 2 01186
1008 10. 1720 (AMB) Suite for cello No. 2 D min. Vc 271: 59 VI/2: 8 01187
1009 10. 1720 (AMB) Suite for cello No. 3 C maj. Vc 271: 59 VI/2:14 01188
1010 10. 1720 (AMB) Suite for cello No. 4 E♭ maj. Vc 271: 59 VI/2: 22 01189
1011 10. 1720 (AMB) Suite for cello No. 5 C min. Vc 271: 59 VI/2: 32 → BWV 995 01190
1012 10. 1720 (AMB) Suite for cello No. 6 D maj. Vc 271: 59 VI/2:40 01191
1013 10. 1717–1723? Partita for flute A min. Fl VI/3: 3 01192
1014 10. 1717–1723? Sonata for violin and harpsichord No. 1 B min. Vl Hc 9: 69 VI/1: 83
rev 3: 83 		01193
1015 10. 1717–1723? Sonata for violin and harpsichord No. 2 A maj. Vl Hc 9: 84 VI/1: 99
rev 3: 99 		01194
1016 10. 1717–1723? Sonata for violin and harpsichord No. 3 E maj. Vl Hc 9: 98 VI/1: 115
rev 3: 115 		01195
1017 10. 1717–1723? Sonata for violin and harpsichord No. 4 C min. Vl Hc 9: 120 VI/1: 136
rev 3: 136 		01196
1018.2 10. 1717–1723? Sonata for violin and harpsichord No. 5 F min. Vl Hc 9: 136 VI/1: 153
rev 3: 153 		after BWV 1018.1 01197
1018.1 10. 1717–1723? Adagio, early version of BWV 1018/3 F min. Vl Hc 9: 250 VI/1: 195
rev 3: 194 		→ BWV 1018.2/3 01198
1019.3 10. after 1729? Sonata for violin and harpsichord No. 6 G maj. Vl Hc 9: 154 VI/1: 172
rev 3: 172 		after BWV 1019.2 01200
1019.1 10. 1725 Sonata for violin and harpsichord No. 6, early version 1 (partially lost) 9: 252 VI/1: 197
rev 3: 196 		→ BWV 830/3, /6, 1019.2 01199
1019.2 c. 1730–1731 Sonata for violin and harpsichord No. 6, early version 2 VI/1: 197
rev 3: 218 		after BWV 1019.1, 120.1/4; → BWV 1019.3 11577
1021 10. 1732–1733 Sonata for violin and continuo G maj. Vl Bc VI/1: 65
rev 3: 65 		→ BWV 1022, 1038 01202
1023 10. c.1714–1717? Sonata for violin and continuo E min. Vl Bc 431: 31 VI/1: 73
rev 3: 73 		01204
1025.1 10. after 1739? Suite for violin and keyboard A maj. Vl Kb 9: 43 VI/5: 67 after Weiss; → BWV 1025.2 11578
1025.2 10. c. 1746–1747? Suite for violin and keyboard (incomplete) A maj. Vl Kb 9: 43 VI/5: 97 after BWV 1025.1 01206
1026 10. c.1714–1717 Fugue for violin and continuo G min. Vl Bc 431: 39 VI/5: 59 01207
1027 10. c.1742 Sonata for gamba and harpsichord No. 1 G maj. Gam Hc 9: 175 VI/4: 3 after BWV 1039; → 1027/1a /2a /4a 01208
1028 10. Sonata for gamba and harpsichord No. 2 D maj. Gam Hc 9: 175 VI/4: 21 01210
1029 10. Sonata for gamba and harpsichord No. 3 G min. Gam Hc 9: 175 VI/4: 36 → BWV 545b 01211
1030.2 10. 1736–1737 Sonata for flute and harpsichord B min. Fl Hc 9: 3 VI/3: 33 after BWV 1030.1 11579
1030.1 10. 1717–1736 Sonata for unknown instrument and harpsichord G min. v Hc VI/3: 89 → BWV 1030.2 01212
1032 10. 1736–1737 Sonata for flute and harpsichord (/1 incomplete) A maj. Fl Hc 9: 32, 245 VI/3: 54 → BWV 525a 01214
1034 10. 1717–1723? Sonata for flute and continuo E min. Fl Bc 431: 9 VI/3: 11 01216
1035 10. 1717–1723? Sonata for flute and continuo E maj. Fl Bc 431: 21 VI/3: 23 01217
1039 10. 1708–1726 Sonata G maj. 2Fl Bc 9: 260 VI/3: 71 → BWV 1027 01221
11. Works for orchestra (see also: List of orchestral works by Johann Sebastian Bach) Up ↑
1041 11. 1730 Concerto for violin and orchestra No. 1 A min. Vl Str Bc 211: 3
451: 233 		VII/3: 3 → BWV 1058 01223
1042 11. Concerto for violin and orchestra No. 2 E maj. Vl Str Bc 211: 21 VII/3: 35 → BWV 1054 01224
1043 11. 1730–1731 or earlier Concerto for 2 violins and orchestra – Double Concerto D min. 2Vl Str Bc 211: 41 VII/3: 71 → BWV 1062 01225
1044 11. 1727
or later 		Concerto for flute, violin, harpsichord and orchestra – Triple Concerto A min. Fl Vl Hc Str Bc 17: 223 VII/3: 105 after BWV 894/1, 527/2, 894/2 01226
1045 11. 1743–1746 Cantata opening: "Concerto" (Symphonic movement for violin and orchestra) D maj. Vl 3Tr Tmp 2Ob Str Bc 211: 65 I/34: 305 after unknown model by other composer? 01227
1046.2 11. 1721-03-24 Brandenburg Concerto No. 1 F maj. 2Nho 3Ob Bas Vlp Str Bc 19: 3 VII/2: 3 after BWV 1046.1; /3, /7 → BWV 207(a)/1, /5a 01228
1046.1 11. c.1712-
1713? 		Sinfonia (opening of BWV 208?) F maj. 2Nho 3Ob Str Bas Bc 311: 69 VII/2: 225 → BWV 1046.2; /1 → BWV 52/1; was BWV 1046a, 1071 01229
1047 11. 1721-03-24 Brandenburg Concerto No. 2 F maj. Tr Fl Ob Vl Str Vne Bc 19: 3 VII/2: 43 01230
1048 11. 1721-03-24 Brandenburg Concerto No. 3 G maj. 3Vl 3Vla 3Vc Vne Hc 19: 3 VII/2: 73 → BWV 174/1 01231
1049 11. 1721-03-24 Brandenburg Concerto No. 4 G maj. Vl 2Fl Str Vc Vne Bc 19: 3 VII/2: 99 → BWV 1057 01232
1050.2 11. 1721-03-24 Brandenburg Concerto No. 5 (early version) D maj. Fl Vl Hc Vl Va Vc Vne 19: 3 VII/2: 145 after BWV 1050.1 01233
1050.1 11. 1720–1721 Brandenburg Concerto No. 5 (revised version) D maj. Fl Vl Hc Vl Va Vne 19: 3 VII/2: 145 → BWV 1050.2 01234
1051 11. 1721-03-24 Brandenburg Concerto No. 6 B♭ maj. 2Vla 2Gam Vc Vne Hc 19: 3 VII/2: 197 01235
1052.2 11. c.1738 Concerto for harpsichord and orchestra No. 1 (revised version) D min. Hc Str Bc 17: 3 VII/4: 3 after BWV 1052.1, BWV 146/1, /2 and 188/1 01236
1052.1 11. before 1726 Concerto for harpsichord and orchestra No. 1 (early version) D min. Hc Str Bc 17: 3 VII/4: 317 by Bach, C. P. E.?; → BWV 1052.2, BWV 146/1, /2 and 188/1 01237
1053 11. c.1738 Concerto for harpsichord and orchestra No. 2 E maj. Hc Str Bc 17: 3 VII/4: 79 after BWV 169/1, /5 and 49/1 01238
1054 11. c.1738 Concerto for harpsichord and orchestra No. 3 D maj. Hc Str Bc 17: 3 VII/4: 127 after BWV 1042 01239
1055 11. c.1738 Concerto for harpsichord and orchestra No. 4 A maj. Hc Str Bc 17: 3 VII/4: 161 after BWV 1055R? 01240
1056 11. c.1738 Concerto for harpsichord and orchestra No. 5 F min. Hc Str Bc 17: 3 VII/4: 197 after BWV 1056R?; /2 after BWV 156/1 01241
1057 11. c.1738 Concerto for harpsichord and orchestra No. 6 F maj. Hc 2Fl Str Bc 17: 3 VII/4: 221 after BWV 1049 01242
1058 11. c.1738 Concerto for harpsichord and orchestra No. 7 G min. Hc Str Bc 17: 3 VII/4: 283 after BWV 1041 01243
1059 11. c.1738 Concerto for harpsichord and orchestra No. 8 (abandoned fragment of 1st movement) D min. Hc Ob Str Bc 17: 3 VII/4: 313 after BWV 35/1 and earlier model (for oboe?); completions/
reconstructions usually based on BWV 35/1, /2 and /5 		01244
1060 11. c.1736 Concerto for 2 harpsichords and orchestra No. 1 C min. 2Hc Str Bc 212: 3 VII/5: 3 after BWV 1060R? 01245
1061.2 11. after 1732–1733 Concerto for 2 harpsichords and orchestra No. 2 C maj. 2Hc Str Bc 212: 39 VII/5: 109 after BWV 1061.1 01246
1061.1 11. 1732–1733 or earlier Concerto for 2 harpsichords (No. 2) C maj. 2Hc 212: 39 VII/5: 83 → BWV 1061.2 01247
1062 11. 1736 Concerto for 2 harpsichords and orchestra No. 3 C min. 2Hc Str Bc 212: 83 VII/5: 43 after BWV 1043 01248
1063 11. c.1730 Concerto for 3 harpsichords and orchestra No. 1 D min. 3Hc Str Bc 313: 3 VII/6: 3 after unknown model? 01249
1064 11. c.1730 Concerto for 3 harpsichords and orchestra No. 2 C maj. 3Hc Str Bc 313: 53 VII/6: 55 after BWV 1064R? 01250
1065 11. c.1730 Concerto for 4 harpsichords and orchestra A min. 4Hc Str Bc 431: 71 VII/6: 117 after Vivaldi, Op. 3 No. 10 01251
1066 11. May 1724–End 1725 Orchestral Suite No. 1 C maj. 2Ob Bas Str Bc 311: 3 VII/1: 3 Ouverture Courante 2Gavotte Forlane 2Minuet 2Bourrée 2Passepied 01252
1067 11. 1738–1739 Orchestral Suite No. 2 B min. Fl Str Bc 311: 24 VII/1: 27 Ouverture Rondeau Sarabande 2Bourrée 2Polonaise Minuet Badinerie 01253
1068 11. c.1730 Orchestral Suite No. 3 D maj. 3Tr Tmp 2Ob (Vl) Str Bc 311: 40 VII/1: 49,
119 		Ouverture Air 2Gavotte Bourrée Gigue 01254
1069 11. before late 1727 Orchestral Suite No. 4 D maj. 3Tr Tmp 2Ob Bas Str Bc 311: 66 VII/1: 79 Ouverture 2Bourrée Gavotte 2Minuet Réjouissance; /1 → BWV 110/1 01255
1071
see BWV 1046.1 01229
12. Canons (see also: List of canons by Johann Sebastian Bach) Up ↑
1072 12. Canon trias harmonica a 8 D maj. 8V 451: 131 VIII/l: 3, 6 01258
1073 12. 1713-08-02 Canon â 4. Voc: perpetuus A min. 4V 451: 132 VIII/l: 3 in US-CAh bMS Eng 870 (35b) 01259
1074 12. 1727 Canon a 4 (for Ludwig Friedrich Hudemann [de]) A min. 4V 451: 134 VIII/l: 3
01260
1075 12. 1734-01-10 Canon a 2. perpetuus D maj. 2V VIII/l: 3 01261
1076 12. 1746 Canon triplex a 6 G maj. 6V 451: 138 VIII/l: 3 after BWV 1087/13

 01262
1077 12. 1747-10-15 Canone doppio sopr' il soggetto (dedicated to Johann Fulde [de]) G maj. 4V Bc VIII/1: 4
IX/2: 81 		after BWV 1087/11 01263
1078 12. 1749-03-01 Canon Fa Mi, et Mi Fa est Tota Musica, a.k.a. Canon super Fa Mi, a 7. post Tempus Musicum F maj. 7V Bc 451: 136 VIII/l: 4 in SBB P 611 01264
1086 12. 1750? Canon Concordia discors D maj. 2V VIII/l: 4
III/1: VIII 		in SLB Dresden R 291s 01272
1087 12. 1747/1748 or earlier 14 Canons on the first eight notes of the Goldberg ground G maj. 6V V/2: 119 after BWV 988/1; /11 → BWV 1077; /13 → 1076; in BN Paris Ms. 17669, Bl. 18v
 01273
13. Musical Offering, Art of the Fugue (see also: List of late contrapuntal works by Johann Sebastian Bach) Up ↑
1079 13. 1747-07-07 Musical Offering Kb Fl 2Vl Bc 312 VIII/1: 46 01265
1080.1 13. 1742–1749 The Art of Fugue (autograph) Hc (?) 251 VIII/2.1 → BWV 1080.2 01266
1080.2 c. 1747–1748 The Art of Fugue (print version) 47 VIII/2.2 after BWV 1080.1 11581
Later Later additions to the main catalogue (above BWV 1128: BWV3) Up ↑
1127 1713-10-30 aria "Alles mit Gott und nichts ohn' ihn" C maj. s Str Bc Sppl: 237 text by Mylius [scores] 01307
1128 II c. 1705–1710 chorale setting "Wo Gott der Herr nicht bei uns hält" G min. Organ IV/10 after Z 4441a; was BWV Anh. 71 01725
1129 c. 1742–1745 music theory Theoretische Aufzeichnungen zum fünfstimmigen Satz Sppl: 63 11582
1130 c. 1742–1743 music theory Theoretische Aufzeichnungen zum Kontrapunkt Sppl: 45 11583
1131 c. 1743–1746 music theory Regeln zum Gebrauch von Synkopen im doppelten Kontrapunkt Sppl: 41 11584
1132 c. 1736–1739 Counterpoint studies with W. F. Bach Sppl: 67 11585
1133 c. 1740–1745 thorough-bass rules I Einige höchst nöthige Regeln vom General Basse V/4: 131
Sppl: 37 		11586
1134 1738? thorough-bass rules II Precepts and Principles For Playing the Thorough-Bass or Accompanying in Four Parts Sppl: 3 11587
1135 I 1724-03-25 Cantata Siehe, eine Jungfrau ist schwanger (25 March: Annunciation) was BWV Anh. 199; text extant 01510
1136 I 1708–1717?
1725-09-09?
1727-02-06 		Cantata Liebster Gott, vergißt du mich (1711: libretto for Trin. VII; 1725: Trin. XV?; 1727, with BWV 157.1: funeral in Pomßen) was BWV Anh. 209; text by Lehms 01520
1137 I 1729-10-23? Cantata (sketch: Gott, du Richter der Gedanken for Trinity XIX by Picander?) SATB Vl Str Bc III/1 was BWV Anh. 2; in SBB P 36: 18 01309
1138.1 I 1709-02-04 Cantata for Ratswahl in Mühlhausen No. 2 was BWV Anh. 192 01503
1138.2 1710-02-04 Cantata for Ratswahl in Mühlhausen No. 3 lost 11382
1139.1 I 1725-08-27 Cantata Wünschet Jerusalem Glück (council election) was BWV Anh. 4; text by Picander; → BWV 1139.2 01311
1139.2 I 1730-06-27 Cantata Wünschet Jerusalem Glück (200th anniversary of the Augsburg Confession) was BWV Anh. 4a; text by Picander; after BWV 1139.1 01312
1140 I 1730-08-25 Cantata Gott, gib dein Gerichte dem Könige (council election) I/32.2 was BWV Anh. 3; text by Picander 01310
1141 I 1740-08-29 Cantata Herrscher des Himmels, König der Ehren (council election) I/32.2 was BWV Anh. 193; text extant; /7 after BWV 208/15? 01504
1142 1716-04-02 Cantata Was ist, das wir Leben nennen (funeral service for Johann Ernst of S.-W.) text extant 01531
1143 4. 1729-03-24 Cantata Klagt, Kinder, klagt es aller Welt (funeral of Leopold of Anhalt-Köthen; music lost but partially reconstructible) I/34 was BWV 244a; text by Picander; ↔ BWV 198/1, /10, 244b/6, /8, /39, /49, /57, /23, /20, /65, /13, /68 00305
1144 I 1725-02-12 Cantata Sein Segen fließt daher wie ein Strom (wedding) was BWV Anh. 14; text extant 01322
1145 I 1729-01-18 Cantata Der Herr ist freundlich dem, der auf ihn harret (wedding) was BWV Anh. 211; text by Picander 01522
1146 I 1729-07-26 Cantata Vergnügende Flammen, verdoppelt die Macht (wedding) was BWV Anh. 212; text by Picander 01523
1147 I 1718-12-10 Cantata Lobet den Herrn, alle seine Heerscharen (birthday of Leopold of A.-K.) I/34 was BWV Anh. 5; text by Hunold 01313
1148 I 1724-04-27 Cantata Siehe, der Hüter Israel (doctorate) SATB 3Tr Tmp 2Ob 3Vl Va Bc I/34 was BWV Anh. 15; lost 01323
1150 I 1721-01-01?
1722-01-01? 		Cantata Ihr wallenden Wolken (New Year) b 2Fl Str Vc Hc Bc I/4 was BWV Anh. 197; lost 01508
1151 I 1720-01-01 Secular cantata Dich loben die lieblichen Strahlen der Sonne (New Year) I/35 was BWV Anh. 6; text by Hunold 01314
1152 I 1723-01-01 Secular cantata for New Year (congratulation of Leopold of Anhalt-Köthen and his wife Frederica Henriette) I/35 was BWV Anh. 8; lost 01316
1153 I 1720-12-10 Secular cantata Heut ist gewiß ein guter Tag (birthday of Leopold of Anhalt-Köthen) I/35 was BWV Anh. 7; text by Hunold 01315
1154 I 1722-07-29 Cantata O vergnügte Stunden (birthday of John Augustus of Anhalt-Zerbst) was BWV Anh. 194; text extant 01505
1155 I 1723-08-09 Ode in Latin (birthday of Frederick II of Saxe-Gotha) I/38 was BWV Anh. 20; lost 01328
1156 I 1727-05-12 Secular cantata Entfernet euch, ihr heitern Sterne (57th birthday of Augustus II) I/36 was BWV Anh. 9; text by Haupt, C. F.; /1 → BWV 232II/6? 01317
1157 I 1732-08-03 Secular cantata Es lebe der König, der Vater im Lande (name day of Augustus II) I/36 was BWV Anh. 11; text by Picander; /1 & /11 → BWV 215/1 → 232IV/1=/3; /7 → 248/39?; /9 → 212/14 01319
1158 I 1733-08-03 Secular cantata Frohes Volk, vergnügte Sachsen (name day of Augustus III) I/36 was BWV Anh. 12; text by Picander; after BWV Anh. 18; /1 → BWV 11/1 01320
1159 1739-10-07 Secular cantata "Serenade" (birthday of Augustus III) lost 01536
1160 I 1731-08-25 Secular cantata So kämpfet nur, ihr muntern Töne (birthday of Joachim Friedrich von Flemming [de]) I/39 was BWV Anh. 10; text by Picander; /1 → BWV 248VIa/1? 01318
1161 I 1738-04-28 Secular cantata Willkommen! Ihr herrschenden Götter der Erden in honour of the royal couple (Augustus III and Maria Josepha), and for the forthcoming marriage of princess Maria Amalia with Charles of Sicily I/37 was BWV Anh. 13; text by Gottsched, J. C. in Riemersche Chronik
 01321
1162 I 1732-06-05 Secular cantata Froher Tag, verlangte Stunden (inauguration of St. Thomas school after renovation) I/39 was BWV Anh. 18; text by Winckler; /1 → BWV 11/1; /1 /3 /5 /6 /8 /10 → BWV Anh. 12 01326
1163 I 1725-11-27 Secular cantata Auf, süß entzückende Gewalt (wedding of Peter, eldest son of Peter Hohmann, and Christiana Sibylla Mencke) I/40 was BWV Anh. 196; text by Gottsched, C.; /3 → BWV 11/4 → 232IV/4; /5 → BWV 11/8 01507
1164 II 1712–1713
or earlier 		Motet Ich lasse dich nicht, du segnest mich denn F min. 2SATB 39: 157 III/3: 3 by Bach, J. Christoph?; was BWV Anh. 159; ↔ BWV 421 (/2) 01470
R Reconstructions (see also Reconstruction of music by Johann Sebastian Bach) Up ↑
1052R R 1970 Concerto D min. Vl Str Bc VII/7: 3 by Fischer; after BWV 1052 01236
1055R R 1970 Concerto A maj. Oba Str Bc VII/7: 33 by Fischer; after BWV 1055 01240
1056R R 1970 Concerto G min. Vl Str Bc VII/7: 59 by Fischer; after BWV 1056 01241
1060R R 1970 Concerto C min. Vl Ob Str Bc VII/7: 75 by Fischer; after BWV 1060 01245
1064R R 1970 Concerto D maj. 3Vl Str Bc VII/7: 103 by Fischer; after BWV 1064 01250
Anh. I Fragments – lost works Up ↑
I 1 I 1725-07-15? Cantata Gesegnet ist die Zuversicht (Trinity VII) SATB 2Fl Str Bc by Telemann (TWV 1:617)?; text by Neumeister? 01308
I 2 I
see BWV 1137 01309
I 3 I
see BWV 1140 01310
I 4 I
see BWV 1139.1 01311
I 4a I
see BWV 1139.2 01312
I 5 I
see BWV 1147 01313
I 6 I
see BWV 1151 01314
I 7 I
see BWV 1153 01315
I 8 I
see BWV 1152 01316
I 9 I
see BWV 1156 01317
I 10 I
see BWV 1160 01318
I 11 I
see BWV 1157 01319
I 12 I
see BWV 1158 01320
I 13 I
see BWV 1161 01321
I 14 I
see BWV 1144 01322
I 15 I
see BWV 1148 01323
I 16 I 1735-11-09 Cantata Schließt die Gruft! ihr Trauerglocken (mourning of Hedwig of Merseburg) by Roemhildt; text by Hoffmann, B. 01324
I 17 I Cantata Mein Gott, nimm die gerechte Seele (funeral) SATB 2Oba Str Bas Bc I/33 01325
I 18 I
see BWV 1162 01326
I 19 I 1734-11-21 Secular cantata Thomana saß annoch betrübt (welcome to Johann August Ernesti as new rector of St. Thomas school) I/39 text by Landvoigt [de]? 01327
I 20 I
see BWV 1155 01328
N 190 I 1729-04-18 Cantata Ich bin ein Pilgrim auf der Welt (Easter 2) b Bc... I/33 by Bach, C. P. E.?; text by Picander 01501
N 191 I 1715-05-19 Cantata Leb ich oder leb ich nicht (Cantate) text by Franck, S. 01502
N 192 I
see BWV 1138.1 01503
N 193 I
see BWV 1141 01504
N 194 I
see BWV 1154 01505
N 195 I 1723-06-09 Secular cantata Murmelt nur, ihr heitern Bäche (celebration of Johann Florenz Rivinus [de]) text in Acta Lipsiensium 1723, Vol. 5, pp. 515–619 01506
N 196 I
see BWV 1163 01507
N 197 I
see BWV 1150 01508
N 198 I
see BWV 149/1a 01509
N 199 I
see BWV 1135 01510
N 200 I c.1713–1715 chorale setting "O Traurigkeit, o Herzeleid" (unused sketch for Orgelbüchlein) Organ IV/1: 46 after Z 1915; in SBB P 283 01511
N 209 I
see BWV 1136 01520
N 210 I 1734-10-04 Cantata Wo sind meine Wunderwerke [it] (leave-taking of Johann Matthias Gesner) text in 2° Poet. Germ. I, 6425: 4 Rara; /1 → BWV 193a/7, 193/3? 01521
N 211 I
see BWV 1145 01522
N 212 I
see BWV 1146 01523
N 213 I Concerto F maj. Org by Telemann; arr. by Bach 01524
223 I 1717–1718? Cantata Meine Seele soll Gott loben B♭ maj. I/34 by Handel? 00280
224 I 1732 Aria "Reißt euch los, bekränkte Sinnen" (fragment) S I/41 by Bach, C. P. E.?; in SBB P 491 00281
Anh. II Works of doubtful authenticity Up ↑
53 II Aria "Schlage doch, gewünschte Stunde" (Funeral) E maj. a Bel Str Bc 122: 53 I/41 by Hoffmann, M.? 00068
142 II Cantata Uns ist ein Kind geboren (Christmas) A min. atbSATB 2Fl 2Ob Str Bc 30: 19 I/41 text by Neumeister (reworked) 00174
189 II Cantata Meine Seele rühmt und preist (German Magnificat, Visitation) B♭ maj. t Fl Ob Vl Bc 37: 213 I/41 by Hoffmann, M. 00229
217 II Cantata Gedenke, Herr, wie es uns gehet (Epiphany I) satbSATB Fl Str Bc 41: 207 I/41 by Altnickol? 00274
220 II Cantata Lobt ihn mit Herz und Munde (24 June: feast of John the Baptist) atbSATB Fl 2Ob Str Bc 41: 259 I/41 00277
221 II Cantata Wer sucht die Pracht, wer wünscht den Glanz tb 2Vl Bas Vc Org I/41 in SBB P 191: 83–113 00278
III 159 II
see BWV 1164 01470
II 25 II 1740–1742
(JSB) 		Kyrie–Gloria Mass C maj. SATB 2Tr 2Vl Org 111: XVI II/9 by Bach, J. L.? 01333
239 II 1738–1741
(JSB) 		Sanctus D min. SATB Str Bc 111: 89 II/9 after Caldara, Missa Providentiae/4 00298
II 28 II Sanctus B♭ maj. SATB 2Ob 2Cor Str Bc 111: XVII II/9 01336
II 29 II c.1714–17 Kyrie–Gloria Mass (only cello part extant) C min. II/9 in BKraków St 547 01337
III 167 II 1738–1739 (JSB) Kyrie–Gloria Mass for two choirs G maj. 3SATB 3Ob Tai 2Vl 2Va 2Vne Bc Org II/9 by Bernhard, Krieger or Pohle?; in SBB P 659 01478
II 30 II 1690s (Tor.)
c.1742 (JSB) 		Magnificat for double choir C maj. 2SATB 3Tr Tmp 2Vl 2Vla Bc 111: XV II/9 after Torri, Magnificat; Tr3, Tmp by Bach 01338
246 II 1730-04-07 (JSB) Passion St Luke Passion ssatbSATB 2Fl 2Ob Tai Bas Str Bc 452 II/9: 65 → BWV 246/40a; in SBB P 1017 00311
II 31 II chorale setting "Herr Gott, dich loben alle wir" SATB 2Tr 3Ob Str Bc in SBB P 101 01339
N 201 II chorale setting "Du Friedefürst, Herr Jesu Christ" SATB by Vetter, D. 01512
N 202 II chorale setting "Gott hat das Evangelium" SATB by Vetter, D. 01513
N 203 II chorale setting "Ich hebe meine Augen auf" SATB by Vetter, D. 01514
N 204 II chorale setting "O Traurigkeit, o Herzeleid" SATB by Vetter, D. 01515
II 32 II 1704 Sieben geistliche Oden und ein Gedicht [scores] No. 1 "Getrost mein Geist, wenn Wind und Wetter krachen" Voice Bc in Deutsche Übersetzungen und Gedichte 01340
II 33 II 1704 Sieben geistliche Oden und ein Gedicht [scores] No. 2 "Mein Jesus, spare nicht" Voice Bc in Deutsche Übersetzungen und Gedichte 01341
II 34 II 1704 Sieben geistliche Oden und ein Gedicht [scores] No. 3 "Kann ich mit einem Tone" Voice Bc in Deutsche Übersetzungen und Gedichte 01342
II 35 II 1704 Sieben geistliche Oden und ein Gedicht [scores] No. 4 "Meine Seele lass die Flügel" Voice Bc in Deutsche Übersetzungen und Gedichte 01343
II 36 II 1704 Sieben geistliche Oden und ein Gedicht [scores] No. 5 "Ich stimm' itzund ein Straff-Lied an" Voice Bc in Deutsche Übersetzungen und Gedichte 01344
II 37 II 1704 Sieben geistliche Oden und ein Gedicht [scores] No. 6 "Der schwarze Flügel trüber Nacht" Voice Bc in Deutsche Übersetzungen und Gedichte 01345
II 38 II 1704 Sieben geistliche Oden und ein Gedicht [scores] No. 7 "Das Finsterniß tritt ein" Voice Bc in Deutsche Übersetzungen und Gedichte 01346
II 39 II 1704 Sieben geistliche Oden und ein Gedicht [scores] No. 8 "Ach was wollt ihr trüben Sinnen" Voice Bc in Deutsche Übersetzungen und Gedichte 01347
II 40 II 1736 Song "Ich bin nun wie ich bin" [scores] Voice Kb in Singende Muse an der Pleiße [scores] 01348
II 41 II 1736 Song "Dir zu Liebe, wertes Herze" [scores] Voice Kb in Singende Muse an der Pleiße [scores] 01349
571 II c. 1704 Fantasia, a.k.a. Concerto G maj. Organ 38: 67 IV/11: 35 00651
580 II Fugue D maj. Organ 38: 215 00662
II 42 II Fugue [scores] F maj. Organ in SBB P 817: 1–3 01350
576 II Fugue G maj. Organ 38: 106 IV/11 00658
577 II Fugue G maj. Organ 38: 111 IV/11: 44 00659
581 II Fugue [scores] G maj. Organ IV/11 by Homilius? 00663
131a II Fugue G min. Organ 38: 217 IV/11: 3 after BWV 131/5 00161
536a II c.1760–1789? Prelude and Fugue A maj. Organ IV/6: 114 after BWV 536, 152/1; arr. by Scholz? 00612
545b II 1708–1717 Prelude, Trio and Fugue B♭ maj. Organ IV/11: 6 after BWV 545a; ↔ 545, 1029/3 00624
553 II Eight Short Preludes and Fugues No. 1 C maj. Organ 38: 23 IV/11 by Krebs, J. T. or J. L.? 00633
554 II Eight Short Preludes and Fugues No. 2 D min. Organ 38: 27 IV/11 by Krebs, J. T. or J. L.? 00634
555 II Eight Short Preludes and Fugues No. 3 E min. Organ 38: 30 IV/11 by Krebs, J. T. or J. L.? 00635
556 II Eight Short Preludes and Fugues No. 4 F maj. Organ 38: 33 IV/11 by Krebs, J. T. or J. L.? 00636
557 II Eight Short Preludes and Fugues No. 5 G maj. Organ 38: 36 IV/11 by Krebs, J. T. or J. L.? 00637
558 II Eight Short Preludes and Fugues No. 6 G min. Organ 38: 39 IV/11 by Krebs, J. T. or J. L.? 00638
559 II Eight Short Preludes and Fugues No. 7 A min. Organ 38: 42 IV/11 by Krebs, J. T. or J. L.? 00639
560 II Eight Short Preludes and Fugues No. 8 B♭ maj. Organ 38: 45 IV/11 by Krebs, J. T. or J. L.? 00640
561 II Fantasia and Fugue A min. Organ 38: 48 00641
584 II Trio [scores] G min. Organ I/12: 23
IV/11 		after BWV 166/2 00666
1027 /1a /2a /4a II Trio [scores] G maj. Organ IV/11 after BWV 1027/1–2 /4, 1039/1–2 /4; arr. by Kellner, J. P.? 01209
591 II Kleines harmonisches Labyrinth Organ 38: 225 IV/11: 50 by Heinichen? 00673
597 II Concerto for solo organ E♭ maj. Organ IV/11 after lost model? 00680
598 II Pedal-Exercitium (fragment) Organ 38: 210 by Bach, C. P. E.? 00681
676a II 1739–1789 chorale setting "Allein Gott in der Höh sei Ehr" (later variant) Organ 40: 208 IV/4: KB 48 after BWV 676 00792
683a II 1739–1789 chorale setting "Vater unser im Himmelreich" (later variant) Organ IV/4: KB 51 after BWV 683 00800
N 205 II
see BWV 1121 01516
II 48 II chorale setting "Allein Gott in der Höh sei Ehr" Organ by Walther (& Scholz?) 01356
II 49 II chorale setting "Ein feste Burg ist unser Gott" Organ by Walther? 01357
II 50 II chorale setting "Erhalt uns, Herr, hei deinem Wort" Organ 01358
II 51 II chorale setting "Erstanden ist der heilge Christ" Organ 01359
II 52 II chorale setting "Freu dich sehr, o meine Seele" Organ 01360
II 53 II chorale setting "Freu dich sehr, o meine Seele" Organ 01361
II 54 II chorale setting "Helft mir Gotts Güte preisen" Organ 01362
chorale setting "Von Gott will ich nicht lassen"
II 55 II 1714-1717
or earlier 		chorale setting "Herr Christ, der einig Gottes Sohn" [scores] Organ 01363
II 58 II chorale setting "Jesu, meine Freude" Organ 01366
II 59 II chorale setting "Jesu, meine Freude" Organ 01367
II 60 II chorale setting "Nun lob, mein Seel, den Herren" [scores] Organ by Walther? 01368
II 62a II chorale setting "Sei Lob und Ehr mit hohem Preis" Organ 01370
II 62b II chorale setting "Sei Lob und Ehr mit hohem Preis" Organ 01371
II 63 II chorale setting "Vom Himmel hoch" Organ 01372
II 64 II chorale setting "Vom Himmel hoch" Organ 01373
II 65 II chorale setting "Vom Himmel hoch" Organ 01374
II 66 II chorale setting "Wachet auf, ruft uns" Organ Tr by Krebs, J. L.? 01375
II 67 II chorale setting "Was Gott tut, das ist wohlgetan" Organ 01376
II 68 II chorale setting "Wer nur den lieben Gott läßt walten" Organ 01377
II 69 II chorale setting "Wir glauben all an einen Gott" Organ 01378
II 70 II chorale setting "Wir glauben all an einen Gott" [scores] Organ 01379
II 71 II
see BWV 1128 01725
II 72 II chorale setting "Christus der uns selig macht" (Canon) Organ 01381
II 74 II chorale setting "Schmücke dich, o liebe Seele" [scores] Organ 01383
II 75 II chorale setting "Herr Christ, der einig Gottes Sohn" [scores] Organ 01384
II 76 II chorale setting "Jesu, meine Freude" [scores] Organ 01385
II 77 II chorale setting "Herr Christ, der einig Gottes Sohn" [scores] Organ 01386
II 78 II chorale setting "Wenn wir in höchsten Nöten sein" [scores] Organ 01387
II 79 II chorale setting "Befiehl du deine Wege" Organ 01388
691a II 1720–1789 chorale setting "Wer nur den lieben Gott läßt walten" (variant) Organ 40: 151 after BWV 691 00809
N 206 II chorale setting "Ach bleib mit deiner Gnade" [scores] Organ by Pachelbel (P 376) 01517
chorale setting "Christus, der ist mein Leben" [scores]
II 80 II 1707–1708
or earlier 		Suite [scores] F maj. Keyboard V/12 01389
821 II Suite B♭ maj. Keyboard 42: 213 V/12: 3 00959
834 II Allemande C min. Keyboard 42: 259 V/12 00973
839 II 1735-03-07
or earlier 		Sarabande [scores] G min. Keyboard V/12 in Notenbuch der Zeumerin 00978
844 II Toccatina No. 4 Scherzo D min. Keyboard 42: 220 V/12: 16 by Bach, W. F.? ↔ BWV 844a 00983
844a II Scherzo E min. Keyboard 42: 281 V/12: 22 by Bach, W. F.? (BR A55); ↔ BWV 844 00984
845 II Gigue F min. Keyboard 42: 263 V/12 00985
II 81 II Gigue [scores] (incomplete) D min. Keyboard V/12 by Kellner, J. P.? 01390
II 82 II Ciacona [scores] B♭ maj. Keyboard V/12 by Bach, J. B.? 01391
II 83 II Ciacona [scores] A maj. Keyboard V/12 by Bach, J. B. or H.? 01392
II 84 II Ciacona [scores] G maj. Keyboard V/12 by Bach, J. B.? 01393
II 85 II Toccata and Fugue [scores] F min. Keyboard 42: XXXV V/12: 114, 122 by Dobenecker? 01394
898 II Prelude and Fugue [scores] on B-A-C-H B♭ maj. Keyboard 42: XXXIV V/12 01067
II 86 II Fantasia C min. Keyboard 42: 243 V/12 by Gronau? 01395
II 87 II Fantasia [scores] C maj. Keyboard V/12 by Benda? 01396
905 II Fantasia and Fugue D min. Keyboard 42: 179 V/12: 24 01076
907 II Fantasia and Fughetta B♭ maj. Keyboard 42: 268 V/12: 28 by Kirchhoff [de]? 01078
908 II Fantasia and Fughetta D maj. Keyboard 42: 272 V/12: 34 by Kirchhoff [de]? 01079
909 II Concerto e Fuga C min. Keyboard 42: 190 V/12: 38 01080
919 II Fantasia C min. Keyboard 36: 152 V/12: 48 by Bach, J. B. or J. B. the Younger? 01092
920 II Fantasia G min. Keyboard 42: 183 V/12 01093
923a II Toccatina No. 3 Prelude A min. Keyboard 42: 279 V/12: 14 after BWV 923 01097
II 89 II Fugue [scores] C maj. Keyboard 42: XXXIV V/12 01398
II 90 II Fugue C maj. Kb (with ped?) 38: 213 IV/11: 58, 61 by Bach, C. P. E. (H 388) or Pachelbel? 01399
II 91 II Fugue [scores] G maj. Keyboard 42: XXXIV V/12 01401
II 92 II Fugue [scores] G maj. Keyboard V/12 01402
II 93 II Fugue [scores] E min. Keyboard 42: XXXIV V/12 01403
II 95 II Fugue [scores] E min. Keyboard 42: XXXIV V/12 01405
II 96 II Fugue [scores] D maj. Keyboard V/12 by Bach, C. P. E.? (H 373.5) 01406
II 98 II Fugue [scores] D min. Keyboard V/12 by Bach, C. P. E.? (H 373.5) 01408
II 99 II Fugue [scores] D min. Keyboard V/12 01409
II 100 II Fugue [scores] D min. Keyboard V/12 by Bach, C. P. E.? (H 373.5) 01410
II 101 II Fugue [scores] G min. Keyboard 42: XXXV V/12: 130 by Dobenecker? 01411
II 102 II Fugue [scores] E♭ min. Keyboard V/12 01412
897/2 II Fugue A min. Keyboard 42: 175 V/12 by Dretzel or Bach, W. F.? 01066
945 II Fugue E min. Keyboard 36: 155 V/12 by Graupner? 01120
956 II Fugue E min. Keyboard 42: 200 V/12: 70 01133
958 II Fugue A min. Keyboard 42: 205 V/12: 74 01135
960 II Fugue (incomplete) E min. Keyboard 42: 276 V/12 01137
N 207 II Fugue E min. Keyboard IV/11 by Seger? 01518
II 109 II Fugue [scores] on B-A-C-H G min. Keyboard V/12 01419
964 II Sonata D min. Keyboard 42: 3 V/12: 78 after BWV 1003 01141
II 111 II Largo and Allegro [scores] G maj. Keyboard 42: XXXV V/12 01421
968 II Adagio G maj. Keyboard 42: 27 V/12: 94 after BWV 1005/1 01145
969 II Toccatina No. 5 Andante G min. Keyboard 42: 218 V/12: 18 01146
II 113 II 1725 (AMB) Notebook A. M. Bach (1725) No. 3 Minuet F maj. Keyboard 432: 25 V/4: 82 01423
II 116 II 1725 (AMB) Notebook A. M. Bach (1725) No. 7 Minuet G maj. Keyboard 432: 28 V/4: 87 01426
II 117 II 1725 (AMB) Notebook A. M. Bach (1725) No. 8a and 8b two Polonaises F maj. Keyboard 432: 28 V/4: 88 01427
01428
II 118 II 1725 (AMB) Notebook A. M. Bach (1725) No. 9 Minuet B♭ maj. Keyboard 432: 29 V/4: 89 01429
II 119 II 1725 (AMB) Notebook A. M. Bach (1725) No. 10 Polonaise G min. Keyboard 432: 30 V/4: 90 01430
II 120 II 1725 (AMB) Notebook A. M. Bach (1725) No. 14 Minuet A min. Keyboard 432: 31 V/4: 92 01431
II 121 II 1725 (AMB) Notebook A. M. Bach (1725) No. 15 Minuet C min. Keyboard 432: 32 V/4: 92 01432
II 126 II 1725 (AMB) Notebook A. M. Bach (1725) No. 22 Musette D maj. Keyboard 432: 35 V/4: 99 01437
II 127 II 1725 (AMB) Notebook A. M. Bach (1725) No. 23 March E♭ maj. Keyboard 432: 35 V/4: 100 by Bach, C. P. E. 01438
II 128 II 1725 (AMB) Notebook A. M. Bach (1725) No. 24 (Polonaise) D min. Keyboard 432: 36 V/4: 101 01439
II 132 II 1725 (AMB) Notebook A. M. Bach (1725) No. 36 Minuet D min. Keyboard 432: 48 V/4: 125 01443
II 151 II Concerto C maj. Keyboard 42: XXXIV V/12 01462
II 152 II Concerto G maj. Vl Hc 42: XXXIV VI/5 01463
990 II Sarabanda con Partitis C maj. Keyboard 42: 221 V/12: 97 01168
II 153 II Sonata A maj. Vl Bc VI/5 01464
II 154 II Sonata E♭ maj. Vl Hc VI/5 01465
1020 II Sonata G min. Vl Hc 9: 274 VI/5 by Bach, C. P. E.? (H 542.5) 01201
1022 II Sonata [scores] F maj. Vl Hc VI/5: 27 by Bach, C. P. E.?; after BWV 1021; ↔ BWV 1038 01203
1024 II Sonata [scores] C min. Vl Bc VI/5 01205
1031 II Sonata E♭ maj. Fl Hc 9: 22 VI/5: 13 by Bach, C. P. E.? (H 545) 01213
1033 II Sonata C maj. Fl Bc 431: 3 VI/5: 3 by Bach, C. P. E.? (H 564.5) 01215
1038 II 1732–1735 Sonata G maj. Fl Vl Bc 9: 219 VI/5: 45 by Bach, C. P. E.? (H 590.5); after BWV 1021; ↔ BWV 1022 01220
525a II Concerto (Trio sonata) C maj. Vl Vc Bc VI/5 after BWV 525/1, 1032/2, 525/3 01718
II 155 II Concerto A maj. Kb Str Bc VI/5 01466
I 22 II Concerto [scores] B♭ maj. Ob Vl Str Bc VI/5 by Förster (C.?)? 01330
1070 II Orchestral Suite (No. 5) G min. Str Bc 451: 190 VI/5 by Bach, W. F.? 01256
Anh. III Works of other composers, spuriously attributed to Bach Up ↑
III 156 III Cantata Herr Christ, der einge Gottes Sohn (Annunciation) SATB Str Bc by Telemann (TWV 1:732) 01467
III 157 III Cantata Ich habe Lust zu scheiden (Purification) s 2Fl Str Bc by Telemann (TWV 1:836) 01468
15 III 1726-04-21
(JSB) 		Cantata Denn du wirst meine Seele nicht in der Hölle lassen (Easter) satbSATB 3Tr Tmp Str Bc 2: 135 I/41 by Bach, J. L. (JLB 21); text in Meiningen 1704 00017
141 III Cantata Das ist je gewißlich wahr (3rd Sunday of Advent) atbSATB 2Ob Str Bc 30: 3 I/41 by Telemann (TWV 1:183) 00173
145/b III Cantata movement So du mit deinem Munde bekennest Jesum (Easter) D maj. SATB Tr Str Bc 30: 96 I/10: 142 by Telemann (TWV 1:1350/1) 00178
160 III 1725–1732? Cantata Ich weiß, daß mein Erlöser lebt (Easter) C maj. t Vl Bas Bc 32: 171 I/41 by Telemann (TWV 1:877) 00194
218 III Cantata Gott der Hoffnung erfülle euch (Pentecost) satbSATB 2Hn Str Bc 41: 223 by Telemann (TWV 1:634) 00275
219 III Cantata Siehe, es hat überwunden der Löwe (Michaelmas) sabSATB Str Bc 41: 239 by Telemann (TWV 1:1328) 00276
222 III Cantata Mein Odem ist schwach (Purification) sabSATB Str Bc by Bach, J. Ernst; → BWV Anh. 165 00279
III 158 III Aria "Andrò dall'colle al Prato" s 2Fl (2Hn) Str Bc by Bach, J. C. 03022
III 160 III 1750–1755? (Harrer?) Motet Jauchzet dem Herrn alle Welt, TWV 8:10 C maj. 2SATB III/3: 15 after Telemann (/1; /3 after TWV 1:1066), BWV 28/2 (/2 = BWV 28/2a); text after Psalm 100 01471
III 161 III Motet Kündlich groß ist das gottselige Geheimnis/1 (Christmas) D maj. SATB Str? Bc III/3 by Graun (C. H.?), precedes laudes A and B of BWV 243a 01472
III 162 III Motet Lob und Ehre und Weisheit und Dank 2SATB III/3 by Wagner, G. G. 01473
III 163 III Motet Merk auf, mein Herz, und sieh dorthin 2SATB III/3 by Bach, J. B. or J. Ernst 01474
III 164 III Motet Nun danket alle Gott [scores] SSATB III/3: 52 by Altnickol 01475
III 165 III Motet Unser Wandel ist im Himmel SATB III/3 by Bach, J. Ernst; after BWV 222/3 /4 /6 01476
III 166 III 1716 (JLB)
1729 (JSB) 		Kyrie–Gloria Mass Missa sopra cantilena "Allein Gott in der Höh' sei Ehr" E min. SSATB 2Vl 2Vla Vc Bc 111: XV
41: 276 		II/9 by Bach, J. L. (JLB 38), start of Gloria arr. by Bach 01477
II 24 III 1715–1717, 1724 (JSB) Kyrie–Gloria Mass A min. SATB Str Bc 111: XV II/9 after Missa Sancti Lamberti by Pez, J. C. 01332
II 26 III 1727–1732 (JSB) Kyrie–Gloria Mass [scores] C min. satbSATB 3Tbn 2Vl Bc 41: 193
111: XVI 		II/2: 295 by Durante (alternative Christe: BWV 242) 01334
II 27 III c. 1745? (JLK) Sanctus F maj. SATB 2Hn 2Ob Str Bc 111: XVII II/9 by Krebs, J. L. (Krebs‑WV 104) 01335
III 168 III c. 1747? (WFB) Kyrie and German Gloria G min. sSATB Str Bc 111: XVII II/9 by Bach, W. F. (BR E1 F 100) 01479
I 21 III c. 1707 (MH) Magnificat Meine Seel erhebt den Herren A min. s Fl 2Vl Bc 111: XVIII II/9 by Hoffmann, M. 01329
III 169 III 1724–1725 Passion Erbauliche Gedanken auf den Grünen Donnerstag und Charfreitag über den Leidenden Jesum text by Picander partly used in BWV 244 but no other known setting 01480
8/6 III 1713 (Vet.)
1724-09-24
(JSB) 		chorale setting "Liebster Gott, wenn werd ich sterben" (s. 5) E maj. SATB 1: 241 I/23: 161 by Vetter, D. (Z 6634); text by Neumann 00009
III/2.1: 63
III/2.2: 25 		11228
D maj. I/23: 219 00010
27/6 III 1652 (Ros.)
1726-10-06
(JSB) 		chorale setting "Welt, ade, ich bin dein müde" (s. 1) B♭ maj. SSATB 51: 244 I/23: 251 by Rosenmüller (Z 6531); text by Albinus 01481
III 170 III/2.2: 86 11345
43/11 III 1652 (Pet.)
1726-05-30 (JSB) 		chorale setting "Du lebensfürst, Herr Jesu Christ" [choralwiki] (ss. 1, 13) G maj. SATB 10: 126 I/12: 164 by Peter [de] after Z 5741b; text by Rist 11241
chorale setting "Ermuntre dich, mein schwacher Geist" III/2.1: 74
III/2.2: 57
567 III Prelude C maj. Organ 38: 84 IV/11 by Krebs, J. L. (Krebs‑WV 401) 00647
III 178 III last third of 17th century Toccata quasi Fantasia con Fuge A maj. Organ 42: 250 V/12 by Reincken? 01489
II 43 III c. 1788 Fugue [scores] B min. Organ IV/11 by Pölitz [de]; after H 776/18 01351
II 44 III Fugue [scores] G maj. Organ IV/11 by Kellner, J. P. or J. C. 01352
II 45 III c. 1799 Fugue [scores] on B-A-C-H B♭ maj. Organ IV/11 by Knecht 01353
II 88 III 1765 Fugue [scores] C maj. Keyboard V/12 by Kellner, J. C. 01397
II 97 III Fugue [scores] F♯ maj. Keyboard 42: XXXV IV/11: 63 by Krebs, J. L. (Krebs‑WV 409/2) 01407
II 103 III c. 1711–1718 (GFH) Fugue [scores] A min. Keyboard V/12 by Handel (HWV 609 [scores]) 01413
II 104 III c. 1711–1718 (GFH) Fugue [scores] C min. Keyboard V/12 by Handel (HWV 610 [scores]) 01414
II 105 III c. 1711–1718 (GFH) Fugue [scores] B♭ maj. Keyboard V/12 by Handel (HWV 607 [scores]) 01415
II 106 III c. 1711–1718 (GFH) Fugue [scores] G min. Keyboard V/12 by Handel (HWV 605 [scores]) 01416
N 208 III 1747 (JEE) Fugue E♭ min. Keyboard IV/11 After Toccata nona [scores] by Eberlin 01519
II 46 III Trio [scores] C min. Organ IV/11 by Krebs, J. T. 01354
692 III chorale setting "Ach Gott und Herr" (Kirnb. coll. No. 3) C maj. Organ 40: 4 IV/11 by Walther; after BWV 692a 00810
692a III chorale setting "Ach Gott und Herr" (early version) C maj. Organ 40: 152 IV/11 by Walther; → BWV 692 00811
693 III chorale setting "Ach Gott und Herr" (Kirnb. coll. No. 4) C maj. Organ 40: 5 IV/11 by Walther 00812
746 III 1715 or earlier (JCFF) chorale setting "Christ ist erstanden" D min. Organ 40: 173 IV/10 by Fischer (Ariadne Musica [scores] No. 24) 00874
748 III 1700–1739 chorale setting "Gott der Vater wohn uns bei" D maj. Organ 40: 177 IV/10 by Walther; → BWV 748a 00876
748a III 1700–1789 chorale setting "Gott der Vater wohn uns bei" (variant) D maj. Organ IV/10 by Scholz (arr.)?; after BWV 748 00877
751 III chorale setting "In dulci jubilo" [scores] (also in Neumeister Collection) Organ IV/10 by Bach, J. Michael 00880
759 III chorale setting "Schmücke dich, o liebe Seele" F maj. Organ 40: 181 IV/10 by Homilius (HoWV VIII.17 [scores]) 00888
760 III chorale setting "Vater unser im Himmelreich" Organ 40: 183 IV/10 by Böhm 00889
761 III chorale setting "Vater unser im Himmelreich" Organ 40: 184 IV/10 by Böhm 00890
1096 III chorale setting "Christe, der du bist Tag und Licht" [scores] (3 versions; Neumeister Chorales No. 8) A min. Organ IV/9: 16, 76 by Pachelbel? 01282
chorale setting "Wir danken dir, Herr Jesu Christ" [scores] (3 versions; Neumeister Chorales No. 8)
771 III chorale setting "Allein Gott in der Höh sei Ehr" G maj. Organ 40: 195 IV/11 by Vetter, A. N. 00901
II 47 III chorale setting "Herzlich tut mich verlangen" [scores] A min. Organ IV/10 by Kellner, J. P. 01355
chorale setting "Ach Herr, mich armen Sünder" [scores]
II 56 III 1735 (Telem.) chorale setting "Herr Jesu Christ dich zu uns wend" [scores] Organ IV/10 by Telemann (TWV 31:8) 01364
II 57 III chorale setting "Jesu Leiden, Pein und Tod" [scores] Organ IV/10 by Vogler 01365
II 61 III chorale setting "O Mensch, bewein dein Sünde groß" [scores] F maj. Organ IV/10 by Pachelbel (P 396) 01369
II 73 III 1720–1788 chorale setting "Ich ruf zu dir, Herr Jesu Christ" [scores] F min. Organ IV/10 by Bach, C. P. E.; after BWV 639 01382
III 171 III chorale setting "Christ lag in Todesbanden" [scores] Organ 40: 174 IV/10 by Pachelbel (P 58) 01482
III 172 III chorale setting "Herr Jesu Christ, dich zu uns wend" [scores] G maj. Organ IV/10 by Krebs, J. L. (Krebs‑WV 524) 01483
824 III 1720 (WFB) Klavierbüchlein WFB No. 47: Suite A maj. Keyboard 36: 231 V/5: 78 by Telemann (TWV 32:14) 00962
835 III 1761 (Kirnb.) Allemande A min. Keyboard 42: 267 V/12 by Kirnberger (EngK 74) 00974
838 III Allemande and Courante A maj. Keyboard 42: 265 V/12 by Graupner (GWV 849/2 /3) 00977
840 III Courante [scores] G maj. Keyboard V/12 by Telemann (TWV 32:13/2) 00979
897/1 III c. 1736–1743 (CHD) Prelude A min. Keyboard 42: 173 V/12 by Dretzel ("Adagiosissimo") 01065
962 III c. 1783 (JGA) Fugue E min. Keyboard 42: 198 V/12 by Albrechtsberger (Op. 1/8) 01139
970 III Toccatina No. 6 Presto D min. Keyboard 42: XXXIV V/12 by Bach, W. F. (BR A49 F 25/2) 11148
II 94 III 1774 (Kirnb.) Fugue [scores] E min. Keyboard 42: XXXIV V/12 by Kirnberger (EngK 35) 01404
II 107 III Fugue [scores] on B-A-C-H C maj. Keyboard 42: XXXIV V/12 by Sorge? 01417
II 108 III Fugue [scores] on B-A-C-H C maj. Keyboard 42: XXXIV V/12 by Bach, C. P. E. (H 373) or Sorge? 01418
II 110 III Fugue [scores] on B-A-C-H C min. Keyboard 42: XXXIV V/12 by Sorge? 01420
II 112 III 1780 (Kirnb.) Grave [scores] E min. Keyboard V/12 by Kirnberger (EngK 16) 01422
II 114 III 1725 (AMB) Notebook A. M. Bach (1725) No. 4 Minuet G maj. Keyboard 432: 26 V/4: 83 by Petzold 01424
II 115 III 1725 (AMB) Notebook A. M. Bach (1725) No. 5 Minuet G min. Keyboard 432: 26 V/4: 84 by Petzold 01425
II 122 III 1725 (CPE) Notebook A. M. Bach (1725) No. 16 March D maj. Keyboard 432: 32 V/4: 94 by Bach, C. P. E. (H 1/1) 01433
II 123 III 1725 (CPE) Notebook A. M. Bach (1725) No. 17 Polonaise G min. Keyboard 432: 32 V/4: 95 by Bach, C. P. E. (H 1/2) 01434
II 124 III 1725 (CPE) Notebook A. M. Bach (1725) No. 18 March G maj. Keyboard 432: 33 V/4: 96 by Bach, C. P. E. (H 1/3) 01435
II 125 III 1725 (CPE) Notebook A. M. Bach (1725) No. 19 Polonaise G min. Keyboard 432: 33 V/4: 97 by Bach, C. P. E. (H 1/4) 01436
II 129 III 1725 (AMB) Notebook A. M. Bach (1725) No. 27 Solo per il cembalo E♭ maj. Keyboard 432: 38 V/4: 104 by Bach, C. P. E. (H 16) 01440
II 130 III 1725 (AMB) Notebook A. M. Bach (1725) No. 28 Polonaise G maj. Keyboard 432: 39 V/4: 106 by Hasse 01441
II 131 III c.1745? Notebook A. M. Bach (1725) No. 32 F maj. Keyboard 432: 46 V/4: 121 by Bach, J. C. (W A22) 01442
II 133 III 1763 or later Musical clock [scores] No. 1 Fantasia G maj. Musical clock V/12 by Bach, W. F. (BR A63 F 207) 01444
II 134 III 1763 or later Musical clock [scores] No. 2 Scherzo G maj. Musical clock V/12 by Bach, W. F. (BR A64 F 207) 01445
II 135 III 1763 or later Musical clock [scores] No. 3 Bourlesca A min. Musical clock V/12 by Bach, W. F. (BR A65 F 207) 01446
II 136 III 1763 or later Musical clock [scores] No. 4 Trio A min. Musical clock V/12 by Bach, W. F. (BR A66 F 207) 01447
II 137 III 1763 or later Musical clock [scores] No. 5 L'Intrada della Caccia E♭ maj. Musical clock V/12 by Bach, W. F. (BR A67 F 207) 01448
II 138 III 1763 or later Musical clock [scores] No. 6 Continuazione della Caccia E♭ maj. Musical clock V/12 by Bach, W. F. (BR A68 F 207) 01449
II 139 III 1763 or later Musical clock [scores] No. 7 Il Fine delle Caccia I D maj. Musical clock V/12 by Bach, W. F. (BR A69 F 207) 01450
II 140 III 1763 or later Musical clock [scores] No. 8 Il Fine delle Caccia II D min. Musical clock V/12 by Bach, W. F. (BR A70 F 207) 01451
II 141 III 1763 or later Musical clock [scores] No. 9 Song "O Gott die Christenheit" F maj. Musical clock V/12 by Bach, W. F. (BR A71 F 207) 01452
II 142 III 1763 or later Musical clock [scores] No. 10 Psalm 110 A min. Musical clock V/12 by Bach, W. F. (BR A72 F 207) 01453
II 143 III 1763 or later Musical clock [scores] No. 11 Polonaise E min. Musical clock V/12 by Bach, W. F. (BR A73 F 207) 01454
II 144 III 1763 or later Musical clock [scores] No. 12 Polonaise Trio A min. Musical clock V/12 by Bach, W. F. (BR A74 F 207) 01455
II 145 III 1763 or later Musical clock [scores] No. 13 March C maj. Musical clock V/12 by Bach, W. F. (BR A75 F 207) 01456
II 146 III 1763 or later Musical clock [scores] No. 14 March F maj. Musical clock V/12 by Bach, W. F. (BR A76 F 207) 01457
II 147 III 1763 or later Musical clock [scores] No. 15 La Combattuta G maj. Musical clock V/12 by Bach, W. F. (BR A77 F 207) 01458
II 148 III 1763 or later Musical clock [scores] No. 16 Scherzo G min. Musical clock V/12 by Bach, W. F. (BR A78 F 207) 01459
II 149 III 1763 or later Musical clock [scores] No. 17 Minuet G maj. Musical clock V/12 by Bach, W. F. (BR A79 F 207) 01460
II 150 III 1763 or later Musical clock [scores] No. 18 Trio G min. Musical clock V/12 by Bach, W. F. (BR A80 F 207) 01461
III 177 III Prelude and Fugue E♭ maj. Keyboard 36: 88 V/12: 134 by Bach, J. Christoph? 01488
III 179 III 1728 (JDH) Fantasia durch alle Tonarten gehend [scores] A min. Keyboard V/12 by Heinichen 01490
III 180 III Fugue D min. Keyboard 36: 188 V/12 by Kellner, J. P. 01491
III 181 III Fugue [scores] A min. Keyboard V/12 by Krebs, J. L. (Krebs‑WV 825/2) 01492
III 182 III Passacaglia D min. Keyboard 42: 234 V/12 by Witt 01493
III 183 III 1725 (AMB) Notebook A. M. Bach (1725) No. 6 Rondeau B♭ maj. Keyboard 432: 27 V/4: 85 by Couperin (6ième Ordre: Les Bergeries) 01494
1036 III 1731 (CPE) Trio D min. Vl Hc (2Vl Bc) VI/5 by Bach, C. P. E. (H 569; Wq 145) 01218
1037 III c. 1740s (JGG) Sonata C maj. 2Vl Bc 9: 229 VI/5 by Goldberg 01219
III 173 III 1712 (FAB)
c. 1723 (JSB) 		Invention B min. Vl Kb 451: 172 VI/5 by Bonporti (Op. 10 No. 2) 01484
III 174 III 1712 (FAB)
c. 1723 (JSB) 		Invention B♭ maj. Vl Kb 451: 176 VI/5 by Bonporti (Op. 10 No. 5) 01485
III 175 III 1712 (FAB)
c. 1723 (JSB) 		Invention C min. Vl Kb 451: 181 VI/5 by Bonporti (Op. 10 No. 6) 01486
III 176 III 1712 (FAB)
c. 1723 (JSB) 		Invention D maj. Vl Kb 451: 185 VI/5 by Bonporti (Op. 10 No. 7) 01487
III 184 III c. 1747 (Zuc.) Sonata A min. Vl Bc VI/5 by Zuccari (Op. 1 [scores] No. 10) 01495
III 185 III Sonata D maj. 2Vl Bc VI/5 by Bach, C. P. E. (H 585; ≈H 507; Wq 74) 01496
III 186 III Sonata [scores] F maj. 2Vl Bc VI/5 by Bach, C. P. E. (H 576; Wq 154) 01497
III 187 III Sonata (Trio) [scores] F maj. Bas Fl Vne VI/5 by Bach, C. P. E. (H 589) 02454
III 188 III c. 1740 (WFB) Sonata (Concerto) F maj. 2Hc 431: 47 V/12 by Bach, W. F. (BR A12 F 10) 01499
I 23 III 1710 (Alb.)
c.1710 (JSB) 		Concerto [scores] E min. 2Vl Va Vc Vne VI/5 by Albinoni (Op. 2 No. 4 = 2nd Concerto) 01331
III 189 III 1745–1747 (JSB) Concerto [scores] A min. Hc Str Bc VI/5 by Bach, C. P. E. (H 403; Wq 1) 01500
Anh. N New additions to the Anhang Up ↑
—
Up ↑
655b – 1708–1789 chorale setting "Herr Jesu Christ, dich zu uns wend" (alternative version "a" in BGA) Organ 252: 159 after BWV 655(a); ↔ 655c 00754
655c – 1708–1789 chorale setting "Herr Jesu Christ, dich zu uns wend" (alternative version "b" in BGA) Organ 252: 160 after BWV 655(a); ↔ 655b 00755
813a – French Suites, No. 2 – Version B (early version): No. 6 Menuet II C min. Keyboard 36: 236 V/8: 79 00947
deest BC
C 8 		1723–1750?
(JSB?) 		Motet Der Gerechte kömmt um (Wer ist der, so von Edom kömmt/39; funer. motet?) E min. SSATB 2Fl 2Ob Str Bc I/41: 127 by Kuhnau? (Tristis est...); arr. by Bach? 01532
deest BC
D 1 		1717-03-28? Passion Weimarer Passion ?stbSATB 2Fl 2Ob Str Bc → BWV 23/4 (and 55/3; 244/29; 245a–c; 283?) 01533
deest BC
D 5a 		1707 (Kei)
before 1713
(JSB) 		Passion Jesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, Weimar version) SATB 2Vl 2Va Hc II/9: 69 Pasticcio (Keiser G.?, Bach) 01534
deest BC
D 5b 		1726-04-19
(JSB) 		Passion Jesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, 1st Leipzig version) SATB 2Vl 2Va Org II/9 Pasticcio after BC D 5a (Keiser G.?, Bach) adding BWV 500a and 1084) 01535
deest BC
D 10 		c.1750? Passion Wer ist der, so von Edom kömmt D min. satbSSATB 2Fl 2Ob Str Bc I/41: 95 Pasticcio (Graun, C. H.; Telemann; Bach;...) 10991
deest
(8/6*) 		BC F 131.1c c. 1735 chorale setting "Liebster Gott, wenn werd ich sterben" E♭ maj. SATB III/2.1: 100 after Z 6634; text by Neumann 11072
BGA 1725 (JSB) Notebook A. M. Bach (1725) No. 21 Menuet fait par Mons. Böhm G maj. Keyboard 432: 35 V/4: 82 by Böhm
BNB
I/B
/48 		1709 (Bas.)
c.1738
(JSB) 		6 Masses without Benedictus and Agnus Dei from Acroama missale [scores] 2SATB 3Tbn Str Bc by Bassani; copied by Bach (BNB I/B/48), later adding BWV 1081 08834
BNB
I/C/1 		1740–1742 (JSB) Magnificat C maj. SATB 4Tbn Tmp Bc by Caldara; → BWV 1082; in DBB 2755/1 08841
deest BNB
I/K/2 		before 1719
(Han.)
1743–1748
(JSB) 		Passion Jesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, 2nd Leipzig version) stSATB 2Ob 2Bas 2Vl 2Va Vc Vne Hc II/9 Pasticcio after BC D 5b (Keiser G.?, Bach) and HWV 48/9 /23 /41 /44 /47 /52 /55 (Handel) 01680
deest NBA 1591 (Pal.)
c.1742
(JSB) 		Kyrie–Gloria Mass arranged from Missa sine nomine a 6 E min. SSATTB 2Co 4Tro Vne Hc Org II/9: 13 by Palestrina after anon. motet Beata Dei genitrix; arr. by Bach 01676
NBA 1720-01-22 Klavierbüchlein WFB, p. 3a: Claves signatae (introduction on clefs) 451: 213 V/5
NBA 1720-01-22 Klavierbüchlein WFB, p. 3b: Explication... (introduction on ornaments) 451: 213 V/5
NBA 1720 (WFB) Klavierbüchlein WFB No. 25: Pièce pour le Clavecin Keyboard 451: 218 V/5: 40 by Richter, J. C. [de]
deest NBA 1720 (anon) Klavierbüchlein WFB No. 30: Bass sketch G min. 451: 220 V/5: 45
NBA 1720 (WFB) Klavierbüchlein WFB No. 48a–d: Partita Keyboard 451: 223 V/5: 82 by Stölzel
Lenda para abreviaturas na coluna "Coração"
Vozes (veja também SATB)
um A b) B S S ) T v V
alto (parte de baixo) alto (parte de coro) baixo (parte de baixo) baixo (parte de coro) soprano (solo parte) soprano (parte de coro) tenor (solo parte) tenor (parte de coro) voz (inclui partes para vozes ou instrumentos não especificados como em alguns cânones) música vocal para tipo de voz não especificado
Ventos e bateria (negrito = solista)
Bacia Bel CENTRO Fl Hn Obs. Oba Odc Tai Tbn Tdt TEMPO T.
bassoon (pode fazer parte do Bc, ver abaixo) Bell(s) cornett, cornettino flauto (traverso, flauto dolce, piccolo, flauto basso) natural horn, corno da caccia, corno da tirasi, lituo Oboe oboe d'amore oboe da caccia caudal trombone O que fazer? Timpani tromba (trompete natural, trombeta clarino)
Cordas e teclado (negrito = solista)
Bc Hc Kb Lu LW Orgação Str Vaga. Vc VDG Vl V.
basso: contínuo Vdg, Hc, Vc, Bas, Org, Vne e/ou Lu cravo teclado teclado (Hc, Lw, Org ou clavichord) lute, theorbo Lautenwerck (lute-harpsicord) órgão (/man. = manual, sem pedais) strings: Vl I, Vl II e Va viola(s), viola d'amore, violetta violoncelo, violoncello piccolo Violação do Gamba violino(s), violino piccolo violone, violone grosso

Por gênero

Cantatas (BWV 1–224)

Ver #BWV Capítulo 1 na tabela acima

Na primeira edição de 1950 do BWV, as cantatas foram amplamente listadas de acordo com seu número BGA:

  • BWV 1–200: Cantatas da Igreja
  • BWV 201-216: cantatas seculares
  • BWV 217-224: Cantatas com várias questões (perdido, incompleto, espúria, duvidoso)

Adicionalmente Anh. I da primeira edição do BWV começou com uma lista de cerca de 20 cantatas perdidas, enquanto Anh. III dessa edição listou algumas cantatas (movimentos) de outros compositores (Anh. 156–158).

BWV2a adicionou muitas outras cantatas perdidas (BWV Anh. 190–199 e 209–212) e versões alternativas a trabalhos conhecidos indicando cantatas ou versões de cantatas (parcialmente) perdidas, por exemplo BWV 244a, cuja música foi parcialmente preservada na Paixão de São Mateus, BWV 244.

Motetos (BWV 225–231)

Ver #BWV Capítulo 2 na tabela acima

Existem mais de uma dúzia de motetos atribuídos a Bach, cerca de metade dos quais são autênticos segundo todos os relatos:

  • BWV 225–230 são as seis composições que sempre foram consideradas motetas compostas por Bach
  • BWV 231 foi posteriormente renumerado para BWV 28/2a, uma variante do segundo movimento de cantatata BWV 28
  • BWV 118, publicado como cantata no século XIX, foi posteriormente recategorizado como um motet, seguindo a designação de Bach sobre a pontuação.
  • BWV Anh. 159-165 são motets com uma atribuição duvidosa ou espúria a Bach, a primeira das quais é, no entanto, mais provável composta por Bach.

Obras litúrgicas em latim (BWV 232–243)

Ver #BWV Capítulo 3 na tabela acima

O envolvimento de Bach com a música sacra latina, como compositor, arranjador ou copista, inclui:

  • BWV 232–242: Movimentos de massas e massas (Mass in B minor; Missas Kyrie–Gloria; movimentos de massas separados)
  • BWV 243: Magnificat
  • BWV 1081–1083: adições posteriores ao catálogo BWV
  • BWV Anh. 24–30, 166–168: trabalhos duvidosos e espúrios
  • BNB I/B/48, I/C/1, I/P/2: cópias e acordos

Paixões e oratórios (BWV 244–249)

Ver #BWV Capítulo 4 na tabela acima

As paixões e oratórios compostos ou contribuídos por Bach incluem:

  • BWV 244–247: Paixões (Paixão de São Mateus; São João Paixão; Paixão de São Marcos; Paixão de São Lucas)
  • BWV 248–249: Oratorios (Oratorio de Natal; Oratorio de Páscoa)
  • BWV 11: Ascensão Oratorio
  • BWV 127/1, 500a, 1084, 1088, deest: St Mark Passion (atribuído a Keiser), Paixão de Weimarer, Wer ist der, então von Edom kömmt
  • BWV Anh. 169: texto de paixão por Picander (não definido por Bach, além de usar algumas partes deste texto em seu Paixão de São Mateus)

Corais a quatro vozes (BWV 250–438)

Ver #BWV Capítulo 5 na tabela acima

As configurações de coral de Bach (geralmente para coro SATB) estão incluídas em:

  • BWV 250–438: configurações de coral separadas
  • Cantatas (mais proeminente no coral cantatas), motets, paixões, oratórios, segundo livro de notas para Anna Magdalena Bach
  • BWV 1089, 1122–1126: adições posteriores ao catálogo BWV
  • BWV Anh. 31, 201–204: duvidoso e espúria

Músicas e árias (BWV 439–524)

Ver #BWV Capítulo 6 na tabela acima

Músicas e árias (separadas) de Bach estão incluídas em várias coleções:

  • BWV 439–507: Produtos de plástico
  • BWV 508–518: Segundo livro de notas para Anna Magdalena Bach
  • BWV 519–523: D-B Mus. ms. Bach P 802, um manuscrito de Johann Ludwig Krebs
  • BWV Anh. 32–39: Deutsche Übersetzungen und Gedichte (dubitante)
  • BWV Anh. 40–41: Singende Muse an der Pleiße (dubitante)

Associado ao grupo Songs and Arias:

  • BWV 524: (casamento) Quodlibet para quatro vozes (incompleto)
  • BWV 1127: "Alles mit Gott und nichts ohn' ihn" (aria estefófica redescoberta em 2005)

Obras para órgão (BWV 525–771)

Ver #BWV Capítulo 7 na tabela acima

As composições para órgão de Bach incluem:

  • BWV 525–530: Sonatas
  • BWV 531–582: composições do tipo Prelude/Fantasia/Toccata/Adagio/Passacaglia e/ou Fugue
  • BWV 583–591: várias composições de órgãos livres (Trios/Aria/Canzona/Allabreve/Pastorale/Kleines harmonias Labirinto)
  • BWV 592–597: Concertos (transcrições)
  • BWV 598: Pedal-exércio
  • BWV 599–764: Prelúdios de Chorale (Produtos de plástico; Corais de Schübler; Great Eighteen Chorale Preludes ou Salões de Leipzig; Chorale preludes from Clavier-Übung III; Kirnberger chorle preludes; outros preludes de coral)
  • BWV 765–768: Chorale partitas
  • BWV 769–771: Variações de Chorale (inclui Variações Canônicas em "Vom Himmel hoch da komm' ich her")
  • BWV 1085–1087, 1121, 1128: várias adições posteriores ao catálogo BWV
  • BWV 1090–1120: Corais Neumeister
  • BWV Anh. 42–79, 171–178, 200, 206, 208, 213: peças de órgãos perdidos, duvidosos e espúrias

Funciona para teclado (BWV 772–994)

Veja #BWV Capítulo 8 na tabela acima

As obras de Bach para cravo, clavicórdio e outros instrumentos de teclado incluem:

  • BWV 772–801: Invenções e Sinfonias
  • BWV 802–805: Duetas de Clavier-Übung III
  • BWV 806–845: Suítes e movimentos de suite (Inglês Suites; Suítes franceses; Partitas = Clavier-Übung I; Abertura no estilo francês de Clavier-Übung II; etc.)
  • BWV 846–893: The Well-Tempered Clavier (livro I, livro II)
  • BWV 894–962: composições do tipo Prelude/Fantasia/Concerto/Toccata e/ou Fugue/Fughetta (inclui Fantasia Cromática e Fugue, Seis pequenos prelúdios, várias partes do Klavierbüchlein für Wilhelm Friedemann Bach, etc.)
  • BWV 963–970: Sonatas e movimentos sonatas
  • BWV 971–987: Concertos (inclui Concerto italiano a partir de Clavier-Übung II e várias transcrições de concerto)
  • BWV 988–991: Variações (inclui Variações Goldberg = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = Clavier-Übung IV e Aria variata alla maniera italiana)
  • BWV 992–994: Capriccios e Applicatio (inclui Capriccio na partida de um irmão amado)

Obras para alaúde solo (BWV 995–1000)

Veja #BWV Capítulo 9 na tabela acima

As composições de Bach para alaúde e/ou cravo-alaúde (Lautenwerck) incluem:

  • BWV 995–1000 suites e movimentos separados para lute e/ou lute-harpsicord
  • BWV 1006a: transcrição de BWV 1006

Música de câmara (BWV 1001–1040)

Veja #BWV Capítulo 10 na tabela acima

Bach escreveu música de câmara para violino solo, violoncelo ou flauta, sonatas para cravo e solista instrumental e sonatas para trio:

  • BWV 1001–1006: Sonatas e partitas para violino solo
  • BWV 1007–1012: Cello Suites
  • BWV 1013: Partita para flauta solo
  • BWV 1014-1026: trabalhos para violino acompanhado (sonatas, suite para violino e cravo; sonatas, fugue para violino e basso continuamente)
  • BWV 1027–1029: sonatas para viola da gamba e harpsicord
  • BWV 1030–1035: sonatas para flauta acompanhada (sonatas para flauta e cravo; sonatas para flauta e baixo contínuo)
  • BWV 1036–1040: trio sonatas

Obras orquestrais (BWV 1041–1071)

Veja #BWV Capítulo 11 no quadro acima

Bach escreveu concertos e suítes orquestrais:

  • BWV 1041–1045: concertos de violino (em um menor, em E major, Concerto duplo); Concerto triplo; Movimento de Concerto / fragmento de Sinfonia
  • BWV 1046–1051: Concertos de Brandenburgo
  • BWV 1052–1065: Concertos de Harpsichord
  • BWV 1066–1071: Suites orquestrais e Sinfonia (versão inicial de BWV 1046)

Cânones (BWV 1072–1078)

Veja #BWV Capítulo 12 no quadro acima

Cânones separados de Bach estão listados no capítulo 12 do BWV:

  • BWV 1072–1078: cânones
  • BWV 1086–1087: adições posteriores

Trabalhos contrapontísticos tardios (BWV 1079–1080)

Veja #BWV Capítulo 13 no quadro acima

A lista de obras contrapontísticas tardias contém apenas dois itens:

  • BWV 1079: A oferta musical
  • BWV 1080: A Arte de Fugue

Adições do século 20 ao catálogo BWV e Anhang

Adições conforme publicado em BWV2a

Adições ao catálogo principal (BWV 1081–1126)

  • BWV 1081 – Credo in unum Deum in F major (para coro), incluído no capítulo 3 em BWV2a
  • BWV 1082 – Suscepit Israel por Antonio Caldara (para coro), como copiado por Bach; Incluído no Capítulo 3 em BWV2a
  • BWV 1083 – Tilge, Höchster, meine Sünden (motet, "parody", ou seja, versão retrabalhada, do Stabat Mater de Pergolesi), incluído no Capítulo 3 na BWV2a
  • BWV 1084 – O hilf, Christe, Gottes Sohn (chorale das versões de Leipzig de Bach da Paixão de São Marcos atribuída a Keiser), incluída no Capítulo 5 em BWV2a
  • BWV 1085 – O Lamm Gottes, unchuldig (prelúdio de cor), incluído no Capítulo 7 em BWV2a
  • BWV 1086 – Canon Discordos de Concordia, incluído no capítulo 12 em BWV2a
  • BWV 1087 – 14 cânones no Primeiro Oito Notas de Goldberg Variations Ground (descoberto 1974), incluídos no Capítulo 12 em BWV2a
  • BWV 1088 – "So heb ich denn mein Auge sehnlich auf" (arioso for bass), No. 20 in Wer ist der, então von Edom kömmt (pasticcio Passion oratorio); Incluído no Capítulo 4 em BWV2a
  • BWV 1089 – Da Jesus an dem Kreutze stund (coral de quatro partes), incluído no capítulo 5 em BWV2a
  • BWV 1090–1120 – 31 prelúdios de coral para órgão da Coleção Neumeister, descoberto em 1985 nos arquivos da biblioteca da Universidade Yale; Incluído no Capítulo 7 na BWV2a, exceto para BWV 1096, atribuído a Johann Pachelbel, que foi movido para Anh. III (trabalho espúrio).
  • BWV 1121, anteriormente Anh. 205 – Fantasie in C minor (organ), incluído no Capítulo 7 em BWV2a
  • BWV 1122–1126 – cinco corales de quatro partes, mudaram-se para o Capítulo 5 em BWV2a

Adições ao Anhang (BWV Anh. 190–213)

BWV Anh. 190–213 foram adicionados entre as edições de 1950 e 1990 do catálogo

  • BWV Anh. 190–197 – Cantatas adicionado a Anh. I (música perdida); veja também List of Bach cantatas
  • BWV Anh. 198 – Esboço abandonado de uma abertura cantata, renumerado para BWV 149/1a e adicionado ao Capítulo 1 em BWV2a
  • BWV Anh. 199 – Cantata adicionado a Anh. I (música perdida); veja também List of Bach cantatas
  • BWV Anh. 200 – Fragmento de um prelúdio coral O Traurigkeit, o herzeleid, adicionado ao Anh. Eu (estranho não usado para o Produtos de plástico)
  • BWV Anh. 201–204 – Quatro partes de coral adicionado a Anh. II (dubitante)
  • BWV Anh. 205 – Fantasia em C menor, autenticada como BWV 1121 e adicionada ao Capítulo 7 em BWV2a
  • BWV Anh. 206 – Prelúdio coral duvidoso, adicionado a Anh. II
  • BWV Anh. 207 – Fugue de teclado duvidoso, adicionado a Anh. II
  • BWV Anh. 208 – Fuga de órgão espúria, adicionada a Anh. III.
  • BWV Anh. 209–212 – Cantatas perdidas adicionadas a Anh. I; veja também Lista de cantatas de Bach
  • BWV Anh. 213 – Acordo perdido para órgão de um concerto telemann não identificado, adicionado a Anh. Eu...

Adições do século 21 ao catálogo BWV (BWV 1127 e superior)

Ver também #BWV Mais tarde na tabela acima

Números BWV atribuídos após a publicação do BWV2a:

  • BWV 1127: strophic aria "Alles mit Gott und nichts ohn' ihn" (descoberto em junho de 2005)
  • BWV Anh. 71, renumbered to BWV 1128: coral fantasia for organ "Wo Gott der Herr nicht bei uns hält" (BWV Anh. II 71 foi autenticado como uma composição de Bach depois que a cópia de Wilhelm Rust de 1877 foi recuperada em março de 2008)
  • BWV 1129 e superior: números BWV3, ver BWV#Números acima de BWV 1126

Obras derivadas

Não há muito sistema na forma como as obras derivadas das composições de Bach são listadas. O "R" a adição ao número BWV só está bem estabelecida para as reconstruções incluídas em NBA VII/7 (por exemplo, reconstruções solo de violino de BWV 565 não são geralmente indicadas como BWV 565R, nem o sistema usado para obras vocais reconstruídas). Para algumas séries de transcrições e arranjos, os catálogos de obras desses transcritores/arranjadores podem conter sublistas com obras derivadas de composições de Bach.

Concertos reconstruídos

Ver também #Reconstruções na tabela acima

Cada concerto reconstruído é criado após o concerto para cravo para o suposto instrumento original. Tais reconstruções são comumente referidas como, por exemplo, BWV 1052R (onde o R significa 'reconstruído'). Outras reconstruções e conclusões de, por exemplo, BWV 1059 foram indicadas como BWV 1059 ou BWV 1059a.

Adaptações

As transcrições e arranjos nos catálogos de obras de outros compositores incluem:

Ferruccio Busoni
Os números de catálogo BV B 20 a B 46 são arranjos de obras de Bach, muitas das quais publicadas nas edições Bach-Busoni.

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